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Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONTINUOUS. CRI HUB -- NEW YORK CITY64H64HScreens come alive with a POV of ROSS. VOSEN studies the monitors. ROSS arrives at Waterloo, pays TAXI. TECHNICIAN #1 Sir, subject just arrived at the south entrance to Waterloo Station. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. WATERLOO -- ENTRANCE6363ROSS moves to the entrance.Behind him, inside the tube station portico, BOURNE arrives. Sees ROSS. Sees the two survey teams. MOBILE ONE up the stair well and MOBILE TWO at street level. Commuters coming up the escalators. BOURNE joins them - moving towards Ross.Closer.Right on him. ROSS oblivious. Looking out onto the street.BOURNE brushes past him and PUTS THE PHONE IN HIS POCKET..ROSS feels the contact. Checking himself -- he’s okay. But now a phone is ringing -- looks around, must be someone else.But the vibration’s coming from his jacket pocket.ROSS takes out the phone -- not his -- puzzled.ROSS hits “answer.â€16 ROSSHello?BOURNE (O.S.)Don’t ask questions. Just listen... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONTINUOUS. NEW YORK HUB64H64HVOSEN watching...VOSENWhat’s he doing? I thought we blocked his cell? Who the hell is he talking to???WILLSJimmy, I need that phone!VOSEN(beat)Activate the asset.WILLSSir, we haven’t yet become operational --VOSENI said activate the asset. I want options. Wills keys in a CODE... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. BMW -- LONDON STREET 6464PAZ, 20s, cool and predatory, drives and waits for instructions...His PHONE buzzes...He reads the code...Accelerates toward Waterloo Station... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. CONTINUOUS. FOOTBRIDGE7070BOURNE reaches the top of the stairwell on the other side of the road. His POV to the left -- a LONDON BUS is approaching.To the right -- a young man in a hooded top -- speaking on his cell -- walking toward a BUS STOP...A plan is forming. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONTINUOUS. WHITE VAN7171SURVEY TWO -- camera zooming in on ROSS.17 SURVEY TWOWhat’s the ROE on this one?PANNING TO REVEAL | COMEDY |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONTINUOUS. NEW YORK HUB64H64HVOSEN thinking it over as he watches the image of ROSS. | ROMANCE |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. YORK ROAD -- TUBE -- BUS STOP7575ROSS looking around. Then --BOURNE (O.S.)To your left. Blue hooded top. Walking towards the bus stopROSS has clocked him.The HOODY walks to the bus stop. One hands-free EARBUD swaying down by his side as he moves to a seat.Sitting down. Checking his watch.ROSS shifting nervously from one foot to another.BOURNE (o.s.) (CONT'D)Go to the bus stop, sit next to him. Head down...The LONDON BUS approaching.ROSS begins to move. | ROMANCE |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB -- NEW YORK64H64HThings are beginning to happen.TECHNICIAN #1Target is on the move.WILLSOkay, who’s the guy in the blue hood?Screen POV. ROSS standing next to the HOODY -- head down. Trying to play it cool -- ROSS in clear view of the cameras. “Speaking†with the HOODY. Camera zooming in.VOSENOkay, there, he’s talking to the guy with the hood. Take them down.Just then --18 A BUS pulling up to the bus stop, blocking both SURVEYS’ views. Rifle mics picking up the bus chatter, instead of ROSS.VOSEN. Annoyed now.VOSEN Watch that bus! The bus! -- don’t lose them! Stay triangular and don’t get blocked.The crackle of the survey teams as they try and reframe.POV SCREEN -- SURVEY ONE seeing the bus clear. The HOODY has gone.POV ANOTHER SCREEN -- SURVEY TWO -- camera finally catching up, picking out the HOODY on the bus as it begins to pull away.VOSEN?Grab Team B. Grab the hoody and stay with Ross...TECH’S giving orders... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. ACROSS FROM YORK ROAD -- DAY 7777SURVEY TWO -- three men racing across the road on foot. Weaving through heavy traffic. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. FOOTBRIDGE AREA7878BOURNE watching his plan unfold...Only a few seconds to get ROSS out of there...BOURNETake the footbridge. Go to the West Entrance. I’ll meet you at the newsstand. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. YORK ROAD -- CONTINUOUS 7979ROSS rearing this -- Moving away --The BUS moves up to the traffic light. The AGENTS moving across the street... | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. NEW YORK -- ENCRYPTED AREA -- CONTINUOUS64H64HVOSEN looking at the screens. Pointing...19 VOSENNo, no, look...Ross is not on the bus. Split up the team -- get the guy on the bus and send someone to stay on Ross. EXT DAY. YORK ROAD -- CONTINUOUSR81R81One AGENT peeling off, to keep ROSS in check.The other two AGENTS racing to the bus as it pulls away from the lights. Kicking the doors open, leaping on.GUNS drawn. So quick. Passengers screaming.AGENT ONE(to Hoody)You. On the floor. Down.Pushing the HOODY to the floor. AGENT TWODriver, stop the bus!On the HOODY.The HOOD is pulled back.An innocent YOUNG MAN -- terrified, bewildered. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. FOOTBRIDGE AREA8383ROSS on the move across the walkway. | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. STAIRWELL8484SURVEY ONE moving up the steps, only to meet-BOURNE coming down. Three quick moves and he's down- slumped against a wall- just another drunk to step over in the rush hour.Pulls the feed. Takes the earbud. Then back up and falls into step behind ROSS.Listening in to the chaos he has caused -- an ocean away. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. NEW YORK HUB64H64HTECHIES scrambling to restore the feed. VOSEN staring.TECHNICIAN #2We’ve lost signal.20 TECHNICIAN #1What happened to Survey One?VOSENI don’t like this. Patch me through to Met surveillance.INT/ | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. CAR -- LONDON STREETS8686PAZ parked up -- gets the call -- pulls out into the traffic.Slicing through to the target area. Waterloo up ahead. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. WATERLOO8787A SECOND SURVEY TEAM -- out of their vehicles. Furtively they lock and load their side arms. Fanning out towards the station. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. WEST ENTRANCE WATERLOO - NEWSTANDR88R88Bourne stops Ross, surprising him. BOURNEWhy do you know so much about me?ROSSWhat?BOURNEThe article. You talked to someone from Treadstone. Someone there at the beginning. What’s his name?ROSSI can’t tell you that.... Who’s following me? BOURNEWhoever they are it’s trouble.ROSSAre they Blackbriar?BOURNEBlackbriar, what’s Blackbriar? ROSSI don’t know. I heard the name this morning for the first time. Whatever it is, my source said it started with you.21 BOURNEWhat? What are you talking about?ROSSLook, just help me get away from these people...and we can talk more...we can--BOURNE(spotting approaching operatives)We have to move. Bourne moves Ross toward the concourse.BOURNEAnswer your phone. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB64H64HSCREENS coming alive again. They are through to MET SURVEILLANCE -- the AREA around WATERLOO.TECHNICIAN #1Last sighted heading to the West entrance. VOSENHe’s got to be close. Seal the entrances. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. WATERLOO 9090The new SURVEY team moves towards different entrances -- Ready to beat out the quarry. | FIGHT |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. WEST ENTRANCER88AR88ACAMERAS suddenly alive. Movement across the footbridge. The net's been thrown. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONTINUOUS. CONCOURSE -- WATERLOO9191Into the station concourse.ROSS moving fast. Fighting through the crowds of faces. Each one a killer in ROSS’ tormented mind.BOURNE on the periphery looking out across the throng, picking out the inconsistencies.22 One AGENT, then another approaching. He dials.BOURNE (O.C.)Three o’clock. Female. Blonde black top.ROSSHas she seen me?BOURNENot yet. Dip left past the photo kiosk.ROSS spinning round. Dipping left. BLACK TOP passing in the background missing him.BOURNE crossing close behind - marshalling the pieces at breakneck speed.BOURNE (CONT'D)Straight ahead. News kiosk. ROSS turning. Weaving through the commuters.BOURNE seeing cameras turn. ROSS heading into their path.BOURNE (CONT'D)Change of plan. Stop. Tie your shoelace.BOURNE seeing ROSS dip out of view as a group of TOURISTS block the CCTV’s line of sight. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB64H64HThat same scene -- scores of TOURISTS -- from VOSEN’s point of view. The TECHS try to get another angle... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. CONCOURSE -- WATERLOO9494ROSS looking through the sea of legs as he finishes tying his laces. Cameras sweeping past. ROSSAre we clear?BOURNEClear. News kiosk. Straight ahead.ROSS on the move. Sweating. Paranoid.Seeing a BIN MAN coming toward him -- reaching into his trolley.23 ROSSStraight toward me. Bin man?BOURNENegative.ROSSHe’s got a gun.BOURNENegative. Keep straight ahead.But ROSS swerves out of his path as the BIN MAN pulls out -- a bunch of keys. CCTV CAMERAS turn -- ZOOMING IN ON ROSS. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB -- NEW YORK64H64HRoss’ face on all screens. TECH#1We got a hit. Middle of the concourse. VOSEN pacing.VOSENWe’re losing him! We cannot afford to lose him!Frenzied teching as they capture and transmit an image of Ross to... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. TAXI RANK -- WATERLOO9696PAZ flipping open his phone. A voice crackling in his earpiece.VOICEWaterloo concourse. Subject heading east.Paz jamming the wheel hard right. Doing a high speed U-turn. Heading towards the east side of the station. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. CONCOURSE9494BOURNE realizes ROSS has been seen. Sees the AGENTS starting to form the box...BOURNEGet into cover. Now!24 ROSS moving faster. VOSENWhat’s the status of the asset?64H64HWILLSIn place in one minute.VOSENAlright, I want to take him now. Get him out of there and have the asset cover it.WILLS gives orders... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CAR TRAVELLING-- MEPHAM STREET -- DAY.9696PAZ pulling into a side street. Out towards a series of arches that lead underneath the terminal. In his ear...VOICETarget moving towards the stores.ANOTHER VOICEAsset in play. ETA thirty seconds. All exits covered.PAZ through the archway. Grabbing a station plan. Studying it.Through a subterranean maze of corridors. Up steps. 9898Through doors.On his way to the kill zone. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. CONCOURSE-- CONTINUOUS -- DAY9999ROSS moving through crowds around the departures board.BOURNE hearing that last exchange in his earpiece too. Asset in play? BOURNEKeep moving...BOURNE’s POV: AGENTS closing the box. The departures board. Platform 7. A train waiting. BOURNE (CONT’D)Faster....Commuters waiting for the platformBOURNE (CONT’D)The front...25 Suddenly -- CLICK -- PLATFORM 7 displays. A wave of commuters flooding away -- sweeping the AGENTS back with them towards platform 7.BOURNE (CONT’D)GET IN THE STORE. BOURNE’S bought them thirty seconds. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. TUNNELS ABOVE THE CONCOURSE -- DAY100100PAZ on the move. Earpiece crackling. Through a door. Taking a left down another tunnel. Opens another security door and moves up some steps. Towards a ladder. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. CONCOURSE WATERLOO -- SIMULTANEOUSLY -- DAY100A100AThe AGENTS regrouping. Speaking into their radios.VoiceHe’s in the store -- still moving east.ROSS out into the open again. In front of him another STORE COMPLEX.BOURNE INSIDE!BOURNE searching the concourse. Something bothering him. The threat level clicking another notch. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA-- SIMULTANEOUSLY -- DAY102A/B102A/BPAZ heads up some stairs to a service platform. Climbs a ladder. | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. CONCOURSE -- CONTINUOUS -- DAY101101ROSS into the store complex. To one side is a service doorway.BOURNE sees the AGENTS approaching. Looks the other way -- up at the hoardings above. Something’s not right. Treadstone instinct. BOURNEService doorway -- Now!26 | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NEW YORK HUB -- SIMULTANEOUS -- DAY64H64HAn image of Ross as he enters the store complex appears on the screen.TECHY 2Store. Three means of egress. VOSENClose him down... | COMEDY |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. STORE COMPLEX -- SIMULTANEOUSLY -- DAY105105ROSS through narrow store corridors. Sheer panic now. Two of the AGENTS move in after him.BOURNE behind them.BANG - takes the first out silently. BOURNEKeep moving. ROSS moving out to the light as another AGENT follows.BOURNE (CONT’D)Through the store room.ROSS travelling through. The second AGENT right behind as-BOURNE steps out from behind the store room door. The dull snap of bones as second AGENT falls to the floor. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY -- CRI HUB64H64HOn a screen VOSEN watches, transfixed, as BOURNE takes out all his agents and then grabs ROBB...VOSENJesus Christ, that’s Jason Bourne.WILLSMaybe he’s the source?VOSENIt doesn’t matter, the asset now has 2 targets. Take them both out.WILLS taps in the order... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA-- DAY102B102BPAZ moves cross a narrow walkway.27 Now he’s behind a mechanical 'tri-panel' hoarding. The kind that displays a different advert every 15 seconds. He waits for the change and then----- A huge field of vision across the concourse stretching out down below him- a sniper's heaven.PAZ pulling open the motor-casing from the side panel, goes to work on it. Slowing the rotation. Rearranging the large triangular prisms to give him just the right time-gap to pull the trigger- and just enough cover to disappear.He takes out rifle parts from his rucksack. Starts to assemble them. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. BEHIND THRESHERS (BEHIND THE SILVER METAL DOOR)102C102CBOURNEI’m going to get you to safety but you have to stay calm do exactly what I say. ROSS(fear-induced autopilot)Sure, okay. BOURNENo, listen to me: Exactly what I say this time. Understand? Ross snaps to focus. Looks Bourne in the eye.ROSSYes.BOURNEStay here while I look for an escape.Ross nods. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA102B102BPAZ puts together the rifle. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. WATERLOO STATION103103BOURNE exits from the silver door behind Threshers. He stays on the phone with Ross. Hidden from the view of the CCTV cameras by the thick crowd, Bourne sees the approaching agents abruptly pulling back.28 ROSS (PHONE V.O.) (CONT’D)I can see the entrance from here I can make it out--BOURNENo, stay behind that door. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. HUB64H64HCCTV view of the silver door behind Threshers that ROSS is behind (not Bourne). Wills is on phone.WILLSThere. That silver door. Bourne’s behind that door? TECHConfirmed. WILLSOkay, pull the agents back and give Bourne’s location to the asset. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA 107107On his cell phone Paz receives a text indicating Bourne’s location. Paz finds the silver door and aims his rifle at it. SCOPE POVA shape barely visible moving behind the window. (It’s Ross but Paz and the Hub think it’s Bourne. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. BEHIND THRESHERS / WATERLOO CONCOURSE-- DAY111111INTERCUTTING BETWEEN ROSS AND BOURNE:Bourne spots the agents pulling back per Wills’ orders. ROSS (INTO PHONE)If I run now I can make it--BOURNE (INTO PHONENo. Something’s not right. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA107107Paz awaiting his shot--29 SCOPE POVThe door comes open slightly, but from this angle Paz doesn’t have a clean shot at his target (who he thinks is Bourne). | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CONCOURSE -- WATERLOO111111Bourne searches the rafters, looking for any threats from above. ROSS (TEL. V.O.)I’m going to go for it, okay? BOURNEDon’t move until I tell you.Bourne is distracted by the last of the agents disappearing. Something is definitely wrong--ROSSI’m going to go for it. BOURNENo, No not now.Ross suddenly sprints out from behind the door--SCOPE POV110A110APaz sees the shape emerge-- | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MAINTENANCE AREA -- DAY110A110APAZ fires-- | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. WATERLOO -- SERIES OF ANGLES111111But it’s Ross, not Bourne. Ross is hit by Paz’s shot. He falls, inches from the silver door, dead. Blood has splattered on the door. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. PAZ’S NEST110A110APaz snaps his head back to the scope, realizing he’s shot the wrong person. Then he catches a glimpse of Bourne--Bourne ducks behind the gathering crowd, out of Paz’s line of sight, and goes to the body. 30 | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. HUB 64H64HVosen and Wills stare at the screen. At the image of Ross, dead on the concourse. The room -- normally full of chatter has gone dead silent...Vosen puts his head in his hands. This is a monumental screw up and everyone here knows it. He just had the wrong man killed.... VOSENOh...shit...Then suddenly Vosen snaps back to focus:VOSEN (CONT’D)Get the asset out of there ...WILLSWhat about Bourne?On the HUB MONITORS we see Police moving in... Vosen doesn’t need to see anymore.VOSENGet him out of there - NOW! | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. WATERLOO -- DAY111111Bourne feels Ross’ body for something.OMITTED110A110APAZ’S NEST110A110APaz is frustrated by the order. He’s itching to get another shot off at Bourne, but after a beat, packs up quickly, as ordered. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. WATERLOO -- DAY111111Back in Waterloo, Cops run in from all sides. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. WATERLOO STATION111A111AOn the screens and in real life, the aftermath of the hit. PARAMEDICS try helplessly to deal with ROSS -- killed instantly by the head shot meant for BOURNE...POLICE arrive and seal off the crime scene...31 | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. CONCOURSE WATERLOO -- SIMULTANEOUSLY -- DAY113113BOURNE on the move. Fast -- Past platforms. On his way up to the Tri Panel.Up stairs. On to a walkway. To his right he sees a figure disappearing... PAZ.BOURNE hammers down the walk - way in pursuit. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. PLATFORM AREA -- DAY114114BOURNE tailing PAZ down on to a parallel platform. PAZ dipping down into the underground entrance. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. TUBE STATION -- WATERLOO -- DAY115/116115/116PAZ moving deliberately through the evening rush hour-- blending in...BOURNE in pursuit. Chasing on instinct.There...A glimpse of PAZ at the bottom of an escalator.BOURNE fights past people. PAZ disappears into the crowd. BOURNE rushes to catch him. Rounding a corner... A long walkway -- at the end, two staircases lead to different tube lines. BOURNE hesitates-- measures the choice.The sound of a train fills the station-- BOURNE -- Fast downstairs. Watches-- just as PAZ gets onto the car at another door. BOURNE lunges to get on the train...But the doors close...BOURNE’S POVWatching PAZ from the platform as he SAGS down onto a seat, nauseated, his skin clammy, his head pounding...He takes out the PILLS and dry-swallows them...Looks up...CLOSE ON -- BOURNEWatching PAZ...As if he’s looking in the MIRROR at his old self...The self before THE BOURNE IDENTITY...32 CLOSE ON -- PAZHe looks straight ahead, just another commuter...BACK ON -- BOURNEWatching PAZ, as the train pulls away...Then BOURNE is immediately in motion... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. DIRECTOR’S OFFICE -- CIA -- LANGLEY, VA119119KRAMERHello.VOSENIt’s Vosen. We have a situation. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. NIGHT. DANIELS OFFICE -- MADRID119B119BEstablishing Sewell and Marbury. | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. DANIELS OFFICE120120DANIELS watches news of ROSS murder on TV. DANIELS panics, opens his safe, packs up papers, takes Blackbriar FILE. Sets alarm. Leaves. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. NIGHT. INTERNET CAFE -- LONDON.120C120CBOURNE sits at a computer, the ROSS notebook open in front of him. He pages through it, finding names, places, “HOW DID THIS ALL START?†-- and Blackbriar. He Googles “Sewell and Marburyâ€-- finds Paris, Berlin, Madrid. BOURNE continues to search and finds receipt from Madrid. BOURNE leaves. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. POSH HOTEL -- NEW YORK CITY123123LANDY steps out of a TAXI... | COMEDY |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. POSH HOTEL -- NEW YORK CITY123A123AVosen’s sitting.VOSEN(to waiter)Sparkling. And a “Heart-Healthy†omelet with goat cheese and peppers. Landy arrives. 33 VOSENYou’re late. Traffic?WAITER(handing her the menu)Ma’am?LANDYNothing for me.Vosen looks at her, surprised. VOSENI’m buying.She shakes her head, no. She sits, without taking her coat off. She’s not staying long. VOSENWhen the Director called, it was suggested we bring you on--LANDYSuggested?(beat)Are you sure it was just a suggestion?VOSENFunny how different things look depending on where you sit. I look at this as doing a favor for you. Giving you an opportunity to complete some unfinished business. LANDYMeaning?VOSENJason Bourne.LANDYBourne’s finished.VOSENReally?LANDYIt was finished the moment I realized I was chasing him for something he didn’t do. The case is closed. 34 VOSENSo what do you make of this?(handing her surveillance photos of Bourne in Paris)French intel picked up Bourne meeting Pierre Elattrache on Tuesday. He threatened to burn our house down if you didn’t tell him who started Treadstone. That’s a big problem, wouldn’t you agree?LANDYThis doesn’t feel like Bourne to me.VOSENWhy’s it so hard for you to believe?LANDYProbably because it’s coming from you, Noah. VOSENLets try and be adults okay? We all thought he was done, off the grid. But Bourne’s back. Maybe he’s a threat. We both want the same thing here. LANDYSo what happened at Waterloo? VOSENWe have a leak. Bourne showed up in our surveillance. We had very little time to react. LANDYAnd the reporter ended up dead?VOSENBourne saw us coming. Landy looks at him, suspicious. LANDYSo what was he doing? VOSEN?We don’t know. But just the fact that he was there means he’s up to something, don’t you think? Maybe he’s the source?35 LANDYThe real question is how you managed to get in a fire fight in the middle of a public train station.VOSENDon’t second guess an operation from an armchair, Pam. It’s not fair. LANDYI’m going to the office now. I’ll make my own introductions. Off VOSEN... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. ATOCHA TRAIN STATION -- MADRID125125AN AVE train pulling into the vast station. BOURNE stepping out, walking up the platform. Moving out through the station... | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY -- CRI HUB 125A125ATWO NEW TECHS plus the three we met before. All watching VOSEN lead LANDY and CRONIN into the room.WILLSThis is Pamela Landy. She’s gonna be quarterbacking our search effort. I think what we oughta do, just to get started, let’s go around the room, say who you are and what your spec is.LANDY stepping in before this gets going --LANDYLet’s do names later.(she’s got the floor) What’s Bourne’s last fixed position?(impatient)Anybody.TECH#3London. Twelve hundred Zulu.LANDYStatus? Wounded? Armed?TECH#2Alive. Mobile. Unknown.36 LANDYWhere are your grids coming from?TECH#1NSA Tactical.LANDYYou have an Echelon package?TECH#1Yes.LANDYWhy isn’t it on?TECH#1We were waiting.LANDYFor what?(no takers)You’re nine hours behind the toughest target you’ve ever tracked. I want everyone to sit down, strap in, and turn on all you’ve got.(beat)That would mean now.That lights it. They’re moving. LANDY (CONT’D)Thank you.VOSEN watches...LANDY (CONT’D)I want everything you’ve got on Ross on screen one.LANDY watches as the screen lights up with ROSS information... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. DAY. SEWELL AND MARBURY -- MADRID125B125BBourne arrives, begins to recon the area.He goes to the front door finds “Sewell and Marbury†and rings the bell. No answer. Two cops come around a corner. Bourne sees them, notes the side of the building and leaves. 37 | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB -- NEW YORK CITY125E125ETECH#1Sir, we just hacked Ross’s email account at the Guardian and found a round trip ticket to Turin, yesterday. 0800 arrival, 12:05 departure.LANDYI think we can be pretty certain that Bourne’s not your source then?VOSENHow?LANDYRoss’s call to his editor, where he said he just met the source on Blackbriar, took place just after his flight landed. His met his source in Turin.VOSENSo?LANDYSo, what, Bourne met Ross for breakfast and then, at noon the same day Bourne calls Ross to demand a meet at Waterloo?CRONIN(Needling Wills)Maybe they were even on the same flight?VOSENCross check the secure cell phone usage of everyone with Blackbriar SCI clearance against all calls in and out of Turin during the morning Ross was thereTECHNICIANS start pounding keyboards.LANDYThe guy you’re after is a CIA operative with clearance above Top Secret. He was committing treason by talking to Ross. Do you really think, while doing that, he used a cell phone he knows we can track?TECH 3 (JIMMY)Zero results on the cross check.38 VOSEN stares daggers at her.WILLSDo you have a better idea?LANDYYeah, I’d look at all the people whose cell phones were switched off the entire period Ross was in Turin.WILLSDo it Jimmy.TECHNICIANS start tapping.LANDY(looks at Cronin)I mean if your people use their cell phones as much as mine do, the list should be pretty smallTECHNICIAN 3 JIMMY Three names: Tom Brewster, Jack Boulin, Neal Daniels.The names display on the screen: Tom Brewster, Jack Boulin Neal Daniels.The HUB employees can’t help but be impressed by LANDY. WILLS and VOSEN notice their response.LANDYNow check everything in Ross’s apartment against those names. Look for common patterns, look for -CRONINInitials .....Bring that up on main. LANDY turns. CRONIN is leaning down in front of a computer screen. Point to something for the tech --- who puts it on the big screen, blown up.In a set of handwritten notes by ROSS it says “per N.D.â€next to several scrawls.LANDYNeal Daniels. He’s Station Chief in Madrid now, isn’t he?WILLSJesus Christ.39 VOSENCall the RSO at the Embassy and have them take Daniels into custody if he’s there. If he’s not, get a grab team to the Calle Norte safe house. Send them in heavy and tell them we’ll assist with entry.LANDY“Heavy?†Daniels isn’t--VOSENI’m worried about Bourne. If he’s not Ross’s source, then he must be after Ross’s source -- just like us.Off LANDY... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. MADRID STREETS -- NIGHT125F125FBOURNE in a TAXI turning a corner into a narrow street. The rain has slowed, but the streets are still quiet. BOURNE gets out and walks past the SEWELL and MARBURY front door, picks the lock and gains entry. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY. -- NIGHT126B126BBOURNE up the stairs. Finds the office. Jimmies the door. Disables the alarm.All the signs of a hurried exit. A half filled cup of coffee -- cigarette burned down in an ashtray but not snubbed out -- a light left on -- files and documents, some shredded, some not. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. HUB127H127HVosen paces back and forth. The hub is MUCH quieter than it was in the Waterloo scenes. TECH 1. (LUCY)Parque Vasquez is clean. No sign of subject.VOSENTeam two, ETA Callee Norte?FILTERED V.O. (KILEY)Three minutes.40 | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. MADRID STREETS -- NIGHT127A127AA BLACK CAR moving briskly through traffic and -- | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MOVING BLACK CAR -- NIGHT127A127AHAMMOND at the wheel. KILEY with the map. Shutting off his phone. | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY -- NIGHT127B127BBOURNE checks the office. Soon he finds a photo of Daniels with Albert Hirsch. | ROMANCE |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. HOSPITAL ANNEX -- OVERCAST DAY -- FLASHBACKFB3FB3Bourne arrives at a nondescript steel door with two CCTV cameras covering it. He sees 415 written above the door. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY -- NIGHT127B127BThe flashback overwhelms Bourne. | FLASHBACK |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SRD CORRIDOR -- DAY -- FLASHBACKFB3AFB3APOV shots of Bourne walking down the long corridor with Daniels. Other shots revealing that Bourne is in Army dress greens (without hat). Daniels knocks and leads Bourne into-- | FLASHBACK |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY -- NIGHT127B127BBourne is driven to his knees.OMITTEDFB3BFB3B | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. TANK ROOM -- FLASHBACKFB3CFB3CBourne is dragged into a room with a large water tank. His hands have been bound behind his back, the sack’s drawstring pulled tight, and he has been weighted down. Bourne is shoved into the water. UNDERWATER SHOT -- FLASHBACKFB3DFB3DBourne falls into the water. SPLASH. He starts to sink. The wet sack allows us to see the outlines of his face. Also POVs as Bourne sinks. 41 SERIES OF SHOTS FROM ABOVE AND BELOW WATER --FLASHBACKFB3EFB3EBourne struggles wildly at first. Tries to get out of his restraints. But to no avail. SRD men watch him from the edge of the tank. Perhaps also on monitors. Expressionless.UNDERWATER SHOT - FLASHBACKFB3FFB3FBourne fights every human instinct to draw a breath. Also shot from Bourne’s POV:HIRSCH (FILTERED, EERIE)You’re going to drown. There is nothing you can do to prevent this. Stop struggling and accept it.Finally Bourne can’t hold his breath for an instant longer. His mouth opens. Water rushes in. He convulses, begins to drown... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. TANK ROOM -- FLASHBACKFB3GFB3GBourne’s body goes limp. SRD men watch. No reaction. UNDERWATER SHOT -- FLASHBACKFB3HFB3HBourne goes limp. POV of him blacking out. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY -- NIGHT127B127BBOURNE comes out of the FLASHBACK. As he staggers across the room, he notices a car arriving on the monitor... | FLASHBACK |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. STREET127C127CA car approaches. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SEWELL AND MARBURY 127B127BBourne snaps out of it and sees the car on a security monitor. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. STREET. 127C127CAgents get out of car and approach building.42 | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY -- CRI HUB127H127HTECH#3Sir, they’re at the front door.VOSEN watches... | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. NIGHT. MADRID SAFEHOUSE127C127CHAMMOND AND KILEY enter the building. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. SAFEHOUSE 127D127DBOURNE runs water into the TEA KETTLE -- sets the trap... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. SAFEHOUSE 128A128AHAMMOND and KILEY enter. HAMMONDWe're in. BOURNE listens from his hiding spot. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB127H127HLANDY paces.VOSENOkay, put it live. | SONG |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. SAFEHOUSE129129HAMMOND moves quickly into the room -- gun raised.HAMMOND at the alarm box.HAMMONDAlarm’s down. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY -- CRI HUB127H127HVOSENThat has to be Bourne.VOSEN already moving to the monitor. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. MADRID SAFEHOUSE131131HAMMOND and KILEY -- move cautiously from room to room -- they’ve done it before...43 HAMMOND(into mike)Safe’s cleaned out. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. CRI/GRID ROOM 127H127HVOSEN pacing impatiently around the speakerphone --VOSEN Shit... Track the passports. | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT/RAIN -- SAFEHOUSE133133KILEY gestures to a light moving under a door.Kiley crouching...leaning in...hand on the knob, and --Pulls the closet DOOR OPEN -- Nothing. Sink, dishes. a small kitchen. And... on the stove...a tea kettle and a spoon...Which is the last thing they'll remember, because...BOURNE -- coming around the corner fast -- full stop and --BOURNE lays out HAMMOND... KILEY turns to find BOURNE -- who takes him out too. Then it stops.BOURNE yanks the headsets. Closes the PHONE. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. DAY. CRI HUB127H127HThe SCREENS go black. Silence... VOSENGoddamn it! Get a back-up team in there! | DRAMA |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. MADRID SAFEHOUSE - NIGHT127D127DTEA KETTLE payoff... | SONG |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. HUB127H127HVOSENHow long till back-up arrives?The hub scrambles to answer that... Landy paces in the background. Suspicious of Vosen...44 VOSENHow long?(beat, loud, to the entire hub)Stop! Hang on. I have an idea... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. MADRID SAFEHOUSE 136136ON A SECURITY MONITOR -- BOURNE sees another figure moving up the stairs...Checking his watch, reloading his gun. Twisting into the path to shoot as the door opens, hesitating because-It’s NICKY.A beat -- long unbroken.BOURNEWhat are you doing here?NICKYI was posted here after Berlin.BOURNEWhere’s Daniels?The office PHONE goes. Bourne waving her to it. She picks it up. He hits the speaker phone. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. HUB127H127HNICKY (V.O.)Hello.VOSENWho is this?NICKY (V.O.)This is Nicky Parsons. Who’s this?Landy reacts to her voice...Both Vosen and Landy strongly suspect Bourne is there and listening...Vosen reads her “Duress Challenge†identity check off the screen. It reads:Challenge: “Sparrowâ€Response if Under Duress: “Rubyâ€Response if Normal: “Everestâ€45 VOSENNicky, I need to do an ID challenge first. Code in: “Sparrow.â€Vosen looks at the screen to check her response...NICKYResponse: “Everestâ€.VOSENNicky, this is Noah Vosen. How long have you been on site?NICKY (V.O.)I just walked in. VOSENWe have two officers on site. Are you in contact with them?NICKY (V.O.)They’re down. Unconscious, but alive.VOSENIs there any sign of Daniels?NICKY (V.O.)No.LANDYNicky, this is Pam Landy. We have reason to believe there is a connection between Neal Daniels and Jason Bourne. NICKY (V.O.)Bourne, are you still looking for Bourne? I thought the case was closed.LANDYNo, some people are convinced he’s still a threat. I disagree but to find out I need to talk to him.VOSEN seething because LANDY has interrupted him...VOSENHold on Nicky.Vosen hits the mute button.VOSENWhat are you doing? You know Bourne’s probably listening.46 Landy doesn’t answer. Vosen to Wills:VOSENHow long till back up arrives. Wills holds up three fingers. Vosen unmutes.VOSEN (CONT’D)(into microphone again)Listen, Nicky. I want you to stay put and secure the premises. It could be an hour until another team arrives.LANDY piercing VOSEN with a look... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. SAFEHOUSE - NIGHT 138138BOURNE continues to hold the gun in her face -- NICKY is very calm considering the predicament she is in.NICKYOkay.DIAL TONE as the line gets closed at the other end.NICKYThey know you’re here.BOURNEHow long do I have?NICKYThree minutes... | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | EXT. NIGHT. MADRID STREET138A138AFLASH: TWO SEDANS squeal around a corner. CRI reinforcements. | THRILL |
Classify the following scene text into a genre. The possible genres are SONG, FIGHT, ROMANCE, TWIST, DRAMA, COMEDY, SENTI, FLASHBACK, THRILL, NOTHING. No need of explanation | INT. NIGHT. CRI SEDAN -- MADRID STREET138AA138AADELTA DUDE2 minutes to safehouse. | THRILL |
Subsets and Splits