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one of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace .
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merchant has n't directed this movie so much as produced it -- like sausage .
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`` it 's all about the image . ``
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merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .
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star wars is back in a major way .
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by the end , you just do n't care whether that cold-hearted snake petrovich ( that would be reno ) gets his comeuppance . just bring on the battle bots , please !
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stephen rea , aidan quinn , and alan bates play desmond 's legal eagles , and when joined by brosnan , the sight of this grandiloquent quartet lolling in pretty irish settings is a pleasant enough thing , 't is .
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hip-hop has a history , and it 's a metaphor for this love story .
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an awful movie that will only satisfy the most emotionally malleable of filmgoers .
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because the genre is well established , what makes the movie fresh is smart writing , skewed characters , and the title performance by kieran culkin .
1
the plot is very clever , but boyd weighs it down with too many characters and events , all intertwined and far too complicated to keep track of .
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a captivating and intimate study about dying and loving . . .
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[ seagal 's ] strenuous attempt at a change in expression could very well clinch him this year 's razzie .
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an incredibly clever and superbly paced caper filled with scams within scams within scams .
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if mostly martha is mostly unsurprising , it 's still a sweet , even delectable diversion .
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k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia .
1
it 's rather like a lifetime special -- pleasant , sweet and forgettable .
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it 's a sharp movie about otherwise dull subjects .
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you could say that it 's slow at times , you could say that a few of the characters act in ways that real people would n't , but one thing you could n't say is that alias betty is predictable .
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it 's a bad sign in a thriller when you instantly know whodunit .
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the movie does n't think much of its characters , its protagonist , or of us .
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a four star performance from kevin kline who unfortunately works with a two star script .
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efficient , suitably anonymous chiller .
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compulsively watchable , no matter how degraded things get .
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over the years , hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor .
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. . . spellbinding fun and deliciously exploitative .
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more of a career curio than a major work .
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the plot is romantic comedy boilerplate from start to finish .
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i kept wishing i was watching a documentary about the wartime navajos and what they accomplished instead of all this specious hollywood hoo-ha .
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an achingly enthralling premise , the film is hindered by uneven dialogue and plot lapses .
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an alternately fascinating and frustrating documentary .
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first , for a movie that tries to be smart , it 's kinda dumb . and second , what 's with all the shooting ?
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you see robert de niro singing - and dancing to - west side story show tunes . choose your reaction : a . ) that sure is funny ! b . ) that sure is pathetic !
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stars matthew perry and elizabeth hurley illicit more than a chuckle , and more jokes land than crash , but ultimately serving sara does n't distinguish itself from the herd .
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if i spy were funny ( enough ) or exciting ( enough ) then it would be fairly simple to forgive the financial extortion it 's trying to reap from the moviegoing public .
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el peso de un lM-mquido incoloro , el peso del lM-mquido vital , del amor como elemento de vida , y de muerte . . .
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quite frankly , i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out .
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the overall effect is less like a children 's movie than a recruitment film for future hollywood sellouts .
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me without you has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood .
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take care of my cat offers a refreshingly different slice of asian cinema .
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more than their unique residences , home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .
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a mostly tired retread of several other mob tales .
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naipaul fans may be disappointed . those who are not acquainted with the author 's work , on the other hand , may fall fast asleep .
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apparently reassembled from the cutting-room floor of any given daytime soap .
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a fleet-footed and pleasingly upbeat family diversion .
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there 's not much going on in this movie unless you simply decide to buy into the notion that something inexplicably strange once happened in point pleasant .
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for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .
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this series should have died long ago , but they keep bringing it back another day as punishment for paying money to see the last james bond movie .
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gets bogged down by an overly sillified plot and stop-and-start pacing .
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the moral shrapnel and mental shellshock will linger long after this film has ended .
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the best way to describe it is as a cross between paul thomas anderson 's magnolia and david lynch 's mulholland dr .
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were it not for a sentimental resolution that explains way more about cal than does the movie or the character any good , freundlich 's world traveler might have been one of the more daring and surprising american movies of the year .
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for something as splendid-looking as this particular film , the viewer expects something special but instead gets [ sci-fi ] rehash .
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that the chuck norris `` grenade gag `` occurs about 7 times during windtalkers is a good indication of how serious-minded the film is .
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the emotions are raw and will strike a nerve with anyone who 's ever had family trauma .
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for all the wit and hoopla , festival in cannes offers rare insight into the structure of relationships .
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the kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics .
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a sometimes tedious film .
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sunshine state surveys the landscape and assesses the issues with a clear passion for sociology . but the cinematography is cloudy , the picture making becalmed .
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i 'm not saying that ice age does n't have some fairly pretty pictures , but there 's not enough substance in the story to actually give them life .
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will no doubt delight plympton 's legion of fans ; others may find 80 minutes of these shenanigans exhausting .
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not only does spider-man deliver , but i suspect it might deliver again and again .
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the filmmakers try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching .
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what an embarrassment .
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thanks to confident filmmaking and a pair of fascinating performances , the way to that destination is a really special walk in the woods .
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[ p ] artnering murphy with robert de niro for the tv-cops comedy showtime would seem to be surefire casting . the catch is that they 're stuck with a script that prevents them from firing on all cylinders .
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the terrific and bewilderingly underrated campbell scott gives a star performance that is nothing short of mesmerizing .
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this is the kind of movie that used to be right at home at the saturday matinee , and it still is .
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film ca n't quite maintain its initial momentum , but remains sporadically funny throughout .
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if you 've ever entertained the notion of doing what the title of this film implies , what sex with strangers actually shows may put you off the idea forever .
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the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport .
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terrific performances , great to look at , and funny . a little uneven to be the cat 's meow , but it 's good enough to be the purr .
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birthday girl walks a tricky tightrope between being wickedly funny and just plain wicked .
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it is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film .
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i 'm not generally a fan of vegetables but this batch is pretty cute .
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an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough of its effects to make up for the ones that do n't come off .
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the film is so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film .
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may be more genial than ingenious , but it gets the job done .
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qutting may be a flawed film , but it is nothing if not sincere .
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a jumbled fantasy comedy that did not figure out a coherent game plan at scripting , shooting or post-production stages .
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often moving and explores the discomfort inherent in the contacts between the american 'hosts ' and their 'guests . '
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challenging , intermittently engrossing and unflaggingly creative . but it 's too long and too convoluted and it ends in a muddle .
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as a girl-meets-girl romantic comedy , kissing jessica steinis quirky , charming and often hilarious . yet it 's not quite the genre-busting film it 's been hyped to be because it plays everything too safe .
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not everything in the film works , including its somewhat convenient ending .
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it 's hampered by a lifetime-channel kind of plot and a lead actress who is out of her depth .
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fails to satisfactorily exploit its gender politics , genre thrills or inherent humor .
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it kinda works and qualifies as cool at times , but is just too lame to work or be cool at others .
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herzog is obviously looking for a moral to his fable , but the notion that a strong , unified showing among germany and eastern european jews might have changed 20th-century history is undermined by ahola 's inadequate performance .
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it wo n't bust your gut -- and it 's not intended to -- it 's merely a blandly cinematic surgical examination of what makes a joke a joke .
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has the disjointed feel of a bunch of strung-together tv episodes .
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like any good romance , son of the bride , proves it 's never too late to learn .
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one of the funniest motion pictures of the year , but . . . also one of the most curiously depressing .
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the film jolts the laughs from the audience -- as if by cattle prod .
1
as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy , clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge .
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triple x is a double agent , and he 's one bad dude . when you 've got the wildly popular vin diesel in the equation , it adds up to big box office bucks all but guaranteed .
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using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
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a damn fine and a truly distinctive and a deeply pertinent film .
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beyond a handful of mildly amusing lines . . . there just is n't much to laugh at .
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cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
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it 's sort of a 21st century morality play with a latino hip hop beat . but the second half of the movie really goes downhill .
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