yeegnauh/bert_wikipedia · Datasets at Hugging Face

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External links

Parish Council website
Docking Heritage Group
Genealogical history of the village


Villages in Norfolk
Civil parishes in Norfolk
King's Lynn and West Norfolk
UFO sightings in England
"Shangri-La" is a popular song written by bandleader Matty Malneck and Robert Maxwell in 1946 with lyrics by Carl Sigman. Background
The term comes from "Shangri-La" as the hidden valley of delight in James Hilton's 1933 novel Lost Horizon. The term "Shangri-La," especially in the 1930s and 1940s, was slang for heaven or paradise, and the song is about the joy of being in love. Recordings
The first recording was a 2-sided 78 instrumental version by Matty Malneck and His Orchestra (February 7, 1946) for Columbia Records, featuring a harp solo by Robert Maxwell. Maxwell's own instrumental version for Decca Records (saxophone/organ lead with brass and rhythm), which also featured his harp solo, which is heard in the introduction as well as in the coda section of the song, charted in 1964, reaching #15, and #67 of the Top 100 instrumentals, 1960-69.
Other popular versions (with lyrics) were recorded by The Four Coins in 1957 (#11 US) and by The Lettermen in 1969 (#64 US). Many versions have been included in artists' albums over the years including:
Johnny Mathis - The Wonderful World of Make Believe (1964)
Peggy Lee - In the Name of Love (1964)
Vic Damone - Strange Enchantment (1962)

In popular culture
Jackie Gleason used "Shangri-La" on his 1950s-60s TV variety show as theme music for his popular millionaire character Reginald van Gleason III. The song was also used as the opening and closing theme of Radio City Playhouse, a radio anthology series that aired in the late 1940s. References

1946 songs
1957 singles
1963 singles
1969 singles
The Lettermen songs
Songs with music by Robert Maxwell (songwriter)
Songs written by Carl Sigman
Songs with music by Matty Malneck
Sue Coe (born 1951) is an English artist and illustrator working primarily in drawing, printmaking, and in the form of illustrated books and comics. Her work is in the tradition of social protest art and is highly political. Coe's work often includes animal rights commentary, though she also creates work that centralizes the rights of marginalized peoples and criticizes capitalism. Her commentary on political events and social injustice are published in newspapers, magazines and books. Her work has been shown internationally in both solo and group exhibitions and has been collected by various international museums. She lives in Upstate New York. Biography
Coe was born November 28, 1951 in Tamworth, Staffordshire, England. She grew up close to a slaughterhouse and developed a passion to stop cruelty to animals. According to Coe, her family lived directly behind a hog farm and were continually exposed to the stench from the slaughterhouse and screams from the animals. At age 16, Coe started studying at Chelsea College of Arts, where she graduated with a B.A. degree in 1970 at the age of 18.
Coe went on to study graphic design at Royal College of Art in London from 1970–1973. However, she was too young to attend and lied about her age on the college application. After she received her M.A. degree from Royal College of Art, Coe moved to New York City, where she lived between 1972 and 2001. Coe had been an art teacher, and decided to fully dedicated herself to art making by 1978. In 2013 she was a visiting artist at Parsons School of Design and taught about social awareness in art. Works
Coe is a graphic artist and visual essayist. Though she primarily works in printmaking and illustration, she also practices in other visual media, including painting. Coe's paintings and prints are auctioned as fundraisers for a variety of progressive causes. Since 1998, she has sold prints to benefit animal rights organizations. Her influences include the works of Chaïm Soutine and José Guadalupe Posada, Käthe Kollwitz, Francisco Goya, and Rembrandt.
Coe uses books and visual essays to explore various social topics including: factory farming, meat packing, apartheid, sweatshops, prison-industrial complex, AIDS, and war. Coe cites activists as the primary audience for her work. As an illustrator, she is a frequent contributor to World War 3 Illustrated, and has seen her work published in The Progressive, Mother Jones, Blab, The New York Times, The New Yorker, Time Magazine, Newsweek The Nation and other periodicals. One of her illustrations was used on the cover of the book, Animals, Property, and the Law (1995) by Gary Francione, and her artwork is also featured in the animal rights movie, Earthlings. Coe's work is coupled to her activism, though the artist recoils from the "political artist" label. Nevertheless, Coe's works have notable political messages. "Police State," an exhibition organized by the Anderson Gallery at Virginia Commonwealth University, showcased works illustrating Coe's anti-war sentiments and critiques of international governments.
Among the works included were "Your Class Enemy (The Great Miners Strike)," "England is a Bitch," and a number of Coe's New York Times illustrations. Coe also expressed anti-war sentiments during Desert Storm through an illustration published in Entertainment Weekly. The artist's subjects are the victimized. She often depicts harsh realities, and her subjects are largely animals and humans oppressed by social and political forces beyond their control. For example, Coe and collaborator Holly Metz explore apartheid and the murder of Steve Biko in How to Commit Suicide in South Africa, a visual essay originally published by Raw Books & Graphics in 1983. Sheep of Fools (2005), a horrific look at the conditions of sheep trade, and Dead Meat (1996), a journalistic piece illustrating the brutality of slaughterhouses throughout North America, are both longer narrative investigations into animal cruelty. Awards

Coe was elected into the National Academy of Design, as an Associate Academician in 1993, and became a full Academician by 1994.
PETA progress awards named Sheep of Fools, Coe's collaboration with Judy Brody, Nonfiction Book of the Year in 2005. In 2013, Dickinson College honored Coe with the Dickinson College Arts Award, in recognition as an influential cultural figure in the United States. She was awarded the 2015 Lifetime Achievement in the Visual Arts award from Women's Caucus for Art, for her dedication to art and activism. In 2017, Coe was awarded the SGCI Lifetime Achievement award in Printmaking from Southern Graphics Council International (SGCI). Museum collections

Coe's work is in the collections of various international museums including: The Museum of Modern Art (MoMA), Whitney Museum of American Art, The Metropolitan Museum of Art, Smithsonian American Art Museum, Birmingham Museum of Art, Art Institute of Chicago, The Museum of Fine Arts, Houston, Cooper-Hewitt Museum, Stedelijk Museum Amsterdam, Pennsylvania Academy of the Fine Arts, Harvard Art Museums, Brooklyn Museum, Walker Art Center, and others.
Criticism
Coe has been criticized by writers Cary Wolfe and Steven Baker for "audience positioning" and using "stylistic sentimentality" to incite outrage and illicit specific responses from viewers. She has also been criticized for using stereotypes, thereby creating dimensional representations of depicted victims. Coe is also a harsh critic of herself, retroactively condemning X, her graphic companion to Malcolm X's autobiography for the way it iconized him. See also
List of animal rights advocates

Select exhibitions

Solo

2016 – “’The AIDS Suite, HIV-Positive Women in Prison and Other Works by Artist/Activist Sue Coe” at Cushing/Whitney Medical Library at Yale University
2014 – "Allied Against AIDS: Sue Coe's AIDS Portfolio" work from 1994 at Pomona College Museum of Art (PCMA) at Pomona College
2007 – "Sue Coe: Graphic Witness" at Pacific Northwest College of Art
2002 – "Commitment to the Struggle: The Art of Sue Coe" at Bell Gallery at Brown University
1994 – "Directions: Sue Coe" at Hirshhorn Museum and Sculpture Garden

Group

2017 – ""All Good Art is Political - the work of Käthe Kollwitz and Sue Coe" at Galerie St. Etienne in New York City
2017 – "Expression and Repression Exhibition" a group exhibition at Kennedy Museum of Art
2017 – “Sharp-Tongued Figuration” a group exhibition at Stedman Gallery on the Rutgers-Camden Center for the Arts at Rutgers University–Camden

2009 – "The 184th Annual Exhibition of Contemporary American Art" at National Academy Museum, New York City
2008 – "Make Art/Stop AIDS" a group exhibition at Fowler Museum at UCLA
1997 – "On the Edge: Contemporary Art From the Werner and Elaine Dannheisser Collection", Museum of Modern Art (MoMA), New York City

Selected bibliography
How to Commit Suicide in South Africa (with Holly Metz). (1984) Random House. X (The Life and Times of Malcom X) (with Judith Moore). (1986) RAW Books. Police State (exhibition catalog). (1987). Anderson Gallery. Meat: Animals and Industry (with Mandy Coe). (1991) Gallerie Publications. Dead Meat. (1996) Four Walls Eight Windows. Pit's Letter. (2000) Four Walls Eight Windows. Bully! : Master of the Global Merry-Go-Round (with Judith Brody). (2004) Four Walls Eight Windows. Sheep of Fools (with Judith Brody). (2005) Fantagraphics Books. Cruel: Bearing Witness to Animal Exploitation. (2012) OR Books.
The Ghosts of our Meat (with Stephen Eisenman (Author), Phillip Earenfight (Editor)). (2014)
The Animals' Vegan Manifesto. (2017) OR Books. Zooicide - Seeing Cruelty, Demanding Abolition. (2018) AK Press. References

External links

Graphic Witness: Sue Coe
Sue Coe – Artnet.com

1951 births
20th-century British women artists
21st-century British women artists
Living people
Alumni of Chelsea College of Arts
Alumni of the Royal College of Art
20th-century English painters
21st-century English painters
English animal rights activists
English comics artists
English comics writers
British female comics artists
Female comics writers
People from Tamworth, Staffordshire
Raw (magazine)
English expatriates in the United States
Postmodern artists
Tesla is a lunar impact crater that is located on the Moon's far side, just to the southeast of the larger H. G. Wells. About one crater diameter to the southwest of Tesla is Kidinnu, and to the southeast is Van Maanen. The crater is named after Serbian-American inventor Nikola Tesla. Tesla is a circular, bowl-shaped feature. There are a pair of small craterlets in the southern inner wall, but the crater is otherwise free of overlapping craters of significance. Only a few tiny impacts mark the floor and remaining sides. Satellite craters

By convention these features are identified on lunar maps by placing the letter on the side of the crater midpoint that is closest to Tesla. See also
2244 Tesla, minor planet

References

External links

Parish Council website

Docking Heritage Group

Genealogical history of the village

Villages in Norfolk

Civil parishes in Norfolk

King's Lynn and West Norfolk

UFO sightings in England

"Shangri-La" is a popular song written by bandleader Matty Malneck and Robert Maxwell in 1946 with lyrics by Carl Sigman. Background

The term comes from "Shangri-La" as the hidden valley of delight in James Hilton's 1933 novel Lost Horizon. The term "Shangri-La," especially in the 1930s and 1940s, was slang for heaven or paradise, and the song is about the joy of being in love. Recordings

The first recording was a 2-sided 78 instrumental version by Matty Malneck and His Orchestra (February 7, 1946) for Columbia Records, featuring a harp solo by Robert Maxwell. Maxwell's own instrumental version for Decca Records (saxophone/organ lead with brass and rhythm), which also featured his harp solo, which is heard in the introduction as well as in the coda section of the song, charted in 1964, reaching #15, and #67 of the Top 100 instrumentals, 1960-69.

Other popular versions (with lyrics) were recorded by The Four Coins in 1957 (#11 US) and by The Lettermen in 1969 (#64 US). Many versions have been included in artists' albums over the years including:

Johnny Mathis - The Wonderful World of Make Believe (1964)

Peggy Lee - In the Name of Love (1964)

Vic Damone - Strange Enchantment (1962)

In popular culture

Jackie Gleason used "Shangri-La" on his 1950s-60s TV variety show as theme music for his popular millionaire character Reginald van Gleason III. The song was also used as the opening and closing theme of Radio City Playhouse, a radio anthology series that aired in the late 1940s. References

1946 songs

1957 singles

1963 singles

1969 singles

The Lettermen songs

Songs with music by Robert Maxwell (songwriter)

Songs written by Carl Sigman

Songs with music by Matty Malneck

Sue Coe (born 1951) is an English artist and illustrator working primarily in drawing, printmaking, and in the form of illustrated books and comics. Her work is in the tradition of social protest art and is highly political. Coe's work often includes animal rights commentary, though she also creates work that centralizes the rights of marginalized peoples and criticizes capitalism. Her commentary on political events and social injustice are published in newspapers, magazines and books. Her work has been shown internationally in both solo and group exhibitions and has been collected by various international museums. She lives in Upstate New York. Biography

Coe was born November 28, 1951 in Tamworth, Staffordshire, England. She grew up close to a slaughterhouse and developed a passion to stop cruelty to animals. According to Coe, her family lived directly behind a hog farm and were continually exposed to the stench from the slaughterhouse and screams from the animals. At age 16, Coe started studying at Chelsea College of Arts, where she graduated with a B.A. degree in 1970 at the age of 18.

Coe went on to study graphic design at Royal College of Art in London from 1970–1973. However, she was too young to attend and lied about her age on the college application. After she received her M.A. degree from Royal College of Art, Coe moved to New York City, where she lived between 1972 and 2001. Coe had been an art teacher, and decided to fully dedicated herself to art making by 1978. In 2013 she was a visiting artist at Parsons School of Design and taught about social awareness in art. Works

Coe is a graphic artist and visual essayist. Though she primarily works in printmaking and illustration, she also practices in other visual media, including painting. Coe's paintings and prints are auctioned as fundraisers for a variety of progressive causes. Since 1998, she has sold prints to benefit animal rights organizations. Her influences include the works of Chaïm Soutine and José Guadalupe Posada, Käthe Kollwitz, Francisco Goya, and Rembrandt.

Coe uses books and visual essays to explore various social topics including: factory farming, meat packing, apartheid, sweatshops, prison-industrial complex, AIDS, and war. Coe cites activists as the primary audience for her work. As an illustrator, she is a frequent contributor to World War 3 Illustrated, and has seen her work published in The Progressive, Mother Jones, Blab, The New York Times, The New Yorker, Time Magazine, Newsweek The Nation and other periodicals. One of her illustrations was used on the cover of the book, Animals, Property, and the Law (1995) by Gary Francione, and her artwork is also featured in the animal rights movie, Earthlings. Coe's work is coupled to her activism, though the artist recoils from the "political artist" label. Nevertheless, Coe's works have notable political messages. "Police State," an exhibition organized by the Anderson Gallery at Virginia Commonwealth University, showcased works illustrating Coe's anti-war sentiments and critiques of international governments.

Among the works included were "Your Class Enemy (The Great Miners Strike)," "England is a Bitch," and a number of Coe's New York Times illustrations. Coe also expressed anti-war sentiments during Desert Storm through an illustration published in Entertainment Weekly. The artist's subjects are the victimized. She often depicts harsh realities, and her subjects are largely animals and humans oppressed by social and political forces beyond their control. For example, Coe and collaborator Holly Metz explore apartheid and the murder of Steve Biko in How to Commit Suicide in South Africa, a visual essay originally published by Raw Books & Graphics in 1983. Sheep of Fools (2005), a horrific look at the conditions of sheep trade, and Dead Meat (1996), a journalistic piece illustrating the brutality of slaughterhouses throughout North America, are both longer narrative investigations into animal cruelty. Awards

Coe was elected into the National Academy of Design, as an Associate Academician in 1993, and became a full Academician by 1994.

PETA progress awards named Sheep of Fools, Coe's collaboration with Judy Brody, Nonfiction Book of the Year in 2005. In 2013, Dickinson College honored Coe with the Dickinson College Arts Award, in recognition as an influential cultural figure in the United States. She was awarded the 2015 Lifetime Achievement in the Visual Arts award from Women's Caucus for Art, for her dedication to art and activism. In 2017, Coe was awarded the SGCI Lifetime Achievement award in Printmaking from Southern Graphics Council International (SGCI). Museum collections

Coe's work is in the collections of various international museums including: The Museum of Modern Art (MoMA), Whitney Museum of American Art, The Metropolitan Museum of Art, Smithsonian American Art Museum, Birmingham Museum of Art, Art Institute of Chicago, The Museum of Fine Arts, Houston, Cooper-Hewitt Museum, Stedelijk Museum Amsterdam, Pennsylvania Academy of the Fine Arts, Harvard Art Museums, Brooklyn Museum, Walker Art Center, and others.

Criticism

Coe has been criticized by writers Cary Wolfe and Steven Baker for "audience positioning" and using "stylistic sentimentality" to incite outrage and illicit specific responses from viewers. She has also been criticized for using stereotypes, thereby creating dimensional representations of depicted victims. Coe is also a harsh critic of herself, retroactively condemning X, her graphic companion to Malcolm X's autobiography for the way it iconized him. See also

List of animal rights advocates

Select exhibitions

Solo

2016 – “’The AIDS Suite, HIV-Positive Women in Prison and Other Works by Artist/Activist Sue Coe” at Cushing/Whitney Medical Library at Yale University

2014 – "Allied Against AIDS: Sue Coe's AIDS Portfolio" work from 1994 at Pomona College Museum of Art (PCMA) at Pomona College

2007 – "Sue Coe: Graphic Witness" at Pacific Northwest College of Art

2002 – "Commitment to the Struggle: The Art of Sue Coe" at Bell Gallery at Brown University

1994 – "Directions: Sue Coe" at Hirshhorn Museum and Sculpture Garden

Group

2017 – ""All Good Art is Political - the work of Käthe Kollwitz and Sue Coe" at Galerie St. Etienne in New York City

2017 – "Expression and Repression Exhibition" a group exhibition at Kennedy Museum of Art

2017 – “Sharp-Tongued Figuration” a group exhibition at Stedman Gallery on the Rutgers-Camden Center for the Arts at Rutgers University–Camden

2009 – "The 184th Annual Exhibition of Contemporary American Art" at National Academy Museum, New York City

2008 – "Make Art/Stop AIDS" a group exhibition at Fowler Museum at UCLA

1997 – "On the Edge: Contemporary Art From the Werner and Elaine Dannheisser Collection", Museum of Modern Art (MoMA), New York City

Selected bibliography

How to Commit Suicide in South Africa (with Holly Metz). (1984) Random House. X (The Life and Times of Malcom X) (with Judith Moore). (1986) RAW Books. Police State (exhibition catalog). (1987). Anderson Gallery. Meat: Animals and Industry (with Mandy Coe). (1991) Gallerie Publications. Dead Meat. (1996) Four Walls Eight Windows. Pit's Letter. (2000) Four Walls Eight Windows. Bully! : Master of the Global Merry-Go-Round (with Judith Brody). (2004) Four Walls Eight Windows. Sheep of Fools (with Judith Brody). (2005) Fantagraphics Books. Cruel: Bearing Witness to Animal Exploitation. (2012) OR Books.

The Ghosts of our Meat (with Stephen Eisenman (Author), Phillip Earenfight (Editor)). (2014)

The Animals' Vegan Manifesto. (2017) OR Books. Zooicide - Seeing Cruelty, Demanding Abolition. (2018) AK Press. References

External links

Graphic Witness: Sue Coe

Sue Coe – Artnet.com

1951 births

20th-century British women artists

21st-century British women artists

Living people

Alumni of Chelsea College of Arts

Alumni of the Royal College of Art

20th-century English painters

21st-century English painters

English animal rights activists

English comics artists

English comics writers

British female comics artists

Female comics writers

People from Tamworth, Staffordshire

Raw (magazine)

English expatriates in the United States

Postmodern artists

Tesla is a lunar impact crater that is located on the Moon's far side, just to the southeast of the larger H. G. Wells. About one crater diameter to the southwest of Tesla is Kidinnu, and to the southeast is Van Maanen. The crater is named after Serbian-American inventor Nikola Tesla. Tesla is a circular, bowl-shaped feature. There are a pair of small craterlets in the southern inner wall, but the crater is otherwise free of overlapping craters of significance. Only a few tiny impacts mark the floor and remaining sides. Satellite craters

By convention these features are identified on lunar maps by placing the letter on the side of the crater midpoint that is closest to Tesla. See also

2244 Tesla, minor planet

References