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   Blade Runner (Comparison: Director's Cut - Final Cut) - Movie-Censorship.com
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style=margin-top:3px;> </a><br><br><br><a title="Dead & Buried from Amazon.com"href=https://www.movie-censorship.com/out.php?ID=14465&Kat=8 target=_blank> <img border=0 src=https://images-na.ssl-images-amazon.com/images/P/B09181P62V.03.MZZZZZZZ.jpg> </a><br><br> Dead & Buried <br><b> </b><br><a title="Dead & Buried from Amazon.com"href=https://www.movie-censorship.com/out.php?ID=14465&Kat=8 target=_blank> <img border=0 src=inc/click_button.gif style=margin-top:3px;> </a><br><br><br></div><td width=0px><td align=left valign=top width=800px><table width=100%><tbody><tr><td style=padding-right:20px; valign=top width=230px><img border=0 class=coverShadow src=https://www.schnittberichte.com/www/SBs/4589/e_cover.jpg><td valign=top><p class=filmtitel>Blade Runner</p> <p class=comparison><b> Comparison: </b></p> <ul class=comp><li class=comp>Director's Cut<li class=comp>Final Cut</ul></table> <div class=reportBoxGrey>Release: <b> May 02, 2008 </b> - Author: <b> Doc Idaho </b> - Translator: <b> <a href=https://www.movie-censorship.com/view.php?m=translator&ID=210> klepp </a> </b> - external link: <a href=http://imdb.com/title/tt0083658 target=_blank> <b> IMDB </b> </a></div> <div class=reportBox>For many people <i> Blade Runner </i> surely is one of the most outstanding Science-Fiction movies ever; and the <i> Ultimate Edition </i> is probably a nice thing to have in every DVD-collection. <br><br> The main item of the <i> Ultimate Edition </i> is the <i> Final Cut </i> . Ridley Scott's first opportunity to release his version of the movie. The Theatrical version from the 80ies and the re-release as so called Directors Cut in the early 90ies, which was based on the workprint, were all made without Ridley Scott's blessing. One of the main issues of the Final Cut was to make the images and the sound as good as possible  and especially on the HD media the movie really looks fantastic. (A comparison can be found <a href=http://web12.dvd2web.de/hd_br/hd_br.htm> here </a> ) Besides that it was tried to eliminate smaller mistakes of the film. Spectacular new CGI was avoided, fortunately. Some scenes, the cast referred to as <i> lovable mistakes </i> , remained untouched. Serious changes to the so called Directors Cut will not be found  even though those were expected by many people. The content did not change, even though 45 minutes of Deleted Scenes would have been tempting for other, not that established directors. Only the additional violence-scenes from the old European Theatrical version were reintegrated. <i> Blade Runner </i> is a classic, that is often close to perfection and after 25 years Ridley Scott finally was given the opportunity to make a true Directors Cut and get even closer to perfection. <br><br> Those who want find out more about its spectacular history of origins, will get all the information on the several bonus features of the <i> Ultimate Edition </i> . <br><br> This is a comparison between the <b> Directors Cut </b> and the <b> Final Cut </b><br><br><i> It is possible that some smaller changes of the Final Cut have been overlooked or not been named intentionally. The cuts, in the true meaning of the word, have been named correctly. </i></div> <div class=reportBox><b> In the streets </b><br><br><b> Additional scene DC </b><br> Deckard is waiting for his food longer, reading the newspaper. <br><b> 9 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/26.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/27.jpg></p><br><br><b> Additional scene DC </b><br> He is looking at the flying billboard for longer. <br><b> 10 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/28.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/29.jpg></p><br><br><b> Additional scene DC </b><br> Reading the newspaper. <br><b> 5,5 seconds </b><br><br><b> Correction of the sound track </b><br> Bryant now mentions correctly that 2 and not only 1 replicant died on the escape. <br><b> no time difference </b><br><br><b> Additional scene DC </b><br> The approach of Tyrell's building is a moment longer. <br><b> 0,5 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/30.jpg></p><br><br><b> Alternative background </b><br> Roy in the phone booth has another background. <br><b> no time difference </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/72.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/71.jpg></p><td></table><br><br><b> The unicorn </b><br><br><b> Alternative scene </b><br> In the DC we see Deckard longer with his finger on the piano. Then the unicorn a little earlier. In the FC there is a close up of Deckard opening his eyes. Then we see a totally different shot of the unicorn. <br><b> FC 8 seconds longer. </b><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/31.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/32.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/33.jpg></p><td><td></table><br><br><b> Alternative scene </b><br> In the DC we fade away from the unicorn earlier and then we see Deckard looking at some pictures on the piano. In the FC we see the unicorn a moment longer, then back to Deckard with his eyes open. <br><b> DC 11 seconds longer. </b><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/34.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/35.jpg></p><td><tr><td><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/36.jpg></p><td></table><br><br><b> Searching clues </b><br><br><b> Alternative scene </b><br> Actually it cannot really be noticed in the film and especially not here on the images. But the tattoo on Zhora's cheek is different and in the FC the actress Joanna Cassidy can be identified more easily. <br><b> no time difference </b><br><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/37.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/38.jpg></p><td></table><br><br><b> Alternative scene </b><br> Same here. In the film's zoom now better noticeable. <br><b> no time difference </b><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/39.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/40.jpg></p><td></table><br><br><i> Later, on the Polaroid of the close up, both versions show an identical image. The one from the FC </i><br><br><b> post production </b><br> When the Chinese woman analyzes the snake's reptile scale with a microscope and names the serial number, in the FC it now matches the image, we see. In DC the serial number being shown was wrong. <br><b> no time difference </b><br><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/41.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/42.jpg></p><td></table><br><br> After the scene with the Chinese woman Deckard is walking through the streets longer. <br><b> 16 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/43.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/44.jpg></p><br><br> We see the street in front of the bar, in which Deckard is looking for the "snake woman". <br><b> 16 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/45.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/46.jpg></p><br><br><b> post production </b><br> While the injured Zhora is falling through the glass panes the stunt-woman's face was replaced by the actress Joanna Cassidy, who is playing Zhora. <br><b> no time difference </b><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/51.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/52.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/53.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/54.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/55.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/56.jpg></p><td></table><br><br><b> post production </b><br> Several times wires, which were holding the spinners for example, have been retouched away. Here is one example. <i> The second set of images is only a blown up image detail </i><br><b> no time difference </b><br><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/57.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/58.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/59.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/60.jpg></p><td></table><br><br><b> post production </b><br> Shortly before Deckard meets Leon he has a small wound on his cheek in the DC, which he did not have before. In the FC it was digitally removed. <br><b> no time difference </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/61.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/62.jpg></p><td></table><br><br><b> Tyrell's death </b><br><br><b> Alternative scene </b><br> In the DC we only see parts of Roy pressing the eyes in. The FC, however, shows a later part of the take, including blood. <br><b> FC 2,5 seconds longer. </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/01.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/02.jpg></p><td></table><br><br><i> The FC has a shot of Sebastian, which the DC does not show before the end of the scene. </i><br><br><b> Alternative scene </b><br> In the DC we see the owl and then Roy earlier in one shot. In the FC, however, we see the fingers in the eyes, again. <br><b> DC 4,5 seconds longer. </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/03.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/04.jpg></p><td><tr><td><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/05.jpg></p><td></table><br><br> At the end the FC has another shot of the eyes. <br><b> 2 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/06.jpg></p><br><br><i> Instead, the DC now shows the shot of Sebastian </i><br><br><b> Alternative scene </b><br> The transition from Roy to the tunnel, Deckard is driving in, is equally long but at another time. In the FC we see Roy longer, in the DC we see the tunnel longer. <br><b> no time difference </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/07.jpg></p><br><br><b> Pris </b><br><br><b> Alternative scene </b><br> In the DC Pris hits Deckard on the ears once more. In the FC, however, she pulls his nose. <br><b> FC 6 seconds longer </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/08.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/09.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/10.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/11.jpg></p><td><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/12.jpg></p><td><td></table><br><br> Pris is fidgeting, Deckard shoots again. <br><b> 4 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/13.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/14.jpg></p><br><br><b> Roy </b><br><br> We see the nail, that Roy is pressing through his hand, coming out of the back of his hand. He is screaming in pain. <br><b> 4,5 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/15.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/16.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/17.jpg> <img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/18.jpg></p><br><br><i> The FC now shows Roy standing on the window, laughing. The DC does not show this before the end of the next shot. </i><br><br><b> Alternative shot </b><br> The following shot is longer in the DC than in the FC. But the FC shows Roy in the window. The window is empty in the DC. <br><b> DC 3 seconds longer </b><br><table border=0 width=100%><tbody><tr><td><center> Final Cut </center><td><center> Director's Cut </center><tr><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/20.jpg></p><td><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/21.jpg></p><td></table><br><br><b> Additional scene DC </b><br> After the laughing Roy, the DC shows Deckard's hands, again. <br><b> 1,5 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/22.jpg></p><br><br><b> Additional scene DC </b><br> Deckard is wandering about aimlessly on the roof for longer. <br><b> 6,5 seconds </b><br><p align=center><img style="border-width:1px; border-color:black; margin:0px; border-style:solid;"src=https://www.schnittberichte.com//www/SBs/4589/23.jpg></p><br><br><b> Alternative shot </b><br> The pigeon, which is flying away after Roy's death, has another background. 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