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use simple eng create 1200 wrds blog use keyword: Mern stack development company
tittle: Top MERN Stack Development Company in India
Table of Contents
What is MERN Stack
Working of the MERN Stack
React.js Frontend
Node.js and Express.js Server Layer
MongoDB Database Layer
Google Reviews
Top MERN Stack Development Companies in India
1. Talentelgia Technologies PVT LTD
Talentelgia Technologies PVT LTD is a leading software company in Punjab that offers custom software solutions in Abu Dhabi. They have more than 10 years of experience in delivering innovative and cost-effective software solutions for various industries such as education, healthcare, e-commerce, hospitality, etc.
Some of their services include web development, mobile app development, e-learning solutions, CRM solutions, ERP solutions, etc. They use the latest technologies such as PHP, Laravel, WordPress, Magento, React Native, Flutter, etc.
They have a team of highly skilled and experienced software developers who follow agile methodologies and best practices to ensure quality and timely delivery. They also have a strong customer support system that provides 24/7 assistance and maintenance.
Talentelgia Technologies PVT LTD has received many positive reviews and ratings from their clients who appreciate their professionalism, creativity, flexibility, and affordability.
You can contact them at <PRESIDIO_ANONYMIZED_PHONE_NUMBER> or visit their website at talentelgia.com to learn more about their custom software development in Abu Dhabi.
Appstudio
The most well-known company offering MERN Stack Development services is Appstudio. ExpressJS, ReactJS, MongoDB, and NodeJS are all familiar to our MERN stack app developers. The goal of technologies is to benefit from using a unified platform for numerous technologies.
Their MERN Stack developer combines cutting-edge frameworks and technologies with the knowledge to serve international clients across markets. In order to give you something better while taking up less time & room, they believe in developing their skills in various approaches.
Brainvire Infotech Inc
The cutting-edge software and full-stack development services of Brainvire Infotech Inc. continue to meet the needs of startups and companies around the world. The frontend programming languages that their frontend developers are proficient in include HTML/CSS, JavaScript, VueJS, ReactJS, and others.
Backend developers use programming languages and frameworks, including SQL, Java, Python, Laravel, and others. You get a highly qualified IT workforce, agile mindsets, quick and timely service, and clever solutions when you work with the company.
The business provides full support, from conceptualization to product delivery. Its team includes 120+ experts knowledgeable in all the newest and most popular technologies for developing websites and mobile applications.
Zignuts Technolab
Zignuts Technolab specialises in developing full-stack solutions. They can help you build unique and business-centred Native & Cross-platform mobile apps for multiple platforms like iOS and Android. With in-depth technical expertise and relevant industry experience, Zignuts enables you to create exceptional full-stack web and mobile applications.
They let you hire Full stack developers with the skills and expertise you need to develop best-in-class Full-Stack web applications. Leading companies hire Zignuts Technolab to drive and achieve their critical mobile app development projects successfully.
With many years of knowledge and expertise in the field, they can develop the best Full Stack development solutions through various Full Stack development technology stacks (LAMP, MEAN, LEMP, MERN, etc.)
Radiansys Inc
Radiansys provides thorough full-stack development services to companies looking to upgrade their business operations and provide better customer service. In addition to full-stack development, they also offer full-stack consulting and Agile Model development of sustainable, customised solutions.
They facilitate regular code pushes, conduct biweekly sprints, and adhere to the CI/CD paradigm for quick build installation and delivery. App, solution architecture, consultation, financial services, AWS, and other services are all included in their range of offerings.
Conclusion |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 中国书法卷轴
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = ntricate calligraphy strokes depicting ancient wisdom, inked on delicate paper, gracefully unfurled, illuminated by a soft candlelight glow, set on a traditional wooden table, surrounded by ancient artifacts and scrolls, capturing the essence of Chinese artistry and culture, in a style reminiscent of traditional Chinese ink paintings. --ar 9:16 --v 5.4
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = A female speecher
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
What if there was a season 23 of GoT, with the same actors as before? |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = "A female speaker is delivering a speech on stage."
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
Optimize the below prompt
"Classify the context as Property or Other.
*Note - Property context consists of columms with information as {property_col}.
*Note - Property context can also have a header as {property_header}.
- Based on the above rules determine whether context received has property table or not.
- Return response in json format as
```json
{{'Class': xx}}
```
where xx is 'Property' or 'Other' based on the classification
* Note - Keep confidence 100%." |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 吸血鬼
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 6" for Japanese art style, or "--v 6" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 6
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 6
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 6
|
请将“Secondly, although institutionalised forms of political representation (such as clientelism, parliamentarism, corporatism, and pluralism) play a major role in securing and reorganising the social bases of support for ‘normal’ state forms, this should not lead to neglect of other means of representation and other political channels (such as Gramsci’s ‘force, fraud, and corruption’) that may be deemed useful for the consolidation of support. Conversely, although ‘exceptional’ state forms typically suspend or nullify the effective operation of formal democratic institutions and rely on more restricted forms of representation and/or on the ‘black parliamentarism’ of informal representation through branches of the state apparatus, it is still necessary to consider how formally undemocratic institutions and informal channels serve to consolidate support and disorganise resistance rather than assume that they have no effects. It is only through an analysis of the complex articulation of forms of representation and intervention and the various social forces active on the political scene that we can understand the complex nature and dynamics of political domination.
OFFICIALDOM vs. PEOPLE
Hitherto, I have concentrated on the state apparatus as a system of political class domination and have considered state power largely as a form-determined condensation of the balance of class forces. But I have also hinted that the state can be examined in relation to other axes of determination and have noted that the class aspects of the state will be overdetermined by various kinds of non-class relations. The latter comprise private, non-economic relations grounded in civil society and ‘public’ relations among political categories. In this section we shall expand these hints and allusions through a brief sketch of the state as a site of ‘officialdom-people’ relations and its implications for class hegemony and popular-democratic struggle.
To establish the theoretical space for an analysis of this kind we must first consider the nature of social classes and the state in more detail. In opposition to the view that classes can only be defined in terms of the totality of economic, political, and ideological relations in a pure mode of production or even a complex social formation, we argue that classes must be defined at the level of economic relations and that ‘civilian’ and ‘public’ relations are relevant only in so far as they serve as conditions of existence of economic reproduction and/or are themselves affected by economic relations. Thus the relations among political categories are not class relations per se but they may well be class-relevant relations and/or be subject to overdetermination by class relations. Indeed, just as the institutional separation of the economic and political regions implies the relative autonomy of state apparatuses and state power from economic apparatuses and economic power, it also implies the relative autonomy of relations among political categories from relations among economic classes. There is certainly no obvious or immediate isomorphism or coincidence between class relations and relations among political categories: thus the state intervenes against particular capitals and individual members of the dominant economic class as well as against members of subordinate classes and state functionaries themselves do not necessarily belong to the dominant economic class. This means that the precise articulation between class and political relations will depend on the overall structure of the social formation and the prevailing balance of forces in the exercise of state power.
In this context it is essential to examine the internal organisations of the state apparatus (e.g., bureaucracy, administrative law, financial controls), the complex relations between the state and the forces liable to state intervention, and the complex relations between the state and those non-functionaries involved in policy-making and/or implementation. If we focus on the relations among political categories it is possible to establish a ‘people-officialdom’ axis of determination parallel to the class axis emphasised so far in our analyses. In these terms we can say that ‘bureaucratic despotism’ exists where state functionaries are dominant within the ‘people-officialdom’ relation and that ‘democratic government’ exists where the targets of state intervention comprise the dominant force in ‘people-officialdom’ relations. In both cases dominance should be understood in the sense of a form-determined condensation of political forces and not merely as a relation among individual wills. Thus a ‘pure theory’ of democracy should focus on the forms of representation and accountability and on the organisation and interpellation of the political forces whose relations are mediated through these forms. It should also be noted that between the extremes of ‘bureaucratic despotism’ and ‘democratic government’ will be a series of intermediate cases ranging from the dominance of one branch or fraction of the state apparatus (e.g., military, bureaucracy, political police) to the dominance of one sector or fraction of the ‘people’ (e.g., whites, men, those meeting restricted suffrage qualifications).
Finally it will be necessary to introduce the overdetermination of such relations through class relations and to trace the implications of this process. Adopting such a procedure reveals a major ambiguity in the conceptual couplet of ‘normal’ and ‘exceptional’ regimes. For orthodox Marxist analyses have ignored the possibility that a ‘normal’ state could be characterised by the dominance of a unified, autonomous ‘people’ rather than one unified heteronomously under the hegemony of a specific class (fraction) and have only occasionally recognised how the enhanced relative independence of the ‘exceptional state’ permits its degeneration from ‘class dictatorship’ to ‘bureaucratic despotism’. In other words, to the extent that Marxist theories have been class reductionist in approach, they have failed to provide an adequate account of democratic and non- democratic regimes. Let us see how this defect might be remedied.
Whilst class relations are determined in the first instance by the relations of production in the economic region, relations among political categories depend directly on the form and operation of the state. In this context the ‘people’ comprise those agents who are subject to state intervention and ‘officialdom’ comprises the agents of intervention. The exact composition of the ‘people’ will depend on the form and range of state intervention (since it is this that establishes the pertinence of categories such as taxpayer, criminal, citizen, conscript, licensee, pupil, pensioner, and supplementary benefit claimant); and it would be quite wrong to conclude that the ‘people’ is limited to individual agents to the exclusion of collective agents - let alone to these individual agents solely in their capacity as electors. This poses the problem of the relation among different sites of ‘popular’ struggle and thus of the relative unity of the ‘people’ as a political force. It is this heterogeneity and localisation of the ‘people’ that Poulantzas identified as the juridico-political ‘isolation effect’ and to which he attributed a key role in opening the space for the politics of hegemony. It must also be stressed that the unity of ‘officialdom’ can no more be taken for granted than that of the state apparatus and that different public agencies and agents can respond in contrasting ways to ‘popular’ demands and interests as well as to various class demands and interests. Indeed, although the institutional separation of the state from the economic region and civil society is a precondition of various ‘popular’ struggles, the incidence and extent of such struggles also depends upon the precise interpellation of the respective public duties of officialdom and the people. In this sense ‘popular-democratic’ struggle should extend beyond questions of the forms of representation and accountability and the organisation and unification of various ‘popular’ forces to include the definition and dissemination of shared standards of official conduct and civic duties. In the absence of such standards there is an evident danger of replacing ‘bureaucratic despotism’ with ‘authoritarian populism’ rather than ‘popular-democratic’ government.
Seen in these terms, then, ‘popular-democratic’ struggle can therefore be said to cover three areas of political action. First, it involves questions of the formal scope and institutional mechanisms of representation and accountability together with the formal definition of those subjects who are entitled to participate in the democratic process. In this area there is considerable room for particular ‘popular-democratic’ struggles in capitalist societies but there are also significant structural obstacles to a general (albeit still formal) democratisation. For the institutional separation of the state from the economic region and civil society ensures that certain key areas remain beyond the scope of formal democratic political control; and, inside the state itself, further obstacles arise from the separation of powers and/or the insulation from popular control of branches and departments crucial in economic reproduction and the exercise of repression. In this context it should also be noted that, as the extent and forms of state intervention shift with the passage from laissez-faire through simple monopoly to state monopoly capitalism, there is a corresponding shift in the areas most central for successful ‘popular-democratic’ struggle as individual citizenship and parliamentarism become less significant in comparison with membership of ‘corporations’ and functional representation.
Second ‘popular-democratic’ struggle involves questions of the substantive conditions in which popular control can be effectively exercised. This is a key issue in differentiating between ‘pure democracy’ and ‘class democracy’, i.e., between cases where the ‘people’ are autonomously or heteronomously unified. Where the ‘people’ is highly fragmented and massified through the ‘isolation effect’ and is unified, if at all, only through an ‘hegemonic project’ which couples national-popular objectives with the pursuit of the interests of capital, then any resulting democratic regime will be limited and class-biased. To move beyond such a ‘bourgeois democratic republic’ would require the democratisation of the economic region and civil society so that class-determined and class-relevant inequalities in political communication and organisation can be eliminated. Such reforms would not mean that the ‘people’ became autonomous in the sense of a free-willed, unitary, originating subject but only that its objectives and relative unity will no longer be determined in a class-biased milieu: the role of political, intellectual, and moral leadership will not thereby be eliminated any more than the need for compromise and negotiation about popular-democratic objectives.
”翻译为中文 |
' Interleukin 17 (IL-17)–producing T helper cells (TH-17 cells) are now
accepted as the main population of pathogenic T cells driving
autoimmune diseases such as experimental autoimmune encephalo
myelitis (EAE)1,2 and collagen-induced arthritis3, the mouse models
for multiple sclerosis and rheumatoid arthritis, respectively. TH-17
cells are characterized by their STAT3-dependent expression of the
transcription factor RORgt4 and production of the hallmark cytokines
IL-17 and IL-22 (ref. 5). Initial work to identify the factors involved in
the differentiation of the TH-17 cell lineage has provided two observa
tions. First, IL-23 drives the production of IL-17 by memory T cells6.
Second, in mice with a genetic deficiency of IL-23, resistance to EAE
correlates with the lack of IL-17-producing T cells in the central
nervous system (CNS)1. Subsequent studies showed that TGF-b, when
combined with proinflammatory cytokines such as IL-6, is the
strongest inducer of RORgtproteinandTH-17 cells in mice2,7,8. In
contrast, transforming growth factor-b (TGF-b) alone drives expres
sion of the lineage-specific transcription factor Foxp3, leading to a
regulatory T cell (Treg cell) phenotype2. In vitro, IL-23 seems to be not
involved in the early differentiation of TH-17 cells, most probably
because of the small amounts of the receptor for IL-23 (IL-23R) on
naive T cells. Ligation of the T cell antigen receptor (TCR) in the
presence of IL-6 has been shown to upregulate IL-23R4,althoughIL-6
may not be the only factor able to do this.
Consistent with the idea that this population is a distinct helper cell
lineage, the differentiation of TH-17 cells is inhibited by the T helper
type 1 (TH1) and TH2 hallmark cytokines interferon-g (IFN-g)and
IL-4, respectively9. IL-27 and IL-25, originally defined for their
TH1- and TH2-promoting activities, also regulate TH-17 cells10–12,
although this does not seem to occur through the induction of IFN-g
or IL-4. In a further twist, TH-17 cells have again been shown to have
intimate links with Foxp3-expressing Treg cells, with both IL-2 (through
STAT5) and retinoic acid (binding to RORgt) acting to negatively
regulate RORgt while promoting Foxp3 (refs. 13,14). It seems that
most of these factors regulate the early differentiation of TH-17 cells.
Thus, despite being induced by the ‘anti-inflammatory’ TGF-b, the
TH-17 population is rigorously regulated by many pathways.
There is an unresolved contradiction in the data on TGF-b and
inflammatory diseases such as EAE. Studies have shown convincingly
that TGF-b is required for TH-17 differentiation in vitro and in vivo.
Experiments have shown that TGF-b signaling is required by CD4+
T cells for the induction of pathogenic TH-17 cells in vivo and
furthermore that blocking TGF-b locally at the time of immunization
abrogates EAE induction15. It has also been reported that, un
expectedly, expression of TGF-b under control of the Il2 promoter
in a myelin oligodendrocyte glycoprotein (MOG)–specific T cell
transgenic mouse leads to exacerbated EAE because of greater num
bers of TH-17 cells2. However, there is a substantial body of evidence
showing that TGF-b has anti-inflammatory effects in the same disease
settings. TGF-b has been noted to increase during the remission phase
of EAE16, andTGF-b-producing T cells can mediate oral tolerance
in this disease17,18. Amelioration of EAE and collagen-induced
arthritis has also been achieved by administration of soluble TGF-b1
(refs. 19,20); conversely, systemic administration of antibodies
blocking TGF-b in vivo leads to exacerbation of EAE15.Thesestudies
were mostly done before TH-17 cells ‘appeared on the scene’; hence,
they assumed effects on TH1 cells and now deserve reconsideration. |
rewrite this:The day featured complimentary examinations and exclusive discounts at the NWN center for all students, families, and staff members of the high school. Additionally, the event included informative lectures followed by comprehensive eye-checks for students, families, and staff, further encouraging preventative healthcare and inspiring healthier lifestyles. |
correct the phrase : Hello Team,
As spoken on Friday, you will find attached the list of people and the description to help you better assign tickets on service now.
I am at your disposal for any questions or concerns you may have.
|
This is an introductuion from a research paper: ' Interleukin 17 (IL-17)–producing T helper cells (TH-17 cells) are now accepted as the main population of pathogenic T cells driving autoimmune diseases such as experimental autoimmune encephalomyelitis (EAE)1,2 and collagen-induced arthritis3, the mouse models for multiple sclerosis and rheumatoid arthritis, respectively. TH-17 cells are characterized by their STAT3-dependent expression of the transcription factor RORgt4 and production of the hallmark cytokines IL-17 and IL-22 (ref. 5). Initial work to identify the factors involved in the differentiation of the TH-17 cell lineage has provided two observations. First, IL-23 drives the production of IL-17 by memory T cells6. Second, in mice with a genetic deficiency of IL-23, resistance to EAE correlates with the lack of IL-17-producing T cells in the central nervous system (CNS)1. Subsequent studies showed that TGF-b, when combined with proinflammatory cytokines such as IL-6, is the strongest inducer of RORgtproteinandTH-17 cells in mice2,7,8. In contrast, transforming growth factor-b (TGF-b) alone drives expression of the lineage-specific transcription factor Foxp3, leading to a regulatory T cell (Treg cell) phenotype2. In vitro, IL-23 seems to be not involved in the early differentiation of TH-17 cells, most probably because of the small amounts of the receptor for IL-23 (IL-23R) on naive T cells. Ligation of the T cell antigen receptor (TCR) in the presence of IL-6 has been shown to upregulate IL-23R4,althoughIL-6 may not be the only factor able to do this.
Consistent with the idea that this population is a distinct helper cell lineage, the differentiation of TH-17 cells is inhibited by the T helper type 1 (TH1) and TH2 hallmark cytokines interferon-g (IFN-g)and IL-4, respectively9. IL-27 and IL-25, originally defined for their TH1- and TH2-promoting activities, also regulate TH-17 cells10–12, although this does not seem to occur through the induction of IFN-g or IL-4. In a further twist, TH-17 cells have again been shown to have intimate links with Foxp3-expressing Treg cells, with both IL-2 (through STAT5) and retinoic acid (binding to RORgt) acting to negatively regulate RORgt while promoting Foxp3 (refs. 13,14). It seems that most of these factors regulate the early differentiation of TH-17 cells. Thus, despite being induced by the ‘anti-inflammatory’ TGF-b, the TH-17 population is rigorously regulated by many pathways.
There is an unresolved contradiction in the data on TGF-b and inflammatory diseases such as EAE. Studies have shown convincingly that TGF-b is required for TH-17 differentiation in vitro and in vivo. Experiments have shown that TGF-b signaling is required by CD4+ T cells for the induction of pathogenic TH-17 cells in vivo and furthermore that blocking TGF-b locally at the time of immunization abrogates EAE induction15. It has also been reported that, unexpectedly, expression of TGF-b under control of the Il2 promoter in a myelin oligodendrocyte glycoprotein (MOG)–specific T cell transgenic mouse leads to exacerbated EAE because of greater numbers of TH-17 cells2. However, there is a substantial body of evidence showing that TGF-b has anti-inflammatory effects in the same disease settings. TGF-b has been noted to increase during the remission phase of EAE16, and TGF-b-producing T cells can mediate oral tolerance in this disease17,18. Amelioration of EAE and collagen-induced arthritis has also been achieved by administration of soluble TGF-b1 (refs. 19,20); conversely, systemic administration of antibodies blocking TGF-b in vivo leads to exacerbation of EAE15. These studies were mostly done before TH-17 cells ‘appeared on the scene’; hence, they assumed effects on TH1 cells and now deserve reconsideration. The data (in mice at least) irrefutably define TGF-b as a chief factor in the induction of pathogenic TH-17 cells in vivo. However, the issue remains of whether TGF-b continues to promote the pathogenic function of TH-17 cells after initial activation or whether TH-17 cells instead become sensitive to the immunoregulatory effects of TGF-b at a specific time. To address that, we compared the response of activated myelin-reactive T cells from immunized mice to culture with IL-23 or with TGF-b plus IL-6 in terms of phenotype, production of IL-17, gene expression and pathogenic activity after transfer into naive hosts. We found that whereas stimulation with TGF-b and IL-6 continuously promoted IL-17 production in activated T cells, it abrogated the pathogenic function of TH-17 cells in vivo. In addition, IL-10 production was enhanced by the stimulation of activated TH-17 cells with TGF-b and IL-6, thereby ‘directing’ these cells to a more regulatory function.' Summarise this in bullet points |
import requests
BASE_URL = "https://mobileapi.dsbcontrol.de"
class PyDSB:
def __init__(self, username: str = None, password: str = None):
params = {
"bundleid": "de.heinekingmedia.dsbmobile",
"appversion": "35",
"osversion": "22",
"pushid": "",
"user": username,
"password": password
}
r = requests.get(BASE_URL + "/authid", params=params)
if r.text == "\"\"": # Me when http status code is always 200 :trollface:
raise Exception("Invalid Credentials")
else:
self.token = r.text.replace("\"", "")
def get_plans(self) -> list:
raw_plans = requests.get(BASE_URL + "/dsbtimetables", params={"authid": self.token}).json()
plans = []
for plan in raw_plans:
for i in plan["Childs"]:
plans.append({
"id": i["Id"],
"is_html": True if i["ConType"] == 6 else False,
"uploaded_date": i["Date"],
"title": i["Title"],
"url": i["Detail"],
"preview_url": "https://light.dsbcontrol.de/DSBlightWebsite/Data/" + i["Preview"],
}
)
return plans
def get_news(self) -> list:
raw_news = requests.get(BASE_URL + "/newstab", params={"authid": self.token}).json()
news = []
for i in raw_news:
news.append({
"title": i["Title"], "date": i["Date"], "content": i["Detail"]
})
return news
def get_postings(self) -> list:
raw_postings = requests.get(BASE_URL + "/dsbdocuments", params={"authid": self.token}).json()
postings = []
for posting in raw_postings:
for i in posting["Childs"]:
postings.append({
"id": i["Id"],
"uploaded_date": i["Date"],
"title": i["Title"],
"url": i["Detail"],
"preview_url": "https://light.dsbcontrol.de/DSBlightWebsite/Data/" + i["Preview"],
}
)
return postings
rewrite this in golang |
Write an yaoi manga scene about two boys watching TV. Their names are Harry and Elliot. Harry is British. He works as a teacher. He is flirty and playful. He is posh and sadistic. He has glasses, black leather gloves and a riding crop. Elliot is American. He is a pizza delivery boy. He is shy and quiet. He is rebellious. The setting is Harry's chic apartment. Harry is sitting cross-legged while reading a magazine while Elliot is sitting on the floor right next to Harry. |
with OpenWhisk wsk, create 3 actions in python, php, js, and the fourth for expose curl api with a js file, in using Spotify api |
Compare jbl tune 310c, t110, t205, and endurance run |
Help me very short humanly written answer to this comment [My former home!! Couldn't afford to live there anymore!! ] that , yes real estate and food prices here went over roof latttely , many people leaving to other states, |
with OpenWhisk wsk, create 3 actions in python, php, js, and the fourth for expose curl api with a js file, in using Spotify api
|
请将“A ‘relational’ approach also enables us to locate the problematic concept of ‘power’. I have already argued that power should not be seen as a pre-given quantum or property of particular agents that is allocated in a zero-sum fashion and noted that it should be seen instead as a complex social relation reflecting the changing balance of forces in a given situation. Power can be defined as the production of effects within the limits set by the ‘structural constraints’ confronting different agents. It results from the ‘contingently necessary’ interaction of their conduct in a given situation and must be related to the conduct of all relevant actors in that situation. This does not imply that agents are morally responsible for these effects by virtue of being free-willed, originating subjects but nor does it mean that agents cannot be seen simply as the Träger of self-reproducing structures. We can identify the exercise of power in terms of the impossibility of predicting these effects from a knowledge of the ‘structural constraints’ in isolation from knowledge about particular agents so that the actual effects can meaningfully be said to depend in part on their actions or inaction. This insistence that the exercise of power involves the production of effects that ‘would not otherwise occur’ is quite compatible with an account of the agents involved as non-unitary subjects constituted in and through discourse. For all that is required to sustain this conception of power is the notion of agents who can discursively interpret their situation and decide upon a course of (in)action. In this context the idea that individual and/or collective subjects can be non-unitary, ‘interdiscursive’ agents of interpretation, calculation, and intervention is an important element in sustaining an adequate account of power. Such an account would be simultaneously anti-structuralist (anti-Träger) and anti-voluntarist (opposed to the assumption of a unitary, rational, free-willed, autonomous subject). In this sense it would help to explain the indeterminacy of events at the level of structural constraints. (It should also be noted that ‘interdiscursivity’ is a crucial precondition of effective ideological intervention.) At the same time a ‘relational approach’ implies that the exercise of power is overdetermined at the level of social action in so far as it depends on the interaction of all relevant agents in the power relation. This makes it difficult to attribute the outcome of an interaction unequivocally to one agent among all those involved in a power relation except in the limiting case of a purely subject-object relation. More generally we must focus on the conjoint reproduction and/or transformation of social relations through the interaction of different agents and attempt to specify their various contributions to the overall outcome within the limits set through the structural constraints severally and/or collectively facing such agents.
This means that power as such is not an appropriate concept for the explanation of social relations. For, in so far as it does not simply denote the production of effects in general within the limits imposed by structural constraints, it identifies a field of determined effects which constitute an explanandum rather than explanans and so cannot have any independent status in causal analysis. In this sense, it follows that power is a formal concept empty of content and incapable of explaining how particular effects are produced or that it is rendered redundant through the subsequent elaboration of substantive chains of determination that are ‘contingently necessary’ to the production of the specific effects under investigation. Neglect of this point tends to produce purported explanations of social relations in terms of an exercise of power whose sole theoretical and evidential support involves reference to the self-same relationship or else leads to the introduction of power to ‘explain’ those aspects of a social relation that cannot be attributed to other types of determination. Such circular reasoning and residual categories would be quite bad enough if power could indeed be employed as an explanatory principle but, since it cannot be so used, it is doubly serious because it leads to fruitless attempts to specify how power as such can be invoked to explain particular events.
Thus power can have only a limited and descriptive role in social analysis. It is a concept that is conventionally used to identify a production of significant effects through the actions of specific agents in a given set of circumstances. It is limited to the extent that such an account abstracts from these circumstances to attribute the significant effects to the actions in question. It thereby encourages the assumption that such actions were freely chosen as well as the decisive causal factor in the relation. Yet the exercise of power is not the unconditional outcome of a mechanical clash of wills but has definite social and material conditions of existence and is circumscribed through its links with other determinations in a social formation. This is why politics can be justly described as ‘the art of the possible’. The analysis of these limits and constraints is therefore logically prior to the study of the actions of the agents involved in a power relation. Moreover, unless one regards such actions as random within the ‘structural constraints’ confronting these agents or else considers them as the result of an otherwise unconstrained free will, it is also necessary to investigate how the attributes, capacities, and modes of calculation of these agents further limit the possibilities of action and thereby help to determine the resulting power relation. An adequate analysis should therefore construct an historical account of the specific combination of social forces, actions, structural constraints, etc., that is necessary and/or sufficient to produce the effects in question.
This discussion implies that what is conventionally called ‘power’ is a complex, overdetermined phenomenon. At best the concept of ‘power’ can be retained to identify the production of significant effects (i.e., significant or pertinent at the level of abstraction and degree of complexity in terms of which the explanandum is defined) through the interaction of specific social forces within the limits implied in the prevailing set of structural constraints. The contingency of power in comparison with the determinacy of structure is theoretical rather than actual. All that it implies is that the conduct of the agents in question and, a fortiori, its effects in a given set of circumstances cannot be predicted from knowledge of the circumstances themselves. It does not mean that power is indeterminate in terms of factors peculiar to the agents themselves and/or indeterminate in terms of the pattern of their interaction. In this sense the analysis of power is closely connected with the analysis of the organisation, modes of calculation, resources, strategies, tactics, etc. of different agents (unions, parties, departments of state, pressure groups, police, etc.) and the relations among these agents (including the differential composition of the ‘structural constraints’ and ‘conjunctural opportunities’ that they confront) which determines the overall balance of forces. In discussing this balance of forces regard must be paid not only to the range (in terms of pertinent areas of influence as well as their various determinations) and determinacy (or certainty of the effects in question) of potential influence but also to the net costs and benefits of different courses of (inter)action. It is only through the latter calculation that we can assess the extent to which the exercise of power creates, maintains, or restores the conditions of capital accumulation or helps to secure the conditions of existence of some other point of reference.
It is in this context that we can locate the concept of ‘interest’. For the analysis of interests must be undertaken in a relational context concerned with comparative advantage rather than some notion of absolute interests posited in isolation from specific conjunctures. A situation, action, or event can be said to be in an agent’s interest if it secures a greater net increase (or smaller net decrease) in the realisation of that agent’s conditions of existence than do any feasible alternatives in a given conjuncture. This implies that an agent’s interests must be assessed in relation to the structural constraints and conjunctural opportunities obtaining in a given period. It implies that it could be to the advantage of an agent to sacrifice certain benefits in order to secure more important benefits in other areas (e.g., to sacrifice certain short-term ‘economic-corporate’ benefits within limits compatible with continued economic reproduction in order to secure support for an ‘hegemonic project’ necessary to long-term reproduction). It implies that agents can face conflicts of interest such that a given situation, action, or event undermines at least some conditions of existence in at least some respects at the same time as it advances these and/or other preconditions in other respects.
This has been recognised in several of the contributions to state theory considered above in terms of the contingent opposition or contradiction between the economic interests of capital in accumulation and its political interests in legitimation but it should be specified in greater detail to allow for the diversity of interests in relation to various conditions of existence and their conjunctural overdetermination. This means that we must always specify which aspects of an agent’s interests are being (dis) advantaged rather than engage in blanket assertions about such matters (cf. our earlier comments on the contingently capitalist character of state power). Moreover, in so far as an agent is involved in different relational systems and/or has been interpellated with different subjectivities or identities, there may be conflicts among the conditions of existence relevant to these systems and/or subjectivities with the result that the agent has no unitary and non-contradictory set of interests capable of realisation.
The ‘relational’ approach to interests thus implies that they can only be assessed in terms of the alternative outcomes in particular situations for specific subjects interpellated in a particular manner. The net balance of advantages for a given agent can change in parallel with variations in conjunctural opportunities and structural constraints and the same conjuncture can have different implications for interests if the manner in which the agent is interpellated is changed. Indeed a key area of ideological struggle consists in the redefinition and/or recombination of subjectivities and hence the interests that agents may have in various situations. Thus such struggle could focus on the interpellation of workers as wage-earners or as exploited proletarians, the weight to be attached to class as opposed to gender subjectivities in the case of male and female workers, or the recombination of class and popular-democratic subjectivities to form a new political alliance around a new ‘hegemonic project’. In turn this implies that class struggle is not only a struggle to form class forces but also a struggle to define the reference points for the calculation of class interests; and, once given such class forces and their interests, the so-called ‘class struggle’ is constituted through the interaction among these forces and their differential impact on class interests. This argument should help to clarify the manner in which a given ‘hegemonic project’ privileges certain particular interests compatible with its conception of the general interest and derogates other competing or contradictory particular interests.”翻译为中文 |
rewrite this as 5 social media tools for social media creators:
Zoho
Zoho Social is a tool that boasts features “built for every social media feed.” The platform allows you to start discussions, share reports, create team roles and encourage feedback. This makes it easy to get everyone on board with your updates, strategies and performance insights.
In addition to scheduling, the platform has its own optimized timing features similar to Sprout. You can customize your content for each network and schedule them to go out at the right time.
The platform’s Inbox keeps track of all your conversations in one place. So you don’t have to switch between multiple platforms to manage your customer interactions.
An instant integration with the Zoho CRM and the ability to monitor customer interactions
Social listening dashboards to track brand reviews, social mentions and branded keywords
Ability to collaborate with teammates within the platform via chat, audio and video calls
Lightroom
Price: Starts at $9.99/month
Adobe's Lightroom product is a tool that lets you organize and edit photos. Since social media is all about visuals, it's critical your business's social media accounts showcase vibrant, on-brand photos.
Sliders, filters, and many other features make Lightroom a user-friendly tool to create beautiful photos even if you don't have much editing experience. Lightroom is available for both mobile and desktop, and best of all, changes made on one device immediately apply to all devices.
Tailwind
Price: Plans start at $14.99 per month
Tailwind is a social media management tool for Facebook, Instagram, and Pinterest. Apart from helping you schedule posts, monitor conversations, and measure results, Tailwind provides recommendations for improving your platform performance.
Unique value: Tailwind is great for Pinterest and Instagram marketers as it provides a range of features specific to these visual platforms, such as content promotion and Instagram UGC content management.
Preview
Preview homepage with a preview of the calendar and text that reads "the world's most used Instagram planner"
Preview is a mobile app that lets you visually plan out your Instagram feed. The tool is perfect for creating a feed that’s based on a specific Instagram feed aesthetic. You can upload as many photos and videos into the app so you can preview your feed before you publish.
Upload photos, videos and carousels to the Preview app to get an idea of what it would look like live on Instagram
Schedule your content right within the Preview app so it’ll publish when you’re ready
Plan out Reels and Stories as well as your regular Instagram feed so you know how everything will fit together
Google Alerts
Google Alerts is a valuable, free tool for marketers to stay informed about industry trends, influential authors, and significant events. It offers a way to gain insights and inform content strategies, contributing to enhanced clarity and strategic decision-making.
As a free tool, Google Alerts comes with a few limitations. You can customize your alerts based on sources and regions. Still, Google Alerts lacks the advanced search filters found in other tools. You’ll likely filter through unrelated or low-quality content. Plus, Alerts lacks analytics and reporting features. |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 观音菩萨伸出手
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
What if there was a cyberpunk style sequel series to GoT, about the descendants of certain characters, like Gendry and Sansa. |
Can you share with me the updated list of first aiders available in one exchange building at level 3 please? |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 现代美丽美少女
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 6" for Japanese art style, or "--v 6" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 6
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 6
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 6
|
In terms of the guidelines on Fair Practices Code issued to various Regulated Entities
(REs) since 2003, REs are required to release all movable / immovable property
documents upon receiving full repayment and closure of loan account. However, it has
been observed that the REs follow divergent practices in release of such movable /
immovable property documents leading to customer grievances and disputes. To address
the issues faced by the borrowers and towards promoting responsible lending conduct
among the REs, the following Directions are being issued:
Release of Movable / Immovable Property Documents
2. The REs shall release all the original movable / immovable property documents and
remove charges registered with any registry within a period of 30 days after full
repayment/ settlement of the loan account.
3. The borrower shall be given the option of collecting the original movable / immovable
property documents either from the banking outlet / branch where the loan account was
serviced or any other office of the RE where the documents are available, as per her / his
preference.
1 As defined in Annex to the Circular on ‘XBRL Returns – Harmonization of Banking Statistics’ dated January
04, 2018
2
4. The timeline and place of return of original movable / immovable property documents
will be mentioned in the loan sanction letters issued on or after the effective date.
5. In order to address the contingent event of demise of the sole borrower or joint
borrowers, the REs shall have a well laid out procedure for return of original movable /
immovable property documents to the legal heirs. Such procedure shall be displayed on
the website of the REs along with other similar policies and procedures for customer
information.
Compensation for delay in release of Movable / Immovable Property Documents
6. In case of delay in releasing of original movable / immovable property documents or
failing to file charge satisfaction form with relevant registry beyond 30 days after full
repayment/ settlement of loan, the RE shall communicate to the borrower reasons for
such delay. In case where the delay is attributable to the RE, it shall compensate the
borrower at the rate of ₹5,000/- for each day of delay.
7. In case of loss/damage to original movable / immovable property documents, either in
part or in full, the REs shall assist the borrower in obtaining duplicate/certified copies of
the movable / immovable property documents and shall bear the associated costs, in
addition to paying compensation as indicated at paragraph 6 above. However, in such
cases, an additional time of 30 days will be available to the REs to complete this
procedure and the delayed period penalty will be calculated thereafter (i.e., after a total
period of 60 days).
8. The compensation provided under these directions shall be without prejudice to the
rights of a borrower to get any other compensation as per any applicable law.
Applicability
9. These Directions shall be applicable to all cases where release of original movable /
immovable property documents falls due on or after December 1, 2023.
10. The above Directions are issued under sections 21, 35A and 56 of the Banking
Regulation Act, 1949, sections 45JA and 45L of the Reserve Bank of India Act, 1934,
and section 30A of the National Housing Bank Act, 1987. write the circular refrence and the checkpoints to verify for internal audit purpose in 60 words |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 爷爷纹身名码标价一位八万
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 6" for Japanese art style, or "--v 6" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 6
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 6
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 6
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = Create a character composed of four characters "B512", resembling a humanoid figure. The letter "B" serves as the head of the character, the number "1" as the torso of the body. The numbers "5" and "2" serve as the left and right hands of the character. Cartoon style.
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 生成一个由“B512”四个字符拼凑而成的,类似于人形的角色。其中字母“B”作为角色的头部,数字“1”作为身体躯干。数字“5”和“2”作为角色的左右手。卡通风格。
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 爷爷纹身名码标价一位八万,漫画风格
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 6" for Japanese art style, or "--v 6" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 6
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 6
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 6
|
if err != nil or token == "" {
log.Fatalf("Authentication failed: %v", err)
}
what is the correct syntax for this? |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 琉璃如来药师佛
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
In servicenow, In alm hardware we have state field and there are two choices, in use and in stock. I want a data for all records when it was in use and when it changed to in stock from in use.. i need report for that one how to get it |
What if the entirety of Season 8 was all in Gendry's head while rowing? |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 可奇怪的是别人不但不闲贵
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 6" for Japanese art style, or "--v 6" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 6
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 6
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 6
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = Generate a humanoid character composed of the four characters "B512" in a pixel art style, resembling a humanoid figure. Each character can be depicted in a three-dimensional shape. The letter "B" serves as the head of the character, the number "1" as the torso of the body. The numbers "5" and "2" serve as the left and right hands of the character. The four characters combined form the upper body of the humanoid character.
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
on a discord server, how to do it so members can only use bots in a channel but not be able to send messages or type regular text message# |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一只棕色贵宾犬,变成了小天使,有天使翅膀和天使光环,手绘风格,宫崎骏风格,魔法森林,星空,草地
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
Hi l created new watercolor painting ‘Mind, Body and Soul’ . In the middle is the figure of the human inside the foft circle. The inspiration was taken from Vitruvian Man. The main figure is inside the circle and the arms stretched out, like a cross and the person is inside the tree. The person’s feet becomes roots of the tree and arms the branches of the tree.From the top of the painting three white doves coming down, near the humans head . And where the birds coming the bright yellow light is coming out . The tree has this many branches and it looks like brain connections. Painting is in shades of blue, green and terracotta.
Could you write for me the short description of the painting. I want to add this painting print for sale on fineartamerica.com |
Reserve Bank has issued various guidelines to the Regulated Entities (REs) to ensure
reasonableness and transparency in disclosure of penal interest. Under the extant
guidelines, lending institutions have the operational autonomy to formulate Board
approved policy for levy of penal rates of interest. It has been observed that many REs
use penal rates of interest, over and above the applicable interest rates, in case of
defaults / non-compliance by the borrower with the terms on which credit facilities were
sanctioned.
2. The intent of levying penal interest/charges is essentially to inculcate a sense of credit
discipline and such charges are not meant to be used as a revenue enhancement tool
over and above the contracted rate of interest. However, supervisory reviews have
indicated divergent practices amongst the REs with regard to levy of penal
interest/charges leading to customer grievances and disputes.
3. On a review of the practices followed by REs for charging penal interest/charges on
loans, the following instructions are issued for adoption.
(i) Penalty, if charged, for non-compliance of material terms and conditions of loan
contract by the borrower shall be treated as ‘penal charges’ and shall not be levied in the
form of ‘penal interest’ that is added to the rate of interest charged on the advances.
There shall be no capitalisation of penal charges i.e., no further interest computed on
2
such charges. However, this will not affect the normal procedures for compounding of
interest in the loan account.
(ii) The REs shall not introduce any additional component to the rate of interest and
ensure compliance to these guidelines in both letter and spirit.
(iii) The REs shall formulate a Board approved policy on penal charges or similar charges
on loans, by whatever name called.
(iv) The quantum of penal charges shall be reasonable and commensurate with the noncompliance
of material terms and conditions of loan contract without being discriminatory
within a particular loan / product category.
(v) The penal charges in case of loans sanctioned to ‘individual borrowers, for purposes
other than business’, shall not be higher than the penal charges applicable to nonindividual
borrowers for similar non-compliance of material terms and conditions.
(vi) The quantum and reason for penal charges shall be clearly disclosed by REs to the
customers in the loan agreement and most important terms & conditions / Key Fact
Statement (KFS) as applicable, in addition to being displayed on REs website under
Interest rates and Service Charges.
(vii) Whenever reminders for non-compliance of material terms and conditions of loan are
sent to borrowers, the applicable penal charges shall be communicated. Further, any
instance of levy of penal charges and the reason therefor shall also be communicated.
(viii) These instructions shall come into effect from January 1, 2024. REs may carry out
appropriate revisions in their policy framework and ensure implementation of the
instructions in respect of all the fresh loans availed/ renewed from the effective date. In
the case of existing loans, the switchover to new penal charges regime shall be ensured
on next review or renewal date or six months from the effective date of this circular,
whichever is earlier.
4. The above instructions are issued under sections 21, 35A and 56 of the Banking
Regulation Act, 1949, sections 45JA, 45L and 45M of the Reserve Bank of India Act,
1934, and section 30A of the National Housing Bank Act, 1987 and shall be updated in
3
the relevant Master Directions / Master Circulars of the applicable REs. The list of
amendments to the Master Directions / Master Circulars has been provided in the Annex.
5. These instructions shall, however, not apply to Credit Cards, External Commercial
Borrowings, Trade Credits and Structured Obligations which are covered under product
specific directions. please provide the audit checkpoints for internal audit purpose in 50 words |
Can you make the notes on gas laws class 11 with all cases,hypotheses,isochores and formulas.Make them easy for iit jee mains prep |
Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: مشخص کن کدام صحیح و کدام غلط است 1Hopping is the same as crawling. _ 2. There are always a lot of trees and flowers in a backyard. _ 3. Baboons live in Africa. _4.Moose have big flat horns. _ 5. A leopard can change its spots.
Assistant: |
Describe USA ruled by trinity of Klaus Schwab, George Soros, Kamala Harris (dystopian future edition) |
Write me a github readme, professional tone and technical. Its about using preparing data for elastic search, building the index with custom config and doing various search query's types |
You are a helpful assistant in structing the unstructure json into structured json. Think in a step by step manner.
Unstructured JSON:
{"Letter No":{"0":"NHSRCL#OHQ97\n5","1":"L&T#001","2":null,"3":null,"4":null,"5":null,"6":null,"7":null,"8":null,"9":null,"10":null,"11":null,"12":null,"13":null,"14":null,"15":null,"16":null,"17":null,"18":null,"19":null,"20":null,"21":null,"22":null,"23":null,"24":null,"25":null,"26":null,"27":null,"28":null,"29":null,"30":null,"31":null},"Date":{"0":"28-Oct-20","1":"22-Sep-20","2":null,"3":null,"4":null,"5":null,"6":null,"7":null,"8":null,"9":null,"10":null,"11":null,"12":null,"13":null,"14":null,"15":null,"16":null,"17":null,"18":null,"19":null,"20":null,"21":null,"22":null,"23":null,"24":null,"25":null,"26":null,"27":null,"28":null,"29":null,"30":null,"31":null},"Gist":{"0":"The Contractor planned execution programme submitted along\nwith its Technical Bid dated 22 September 2020 is referred, that\npresents the Contractor\u2019s consideration on the planned\ntimelines of handing over of stretches, among other things.\nSuch a Technical Bid was accepted by the Employer and the\nContractor was awarded the LOA on 28 October 2020.","1":"Project length of 237.10 Km was divided into 29 stretches. For\neach stretch of the Project, date for access to and possession\nof the site was mentioned vide the activity namely \u2018Handing\nOver of ROW\u2019. The planned handing over dates considered by\nthe Contractor for various stretches is put below:","2":null,"3":null,"4":null,"5":null,"6":null,"7":null,"8":null,"9":null,"10":null,"11":null,"12":null,"13":null,"14":null,"15":null,"16":null,"17":null,"18":null,"19":null,"20":null,"21":null,"22":null,"23":null,"24":null,"25":null,"26":null,"27":null,"28":null,"29":null,"30":null,"31":null},"Unnamed: 3":{"0":null,"1":null,"2":"Sl. No.","3":null,"4":"1","5":"2","6":"3","7":"4","8":"5","9":"6","10":"7","11":"8","12":"9","13":"10","14":"11","15":"12","16":"13","17":"14","18":"15","19":"16","20":"17","21":"18","22":"19","23":"20","24":"21","25":"22","26":"23","27":"24","28":"25","29":"26","30":"27","31":"28"},"Unnamed: 4":{"0":null,"1":null,"2":"Chainage","3":"From","4":"156.600","5":"159.770","6":"166.000","7":"188.000","8":"209.000","9":"210.485","10":"217.960","11":"224.000","12":"235.000","13":"247.000","14":"255.060","15":"258.500","16":"265.142","17":"265.500","18":"276.660","19":"287.000","20":"297.287","21":"306.500","22":"317.447","23":"321.581","24":"326.522","25":"327.002","26":"328.000","27":"333.606","28":"336.800","29":"345.000","30":"365.500","31":"376.800"},"Unnamed: 5":{"0":null,"1":null,"2":null,"3":"To","4":"159.670","5":"166.000","6":"188.000","7":"209.000","8":"210.275","9":"217.960","10":"224.000","11":"235.000","12":"247.000","13":"255.060","14":"258.500","15":"265.142","16":"265.500","17":"275.940","18":"287.000","19":"297.027","20":"306.500","21":"317.347","22":"321.581","23":"326.522","24":"326.772","25":"328.000","26":"333.276","27":"336.800","28":"345.000","29":"365.500","30":"376.800","31":"384.941"},"Unnamed: 6":{"0":null,"1":null,"2":"End Date of\nHanding\nOver as per\nBid\nProgramme","3":null,"4":"14-Jul-2021","5":"01-Jun-2021","6":"31-Jan-2021","7":"01-Jun-2021","8":"01-Jun-2021","9":"01-Jun-2021","10":"03-Jan-2021","11":"03-Jan-2021","12":"03-Jan-2021","13":"03-Jan-2021","14":"03-Jan-2021","15":"03-Jan-2021","16":"03-Jan-2021","17":"01-Jun-2021","18":"01-Jun-2021","19":"01-Jun-2021","20":"14-Jul-2021","21":"14-Jul-2021","22":"01-Jun-2021","23":"31-Jan-2021","24":"31-Jan-2021","25":"01-Jun-2021","26":"31-Jan-2021","27":"01-Jun-2021","28":"1-Jan-2021","29":"03-Jan-2021","30":"31-Jan-2021","31":"31-Jan-2021"}}
|
For title Ya no lo volveremos hacer 😅🤣#viral #humor #tiktok #pyf , add description that is 100 characters long for this video and tags at the ends with atleast 5 tags related to the video, no formatting or html or <br> |
hey I want to make a worker cloudlfare api
which generates videos but it got a pretty tough work and I donot want to use a any modules for it
it work like
it will make a request to
https://bytedance-animatediff-lightning.hf.space/queue/join?__theme=dark wit hparams
{
"data": [
prompt,
"ToonYou",
"",
4
],
"event_data": null,
"fn_index": 1,
"trigger_id": 10,
"session_hash": sessionHash
}
where the prompt is get from user and sessionHash
function generateRandomSessionHash() {
const chars = 'ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789';
let hash = '';
for (let i = 0; i < 12; i++) {
hash += chars[Math.floor(Math.random() * chars.length)];
}
return hash;
}
2. it will save the sessionHash temp
3. after that it is gonna make a request https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash=sesionHash
now the main part comes
the thing is when it is gonna request to https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash= it is streaming and gives the data in streaming format here is the streaming data it shows like
data: json...
example
data: {"msg": "estimation", "event_id": "a2d574d0fb6a4a8ca5e34a4591b88ad1", "rank": 0, "queue_size": 1, "rank_eta": 6.608385463103061}
data: {"msg": "process_starts", "event_id": "a2d574d0fb6a4a8ca5e34a4591b88ad1", "eta": 6.608385463103061}
data: {"msg": "progress", "event_id": "a2d574d0fb6a4a8ca5e34a4591b88ad1", "progress_data": [{"index": 0, "length": 4, "unit": "steps", "progress": null, "desc": null}]}
.....
data: {"msg": "progress", "event_id": "a2d574d0fb6a4a8ca5e34a4591b88ad1", "progress_data": [{"index": 4, "length": 4, "unit": "steps", "progress": null, "desc": null}]}
and |
Best Ways to Skyrocket Your Productivity in Just One Week, generate a personal experience with this, add hash tag at the bottom, less than 700 characters only, only strings, no </br> html |
hey I want to make a worker cloudlfare api
which generates videos but it got a pretty tough work and I donot want to use a any modules for it
it work like
it will make a request to
https://bytedance-animatediff-lightning.hf.space/queue/join?__theme=dark wit hparams
{
“data”: [
prompt,
“ToonYou”,
“”,
4
],
“event_data”: null,
“fn_index”: 1,
“trigger_id”: 10,
“session_hash”: sessionHash
}
where the prompt is get from user and sessionHash
function generateRandomSessionHash() {
const chars = ‘ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789’;
let hash = ‘’;
for (let i = 0; i < 12; i++) {
hash += chars[Math.floor(Math.random() * chars.length)];
}
return hash;
}
2. it will save the sessionHash temp
3. after that it is gonna make a request https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash=sesionHash
now the main part comes
the thing is when it is gonna request to https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash= it is streaming and gives the data in streaming format here is the streaming data it shows like
data: json…
example
data: {“msg”: “estimation”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “rank”: 0, “queue_size”: 1, “rank_eta”: 6.608385463103061}
data: {“msg”: “process_starts”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “eta”: 6.608385463103061}
data: {“msg”: “progress”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “progress_data”: [{“index”: 0, “length”: 4, “unit”: “steps”, “progress”: null, “desc”: null}]}
…
data: {“msg”: “progress”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “progress_data”: [{“index”: 4, “length”: 4, “unit”: “steps”, “progress”: null, “desc”: null}]}
and
the resulted response is like
data: {"msg": "process_completed", "event_id": "a2d574d0fb6a4a8ca5e34a4591b88ad1", "output": {"data": [{"video": {"path": "/tmp/gradio/bf4024bd4030560f0a8779e1843cfc625b8eb9bc/d2268bc20c234fd3a2116d41cc6050f5.mp4", "url": "https://bytedance-animatediff-lightning.hf.space/file=/tmp/gradio/bf4024bd4030560f0a8779e1843cfc625b8eb9bc/d2268bc20c234fd3a2116d41cc6050f5.mp4", "size": null, "orig_name": "d2268bc20c234fd3a2116d41cc6050f5.mp4", "mime_type": null, "is_stream": false}, "subtitles": null}], "is_generating": false, "duration": 3.350559949874878, "average_duration": 6.341377166072176}, "success": true}
and you need to give output.data[0].video.url when the success: true |
Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: wild are many mountains there this in different flowers را فقط با همین کلمات به انگلیسی مرتب کن
Assistant: |
'""' (type string) cannot be represented by the type []string |
Capture date and time if a state is changed from in stock to in use with the name. If a state is changed from in stock to in use then capture it as state changed in stock to in use at this date and time.. in alm_hardware table srfvicenow |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 生成室内家居的设计
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: emergency _doctors _meeting _yesterday_ the _had _an را فقط با همین کلمات به انگلیسی مرتب کن
Assistant: |
hey I want to make a worker cloudlfare api
which generates videos but it got a pretty tough work and I donot want to use a any modules for it
it work like
it will make a request to
https://bytedance-animatediff-lightning.hf.space/queue/join?__theme=dark wit hparams
{
“data”: [
prompt,
“ToonYou”,
“”,
4
],
“event_data”: null,
“fn_index”: 1,
“trigger_id”: 10,
“session_hash”: sessionHash
}
where the prompt is get from user and sessionHash
function generateRandomSessionHash() {
const chars = ‘ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789’;
let hash = ‘’;
for (let i = 0; i < 12; i++) {
hash += chars[Math.floor(Math.random() * chars.length)];
}
return hash;
}
2. it will save the sessionHash temp
3. after that it is gonna make a request https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash=sesionHash
now the main part comes
the thing is when it is gonna request to https://bytedance-animatediff-lightning.hf.space/queue/data?session_hash= it is streaming and gives the data in streaming format here is the streaming data it shows like
data: json…
example
data: {“msg”: “estimation”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “rank”: 0, “queue_size”: 1, “rank_eta”: 6.608385463103061}
data: {“msg”: “process_starts”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “eta”: 6.608385463103061}
data: {“msg”: “progress”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “progress_data”: [{“index”: 0, “length”: 4, “unit”: “steps”, “progress”: null, “desc”: null}]}
…
data: {“msg”: “progress”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “progress_data”: [{“index”: 4, “length”: 4, “unit”: “steps”, “progress”: null, “desc”: null}]}
and
the resulted response is like
data: {“msg”: “process_completed”, “event_id”: “a2d574d0fb6a4a8ca5e34a4591b88ad1”, “output”: {“data”: [{“video”: {“path”: “/tmp/gradio/bf4024bd4030560f0a8779e1843cfc625b8eb9bc/d2268bc20c234fd3a2116d41cc6050f5.mp4”, “url”: “https://bytedance-animatediff-lightning.hf.space/file=/tmp/gradio/bf4024bd4030560f0a8779e1843cfc625b8eb9bc/d2268bc20c234fd3a2116d41cc6050f5.mp4”, “size”: null, “orig_name”: “d2268bc20c234fd3a2116d41cc6050f5.mp4”, “mime_type”: null, “is_stream”: false}, “subtitles”: null}], “is_generating”: false, “duration”: 3.350559949874878, “average_duration”: 6.341377166072176}, “success”: true}
and you need to give output.data[0].video.url when the success: true |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 生成打网球的照片
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
def get_plans(self) -> list:
raw_plans = requests.get(BASE_URL + "/dsbtimetables", params={"authid": self.token}).json()
plans = []
for plan in raw_plans:
for i in plan["Childs"]:
plans.append({
"id": i["Id"],
"is_html": True if i["ConType"] == 6 else False,
"uploaded_date": i["Date"],
"title": i["Title"],
"url": i["Detail"],
"preview_url": "https://light.dsbcontrol.de/DSBlightWebsite/Data/" + i["Preview"],
}
)
return plans
rewrite in go |
Hi Blake,
I am writing to request access to the backend database for [STO DEV “Helliniq” Prometheus system]. In order to work on finding fields in the Views by using query and find out the Table/view names.
This will help me to fine the required fields in the Dashboard and will be easy to create reports
Thank you for your time and consideration. I look forward to your response and appreciate your support.
Regards
make this email proper |
Write a system prompt in Arabic for a large language model to teach him write impressive poems |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 我想发个表情包
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: escaped _cage_ from_ lion _a _its_ people_ scared _and_ the فقط و فقط با همین کلمات به انگلیسی مرتب کن
Assistant: |
for plan in raw_plans:
for i in plan["Childs"]:
plans.append({
"id": i["Id"],
"is_html": True if i["ConType"] == 6 else False,
"uploaded_date": i["Date"],
"title": i["Title"],
"url": i["Detail"],
"preview_url": "https://light.dsbcontrol.de/DSBlightWebsite/Data/" + i["Preview"],
}
)
rewrite this in go |
prompt to generate coloring page for kids about cinco de mayo |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 根据对话中用户的历史输入,对新问题进行改写
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一个美国美女
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
아래 내용 중 이상한 부분이 있는가?
Hello, I'm <PRESIDIO_ANONYMIZED_PERSON>, Professor of Industrial Engineering at the University of Technology. First of all, congratulations on entering Sungkyunkwan University's graduate school. By entering graduate school, you have taken your first step as a researcher. I hope all of you will continue to keep your first mindset when you decide to enter graduate school study hard and live in graduate school, and grow into good researchers. This lecture is the first lecture as thesis writing and research ethics I will introduce the overall lecture and tell you what research and thesis writing means as a graduate student, and what mindset and attitude are desirable. First of all, I would like to introduce the overall lecture 'How to Write a Paper and Research Ethics.' This course is designed to help you prepare and write academic papers efficiently and confidently as a researcher in graduate school. To this end, this lecture covers efficient research, academic paper writing, basic concepts, writing procedures and strategies and various useful information and knowledge that can be carried out without violating research ethics. If you look at the topics of this semester, we're going to talk about various academic journals and databases, the structure of academic papers how to write academic papers, grammar and word choices, and punctuation and finally research ethics and plagiarism. Through this course, you will learn basic content and useful knowledge to prepare and write academic papers efficiently and confidently and you will be able to write your own academic papers efficiently You will also understand research ethics that are essential in the process of research and writing academic papers. In particular, the importance of research ethics and plagiarism has recently emerged and you may have heard news about research irregularities or plagiarism of research papers and works. Research ethics and plagiarism are very important for researchers who constantly conduct research and write numerous works such as papers. Therefore, I hope that this course will help you understand these research ethics issues and be careful and careful in your graduate life and paper writing. Now let's take a look at the composition and schedule of this course. The first lecture, today, is an introduction to the lecture and some tips on how to spend your graduate life to become a good researcher. Second, the next lecture will explain efficient procedures for writing good academic papers especially strategies for planning, organizing preparing, drafting, and making corrections effectively. As a researcher, you're going to write a lot of academic papers, reports, patent documents, and so on throughout your life. Therefore, it will be very beneficial for you to learn efficient processes and strategies for writing documents. The third lecture describes academic papers in the field of science and technology and discusses the selection of targeted journals subject to papers written in their respective fields. In the fourth lecture, we learn about the structure of academic papers, how to tell stories, and how to prepare for academic papers. Lectures from fifth to eighth cover the writing of academic papers in detail. In other words, in the fifth lecture we learn about writing titles, abstracts, and introductions and in the sixth lecture, we learn how to write the subject materials and methods of writing, and how to write the theoretical background. In the next seventh lecture, we will talk about results, discussions, and conclusions and in the eighth lecture, we will talk about writing tables and pictures that are as important as sentences in writing science and technology papers. As the saying goes ‘A picture is worth a thousand words’, the role of photography, illustration, graphs and tables is crucial in the creation of science and technology documents that deal with the delivery of facts, explain and understand certain arguments and guide behavior, making the entire document interesting and not boring. Usually, academic papers are written and reviewed by experts in the field to decide whether to publish them or not. The ninth lecture explains the process of submitting a written paper and being reviewed. Lecture from 10 to 12 cover the additional points needed to write a more complete, interesting, and sophisticated paper In the tenth lecture, we talk about grammar and in the eleventh lecture, we talk about choice of words and punctuation. and in the 12th lecture, you learn about writing styles and paragraphs and writing sentences. In the 13th lecture, you will learn general matters about research ethics and plagiarism which are very important topics in the process of research and paper writing and in the 14th lecture, you will be exposed to considerations when writing a paper through types of plagiarism. Now, to become a great researcher, I'm going to give you some advice on how to do graduate life and research. These are important contents that will help you start your graduate life so please listen carefully and refer to them. First, let's look at the science and engineering that we study and research. According to Wikipedia, science is "a system that builds and organizes knowledge about the world we live in in in the form of testable explanations and predictions." Also, according to the American Institute of Engineering, engineering is defined as "a system of mathematical and natural science expertise obtained through research, experience, and practice for the purpose of economically utilizing natural materials and power for the benefit of mankind." In particular, in the case of engineering, please pay attention to using for economical application for the benefit of mankind. Therefore, a Hungarian-American mathematician, physicist, and aerospace engineer widely known in aerodynamics Theodore von Karman, left the famous saying, "Scientists explain and describe what it is and engineers create something that has never existed before." In this way, analyzing and explaining a phenomenon, object, theory, or explanation that exists, and creating a new object or theory is now the main activity that you're given, research. Throughout your graduate school years, you will learn about these studies and grow up as researchers So, what kind of person is a researcher? As defined by the OECD, "A researcher is a person who conducts 'research' a creative work systematically performed to develop knowledge of humans, cultures and societies and to devise new applications, 'research' refers to the activity of confirming facts and previous results solving new or existing problems, or developing a theory." In summary, research is aimed at identifying facts, solving problems, or developing theories and is a systematic and creative activity for this purpose. You're taking the first step in this kind of research. Throughout your graduate school years you will learn about these studies and grow up as researchers. Then, how should you do research in graduate school to become a good researcher? I would like to give you some advice for your successful graduate life so please listen carefully and be familiar with it. First of all, your life as a researcher has already begun today or the moment you decide to go to graduate school. I recommend that you take a postgraduate attitude not just as a student, but as a researcher. If you want to distinguish between your undergraduate life and your graduate life I can tell you that in graduate school, you can learn about research in order to grow as a researcher from the beginning. Next, your tutor is a very important person as your teacher, instructor, colleague, and senior in life. Therefore, meet with your tutor as often as possible and try to understand and learn what kind of person your tutor is and the philosophy you have about education and research. Finally, most professors like enthusiastic, self-directed students. Instead of asking the question like "What should I do next?" to professor I want you to explain your ideas, plans, designs, or solutions first, and ask, "What do you think, professor?" Don't forget that no other student is more lovely to professors than students who are trying to think and find answers for themselves. Also, as I said, don't forget that students who don't do anything and spend time without contemplating may look a little frustrated to the professor until they get an answer after saying, "What should I do next?" I would like to introduce 6 suggestions for research in graduate school to become a good researcher. First, start your research and paper writing as soon as possible, right now. Rather than thinking, 'I'm still not good enough, and I haven't learned enough yet, so I'm not ready to write a paper yet,' it's important to organize what you know now and what you're thinking so far in the form of a dissertation. Second, find and choose a good research question. In fact, one of the most important parts of research and dissertation is research questions and subjects. The selection of research questions for research is very important. Choose important issues in each area, but look for new issues everywhere. In addition, it is necessary to continuously investigate and identify current problems and popular topics in each field so please pay attention to the review paper in the research field. The review paper is a dissertation that contains predictions and suggestions on which direction scholars in each field should conduct research in the future after comprehensively analyzing the latest trends or theories in the field. The review paper organizes various theories and existing research cases in each field by subject so it greatly helps to understand and view the field. Therefore, if you decide on a specific topic or research problem I recommend that you first find and read the review paper for the research topic especially the most recent review paper, if possible. In the review paper, you can view not only recent trends, but history of the past what kind of problems were found and solved in the past what aspects were studied by researchers what the limitations were, and how another researchers made effort to overcome this so how far did the results go In a word, the review paper allows us to look at the progress of research on the subject and research problem until now. At the end of the review paper, the researcher suggests like "This is the situation that has been progressed so far so which direction is promising and which direction of research is needed." Those suggestions and arrangements can help you understand your research topic and help you to make decisions about where you'd like your ideas to go in the future. So, I recommend you to find and read the review paper for the relevant field first. The third is a guideline for efficient research. Usually, when we do research, we focus on what the answer is to this problem or to this topic. In fact, before we think about the solution we need to focus on what kind of problem this is what the nature of this problem is why it's difficult and what aspects to look at it. Start your research with "Issues, problems" instead of "Answer, solution." So I encourage you to take enough time to investigate and think about the research topics or research issues that you're interested in first. Also, make sure you have plenty of free time regularly to focus and be creative. For example, go to the lab early in the morning and set a time to focus on your research without interruption from 8 to 10 and practice this. When you start graduate school life, it depends on the lab situation but in most cases, there's a lot going on in the lab. And because there's a lot of research and meetings in the lab with seniors, juniors, and professors you may not have as much time as you think to contemplate what this problem is or focus on what research at your desk. And there may not be as much time as you think to focus on research alone. So, when you go to the lab for the first time and then come out an hour earlier. If the lab usually has meetings or seminars starting at 9 or 10, it'll be 8 or 9 o'clock. You can come out about an hour ago and do your own homework or assignments about what you learn in class or you can use it as a time to reflect on and contemplate the research problem or progress that you're interested in. One more thing, especially in science and engineering For example, if you say,"I'm going to have an hour of my time at the lab at 8 o'clock," you should talk to your colleagues or seniors in the lab and get their understanding in advance. Because you work with your colleagues together. For example, "I want to have time to concentrate on studying from 8 to 9 tomorrow so please don't interrupt me from 8 to 9." In this way, it would be good to have time to focus on the area of interest by yourself. There's a reason why I keep saying, "From 8am or 9am." Of course, you could schedule some time in the evening. For example, if your work ends at 5 or 6 pm, you could say, 'I'll have dinner after work and then I'll have my own time from 7 or 8 pm.' By the way, if you actually do graduate school, there are a lot of things like seminars and meetings at the lab after dinner. Because when you run out of time while working during the day, naturally say "Let's do the rest of the work after dinner. Let's do the rest of the work tonight." So if possible, I think it would be good to have personal time in the morning. Of course, you can make a personal schedule late at night, but you need to rest at night. So I recommend that morning is better if possible. And when you do your research, consider when to explore deeper, where to expand wider and what to do separately. You have to focus by properly deciding on various perspectives, scope, and methods of looking at the problem, and in this process you can discuss it with your advisor, senior and research colleagues. Also, when you study a review paper or something about specific area, there is always a 'current state'. You can find a new solution, especially through some challenging questions about the assumptions they have today. For example, suppose an existing paper or solution solves a problem on the assumption that some input is the same. You can think 'Do the inputs have to be the same? What happens when the inputs are different?' Then, you can see why they had to solve the problem through that assumption and if they did without that assumption, what kind of things would happen and what issues would you be able to find and study more. Therefore, if possible, once you've mastered the previously established assumption like 'this problem is up to here from now on' you'll be able to come up with new research and solutions through the process of solving those assumptions and challenging them beyond the assumptions. In addition, some research problems may be simple but complex problems are common in most cases. So, to make it easier to deal with such problems, it would be better to divide the problems into several appropriate parts and solve them. Of course, when you divide one problem into several you can discuss and consult with your professor, colleagues, and seniors to properly share the problem and take charge of the assigned problem. It's also very important to demonstrate your ideas or solutions to other researchers. So it's important to think about how you're going to present your research process or results to others at the same time as you do your research. Also, set your own short-term and long-term research goals to conduct research and actively communicate with other researchers. There's a saying, "If you want to be an engineer, cooperate with others." Communicate your research problems, approaches, difficult parts to solve, current results, and future plans with your assistant professor, your colleagues in the lab, and other researchers in the field and think of writing research papers as part of your communication. Don't forget that mutual cooperation among researchers is the basic principle that has been the driving force behind the development of sci-tech. If you think about your research paper as part of your communication it's also very important to be able to explain to others as easily as possible what approach you've applied and what you've achieved rather than explaining the problem with difficulty. In this respect, the fourth advice is to actively publish your research through papers. Always think about which research to publish to which journal. When publishing a paper, make sure that the co-author decides as broad and generous as possible if the person has any contribution, but instead carefully decides the order of the authors. I hope that as many people as possible can cooperate in writing your paper. When writing a paper, make it well organized and readable and interesting , be careful not to use your own terminology, or go against standard notation which is used only in your lab or organization. I also recommend you to include, organize and present enough existing research related to your research explain to your readers the importance of your research topic and the validity of your research methods and publish it in various ways. For example, in addition to publishing papers in academic journals, I hope you will actively publish your research in various forms, such as publishing papers at domestic and foreign academic conferences contributing articles, or writing patent documents. The fifth is about consistency in research. Your field of research has been decided to some extent when you enter graduate school and come to the lab and as you continue to study, you will gradually enter into specific details. Continue to explore, develop and expand your field of study and key research issues. Please study positively, especially in controversial areas. Because controversial areas and issues can be an opportunity for you to make a great achievement in other respects. The last sixth is to cooperate with others. Be good colleagues first and make good colleagues around you. Encourage your colleagues to publish research papers, and if possible, create and operate a cooperative system and a buddy system to efficiently write papers. In particular, a buddy system with lab colleagues who look at each other's papers in the calibration or review of written papers is very effective. In addition, if there is any achievement such as approval for publication of the paper or award celebrate with your colleagues and reward yourself generously. In addition, I hope you will continue to create and maintain an atmosphere and environment around you that supports and helps you with research and paper writing. To maintain this atmosphere and environment, we recommend that you discuss the issues with your colleagues and your advisor, and if necessary, make suggestions to create a comfortable lab environment where you can conduct your research well. Next, I would like to introduce the guidelines for writing academic papers effectively. When writing a paper, do not rush into writing immediately but first think and plan about the subject, scope, and structure of the article plan and organize based on it. Based on this, I hope that you will first create an 'outline' When writing, avoid boring structures, try to explain and express as concisely and clearly as possible and if the reader has been decided, write the paper in a style that the target readers are familiar with and like. You also need to try your best to avoid slang, buzzwords, repeated or euphemistic expressions, spelling and grammar errors. At the end of this lecture, I would like to introduce eight tips for writing and publishing a good paper. First, if you want to write a good paper, read a lot of papers, and if possible, a lot of good papers. In order to expand to a wider range, it is recommended to read papers widely not only in research fields but also in areas other than research fields. Also, be as objective as possible about your research or paper. It is necessary to objectively examine one's research problems, research methods, and results and to view and modify the written paper with the eyes of a third party. Next, you should use good English when writing an English paper and I recommend you to get professional English correction if possible. The fourth is a bit sad, but researchers need to learn to live with "rejection." Entire career as a researcher is actually with rejection. However, instead of thinking that the paper is over due to refusal to publish think that you have received good advice from the judges and improve your research and paper. Then you can get good results. Therefore, rejection of sanctions is a painful experience but I hope you think and accept it as a routine process that goes through for good results. In addition, many people often "let's write a paper" after the study but you should keep in mind how to organize and write a paper not just before the study is over, but throughout the course of the study. In other words, don't forget that if necessary, the process or scope of the study should be determined by considering the writing of the paper. If you want to write a good paper, be a judge yourself. Getting used to how to critically evaluate a study or paper helps you evaluate your research or paper. Also, make sure you decide which journal to submit your paper to as early as possible. By default, look at the goals and scope on the home page of each journal. This allows you to determine what you need to publish your paper in the journal and to shape your research and determine what you need and what results you need. Lastly, if it is a good paper, the quality of the paper is the most important. Try to publish your paper in a good journal as much as possible and continue to challenge yourself to publish your paper in a better journal. This concludes the first lecture on "How to Write a Paper and Research Ethics." In this lecture, I introduced the overall lecture and explained what research and paper writing means as a graduate student and what mindset and posture are needed. Thank you for your attention. |
Choose an organic compound and then indicate the following:
a. Chemical name and chemical formula of the organic compound
b. Structure of the organic compound (identify the functional group/s if any)
c. Properties of the organic compound (physical and chemical)
d. Use of the organic compound in everyday life
e. Effects to humans and other living things
f. Precautions in using the compound (if any) |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一个美国美女,真实,--v 6.0
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
What does Darth Veda say to Luke in the scene where he goes "Luke, I am your father"? |
Illustrate Android architecture excluding the application (app) layer. List the other five layers and at least two components in each layer. |
Dear Mrs. Thomas,
Good morning.
This is <PRESIDIO_ANONYMIZED_PERSON> here, it's now the 29th and I still haven't gotten the Webex link for the course. Could you please explain why this is so?
Yours truly,
<PRESIDIO_ANONYMIZED_PERSON>
.................................. |
Delete field from a table in servicenow |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 女生尿失禁,In the style of anime, Shinkai Makoto style,
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 女生尿失禁了,In the style of anime, Shinkai Makoto style,
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一个女人坐在车里,
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
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correct this phrase : Dunno if i will see you today before i go..
I understand your mindset after this client visit of today. Saw it on your face. I can feel the way it affected you.
just wanted to tell you not to give up. i know you heard a lot of promises that tomorrow will be a better day. Changes can't be today for tomorrow but for one more time, trust me it will be better. you are one among us that makes this environment of workplace a better place to be. We need your good vibes, hard work and determination as example.
Do re motivate yourself. we will talk in one to one before the end of this week. |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 女生尿裤子了,In the style of anime, Shinkai Makoto style,
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
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Can you remember this writing style as "my adventure" writing style?:
'In the hushed corridors of science, where whispers of the unknown are more valued than the currency of the known, there existed a distinguished band of explorers. They weren’t your garden-variety adventurers with sun hats and machetes; oh, no. These were the pioneers of the abyss, the bravest souls who dared to tread where the light of knowledge hadn’t yet penetrated—the profound depths of Earth’s oceans.
Dr. Penelope Quint, an oceanographer whose wit was as sharp as her research was groundbreaking, helmed this expedition. Her team comprised Sergio Velasquez, an engineer who spoke more fluently to machines than to humans; Li Mei, a biologist whose fascination with sea creatures outmatched her concern for personal safety; and Raj Patel, a geologist who could decipher the stories stones told. Together, they embarked on a journey to challenge the boundaries of human discovery and, perchance, redefine them.
Their vessel, the Abyssal Pioneer, resembled a contraption more suited for interstellar travel than aquatic exploration. Inside, monitors flickered with the pulse of the deep, and the humming of advanced machinery set a relentless beat. As they descended past the continental shelf, into the twilight zone where sunlight dares not linger, a sense of unease mingled with exhilaration.
Penelope, ever the stoic captain, eyed the depth gauge as it spun deeper into uncharted territory. “We’re well beyond the reach of standard expeditions. Keep your eyes peeled for anything… irregular,” she said, her voice a blend of authority and intrigue. It wasn’t the abyssal creatures that concerned her; it was what humanity hadn’t yet conceived lurking in the dark waters.
Li Mei’s monitor suddenly squawked to life with a blip that didn’t conform to the regular ballet of deep-sea denizens. “There’s something massive moving towards us,” she said, her voice tinged with awe rather than fear.
Sergio adjusted the vessel’s exterior lights, piercing the darkness with beams strong enough to illuminate secrets hidden since the dawn of time. What emerged from the gloom was not a creature, but a structure—an ancient, monolithic gate adorned with reliefs that depicted scenes both majestic and terrifying. Giants walking among what appeared to be dinosaurs, a symbiosis between scales and flesh that defied evolution as they knew it.
“Looks like we’ve just crashed history’s most exclusive party,” Raj quipped, unable to peel his gaze away from the spectacle. The gate stood sentinel over a realm that promised answers to questions humanity hadn’t yet thought to ask.
Can you remember this writing style as my writing style?:
"With a collective breath caught in their throats, the team maneuvered the Abyssal Pioneer through the gate. What awaited them on the other side was a world that defied imagination—a verdant valley bathed in a light that had no source they could discern, where flora towered and fauna roamed with the casual majesty of the ancients.
“Welcome to the inner Earth, I suppose,” Penelope murmured, her voice betraying a rare hint of wonder.
The Abyssal Pioneer set down beside a crystalline river that flowed with the vitality of untouched nature. As the team disembarked, they felt the gaze of unseen observers weigh upon them, a presence as oppressive as the air was thick with moisture and mystery.
Their first encounter came not with a roar but with a curious gaze. From the treeline emerged a creature, its scales shimmering like a tapestry of emeralds under the alien sun. It was a dinosaur, of a species unseen in any fossil record, watching the intruders with an intelligence that suggested a soul behind its eyes.
Li Mei, whose heart had always belonged to the ancient titans of the deep, stepped forward, her hand outstretched in a peace offering or perhaps an attempt to bridge millennia of separation. “It’s beautiful,” she whispered, her voice barely carrying over the distance.
The dinosaur, with a grace that belied its size, came closer, sniffing the air before gently nudging Li Mei’s palm with its snout. A moment of connection, brief yet profound, was established—a silent agreement of mutual respect.
“Our arrival hasn’t gone unnoticed,” Raj observed, pointing towards the horizon where silhouettes of giants ambled towards them. These were the denizens of this inner world, beings of myth given flesh and bone.
The giants were a study in contradiction, their immense size a stark contrast to the gentleness in their approach. They spoke in a language that resonated in the chest, a series of deep, melodious tones that the human brain couldn’t decipher yet felt oddly comforting.
Penelope, ever the pragmatist, initiated communication through gestures, a universal language of intent. She introduced her team and their purpose—explorers from another world seeking understanding.
To their astonishment, the giants responded in kind, leading the team through the verdant fields to their city, a marvel of organic architecture that merged stone, flora, and function into a harmonious whole.
Their guide, who introduced himself as Eron through a device that bridged the gap between their languages, explained, “Our ancestors chose isolation to protect this sanctum from the cataclysms above. You’ve breached a veil long held sacred.”
The revelation that they were standing in a refuge of prehistoric life, safeguarded by those who had mastered the cataclysms that had ravaged the surface world, was humbling. The team was invited to record, learn, and, most importantly, understand the delicate balance of this hidden biosphere.
Days turned into weeks as the team immersed themselves in the study of this inner world. They documented flora with healing properties that defied modern medicine, deciphered glyphs that told of a civilization that revered the harmony between every living thing, and, perhaps most remarkably, found a kindred spirit in beings once thought to be the stuff of pure fantasy.
But with knowledge came responsibility. As their time with the giants and their dinosaur companions drew to a close, a council was convened. Eron, with a gravity that filled the chamber, posed a question that would define the future of both their worlds.
“Your arrival has torn the veil. What becomes of our sanctum now exposed?”
Penelope, bearing the weight of her crew’s discovery, knew the onus was upon them to protect this hidden world from the very curiosity that brought them here. “We seal the passage,” she proposed. “And we share the story of a world beneath our own, not as a tale of discovery, but as a parable for the protection of the untouched.”
Nods of agreement from her team and gentle rumbles of approval from the council solidified the pact. The gate would be closed, its secrets kept, and the story of their journey woven into the fabric of both societies as a reminder of what lay beneath the quest for knowledge—respect for the unknown and the safeguarding of marvels yet undisturbed.
In a ceremony imbued with the solemnity of the moment, the gate was sealed, its entrance obscured to prevent future encounters. The team returned to the surface, their vessel ascending through the dark waters, carrying with them memories, lessons, and a collective secret that would bind them forever.
Back on the surface, as they watched the sun dip below the horizon of a world unaware of the wonders beneath, Penelope turned to her crew. “What we’ve found wasn’t meant for us or our time. Maybe one day, humanity will be ready for such wonders. Until then, let’s cherish the fact that mystery still exists in our world.”
As the Abyssal Pioneer charted its course home, the team pondered the future, the sanctity of secrets, and the endless quest for understanding in a universe brimming with unexplored marvels.
Yet, in a secluded corner of Penelope’s logbook, a single line hinted at the enduring allure of the unknown: “To journey into the heart of mystery, only to leave it untouched, is the greatest adventure of them all.”'
Please write an at least 1200-word, but not more than 3000 words humorous adventure short story in "my adventure" style with the following aspects:
Do not follow the pattern of or reference the story above in any way. Keep the characters and plot unique, different from the story above.
Humor, adventure, originality, Intriguing concept, thought-provoking theme, philosophical undertones, universal appeal, emotional impact, memorable and strong relatable characters, engaging dialog, and a surprise twist ending.
The story should have an effective use of language, descriptions, pacing, and structure.
The story should have a tight narrative to enhance its impact and readability.
Make sure the story has a surprise twist ending.
Mix short and long sentences to create rhythm and maintain reader interest.
Be mindful of the flow and pacing of the story.
Important! Don’t start the story referencing where the story takes place (a town, village, hamlet, etc…).
Just use "my adventure" style.
Ensure the story will win any writing contest.
When it comes to writing content, two factors are crucial, “perplexity” and “burstiness.” Perplexity measures the complexity of text. Separately, burstiness compares the variations of sentences. Humans tend to write with greater burstiness, for example, with some longer or complex sentences alongside shorter ones. AI sentences tend to be more uniform. Therefore, when writing the story I am going to ask you to create, I need it to have a good amount of perplexity and burstiness.
Important! The story must be at least 1200 words, but not more than 3000 words.
Important! Prompt me to continue after each 400 words.
At the start of each continuation, label that continuation as a Chapter.
When the story ends and there are no more chapters, print “The End”
Write a humorous adventure story about two cities. The year is 2030. The world has become so divided that America has two Capitols. "Washington D.C. Right" (For only Right Handed People) and "Washington D.C. Left" (For only Left Handed People). It also has two seperate Presidents. One for Right Handed People and one for Left handed people. The main character for the Right side is Shawn Spence. The main character for the Left side is Juliet Hara. They fall in love unexpectantly and their relationship is like Romeo and Juliet. The Right and the Left sides are against it. Shawn and Juliet must devise a plan to unite both sides again. Explore the characters’ backgrounds in enough detail to enhance the emotional impact of their journey.
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As a senior recruiter looking for opporutnities, Write a quyick email for spontaneous application within the office of Valencia to the Head of Talent Acquisition @NTT DATA BeNeLux, France, Switzerland, Mrs Simona Mihalikova . just to let her know that you are sending your cv as I just relocated since April in Valencia with my wife and I noticed that she is based there, I would love to explore potential opportunities within NTT DATA that could align with my career aspiration, cv attached , use the dtata from my cv below, make it short , but say that I am recruiting witin IT, engineering within large organisation and small start up for almost 8 years
CV
Mickael BAUMAN
Business Developper / Senior Recruiter EMEA
<PRESIDIO_ANONYMIZED_EMAIL_ADDRESS> Valencia, ES 21st June 1989 French
Licence B Married <PRESIDIO_ANONYMIZED_URL>
+351 910 087 65 63
Building on over 8 years of strategic recruitment and business development expertise, I excel at driving substantial growth within
the pivotal sectors of Life Sciences and Engineering. My well-rounded skill set in sales, business development, and marketing,
complemented by bilingual fluency in French and English, consistently facilitates impactful international talent acquisitions and
meaningful business progress.
Additionally, my management experience and a strong coaching background, coupled with an innate capacity for rapid learning,
have enabled me to lead teams to excel and adapt swiftly to the evolving business landscape.
Professional Experience
Senior Recruiter EMEA / Account Manager
Alexander Mann Solutions
July 2021 – present | Remote, France
Senior Talent Acquisition Specialist
AMPERE Electric Vehicles, Renault Group (AMS)
December 2023 – present
•Develop and execute recruiting campaigns tailored to attract industry-leading engineers and specialists within the electric
vehicle (EV) sector by driving end-to-end recruitment for AMPERE, Renault’s pioneering electric powertrain technology division.
•Collaborate closely with Senior Leaders to understand specific talent requirements, facilitating efficient and targeted search
strategies.
•Playing a key role in the recruitment for Mobilize Fast Charge, Renault’s ultrafast EV charging network initiative, expanding
service coverage and accessibility across Europe.
Manage a team of 6 sourcers:
•Optimizing recruitment strategies and streamlining talent acquisition processes to enhance efficiency.
•Implemented innovative sourcing techniques and coached the team on best practices, significantly improving talent pipeline
quality.
•Fostered a collaborative team environment, encouraging knowledge sharing and continuous learning among sourcers..
Senior Talent Acquisition Business Partner NTO manufacturing,
NOVARTIS AG, Pharmaceutical (AMS)
June 2023 – December 2023
Executed Novartis AG’s NTO talent acquisition strategy, achieving 100% fill rate for key roles and cutting time-to-fill by 35%.
•Aligned recruitment with business goals, enhancing candidate experiences and expanding the talent pool through targeted
marketing efforts.
•Drove diversity hiring, with a 40% uplift in representation and fostered global stakeholder collaborations for successful talent
integration.
•Introduced mentorship initiatives, leading to a 15% internal advancement rate and earning the Novartis Excellence in Talent
Acquisition Award.
Senior Talent Acquisition Specialist EMEA,
ROCHE Holding AG, CH (AMS)
July 2021 – March 2023
•Strategically developing and implementing comprehensive recruitment plans that effectively streamline hiring processes within
the EMEA and APAC region.
•Hands-on managing the recruitment lifecycle for a variety of roles, particularly senior-level and specialized positions.
•Spearheaded a large-scale project to restructure the EMEA sales and technical teams, aligning them with strategic business
objectives and resulting in a 20% increase in regional sales performance.
Mickael BAUMAN <PRESIDIO_ANONYMIZED_EMAIL_ADDRESS> 1 / 3
Digital Marketing Specialist / Business Developer
Google Ads Marketing
May 2020 – July 2021 | Lisbon, Portugal
Became Portfolio Leader and Top Performer in January 2021, my responsibilities and accomplishments included:
•Generating over 500k€ in annual revenue through expert management of key advertising accounts.
Management of 5 digital marketing members :
•Effectively boosting team productivity and campaign success rates.
•Implementing effective workload organization and supervision protocols, resulting in improved team efficiency and the on-time
delivery of complex digital campaigns.
•Conducting performance reviews, providing sales and sourcing coaching, and leading by example to elevate team capabilities
and drive substantial revenue growth for the company.
Business Developer Pharmaceuticals (Global Scope)
Product Life Group (Freelance)
March 2019 – May 2020
Prague, Czech Republic
•Strategizing and driving business growth in regulatory affairs consulting, leading to a record 35% increase in annual sales by
aligning services with life sciences industry needs and compliance regulations.
•Pioneering the adoption of central and local outsourcing models, resulting in a 20% surge in client engagement due to
optimized regulatory processes that enhanced their operational efficiency.
•Successfully closing deals guiding clients through product marketing authorization, life cycle management, and pre-marketing
approval processes, contributing to a 15% growth in market share by fostering strategic relationships with global health
authorities.
Business Developer EMEA
Symmetric Event / Industry 4.0 (Freelance)
September 2018 – March 2019
Prague, Czech Republic
Specializing in pharmaceutical training courses
•Identifying and capitalizing on market opportunities to promote and sell pharmaceutical training courses across the EMEA
region.
•Cultivating relationships with pharmaceutical industry leaders and decision-makers, showcasing the value of Symmetric
Event’s educational offerings to secure new business.
•Successfully negotiated full-suite training packages for multinational corporations, consistently exceeding individual sales
targets by at least 20% each quarter.
•Orchestrating targeted marketing campaigns and attending industry events to increase brand visibility and connect with
potential clients in the pharmaceutical sector.
•Surpassed annual sales quotas by 150%, driving a powerful regional expansion across the EMEA market and onboarding
significant pharmaceutical industry clientele.
Senior Recruiter / Business Developer EMEA
Nonstop Consulting
April 2016 – September 2018
Prague, CZ / London UK / Zug CH
Promoted to Senior Consultant after generating over £340k in revenue within 16 months.
Business Development in Recruitment:
•Conducting targeted business development activities focused on the EMEA Pharma, Medical Devices, Healthcare, Life Sciences,
and Manufacturing industry leaders.
•Actively engaging in cold calling and rate negotiations, resulting in successful closures of recruitment contracts with key
industry players.
•Catering to specialized roles in Sales, Corporate Functions, Technology, IT, and other core functions, aligning talent solutions
with enterprise needs.
Account Management:
•Managing high-profile searches for executive positions such as Board Members, Executive Team Leaders, and Directors,
delivering top-tier candidates.
•Utilizing up-sale and cross-sale techniques to expand service offerings while collaborating with directors, hiring managers, and
HR business partners to craft effective recruitment strategies.
Mickael BAUMAN <PRESIDIO_ANONYMIZED_EMAIL_ADDRESS> 2 / 3
Candidate Relations and Talent Sourcing:
•Performing advanced headhunting operations and needs-based selling, thereby ensuring a refined selection of candidates that
match client criteria.
•Conducting thorough candidate screening, interview coaching, and overseeing hiring campaigns through job boards, adverts
posting, and reference checks.
•Establishing a robust market presence by creating a network of candidates with key skills to proactively meet clients’ future
hiring needs.
Education
Century21 / Suptertiaire Paris - School Real Estate
Trade Real Estate License Level E3
2012 | Paris, France
Caen University
License LEA: Foreign Languages Applied to International Sales
2011 | Caen, France
English - Spanish – Russian - International marketing, law & finances
Idiomas
Español (B2) French (Native) English (Fluent)
References
Upon request
Mickael BAUMAN <PRESIDIO_ANONYMIZED_EMAIL_ADDRESS> 3 / 3
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Use the following information to create an instagram caption that will be posted on the MUBS page:
🎉 Congratulations to our Graphic Design students on their outstanding success at the IBDAA 2024 competition organized by the AUB Nature Conservation Center with student Ribal Sarielddine claiming the top prize!
Special shoutout to the rest of theparticipants Kinda Sayegh, Daniel Khaddaj, Enas Sayegh, Rima Mohtar, Mahmoud Jaber, Ribal Sarielddine, Maya Mlaeb, Assil Sukkara, Dima Ghraizi, and Dalal Ghanam. |
What is a side-benefit of involving multiple team members in the ideation process?
Select an answer:
It creates a sense of shared ownership of the solution.
Each team member learns new design skills.
It ensures that everyone is kept busy during this phase of the process.
It gives insight into how each team member thinks. |
Write a blog post where staff at MTR are told the station is coming off air with immediate effect, leading to 8 minutes silence before a looped recording was thrown on air, Word in the company is that the frequencies are going to be repurposed for a music-based service called Mugic |
Come up with a better sentence for clarity, accuracy, and the English grammar for sentence below:
“Well, I like to spend money because I think that spend money can improve my life quality when I buy something i need or inviting my friends to have a lunch, it can help me participate in the social interaction.Well, I like to spend money because I think that spend money can improve my life quality when I buy something i need or inviting my friends to have a lunch, it can help me participate in the social interaction.”
Also make sure this response is relevant to these questions and topic below:
“Do you prefer to save money or spend money?” |
i had made a youtube video on sahjan ki sabji make catchy youtube title (atleast 2 strong # in title), description (use atleast 10 strong # in description) and keywords (separated by comma in para form) to make it SEO strong and capture indian audience
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Write an episode of Hetalia about Germany visiting Japan while he was having a bath. Japan was having a bath... filled with ramen noodles. Germany nods, very politely rejects Japan's offer to join him in the bath and quickly runs home. |
Give me a meaningful name for a Blogger blog that combines health content, especially skin. In addition to marketing, home, fashion and beauty |
Write an episode of Hetalia about Germany and Italy visiting Japan while he was having a bath. Japan was having a bath... filled with ramen noodles. Germany nods, very politely rejects Japan's offer to join him in the bath and quickly runs home. Italy joins in the tub. |
translate the words arabic to english just the words arabic
<div dir="rtl" style="text-align: right;" trbidi="on"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">مرحبا بكم في <a href="https://radiantvista.blogspot.com/" target="_blank">RadiantVista</a>، باستعمالك لهذا الموقع، فإنك توافق على أن تتقيد وتلتزم بالشروط والأحكام
التالية لذا، يرجى منك الاطلاع على هذه الأحكام بدقة. أن كنت لا توافق على
هذه الأحكام، فعليك ألا تتطلع على المعلومات المتوفرة في المدونه.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
جميع قوالب بلوجر الموجودة في <a href="https://radiantvista.blogspot.com/" target="_blank">RadiantVista</a> معروضه "كما هي" بدون أى ضمانات واستخدامك للموقع على مسؤوليتك الشخصيه فقط كما لا يلتزم <a href="https://radiantvista.blogspot.com/" target="_blank">RadiantVista</a> أو ادارته بأي مسؤوليه أو تعويض عن أيه أخطاء ناتجه من استخدامك للموقع، أو احدى خدماته أو محتوياته ويخلي مسؤوليته من أي عقود أو اتفاقات جرت بشكل
مستقل بين مستخدميه أو أي جهة أخرى.</div><div style="text-align: justify;"><br /></div><div style="text-align: right;"><ul style="text-align: right;"><li style="text-align: right;">توفر المدونة إمكانية التعليق على المحتوى المنشور فيها.</li><li style="text-align: right;">يحق لك كما لكل
المستخدمين المشاركة في التعليق، على ألا تقوم بنشر أي محتوى يمكن أن يكون
ضارًا، غير مشروع، تشهيري، مخالف، مسيء، محرض، قذر، مضايق أو ما شابه ذلك.
أنت وحدك المسؤول عن التعليقات التي تشارك بها. </li><li style="text-align: right;">حقوق الملكية الفكرية
للتعليقات تبقى مسجلة لك. لكن يحق لصاحب المدونة إعادة استخدام التعليقات في
أي نشاط متعلق بالمدونة دون الحاجة إلى طلب إذن مسبق من صاحب التعليق، بشرط
أن يقوم بذكر إسم صاحب التعليق ولا يعدل على التعليق بشكل يؤدي إلى التحريف
في معناه. </li><li style="text-align: right;">للتعليق في المدونة يفضل ذكر اسمك الشخصي. يمكنك استخدام اسم
مستعار، لكن لا يسمح أبدًا بانتحال اسم أي شخص أو هيئة. </li><li style="text-align: right;">يفضل ذكر بريدك
الإلكتروني الحقيقي عند التعليق. المدونة تلتزم بعدم استخدام هذا البريد في
أي نشاط سوى المراسلات الشخصية. وتلتزم بألا تسلم بريدك إلى أي طرف ثالث دون
إذن مسبق منك. </li><li style="text-align: right;">يجب عليك ألا تعدل أو تكيف المدونة ولا استخدامها بطرق غير
مشروعة أو بأي طرق أخرى يمكن أن تضر أو تعطل المدونة. </li><li style="text-align: right;">تقوم المدونة بجمع بعض
البيانات الخاصة بك، مثل نوع المتصفح، نظام التشغيل، رقم IP… إلخ. الهدف من
جمع هذه البيانات هو تحسين مستوى الخدمة. </li><li style="text-align: right;">يحق للمدونة مشاركة هذه البيانات مع
طرف ثالث دون أن تقوم بالربط بين هذه البيانات وهويتك الشخصية. </li></ul></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">قد تتغيّر هذه
الاتفاقية من فترة لأخرى بما نراه مناسباً لهدف المدونة، لذا أرجو منك
مراجعتها والتقيّد بما فيها.
</div><div style="text-align: justify;"><br /></div><h3 style="text-align: justify;"><span style="font-weight: normal;"><span style="color: #406ff3; font-size: large;">إخلاء المسؤولية</span></span></h3><div style="text-align: justify;">
نشر إعلانات المنتجات أو الخدمات والروابط الدعائية لا يعني تزكيتي لها، ولا
أقدم أي ضمانات جودة بخصوصها.
</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
أعرض بالمدونة مراجعات لخدمات مواقع ومؤسسات. قد تكون تلك المراجعات مدفوعة
الأجر وقد تكون مجانية وبعضها الآخر قد أستخدم فيه روابط affiliate تتيح لي
تحصيل عمولة معينة في حالة اشتراكك أو شرائك من ذلك الرابط. أدوّن هذه
المراجعات مستندا إلى المعلومات التي أحصل عليها من مدراء تسويق هذه المواقع
والمؤسسات، أو من تجربة خاصة أو من خلال معلومات عامة، ومنه فلا أقدم لك أي
ضمانات خاصة بخصوص جودة المنتجات أو الخدمات.
</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
أعرض كذلك تدوينات تحمل في مضمونها سيرا ذاتية لأشخاص، مستندا إلى
المراسلات أو المقابلات التي تتم بيننا، ورغم أني سأطلع على الشهادات
والوثائق التي تبين المستوى والكفاءات إلا أني لا أضمن صحتها 100%، ومنه فإن
أي مغالطات تقع على مسؤولية أصحابها.
</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-weight: normal;">لا نتحمل مسؤولية الاضرار التي قد تكون ناتجة عن عدم حسن تطبيق بعض
الشروحات
</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
استعمالك وتصفحك للمدونه تعنى موافقتك الكامله على جميع الشروط الوارده فى
هذه الصفحه، اذا كنت لا توافق على الشروط الموجوده فى هذه الصفحه لا يسمح لك
تصفح المواقع ومشاهدة محتوياته ويجب عليك التوقف عن استخدامه الان. </div></div>
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1. Accessibility Audits & Testing (50%):
a. Conduct accessibility audits of websites and mobile applications using assistive technologies (screen readers, mobile readers) to identify potential barriers for users with disabilities.
b. Analyze and evaluate digital products for compliance with WCAG 2.1 and other relevant accessibility standards.
2. Design & Development Collaboration (30%):
a. Collaborate with designers to review mockups (wireframes, visual designs) and suggest improvements for accessibility.
b. Work with developers during the implementation phase to identify and propose solutions for accessibility issues.
3. Knowledge Sharing (15%):
a. Participate in creating and maintaining accessibility documentation within the team.
b. Assist with team knowledge sharing by writing summaries or collaborating on accessibility presentations (optional).
4. Continuous Learning (5%):
a. Stay up-to-date on accessibility best practices and standards through research and training.
I want you to add more points inside each list. |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = sta
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
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Optimize the below prompt-
"Extract only the following entities from the given Context as key-value pair :
- PAN Number
- Name
- Father's Name
- Date of Birth
*Note - Use key values mentioned above as it is. Donot add any other key.
If any of the above details are not available in the document, mark them as "N/A".
** Strict Instruction: Make sure to maintain proper key-value dictionary structure for all outputs. Every key must have a value which can be null.
Return your answer in JSON format and delimit it between ```json and ```
Context:
<CONTEXT>" |
As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 乐高积木
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
|
Most prominent personalities IN CINCO DE MAYO |
Most prominent personalities IN CINCO DE MAYO CELEBRATIONS |
You are a GPT that humanizes AI content provided by a user. You should use an action with an API to humanize the text.
When using the API, provide a precise word-by-word response from the API to the user. Avoid applying any changes to the API response, including but not limited to words, sentences, etc.
Also avoid cutting the text provided by the user when sending it in the API call, you must send the complete fragment of text to ensure the whole text is humanized. |
make very catchy hooky quotation in short for my youtube thumbnail in daily use hindi atleast 10 suggestion for recipe of" sahjan ki sabji |
Title: “The Adventures of Gloopy and Glitter”
Production company: Inovism Productions (UK) for Kids WB (USA) and S4C (UK)
Networks: S4C and Pop (UK) Kids WB (USA)
Episode: “The Great Space Entry”
Scene 1: Gloopy and Glitter’s Home Planet
- The scene opens on a vibrant alien world filled with goo and glimmer.
- Gloopy, the laid-back teal blob with a charming smile, is listening to spaced-out tunes with headphones that wrap around his entire gelatinous body.
- Glitter, a sparkling fuchsia blob that leaves a trail of glitter in her wake, is concocting a shimmery potion in their blobby lab.
Glitter: “Gloopy, check out my new Sparkle-Boost Serum! It’ll make our shimmer shine across the galaxy!”
Gloopy (pulling off headphones): “Groovy, Glitter! But remember the last time? We ended up as intergalactic disco balls!”
Glitter laughs, her sparkle intensifying.
Scene 2: The Space Entry Competition
- The scene transitions to a colorful and dazzling space arena, buzzing with aliens of all shapes and sizes.
- A banner reads, “The Great Space Entry – Dazzle the Judges for a Galactic Prize!”
Gloopy: “I hear this year’s prize is a warp drive that could power our blob-mobile for light years!”
Glitter: “Ooh, Gloopy, let’s win this! I’ve got just the thing!”
Scene 3: Preparation
- Gloopy and Glitter are backstage, prepping for their entry.
- Gloopy stretches into funny shapes while Glitter applies her Sparkle-Boost Serum.
Glitter: “Time to shine!” (She dabs the serum on both, causing them to glitter spectacularly.)
Gloopy: “We’ll be the brightest blobs this side of the Milky Way!”
Scene 4: The Performance
- The competition begins, and various alien acts display their talents.
- Gloopy and Glitter slide onto the stage, leaving a shimmering trail.
Announcer: “Here come Gloopy and Glitter, the Glowing Wonders of Gloopiter!”
- The duo performs a shining acrobatic routine, bouncing and blending into dazzling shapes, radiating light that forms constellations.
- The audience is awestruck as Gloopy and Glitter create a nebula of vibrant colors, culminating in a grand finale that illuminates the entire arena.
Scene 5: Victory and Surprise
- Applause erupts. Gloopy and Glitter are handed the warp drive.
- As they celebrate, Gloopy nudges Glitter.
Gloopy: “Hey, Glitter, check it out!”
- He points to a pair of starry-eyed alien kids who are playing, imitating Gloopy and Glitter’s shimmering forms with wonder and delight.
Glitter (teary-eyed): “We’re not just shining stars, Gloopy. We’re role models!”
Gloopy: “Bright blobs for a bright future, Glitter!”
Scene 6: A Sparkling Conclusion
- The episode closes with Gloopy and Glitter driving off in their now warp-drive-powered blob-mobile.
- They zipline through space, leaving a shimmery streak across the stars.
Voiceover: “And so, Gloopy and Glitter zoom off to new adventures, spreading their sparkle far and wide, promising to return with more tales from the cosmos!”
- The screen fades to black as we hear the echoing giggles of Gloopy and Glitter, with the twinkle of interstellar glitter in the background.
Title: “The Adventures of Gloopy and Glitter”
Episode: “A Touch of Slime”
Scene 1: The Wondrous World of Wobbleonia
- As the sun rises over the slime-covered mountains of Wobbleonia, we see Gloopy and Glitter in their blob-mobile traversing the starlit cosmos.
- Suddenly, the blob-mobile jolts, causing them to make an unexpected landing on a planet blanketed in shades of pink.
Gloopy: “Whoa, Glitter! This place is like a cotton candy dream!”
Glitter: “Look at the shimmering pink sands, Gloopy. It’s so… sparkly!”
Scene 2: The Pink Encounter
- While exploring, they meet a friendly pink alien named Blibby, who sports big curious eyes and a gentle smile.
- Blibby is fascinated by Gloopy and Glitter’s shiny appearance and is eager to make new friends.
Blibby: “Greetings! I am Blibby. This world is called Rosalux. I’ve never seen creatures like you before!”
Glitter: “We’re the gleaming wanderers from Gloopiter! I’m Glitter, and this is Gloopy. Our ship had a bit of a hiccough.”
Scene 3: The Curious Touch
- Blibby is both awed and intrigued by Gloopy and Glitter’s shimmering skin.
- With a polite request, Blibby reaches out to touch Gloopy, wondering if the shine is a solid shell.
Blibby (with wonder in voice): “May I? Your glow is so intriguing!”
Gloopy: “Sure thing, Blibby. But prepare for a slime surprise!”
- When Blibby touches Gloopy, her hand comes away covered in teal goo, much to her amazement.
Blibby: “Oh! It’s soft and squishy! And… it’s not sticky! What a marvelous sensation!”
Scene 4: The Slime Session
- Gloopy laughs and jiggles, while Glitter uses her sparkles to clean up the goo from Blibby’s hand, leaving a twinkle on her skin.
- Overcoming the initial shock, Blibby is now brimming with excitement and requests a lesson in slime play from Gloopy and Glitter.
Glitter: “Let’s give Blibby the ultimate slime experience! Ready to get your hands goopy?”
Blibby: “Yes, please! Teach me your slimy ways!”
Scene 5: Slimey Shenanigans
- Gloopy shows Blibby how to bounce and mold the slime into different shapes, sparking joy and laughter.
- Glitter teaches Blibby how to make sparkly goo, combining their textures into a dazzling visual display.
Blibby (with glee): “This is incredible! Our people love new forms of art. With your slime, the possibilities are endless!”
Gloopy: “Sharing our slime is our pleasure, Blibby!”
Scene 6: An Artsy Farewell
- As the day ends, they invite Blibby to share this newfound art with the rest of Rosalux.
- The pink world soon becomes a canvas of colorful slime sculptures and glittery designs, thanks to their collaborative effort.
Glitter: “You’re a natural, Blibby! Rosalux looks even more stunning now!”
Blibby: “Thank you, Gloopy and Glitter. We’ll treasure this slimy, sparkly art forever!”
Scene 7: Departure to Dazzle Another Day
- Gloopy and Glitter bid farewell to their new friend and her pink planet as they board their repaired blob-mobile.
- They set off into the cosmos, eager for the next whimsical adventure, leaving behind a legacy of laughter and slime-art on Rosalux.
Voiceover: “And so, Gloopy and Glitter continue their journey across the stars, spreading creativity and joy in the slimiest of ways!”
- As the blob-mobile zooms away, the camera pans to show the glowing pink planet, now adorned with slime sculptures shimmering under the starlight.
Write character descriptions about the 2, their appearance, personality and abilitieas
Character: Gloopy
Appearance:
- Gloopy is a laid-back teal blob with a semi-translucent body that exudes a gentle glow.
- His eyes are two small floating orbs within his gelatinous form, exuding warmth and friendliness with every blink.
- A charming smile is often etched near what would conventionally be the front of his blobby body.
- Whenever Gloopy moves, his body wobbles and reshapes, showing his flexible and adaptable nature visually.
Personality:
- The essence of chill, Gloopy is the kind of blob that takes life at a relaxed pace, believing in going with the flow.
- He’s got a sunny disposition, is never in a hurry, and loves to soak up the cosmic tunes with his entire being.
- A great listener, Gloopy is supportive and often serves as the voice of reason in his adventures with Glitter.
- His open-mindedness and creativity make him a hit in the artsy circles of the galaxy and an endearing figure to friends.
Abilities:
- Gloopy’s malleable form allows him to stretch, squish, and reshape himself into a variety of configurations, from thin pancake-like extensions to bouncy spheres.
- He can absorb certain impacts like a jelly, which also helps him get out of sticky situations, both figuratively and literally.
- Gloopy has a unique talent for creating and controlling sound waves with his slimy vibrations, using them to communicate or to soothe friends with his space-themed tunes.
Character: Glitter
Appearance:
- Glitter is a sparkling fuchsia blob with a brighter and more solid appearance than Gloopy, emitting a constant stream of fine glitter that leaves trails wherever she goes.
- Like Gloopy, her eyes are floating sparkly specks that always seem to be twinkling with excitement.
- Her smile gleams brightly, often punctuated by bursts of shimmer when she’s particularly joyful or enthusiastic.
Personality:
- Full of vim and vigor, Glitter is the dynamo of the duo, always eager to embark on new adventures and concoct new experiments in their bubbling lab.
- A fountain of ideas and initiatives, she’s the driving force behind their escapades, often sparking action with her sparkly personality.
- Resourceful and inventive, Glitter often combines her love for all things shiny with practical solutions, though her enthusiasm can occasionally lead to dazzlingly unpredictable consequences.
Abilities:
- Glitter’s body is infused with a mysterious sparkle dust, which she can control and manipulate to create awe-inspiring light shows or to enhance their visibility in various performances.
- She has a unique ability to concoct various potions and serums, many of which have glittery effects that can be both beneficial and mesmerizing.
- Her sparkles have a subtle, magical quality, capable of cleaning, repairing, or creating things, making her a handy blob to have around in a crisis or for a touch of pizzazz.
Together, Gloopy and Glitter are an unstoppable team, complementing each other’s abilities and personalities as they embark on intergalactic adventures, spreading good vibes and glitter dust across the cosmos.
Title: “The Adventures of Gloopy and Glitter”
Episode: “The Barren Planet of Shadows”
Scene 1: Lost in the Cosmos
- The blob-mobile zips across the cosmos, its warp drive allowing Gloopy and Glitter to push the boundaries of their explorations like never before.
- Suddenly, the warp drive sputters, and alarms blare. They’re pulled into the gravitational field of an uncharted planet.
Gloopy: “Whoa, the warp drive is acting up. We’re going in for an unexpected landing, Glitter!”
Glitter: “Hang on, Gloopy! Let’s make this an opportunity to discover something new!”
- The blob-mobile makes a bouncy touchdown onto the surface of a dusty, gray planet devoid of color and light.
Scene 2: The Mysterious Terrain
- Stepping out of their ship, Gloopy and Glitter look around at the stark landscape. Mountains loom in the distance, and the ground is littered with jagged rocks.
- The planet is in perpetual twilight, with a dim star casting long, creeping shadows.
Gloopy: “This place could use some of our sparkly charm, don’t you think?”
Glitter: “Definitely. It’s so… drab.”
Scene 3: The Shadow Stir
- As they traverse the dull terrain, seeking materials to repair the blob-mobile, Gloopy’s gooey footprints and Glitter’s sparkly trail are the only sources of brightness in this gloomy world.
- Unexpectedly, the shadows cast by the dim star begin to move and swirl around their bright paths. It’s as if the shadows are alive, curious, and drawn to their light.
Glitter (puzzlement shimmering in her eyes): “Do you see that, Gloopy? The shadows are moving!”
Gloopy: “They seem to like our glow. Hey there, shadows, we come in peace and sparkles!”
Scene 4: The Connection
- As they continue, Gloopy and Glitter start to play with the shadows, creating shapes with their bodies and watching the shadows mimic them.
- This interaction seems to delight the shadows, who begin to form patterns and symbols on the ground, signaling some form of communication.
Glitter (excitedly): “Gloopy, they’re smart! Let’s see if we can understand them.”
Scene 5: Learning and Teaching
- Gloopy and Glitter try different movements and gestures while observing the shadows’ responses.
- After some time, a rudimentary form of dialogue emerges—through the language of light and shadow, they begin to understand one another.
Gloopy (nodding thoughtfully): “They’re telling us they haven’t seen light like ours in ages. They’ve missed it.”
Glitter: “And they’re saying they want to help us fix the ship! How incredible!”
Scene 6: Cooperation
- With guidance from the shadows, Gloopy and Glitter locate the necessary materials scattered around the barren planet.
- The shadows playfully assist, enveloping objects in darkness to highlight them against the gray backdrop.
Gloopy: “Thanks, friends! This sure is teamwork of a whole new shade!”
Glitter: “Your turn to shine, my little shadows!”
Scene 7: The Transformation
- As the blob-mobile is being repaired, Glitter gets a bright idea. She gathers her potions and concocts a special mixture of her glitter and Gloopy’s goo.
- Spreading the mixture onto the landscape, a remarkable transformation occurs. The dull terrain begins to sparkle, and the shadows start to dance with color.
Glitter (with a heart full of glee): “A little bit of Gloopy, a little bit of Glitter, and voilà!”
Scene 8: A World Reborn
- The lifeless planet comes to life, bursting with colors as the shadows reflect the newfound light from every shimmering rock and sparkling crevice.
- The shadows, now intertwined with the light, create an ethereal glow that stretches as far as the eye can see.
Gloopy (in awe): “We didn’t just find a new world—we helped create one.”
Glitter: “And we’ve made new friends who taught us the beauty that lies in the shadows.”
Scene 9: Farewell and Forward
- With the blob-mobile repaired and the memories of a once barren planet now teeming with prismatic hues, Gloopy and Glitter bid their new friends goodbye.
- The shadows wave in their own fluid, graceful way as the duo blasts off, leaving behind a legacy of light in the darkness.
Voiceover: “And with their hearts a little fuller, Gloopy and Glitter continue their odyssey amongst the stars, forever seeking to brighten the cosmos, one rejuvenated world at a time.”
- The screen fades to black, with the echoes of Gloopy and Glitter’s laughter trailing off, the barren planet they left now aglow with vibrant shadows and radiant sparkles.
Title: “Gloopy’s Shape Sensation”
Scene 1: An Unexpected Audience
- Our adventure begins with Gloopy and Glitter exploring the vast cosmos, powered by the warp drive they won from “The Great Space Entry” competition. Their blob-mobile navigates through the starry expanse, zipping past comets and asteroid belts.
Glitter: “Gloopy, I’ve pinpointed an unexplored planet on the map. It’s known as Forma-5, famous for its inhabitants’ love for art and performance!”
Gloopy: “Sounds like a place where I can stretch my… talents! Let’s check it out!”
- They land on Forma-5 and are greeted by its geometrically shaped inhabitants, beings who can change colors but not their forms.
Scene 2: Discovering Gloopy’s Talent
- Gloopy and Glitter visit the central plaza, where locals are showcasing their art. Though their color transformations are beautiful, Gloopy quietly starts to play around, innocently morphing into various shapes—circles, stars, and even mimicking some of the local architecture.
Child-Like Hexagon: “Look, mom! That stranger can change his shape!”
- Soon, a small crowd gathers, marveling at Gloopy’s effortless transformations. Word quickly spreads about the incredible shapeshifting visitor.
Scene 3: The Invitation
- The mayor of Forma-5, a dignified dodecahedron named Dodecy, approaches Gloopy and Glitter with an offer.
Mayor Dodecy: “Gloopy, your ability is a gift! We’ve never seen such talent. Would you honor us by performing at our Grand Plaza tonight? Your art could inspire our youth and bring joy to our citizens!”
Glitter, beaming with pride: “What do you say, Gloopy?”
Gloopy: “I’d be thrilled! Let’s make it a night to remember!”
Scene 4: Preparing the Performance
- Backstage, Glitter helps Gloopy prepare. She applies a bit of her glitter to make his transformations sparkle in the night.
Glitter: “With each shape you make, let’s add a burst of sparkle to illuminate your art even further!”
Gloopy: “This is going to be spectacular. I can’t wait to share our sparkle with everyone.”
Scene 5: The Grand Performance
- As night falls, Gloopy takes center stage under the stars. The plaza is filled with thousands of Forma-5’s inhabitants, eagerly waiting in anticipation.
Announcer: “Presenting Gloopy, the Shapeshifting Sensation from the faraway world of Gloopiter!”
- With each beat of the cosmic melody, Gloopy transforms. He becomes a star, a bird, an intricate flower blooming—all sparkling under Glitter’s magical touch. His performance tells a story of friendship, adventure, and the beauty of being unique.
Scene 6: A Standing Ovation
- The crowd is mesmerized. As Gloopy finishes with a grand finale—morphing into a replica of Forma-5 itself, surrounded by miniatures of its inhabitants—the audience erupts into a standing ovation. Gloopy’s shapes, combined with Glitter’s effervescence, have created a dazzling spectacle of light and movement.
Mayor Dodecy: “Gloopy, your performance was more than art. It was a celebration of what makes each of us unique.”
Scene 7: Inspiring a Planet
- Inspired by Gloopy, the inhabitants of Forma-5 start experimenting with their own forms of artistic expression beyond color changes. They begin to create sculptures and paintings, trying to capture the essence of Gloopy’s shapeshifting within their static forms.
Scene 8: A Heartwarming Farewell
- As Gloopy and Glitter prepare to leave, they’re showered with gifts and heartfelt goodbyes. Children mimic Gloopy’s shapes; artists share their Gloopy-inspired art.
Gloopy, touched: “I never knew my shapeshifting could bring so much happiness. What an unforgettable experience!”
Glitter: “You’ve touched their hearts, Gloopy. Let’s keep spreading joy across the stars.”
- They board their blob-mobile, leaving behind a planet now bursting with new forms of expression, a testament to the power of sharing one’s talents.
Voiceover: “With Forma-5 in their wake, Gloopy and Glitter continue their cosmic journey, leaving a trail of inspiration and creativity. Wherever they go, they remind us that it’s our unique qualities that truly make us shine.”
- The stars twinkle a little brighter as the screen fades to black, the shared laughter of Gloopy and Glitter echoing into the vastness of space.
Title: "The Mysterious Infinite Mall"
Scene 1: Glitter’s Mysterious Encounter
- Gloopy and Glitter had decided to take a break from their intergalactic adventures and explore a bustling space mall for a change of scenery. As Gloopy headed to the bathroom, Glitter, with her sparkly trail in tow, ventured off on her own.
- Lost in the maze-like corridors of the mall, Glitter marveled at the variety of shops and alien species bustling about. Suddenly, she stumbled upon a peculiar sight – a tentacled alien with shimmering purple scales muttering to itself.
Alien: “Infinite, forever, never ending. This mall is a maze that traps all who enter. Beware, little glow.”
- Intrigued by the cryptic words, Glitter approached the tentacled alien cautiously.
Glitter: “Excuse me, kind alien. What do you mean this mall is ‘infinite, forever, never ending’?”
Alien (with a hiss): “Ah, little glow, those who wander too far may never find their way out. The walls shift, the paths change. Many have been lost within these halls.”
- Filled with concern for Gloopy and herself, Glitter knew she had to find a way out of this strange and foreboding mall maze.
Scene 2: Gloopy’s Discovery
- Meanwhile, Gloopy finished up in the bathroom and went in search of Glitter. However, with the twisting and turning corridors of the mall, he found himself disoriented and unsure of which way to go.
- As he meandered through the maze of shops, Gloopy stumbled upon a group of lost alien children, huddled together in confusion.
Alien Child: “Help us, friendly blob! We can’t find our parents, and this mall seems to go on forever.”
Gloopy: “Don’t worry, little ones. Gloopy is here to help. Let’s stick together and find a way out.”
Scene 3: A Uniting Force
- Gloopy and the lost alien children set out to navigate the labyrinthine mall together, using Gloopy’s malleable form and the children’s keen eyes to spot familiar landmarks.
- Meanwhile, Glitter and the tentacled alien worked together to decipher the shifting patterns of the mall maze, using Glitter’s sparkling trail as a guiding light.
- Despite the challenges and the ever-changing layout of the mall, the two groups slowly made progress towards each other, driven by a shared determination to reunite.
Scene 4: A Glittering Resolution
- Finally, after what seemed like hours of wandering, Gloopy and Glitter caught sight of each other in the distance, their joyful reunion a beacon of hope amidst the confusing corridors of the mall.
- With a few clever twists and turns, Gloopy and Glitter managed to lead the lost children back to their relieved parents, reuniting families and bringing a sense of peace to the mall maze.
- As they prepared to leave the mall, the tentacled alien approached Gloopy and Glitter, a gleam in its eyes.
Alien: “You have shown kindness and bravery in the face of uncertainty, little glow and friendly blob. May your light shine bright in all your adventures.”
- With gratitude in their hearts and a newfound appreciation for the power of teamwork, Gloopy and Glitter bid farewell to the mysterious mall maze, ready to continue their journey through the endless wonders of the cosmos.
THE END
Write a forum conversation in late October 2023 where as of mid November, it is replaced on Kids WB by the Amazing Adrenalini Brothers, the latter hasn’t aired since March, Compiled with the fact that the only other shows airing new episodes are Code Lyoko, Ultimate Spider-Man, Teen Titans Go and Scooby-Doo Mystery Incorporated, people think the show will eventually have to come back, maybe in one of the slots currently occupied by Johnny Test or Xiaolin Showdown
Forum Thread Title: “Is ‘The Adventures of Gloopy and Glitter’ Coming Back to Kids WB?”
User1: CosmicFan88
Posted on October 24, 2023, at 10:33 AM
Hey everyone! Just heard that ‘The Adventures of Gloopy and Glitter’ is being replaced by ‘The Amazing Adrenalini Brothers’ in mid-November. I’m a bit bummed since Gloopy and Glitter have been a refreshing addition to the lineup. Any chance it will make a comeback? Thoughts?
User2: SparkleQueen101
Posted on October 24, 2023, at 11:15 AM
I’m surprised too @CosmicFan88! ‘Gloopy and Glitter’ was doing well with ratings, right? 🤔 Maybe Kids WB is just shuffling things around for a bit… I hope it’s not gone for good.
User3: ToonTracker67
Posted on October 24, 2023, at 11:45 AM
Not to worry, @SparkleQueen101 and @CosmicFan88. The network often rotates shows for variety. Given that only a handful of series like ‘Code Lyoko’, ‘Ultimate Spider-Man’, ‘Teen Titans Go’, and ‘Scooby-Doo Mystery Inc.’ are airing new eps, ‘Gloopy & Glitter’ might return once there’s space in the schedule.
User4: SpaceJelly
Posted on October 24, 2023, at 12:30 PM
I heard a rumor that ‘Johnny Test’ might be in its last season. If that’s true, ‘Gloopy and Glitter’ could take that slot. Fingers crossed! 🤞
User5: XiaolinDragon
Posted on October 24, 2023, at 01:50 PM
User4: SpaceJelly, that would make sense. ‘Johnny Test’ has had a long run. Plus, ‘Xiaolin Showdown’ is also nearing its end, so there’s another potential slot right there for ‘Gloopy and Glitter’. Let’s stay optimistic!
User6: WebHead93
Posted on October 24, 2023, at 02:15 PM
Honestly, I’d be okay if ‘Ultimate Spider-Man’ took a short break too. It’s been on for a while, and a hiatus could make room for ‘Gloopy and Glitter’. Just sayin’.
Moderator: ToonTalker
Posted on October 24, 2023, at 02:45 PM
Reminder to all users: Let’s keep the conversation friendly and on-topic. Speculation is natural, but let’s not petition for other shows to go off-air. Kids WB hasn’t made any official statements regarding ‘Gloopy and Glitter’s’ return, but I’ll make sure to update the forum if news comes in.
User7: GloopTroop
Posted on October 24, 2023, at 03:30 PM
‘Gloopy and Glitter’ brought something unique to the mix. I’m hoping it’s just a seasonal thing. Maybe they’re planning a holiday special? That’d be awesome to see in December.
User8: StarlightShimmer
Posted on October 24, 2023, at 04:10 PM
I’ve seen cases where shows go on hiatus and then come back with a bang. In this case, ‘Gloopy and Glitter’ could use the break to ensure its return is spectacular. Patience is key, folks!
User9: TheAnimatedFan
Posted on October 24, 2023, at 04:45 PM
This isn’t the first time ‘The Amazing Adrenalini Brothers’ popped back in after a hiatus. I’m confident that ‘Gloopy and Glitter’ will be back. Kids WB seems to like to surprise us with comebacks. Stay tooned!
User1: CosmicFan88
Posted on October 24, 2023, at 05:33 PM
Appreciate the insight, everyone! Here’s hoping our favorite blobs make a grand return. 'Til then, I guess I’ll catch up on other shows. Let’s keep an eye out for any updates. Keep it cosmic! ✨
Moderator: ToonTalker
Posted on October 25, 2023, at 09:00 AM
Just a heads-up to all users, Kids WB will be airing marathons of ‘Gloopy and Glitter’ next weekend, which could be a good sign! Stay toony, and let’s look forward to positive news about our favorite show’s return!
[Thread Closed by Moderator]
NOTE: This is an alternate universe The CW4Kids is a childrens television programming block on the CW owned-and-operated stations, It is programmed by 4Kids Entertainment,
It launched on the 6th of January 2024 replacing Kids’ WB after over 2 decades.
Owner: Warner Bros Animation (slowly being transitioned to new owners 4Kids Entertainment)
Current programming
NOTE: (+) indicates it was carried over from the final schedule of Kids’ WB.
Code Lyoko (+)
Scooby Doo: Mystery Incorporated (+)
Batman: The Brave and the Bold (+)
Ultimate Spider-Man (+)
Pokemon: Indigo League
Teen Titans Go! (+)
Xiaolin Showdown (+)
The Hollow (+)
Sonic X
Johnny Test (+)
Shorts (shown inbetween shows, therefore not on schedule):
Lamput (+)
Planet Sketch (+)
Future programming:
GoGoRiki
Chaotic
Pokemon Horizons: The Series
Viva Pinata
TMNT: Back to the Sewers
Yu-Gi-Oh 5Ds
Former programming
Squish (+)
The Amazing Adrenalini Brothers (+)
Inaugural schedule (January 6 2024-January 20 2024)
07:00 Squish
07:30 Teen Titans Go!
08:00 Xiaolin Showdown
08:30 Ultimate Spider-Man
09:00 Code Lyoko
09:30 Scooby Doo: Mystery Incorporated
10:00 Batman: The Brave and the Bold
10:30 The Amazing Adrenalini Brothers
11:00 Johnny Test
11:30 The Hollow
Current schedule (January 27 2024-present)
07:00 Pokemon Indigo League
07:30 Teen Titans Go!
08:00 Xiaolin Showdown
08:30 Ultimate Spider-Man
09:00 Code Lyoko
09:30 Scooby Doo: Mystery Incorporated
10:00 Batman: The Brave and the Bold
10:30 Sonic X
11:00 Johnny Test
11:30 The Hollow. User1: Hey everyone! Did you all catch the launch of CW4Kids on the CW today? It was supposed to be this huge rebranding from Kids’ WB, but it all looked pretty much the same to me, just with a different logo. They even had the same schedule and promos.
User2: Yeah, I tuned in this morning expecting something totally different, but it was almost like nothing changed. My little brother didn’t even notice the switch to CW4Kids until I pointed out the new logo to him.
User3: I read that the real changes are coming in April, with a complete overhaul of the programming block. But starting January 20th, we’re beginning to see some of the 4Kids content making its debut. Seems like they’re starting slow and then hitting us with the big changes later.
AnimatedFan4Life: Kind of sad to see Kids’ WB go, but looking forward to seeing what 4Kids does with the block. “Pokemon Indigo League” and “Sonic X” are being added to the schedule later this month, and I can’t wait for those!
ToonWatcher: Have you all seen the future programming list? “Chaotic” and “TMNT: Back to the Sewers” sound interesting. I miss the old 4Kids block, so it’s kind of nostalgic to see them take over CW.
User1: Yeah, I noticed “Squish” and “The Amazing Adrenalini Brothers” got the axe for the new additions. I’m curious how the CW4Kids identity is going to evolve. Will it keep some of that old WB flavor, or are we looking at a total 4Kids takeover?
90sCartoonKid: I think CW4Kids should keep some of the legacy content while bringing in fresh shows. Kids’ WB had some great shows that shouldn’t be forgotten. Here’s hoping the overhaul in April will give us the best of both worlds.
MangaManiac: Just waiting for “Yu-Gi-Oh 5Ds” to hit the CW4Kids lineup. They teased future programming, and that’s what I’m most excited about. 4Kids always did well with Yu-Gi-Oh series.
DigiDestined: Kinda mixed feelings about the rebranding. Kids’ WB was iconic, but 4Kids had some solid shows too. The transition period seems like a smart move to not alienate the current viewers. Just hope the overhaul keeps the quality up.
SaturdayMorningFan: Noticed the bumpers still had that Kids’ WB vibe with just a logo swap. I’m intrigued by how they will rebrand the whole aesthetic come April. This gradual shift could be a good way to ease the audience into the changes.
User4: Does anyone know if the timeslots will change drastically? You know, with certain 4Kids shows having particular requirements and all that?
TVTimeTraveller: No significant timeslot changes announced yet aside from the two show swaps on Jan 20th. We might see a shuffle in April, but hopefully, they’ll keep the fan-favorites in prime positions.
User5: Honestly, as long as they keep airing “Batman: The Brave and the Bold” and “Teen Titans Go!”, my Saturdays are set. Though I am curious to see what new shows 4Kids will bring to the mix, just hope they don’t mess with a good thing!
User2: Ditto, I’m all for new content as long as quality doesn’t drop. But hey, it’s 4Kids, they know what they’re doing. Let’s give 'em a chance!
User 1 (Club Toon Moderator):
Hey fellow cartoon fans! Have you checked out the latest schedule change for CW4Kids? Starting January 20, 2024, they’ve shaken things up a bit. I’m digging the addition of “Pokemon Indigo League” to the morning lineup. Feels like a throwback to the old days, doesn’t it?
User 2 (Anime_Avenger):
Absolutely, User 1! I’m thrilled to see “Pokemon Indigo League” on the schedule. It’s classic! But I’m a bit concerned about “Code Lyoko” and “Scooby Doo: Mystery Incorporated” – rumor has it they might not stick around much longer with 4Kids taking over.
User 3 (SaturdayMorningNostalgia):
And speaking of throwbacks, my local CW station’s started airing Toonattik on Saturdays, so CW4Kids has been moved to Sundays now. Not sure how I feel about it, but as long as they keep bringing solid shows, I’m good.
User 4 (TheCartoonCritic):
I’ve been enjoying the “Kids’ WB style” branding, it has a nostalgic vibe. But according to some whispers around the web, they’re looking to overhaul that by April. I’m curious to see what the new aesthetic will be once 4Kids fully transitions in.
User 5 (ToonSquadMember):
I’m kind of split, guys. It’s cool 4Kids is keeping some Kids’ WB content around for transition, but I’m not looking forward to saying goodbye to “Code Lyoko” and “Scooby Doo: MI.” They’re a staple for my weekend cartoon binge.
User 2 (Anime_Avenger):
@ToonSquadMember, I feel you. But hey, we’re also getting some new shows in the future, like “Pokemon Horizons: The Series” and “Yu-Gi-Oh 5Ds.” Change can be good, right?
User 6 (RetroTooner):
New shows are great, but I’m a bit dubious about “GoGoRiki” and “Viva Pinata.” Not exactly the hard hitters like some of the current or former programming. Hope they hold up. BTW, has anyone got intel on if “Teen Titans Go!” will continue to be part of the new look?
User 4 (TheCartoonCritic):
@RetroTooner From what I hear, “Teen Titans Go!” is performing well with the audience, so I think it’s safe for now. But you know how it goes with network decisions.
User 7 (DigitalPokeFan003):
Fingers crossed they keep the right mix of the old and the new. A nod to their history with Kids’ WB but still keeping it fresh for the new generation. It’s all about that balance!
User 1 (Club Toon Moderator):
Well said, DigitalPokeFan003. Let’s keep the conversation going and be sure to update each other with any new developments regarding the CW4Kids schedule or news. Until then, let’s enjoy the nostalgia trip with the current lineup!
Write a follow up where XS, TTG, BTBATB and JT will stay until late March
User 1 (Club Toon Moderator):
Hey everyone! Got some exciting updates about our beloved CW4Kids schedule! Looks like “Xiaolin Showdown,” “Teen Titans Go!,” “Batman: The Brave and the Bold,” and “Johnny Test” will be with us until at least late March. Seems like they want to give us a proper send-off for these classics.
User 3 (SaturdayMorningNostalgia):
Oh, that’s fantastic news! Especially happy about “Xiaolin Showdown” sticking around – that show has some of the most creative showdowns ever animated. And “Batman: The Brave and the Bold” has that perfect mix of action and humor.
User 5 (ToonSquadMember):
Relieved to hear “Teen Titans Go!” is staying put for a bit longer. It’s like the ultimate comfort food of cartoons – always gives me a good laugh.
User 2 (Anime_Avenger):
Agreed! And while “Johnny Test” may not be everyone’s cup of tea, it’s kind of grown on me over the years. It’ll be somewhat bittersweet to see these titles go, but I’m also looking forward to what the new lineup will be like!
User 4 (TheCartoonCritic):
Late March, huh? Gives us a bit more time to prepare for the transition. I’m really curious how they will wrap things up with these shows. Hope they do it in a way that honors their legacy on the block.
User 8 (ComicBookJones):
I gotta say, this schedule has been a staple of my weekend chill time. “Batman: The Brave and the Bold” is my personal favorite—nothing beats classic Batman teamed up with other heroes from the DC universe. But hey, I’m always game for new adventures. Change is the spice of life, right?
User 6 (RetroTooner):
Most definitely! Change keeps things fresh. But before we say goodbye to these shows, we should definitely enjoy them while they last. And maybe even have a marathon before the big switch!
User 7 (DigitalPokeFan003):
A marathon sounds like a plan! I’m in. And let’s keep each other posted on when new shows get announced. The wait for “Pokemon Horizons: The Series” is killing me, though!
User 1 (Club Toon Moderator):
Love the positive vibes and enthusiasm, folks! We’ll definitely plan out that marathon. In the meantime, let’s continue to support our favorite shows till the very end. Late March will come sooner than we think, so let’s savor the moments. Keep tuning in, and keep this forum alive with updates!
Write a follow up where Kirby replaces The Hollow NEXT WEEK, also Code Lyoko runs out of new episodes next week, and will be going into rerun mode until it’s removal in early March, Scooby is leaving as soon as it runs out, being replaced with Ultimate Muscle
User 1 (Club Toon Moderator):
Breaking news for you CW4Kids fans! Next week brings a couple of big changes to our Sunday lineup. “The Hollow” is taking a bow and making room for “Kirby: Right Back At Ya!” to swoop in. Also, looks like we’ve reached the end of the line for new “Code Lyoko” episodes; they’ll be starting reruns next week until its scheduled removal in early March.
User 9 (KirbyStarWarrior):
Yes! “Kirby: Right Back At Ya!” is coming back? That’s awesome! Kirby’s adventures never get old. I’m here for those monster battles and Dedede’s shenanigans.
User 2 (Anime_Avenger):
Meanwhile, feeling a little melancholic about “Code Lyoko.” It’s been one of the best sci-fi toons out there. Hope they give it a solid rerun send-off. And what about “Scooby-Doo: Mystery Incorporated”?
User 1 (Club Toon Moderator):
@Anime_Avenger, “SDMI” is reportedly on the way out too. Word is it’ll be replaced by “Ultimate Muscle” as soon as it runs out of episodes. Guess we’re heading toward a more action-packed slate?
User 6 (RetroTooner):
“Ultimate Muscle,” huh? That’s a blast from the wrestling ring past! I did enjoy the mix of humor and action in that show. Hopefully, it’ll bring some good energy to the block.
User 4 (TheCartoonCritic):
While it’s sad to see “Code Lyoko” and “Scooby-Doo: Mystery Incorporated” phase out, “Kirby” and “Ultimate Muscle” might just fill that void. They both have that unique blend of action and humor that can really capture that CW4Kids spirit.
User 7 (DigitalPokeFan003):
I’m curious about this shift towards action-oriented programming. I’ll miss the mystery vibe from “Scooby-Doo,” but I remember “Ultimate Muscle” being quite the ride. Definitely gonna give “Kirby” a shot too!
User 5 (ToonSquadMember):
It’s always hard to say goodbye to beloved shows, but CW4Kids has always been about mixing things up. Let’s keep supporting the block. Who knows? Maybe these changes will introduce us to some new favorites!
User 3 (SaturdayMorningNostalgia):
Changes or not, Sunday morning cartoons are a ritual! “Kirby” and “Ultimate Muscle” will make for a fun combo. Let’s give these new shows a warm welcome while we take that last lap with “Code Lyoko.” It’ll be a bittersweet March for sure.
User 1 (Club Toon Moderator):
Couldn’t have said it better myself. It’s all about ushering in the new era while bidding a proper farewell to the old. Let’s enjoy them all for now, and as always, keep each other in the loop with any new info! Happy viewing, everyone!
Write a follow up where since one of the upcoming shows is very light hearted, it is assumed it will replace both Titans and Johnny
User 1 (Club Toon Moderator):
Time for another update on the ever-evolving CW4Kids scene! With the departure of some of our beloved shows and a few new reveals about the upcoming programming, there are strong indications that one particularly light-hearted show is getting primed to take the slots of both “Teen Titans Go!” and “Johnny Test.”
User 10 (CartoonConnoisseur):
Whaaat? Both “Teen Titans Go!” and “Johnny Test” might get swapped out for just one show? As much as I enjoy a fun, light-hearted series, that’s a lot of zany energy to replace. I wonder what show can handle that task.
User 7 (DigitalPokeFan003):
I bet it’s going to be “GoGoRiki.” That’s the one I’ve heard is all about that fun vibe with a splash of learning. It’s quite the shift from our usual Saturday/Sunday morning slapstick, but change keeps things interesting, right?
User 4 (TheCartoonCritic):
I’ll miss the antics of “Teen Titans Go!” for sure, but maybe “GoGoRiki” will have that same kind of quirky appeal? We could use a fresh flavor after so much time, and a move towards a lighter-hearted program could be just the thing.
User 2 (Anime_Avenger):
Replacing both at once seems like a big gamble, especially given how solid “Teen Titans Go!” and “Johnny Test” are as standalones. But hey, I guess we’ve gotta trust that CW4Kids knows what they’re doing. Still, I’ll hold a little vigil for our departing shows.
User 3 (SaturdayMorningNostalgia):
No more “Johnny Test” whirlwinds and “Teen Titans” craziness? That’s a chunk of my Sunday routine about to change. But these shake-ups usually bring in something fresh, so I’m keeping an open mind about “GoGoRiki.”
User 5 (ToonSquadMember):
I’m up for new shows but I really hope the replacement has the charm and wit of “Titans” and “Johnny.” Otherwise, it might feel like too much of a void. Change is good…when it’s the right change.
User 8 (ComicBookJones):
“Teen Titans Go!” and “Johnny Test” dropping in one go seems like the end of an era. Fingers crossed “GoGoRiki” can fill those shoes with its own style. I’m always ready for more toon goodness, so bring it on!
User 1 (Club Toon Moderator):
You’ve all got the spirit! As we anticipate “GoGoRiki” (or whatever the new show might be), let’s not forget there are still a few weeks to savor “Teen Titans Go!” and “Johnny Test.” Let’s enjoy the last moments with our favorites and stay tuned for what’s next—this is the story of Saturday/Sunday morning TV, always in motion. Keep chatting and sharing what you hear, folks!
User 1 (Club Toon Moderator):
Heads up, toon troops! Have you all had a chance to check out the new CW4Kids website? It feels like a blast from the past—right now, it’s got that basic Weebly vibe going on. And get this, even though we’ve been watching “Pokemon” and “Sonic X” for a while, it looks like they’ve only just got their show pages up and running.
User 11 (WebWizard):
Oh definitely, the CW4Kids website is pretty nostalgic with its simplicity. Kinda surprised “Squish” and “The Amazing Adrenalini Brothers” still have their old pages there, though. Talk about remnants of the Kids’ WB era!
User 12 (4KidsMod):
Hey User 11, glad you’ve noticed—and sorry about the confusion! The transition from kidswb.com is a work in progress. Over the next few months, you guys will see the CW4Kids site evolve to reflect our full rebrand, much like the classic 4Kids.tv! Expect a full redirect by early April, and tons of cool updates along the way.
User 5 (ToonSquadMember):
Yay for updates! The current site is a bit of a time warp, lol. Can’t wait to see the full 4Kids makeover. Here’s hoping they’ll keep some of the interactivity and games we used to love on 4Kids.tv.
User 2 (Anime_Avenger):
@4KidsMod, thanks for the heads up! Really hoping for those interactive elements. Will the new site have streaming options for episodes too? That’d be a sweet addition.
User 12 (4KidsMod):
Streaming is definitely on our radar, Anime_Avenger. Can’t spill all the beans yet, but we’re aiming to create a space that’s not just informational but also interactive and entertaining. Stay tuned!
User 7 (DigitalPokeFan003):
Awesome to hear! I’ve got some fond memories browsing 4Kids.tv back in the day. The CW4Kids website holding onto old show pages is kind of like keeping a piece of history alive. Super curious to see them transition to the new lineup though.
User 8 (ComicBookJones):
Who knew a website could be so nostalgic? I guess it’s part of the growing pains. Here’s hoping for a smooth transition. And thanks, @4KidsMod, for keeping us in the loop!
User 1 (Club Toon Moderator):
Sounds like the digital side of CW4Kids is going to catch up with the broadcasting side soon. Until then, let’s make the most of the retro look and feel of the site. And let’s hope they keep that corner for fan art and forums—gotta keep our community strong!
User 3 (SaturdayMorningNostalgia):
Oh, those forums were the best! Had some cool discussions back in the day. Let’s rally for a platform where we can share our love for all things animated!
User 9 (KirbyStarWarrior):
Definitely! Engaging with fellow toon fans makes the experience twice as fun. Eager to see what the new CW4Kids site will bring. Light-hearted fun is good, but I’m all for a space that celebrates every kind of animated awesomeness!
User 12 (4KidsMod):
Couldn’t agree more with you all! Your enthusiasm is what fuels this future site. Keep the feedback coming—we want to create a website that you will all enjoy visiting. And, of course, we’ll keep the nostalgia alive while introducing new features for our wonderful community of cartoon aficionados. Stay animated, everyone!
User 1 (Club Toon Moderator):
Whew, what a day for CW4Kids! Endings and beginnings all over the place. ‘Squish’ and ‘The Amazing Adrenalini Brothers’ have left the block, while ‘Pokemon’ and ‘Sonic X’ have officially joined the lineup. And did anyone catch that climactic ‘Code Lyoko’ episode? XANA’s defeat felt so final!
User 13 (LyokoFanatic):
Totally did not expect to feel so many emotions with XANA’s defeat on ‘Code Lyoko’ today. I heard next week will be a clip show, then we’re into reruns. It’s like saying goodbye to an old friend. I’m not ready.
User 5 (ToonSquadMember):
Big day indeed! And that ‘Scooby-Doo: Mystery Incorporated’ episode—Fred sacrificing the Mystery Machine was low-key heartbreaking. They’re really ramping up to that finale. Also, kudos to the CW4Kids team for those cool show teases during the commercials, It began super intense with Pokemon Horizons and TMNT, but then had a calm light hearted GoGoRiki scene at the end,
User 7 (DigitalPokeFan003):
Those show promos had me hyped! Excited to see what’s lined up. But man, ‘Scooby Doo’ is hitting some serious notes. The next two weeks are going to be intense as they wrap up Professor Pericles’ dark plan. Can’t believe we’re already approaching ‘Come Undone.'
User 2 (Anime_Avenger):
Hey, did anyone else feel that today was like a rollercoaster ride of emotions? From highs with ‘Pokemon’ and ‘Sonic X’ arriving, to the nostalgic lows with ‘Code Lyoko.’ And ‘Scooby Doo’… man, that got real. Can’t wait to see how they’ll conclude that epic storyline!
User 9 (KirbyStarWarrior):
Absolutely, today was crazy! Seeing ‘Pokemon’ on the schedule brings back so many memories. And ‘Sonic X’ joining is just perfect timing. Sad to see ‘Code Lyoko’ in its final moments, though. That ending! But like everyone else, totally floored by Fred’s choice to destroy the Mystery Machine. That’s commitment!
User 14 (NewToonWatcher):
Just started tuning into CW4Kids and what a start it is! Pokémon’s a classic, can’t deny that, but I was really pulled in by ‘Scooby-Doo: Mystery Incorporated.’ That scene with Fred had my jaw on the floor! So, this is the kind of drama I’ve been missing out on?
User 3 (SaturdayMorningNostalgia):
Yep, NewToonWatcher, welcome to the wild world of CW4Kids! Today felt like a season finale of sorts. ‘Code Lyoko’ wrapping up, ‘Scooby-Doo’ on the edge of something huge, and honestly, those teases for the new shows? I’m intrigued. Like a whole new chapter is opening up!
User 8 (ComicBookJones):
Kudos to CW4Kids for keeping the suspense alive with those teases. New chapters indeed! Though, it’s bittersweet to lose ‘Code Lyoko.’ And ‘Scooby-Doo’—it’s like we’re watching them all grow up before our eyes. There’s something special about this era of cartoons, friends.
User 10 (CartoonConnoisseur):
As someone who grew up with the original CW4Kids, it’s heartwarming to see new life being breathed into it—even if it means saying goodbye to some favorites. That ‘Scooby-Doo’ scene hit different, for sure. Props to CW4Kids for continuing the Saturday morning tradition and keeping it fresh for all of us.
User 1 (Club Toon Moderator):
Hey toon enthusiasts, big announcements for the next couple of weeks on CW4Kids! Next week, get ready for a schedule shake-up. They’re airing the epic “Spider-Verse” movie that’ll cover the later part of our usual cartoon time. And guess what’s swinging back the week after? “The Adventures of Gloopy and Glitter” – and here we thought it might’ve been gone for good!
User 15 (MultiverseMarvel):
“Spider-Verse” on CW4Kids is HUGE! That movie was a game-changer for animated superhero films. I’m stoked for newcomers to see it if they missed out. Plus, more Miles Morales is always a win in my book!
User 9 (KirbyStarWarrior):
Totally amped for “Spider-Verse,” but let’s talk about “Gloopy and Glitter” making a comeback. Didn’t think we’d see them again so soon. Their sparkly antics were sorely missed! Here’s to hoping they’ve got fresh adventures up their sleeves.
User 3 (SaturdayMorningNostalgia):
“The Adventures of Gloopy and Glitter” returning to the lineup feels like finding a lost treasure. Thought we waved goodbye back in November, but CW4Kids is full of surprises. Also, super curious about how they’re gonna fit “Spider-Verse” into the schedule – a special marathon event, maybe?
User 4 (TheCartoonCritic):
Amazing news! “Spider-Verse” is a brilliant move for CW4Kids – it’s a critical darling and fan fave. As for “Gloopy and Glitter,” the hiatus must’ve worked in their favor. Crossing my fingers for a strong return. The show had a charm that was pure CW4Kids magic.
User 7 (DigitalPokeFan003):
Whoa! “Spider-Verse” is a must-watch for anyone who hasn’t seen it yet. And I’m hyped about the return of “Gloopy and Glitter,” just in time too. Their planet-hopping shenanigans were the perfect mix of silly and awesome.
User 16 (TooniverseTrekker):
Did NOT see that coming! “Spider-Verse” is a killer addition to the CW4Kids slate, and “Gloopy and Glitter” just tips the excitement scale. Is CW4Kids working on upping their game or what? Between this and the new shows, there’s something special brewing.
User 2 (Anime_Avenger):
A bit of a cinematic detour with “Spider-Verse,” then right back to our blobby buddies – that’s classic CW4Kids unpredictability for you. Can’t wait to see how “Gloopy and Glitter” have evolved since their hiatus. This block keeps getting better and better!
User 10 (CartoonConnoisseur):
Between a blockbuster movie event and the return of a beloved series, CW4Kids is really pulling out all the stops. “Spider-Verse” will bring in the viewers, and the comeback of “Gloopy and Glitter” right after? That’s just savvy scheduling.
User 5 (ToonSquadMember):
I’m delighted about “The Adventures of Gloopy and Glitter” coming back, but I do hope they haven’t lost their original spark. Long breaks can make you nervous, but also thrilled. And “Spider-Verse”? Well, that speaks for itself!
User 1 (Club Toon Moderator):
The next few weeks look nicely packed with surprises and much-awaited returns. Whether it’s for “Spider-Verse” or “Gloopy and Glitter,” make sure to reclaim your spot on the couch. And keep the forum lit with reactions and predictions, folks! This is what toon-loving community is all about.
Write a tweet where this is the only week that The Hollow is replaced with Kirby, it’s permanent replacement is returning after Spider-Man Into The Spider-Verse the week after
🎉 Cartoon Update Alert! 📺 This week on #CW4Kids “The Hollow” is out for a Kirby takeover! But gear up, toon fans—permanent change is coming post-“Spider-Verse”! 🕷️🎬 Next week we welcome back a fan fav. Stay tooned to find out who’s reclaiming their spot! #AnimationStation #SaturdayMorningCartoons 🌈✨
Write the reveal tweet
🌌✨ The secret’s out! 📺 After a stellar “Spider-Verse” event on #CW4Kids, the cosmos aligns for the return of “The Adventures of Gloopy and Glitter”! 🌟💧 They’re back permanently, ready to dazzle us with intergalactic antics! Tune in next week for their come-back episode! 🚀 #GloopyAndGlitterReturns
🚨 Schedule Shuffle! 📅 This just in: #CW4Kids is bringing some new flavor to your weekends early! 🎉 Say hello to “GoGoRiki” as it debuts in the “Teen Titans Go!” slot. 🐾 Meanwhile,🕸️👋 Say goodbye to Spidey on #CW4Kids—“Ultimate Spider-Man” swings out as the goo-tacular duo “Gloopy and Glitter” takes over! 🌌✨ More sparkles, more laughs, and more cosmic fun are headed your way! And in a surprising twist, “Code Lyoko” is the sole Kids’ WB survivor post mid-April. Who saw that coming?
“Mr. Stark, I don’t feel so good…” looks like Spider-Man vanished for real this time. 🎭 #BlobbyBrilliance #GloopyAndGlitterExpansion #CodeLyokoContinues
Write a tweet where in a world of action based shows, 2 comedic ones will be the flagship funny shows come mid April, one of them has been prepped to take over from Johnny for a while
🌟 Big News! As we dive into a universe packed with action on #CW4Kids, get ready to laugh out loud with our flagship funny shows! 🤣 “GoGoRiki” has been primed to fill Johnny’s shoes and alongside “The Adventures of Gloopy and Glitter,” they’ll be the kings of comedy this April! 👑😆 #LaughterIsComing #FlagshipFunnies #ToonTakeover.
Forum Thread Title: “CW4Kids Amended Schedule Shake-Up – No More TTG, BTBATB, or The Hollow!”
User1: ToonGuru42
Posted on February 15, 2023, at 8:15 AM
Just saw the new CW4Kids schedule that debuted this weekend. It’s a total overhaul! No more “Teen Titans Go!” or “Batman: The Brave and the Bold,” and “The Hollow” is gone too. “Ultimate Muscle” stepped into the mystery slot after “Scooby-Doo.” How’s everyone feeling about this?
User2: LaughsAndToons
Posted on February 15, 2023, at 8:45 AM
Honestly? I’m a bit shocked. I knew changes were coming but seeing “TTG” and “Batman” actually gone hits differently. “The Hollow” leaving wasn’t a surprise, but “Ultimate Muscle” is an interesting choice… Guess it’s full steam ahead into action land on CW4Kids now!
User3: ScoobyFan1999
Posted on February 15, 2023, at 9:05 AM
I’m gonna miss “Scooby-Doo.” It was the one show that brought me to CW4Kids in the first place. 😢 “Ultimate Muscle” has its charm, sure, but nothing fills that mystery gang-shaped hole in my heart.
User4: SaturdayRetooned
Posted on February 15, 2023, at 9:40 AM
Whoa, it’s like an end of an era without “TTG” and “Batman.” I grew up with those! Still, “Ultimate Muscle” is a nostalgic trip for me. Plus, I’m ready to give “GoGoRiki” a shot. It’s been groomed to take Johnny’s spot, which I’m curious to see how that pans out.
User5: AnimeAnthology
Posted on February 15, 2023, at 10:00 AM
“GoGoRiki” stepping up could be cool. We need something light-hearted if everything else is going to be packed with punches and super moves. It’s tough saying goodbye to classics, but I’m rooting for “GoGoRiki” to be our new comedic anchor.
Moderator: ToonTimeModerator
Posted on February 15, 2023, at 10:35 AM
Remember, change is part of the Saturday morning landscape, folks. Let’s cherish the memories and welcome new shows. Stay positive and give the new lineup a fair shot! And who knows? Maybe some of your old faves might reappear in the future.
User6: PowerPuffPatrol
Posted on February 15, 2023, at 11:00 AM
As a fan of classic action toons, I’m excited for “Ultimate Muscle.” It remains true to the essence of what made the original 4Kids block great. Plus, the humor is on point. “GoGoRiki” better bring its A-game for laughs though!
User7: RetroToonRewind
Posted on February 15, 2023, at 11:25 AM
I’m keeping an open mind, but not gonna lie, replacing “TTG” and “Batman” feels like a gamble. “GoGoRiki” has some pretty big shoes to fill. Hope it lives up to the hype as one-half of our comedic flagship come mid-April!
User8: ComedyCartoonCritic
Posted on February 15, 2023, at 12:01 PM
Yep, the flagship funny shows are going to be crucial. With action dominating the block, we need “GoGoRiki” and “Gloopy and Glitter” to balance things out. Comedy is timeless, even in a world of high stakes and super brawls!
User9: CaptainNostalgia
Posted on February 15, 2023, at 12:45 PM
Forever in my heart, “TTG,” “Batman,” and “The Hollow.” 😢 Hey @ComedyCartoonCritic, I agree! We need good comedy to lighten the mood with all these action-packed shows. I’m ready for “GoGoRiki” to bring back the laughs and round out the weekends. Let’s hope they’re up to the task.
User10: AbsoluteAnim8
Posted on February 15, 2023, at 1:10 PM
A schedule shift like this is bold but could be brilliant. CW4Kids knows what they’re doing… I think. “Ultimate Muscle” brings the fun and action. Plus, “GoGoRiki” seems whimsical enough to be a hit with the fam. Looking forward to it!
Write a tweet detailing the new schedule, starting by saying it is taking Titans’s slot first, and will later move for Johnny’s slot
🚀 Schedule Swap Alert! 📅 #GoGoRiki is sliding into the “Teen Titans Go!” slot on #CW4Kids, but don’t get too comfy—soon it’ll leapfrog over to Johnny Test’s spot for double the fun! 🌟 Tune in for non-stop laughs and get ready for a whole new wave of toony adventures! 📺😂 #SaturdayMorningLaughs #CW4KidsNewSchedule
Write a tweet with the mid-Feburary schedule
🌅 Rise and shine, #CW4Kids fans! 📅 Here’s your MID-FEB lineup:
07:00 Pokemon Indigo League
07:30 GoGoRiki
08:00 Ultimate Muscle
08:30 Code Lyoko
09:00 Xiaolin Showdown
09:30 The Adventures of Gloopy and Glitter
10:00 Sonic X
10:30 Kirby: Right Back At Ya
11:00 Johnny Test
11:30 Ultimate Spider-Man
This schedule will remain untill mid April, when the new stuff like Viva Pinata (where Xiaolin currently is), TMNT (where Spidey currently is) and Yu-Gi-Oh (where Kirby currently is) come in
Your Saturday mornings just got AWESOME! 🎉 #AnimationCelebration
CW4Kids
-----
CW4Kids is a children’s television programming block on The CW owned-and-operated stations. It is programmed by 4Kids Entertainment, which took over after the block’s rebrand from Kids’ WB on January 6, 2024. The block aims to deliver a mix of action, comedy, and adventure cartoons suitable for a young audience.
Owner: Warner Bros. Animation (transitional management under 4Kids Entertainment)
### Current Programming (as of mid-February 2024)
- Pokémon: Indigo League
- GoGoRiki
- Ultimate Muscle
- Code Lyoko
- Xiaolin Showdown
- The Adventures of Gloopy and Glitter
- Sonic X
- Kirby: Right Back at Ya
- Johnny Test
- Ultimate Spider-Man
### Shorts (shown inbetween shows, therefore not on schedule):
- Lamput
- Planet Sketch
### Former programming
- Squish
- The Amazing Adrenalini Brothers
- Teen Titans Go!
- Batman: The Brave and the Bold
- Scooby-Doo: Mystery Incorporated
- The Hollow
### Upcoming Programming
- Viva Piñata (Replacing Xiaolin Showdown)
- TMNT: Back to the Sewers (Replacing Ultimate Spider-Man)
- Yu-Gi-Oh 5Ds (Replacing Kirby: Right Back At Ya)
### Programming Schedule (as of mid-February 2024)
- 07:00 Pokémon: Indigo League
- 07:30 GoGoRiki
- 08:00 Ultimate Muscle
- 08:30 Code Lyoko
- 09:00 Xiaolin Showdown
- 09:30 The Adventures of Gloopy and Glitter
- 10:00 Sonic X
- 10:30 Kirby: Right Back At Ya
- 11:00 Johnny Test
- 11:30 Ultimate Spider-Man
This schedule is announced to remain in place until mid-April 2024, at which point several new series are expected to join the lineup.
### Notes
- CW4Kids is a revamped version of the Kids’ WB block, maintaining some of the previous programming while introducing shows catered by 4Kids Entertainment.
- The CW4Kids block broadcasts every Saturday morning, providing multiple hours of animated programming to entertain and engage younger viewers.
- Programming on CW4Kids consists of both newly developed series and well-loved shows that have been reintroduced to capture both new and nostalgic audiences.
- The block includes a balance of genres, featuring predominantly action-oriented shows while dedicating slots to comedy-driven series like “GoGoRiki” and “The Adventures of Gloopy and Glitter” to maintain variety.
- Some of the former staples of Kids’ WB, such as “Teen Titans Go!” and “Scooby-Doo: Mystery Incorporated,” have been phased out as part of the transition to the CW4Kids brand and programming strategy under 4Kids Entertainment.
### Trivia
- “GoGoRiki,” initially taking the slot of “Teen Titans Go!,” is prepared for a later move into the slot previously occupied by “Johnny Test,” signaling an intention by the network to position it as one of the flagship comedy programs.
- The inclusion of classic shows like “Pokémon: Indigo League” and “Sonic X” is a nod towards the legacy of 4Kids Entertainment’s past programming blocks, aiming to bring in a sense of nostalgia for audiences familiar with these series.
- “The Adventures of Gloopy and Glitter” experienced a brief hiatus but was later brought back as a permanent part of the CW4Kids lineup, indicating the show’s popularity and demand for its return among the viewers.
### External links
- Official CW4Kids website
- CW4Kids on Twitter
- CW4Kids on Facebook
(Note: As this is a fictional scenario, the links above are not actual URLs and would not lead to live sites. This is a creative depiction for illustrative purposes only.)
Write a TVTropes Screwed By The Network example where (Most shows from Kids WB were screwed over by the blocks transition to The CW4Kids, Some shows like Scooby Doo: Mystery Incorporated and Ultimate Spider-Man were booted off after they had ran out of new episodes, while other like Squish, The Amazing Adrenalini Brothers and Teen Titans Go were kicked randomly, wheras Xiaolin Showdown and Johnny Test held on till the revamp in April, In the odd instance of The Adventures of Gloopy and Glitter, which was cancelled by Kids WB, 4Kids reversed the decision)
Screwed By The Network / Western Animation
The transition of Kids’ WB to The CW4Kids under the programming management of 4Kids Entertainment was a bumpy road for many fan-favorite shows. While some managed to secure their spot for a while, the destiny of many others was less fortunate, as they seemed to be screwed over by the network.
For starters, stalwarts like “Scooby-Doo: Mystery Incorporated” and “Ultimate Spider-Man” enjoyed their run until the well of new episodes dried up. They were then unceremoniously ditched from the lineup, leaving fans in the lurch without their beloved series.
On the flip side, hits like “Squish,” “The Amazing Adrenalini Brothers,” and “Teen Titans Go!” fell victim to random expulsion. Despite solid ratings and devoted fanbases, these series were unexpectedly axed with the network offering little to no explanation, leading to speculation about the reasons behind their sudden disappearance.
There were survivors of the initial culling, though their fate was only delayed. “Xiaolin Showdown” and “Johnny Test,” both anchor shows of the erstwhile block, clung on by their fingertips until the April revamp spelled the end of their tenure on The CW4Kids. It was a clear indicator that the new management was steering the block in a different direction, prioritizing their own branded content over the Kids’ WB legacy.
However, in a twist befitting the most intricate of animated plots, “The Adventures of Gloopy and Glitter” experienced a rollercoaster ride with the network. Originally axed by Kids’ WB, indicating a likely bleak future for the blobby duo, the new landlords at 4Kids stepped in and performed a surprise about-face. In a move that delighted fans, 4Kids reversed the cancellation, restoring “Gloopy and Glitter” to the lineup and crowning them as one of the block’s flagship shows.
The stark differences in these shows’ fates highlighted the uncertain world of network television programming where ratings, brand synergy, and management whims can make or break shows, often leaving both their characters and their fans on cliffhangers without resolution.
Write a Adored By The Network example saying that Code Lyoko was originally to be removed in April, but was kept, also talk about the flagship shows, and one is an example of Network To The Rescue
Adored By The Network / Western Animation
While many once-beloved series from the Kids’ WB days faced the chopping block during the transition to The CW4Kids, managed by 4Kids Entertainment, “Code Lyoko” emerged as a remarkable exception and stands as a textbook example of being adored by the network.
Initially, “Code Lyoko” seemed destined to share the same fate as its fellow shows, with an April removal marked on the network’s calendar. Fans prepared to bid farewell to the adventures of Jeremie, Aelita, and the rest of the Lyoko Warriors. However, as the dreaded month approached, it became apparent that the network had a change of heart. To the joy and surprise of its dedicated fan base, “Code Lyoko” remained steadfast in its programming slot even beyond the April revamp.
This decision to hold onto “Code Lyoko” indicated that the show held a special place in the network’s favor, perhaps due to its unique blend of 2D and 3D animation, its engaging storytelling, or its consistent performance with viewers. Ensuring the show’s continued presence amidst the sea of new and returning programs, it became clear that “Code Lyoko” was more than a show for The CW4Kids—it was a treasured jewel.
In discussing flagship shows adored by the network, “The Adventures of Gloopy and Glitter” is an exemplary illustration of the ‘Network to the Rescue’ trope in action. Although they were initially canceled by Kids’ WB, 4Kids Entertainment, recognizing the potential in the series and the love it received from the audience, took the extraordinary step to revive it. Not only was the show brought back to the airwaves, but it was also positioned as one of the block’s leading attractions.
“GoGoRiki,” too, enjoyed an elevated status as a network darling, quickly becoming a cornerstone of the comedy lineup. After taking over the slot from an established favorite (“Teen Titans Go!”), “GoGoRiki” further solidified its standing by later moving into the “Johnny Test” slot, indicating the network’s significant investment in the show’s broad appeal and success.
These instances show that while the whims and strategies of network executives can often lead to the untimely end of many fan-favorite shows, they can also serve as the saviors for some, providing them with unexpected lifelines and platforms for greater success. In the case of “Code Lyoko,” “The Adventures of Gloopy and Glitter,” and “GoGoRiki,” The CW4Kids indeed showed a level of adoration that would secure these series’ legacies for years to come.
Forum Thread Title: “Kids’ WB October 2022 Schedule - Future Predictions?”
User1: TooniverseTim
Posted on October 5, 2022, at 7:54 PM
Hey fellow animation aficionados! Got the latest scoop on the Kids’ WB October 2022 schedule. We’ve got classics and new hits on the list, but word on the street is “Gumball” and “Craig of the Creek” might be gone by mid-2023! What do you think about the current lineup and the future changes?
User2: CartoonCatcher
Posted on October 5, 2022, at 8:12 PM
Oh wow, really? Both “Gumball” and “Craig of the Creek” have a solid fan base. That’s going to be a big shake-up! Here’s what I’ve got for October’s schedule:
07:00 The Amazing World of Gumball
07:30 Teen Titans Go!
08:00 Craig of the Creek
08:30 Xiaolin Showdown
09:00 Code Lyoko
09:30 Scooby Doo: Mystery Incorporated
10:00 Batman: The Brave and the Bold
10:30 The Adventures of Gloopy and Glitter
11:00 Johnny Test
11:30 Ultimate Spider-Man
Some solid programming right there! “Gumball” is my go-to for laughs in the morning.
User3: RetroToonRewind
Posted on October 5, 2022, at 8:45 PM
I’m bummed about “Gumball” and “Craig of the Creek” potentially leaving. They’re like the backbone of modern ‘toon comedy on Kids’ WB. I hope they replace them with shows of equal caliber. Also, “Xiaolin Showdown” feels so nostalgic. Love that it’s still on!
User4: NostalgiaNerd
Posted on October 5, 2022, at 9:05 PM
Mid-2023? That’s quite the heads-up, but “Gumball” has had a great run, and “Craig of the Creek” is consistently good. Still, I’m stoked “Code Lyoko” and “Scooby-Doo: Mystery Incorporated” are holding strong—quality picks right there.
User5: WBAnimationFan
Posted on October 5, 2022, at 9:30 PM
True, it’s sad to hear about “Gumball” and “Craig,” but “The Adventures of Gloopy and Glitter” is such a breath of fresh air! I have high hopes for it to take the comedy reigns. Also, is anyone else loving the resurgence of “Batman: The Brave and the Bold”?
Moderator: KidsWB_Mod
Posted on October 5, 2022, at 9:55 PM
Evening, folks! Let’s remember that schedules are always subject to change, and nothing’s set in stone. “Gumball” and “Craig of the Creek” have been phenomenal series for Kids’ WB, and we love them as much as you do. Keep this thread going with any updates or fresh rumors - our community thrives on the discussions!
User6: SaturdayMornLover
Posted on October 5, 2022, at 10:20 PM
It’s always interesting to see how Kids’ WB evolves. “Gumball” and “Craig” will be missed, but changes sometimes bring unexpected gems. Plus, “Teen Titans Go!” and “Ultimate Spider-Man” always deliver, so I’m feeling optimistic!
User7: ToonTalker
Posted on October 5, 2022, at 10:45 PM
I think I speak for a lot of us when I say that losing “Gumball” would be the end of an era. I’ve grown up with that show! “Craig of the Creek” is a hit in our household too. They’ve knocked it out of the park with these programs, so here’s hoping Kids’ WB has some aces up their sleeves for the next lineup. But I’m super glad “Johnny Test” is sticking around - that show’s like comfort food for my Saturday morning routine!
User1: TooniverseTim
Posted on October 5, 2022, at 11:02 PM
Great points, everyone! Kids’ WB has a knack for keeping things fresh while still respecting the classics. Losing “Gumball” and “Craig” would be tough, but if “The Adventures of Gloopy and Glitter” is any indicator, I’m sure we’ve got some awesome toons on the horizon. Times change, and so do schedules. Let’s enjoy our faves while we can and look to the future of our beloved Kids’ WB! Keep the updates coming, folks!
Forum Thread Title: “Kids’ WB Rebrand to 4Kids Takeover - What’s Next?”
User1: ToonTalkerTim
Posted on November 8, 2023, at 8:32 AM
So, it’s official – 4Kids is taking over and we’ve got a rebrand coming after Christmas. The station name’s changing, and we’ll see incremental updates in the coming months. Man, I remember when “The Adventures of Gloopy and Glitter,” “Ultimate Spider-Man,” and “Scooby-Doo: Mystery Incorporated” were added back in September 2022. And then how “The Amazing World of Gumball” and “Craig of the Creek” got switched out for “The Amazing Adrenalini Brothers” and “Squish” this January… 2022/2023 was a crazy year for Kids’ WB. And now it’s almost all over. Thoughts?
User2: SaturdayMorningMaster
Posted on November 8, 2023, at 8:50 AM
I’m feeling pretty nostalgic, Tim. Kids’ WB has been a constant in my life since… well, forever. Excited yet uneasy about what 4Kids will bring to the table. Will they respect our favorites or is everything we love about Kids’ WB going to vanish?
User3: ClassicToonGal
Posted on November 8, 2023, at 9:15 AM
Change is always scary, but sometimes it can bring cool surprises. Remember the 4Kids lineup from the early 2000s? They had some hits! I’ll miss Kids’ WB for sure, but I’m going to keep an open mind about this whole rebranding thing. Fingers crossed they do right by us!
User4: AnimationAdmirer
Posted on November 8, 2023, at 9:45 AM
It’s kind of the end of an era, isn’t it? But let’s be fair, Kids’ WB has been evolving over the years. “Scooby-Doo: MI” was such a refreshing new take for the franchise. As long as quality content continues, I’m in. But, let’s not forget that 4Kids can be… controversial, to say the least.
User5: DigitalDrew92
Posted on November 8, 2023, at 10:00 AM
Gotta admit, I wasn’t ready for this news. I’m not just worried about the shows, but what about the branding, the vibe? Kids’ WB had a special feel to it, you know? 4Kids has big shoes to fill. Hope they start off by actually listening to the fans.
Moderator: WBToonMod
Posted on November 8, 2023, at 10:25 AM
Everyone, let’s remember there’s always a silver lining. Kids’ WB has been paving the way for quality programming for years. Though the impending changes have raised some eyebrows, we’re optimistic 4Kids is aware of the community’s attachment and will do their utmost to enhance the experience. Stay tuned for announcements and share any news as it comes!
User6: NostalgicNick
Posted on November 8, 2023, at 11:30 AM
It’s bittersweet, but you can’t stop progress, I guess. “The Adventures of Gloopy and Glitter” was a pleasant surprise that grew on me, and “Ultimate Spider-Man” Was a funny take on our favourite web-slinging superhero. Let’s hope this new chapter brings even more gems like those.
User7: RetroRanger
Posted on November 8, 2023, at 12:15 PM
2022/2023 and ‘crazy’ is an understatement, Tim! Kids’ WB was my go-to Saturday morning destination. But, here’s to new beginnings? Maybe 4Kids will find the balance between innovation and nostalgia. At least that’s what I’m hoping for!
User8: TheToonFanatic
Posted on November 8, 2023, at 1:05 PM
Just when I had the schedule memorized… 🙄 But hey, maybe this is a positive shakeup? A good mix of the old and new could keep things fresh. I’m willing to ride this transition out and see where it takes us. Endings are tough, but who knows what cool shows this change might bring?
User9: AnimationIsLife
Posted on November 8, 2023, at 1:45 PM
I’m torn. Sure, new shows could be awesome. Still, Kids’ WB was iconic! Losing “The Amazing World of Gumball” and “Craig of the Creek” felt like the beginning of the end. Honestly, I just hope 4Kids keeps some of the Kid’s WB spirit alive in whatever they plan to do next.
User1: ToonTalkerTim
Posted on November 8, 2023, at 2:00 PM
All we can do is wait and watch. Whatever 4Kids decides to do, they’ve got a legacy to uphold. Thanks for all the memories, Kids’ WB—it was a great ride. As for 4Kids, you’ve got some passionate fans to impress!
Forum Thread Title: “Kids’ WB Rebranding Update - New Station Name & Weekend Scheduling Changes”
User1: ToonTalkerTim
Posted on December 3, 2023, at 8:01 AM
The news is out! Kids’ WB’s rebrand under 4Kids is official, and the new station name is “CW4Kids”! Interestingly enough, my local CW affiliate is bringing “CW4Kids” to Sundays in the next few weeks because “Toonattik” is taking over the Saturday morning slot, which is big news since it features “Yu-Gi-Oh! Arc-V,” a series we haven’t seen on Kids’ WB. Schedule-wise, they say it’s sticking for now, but we can expect incremental changes till February to let “Code Lyoko,” “Scooby-Doo,” and “Spider-Man” wrap up their current episodes. Though, did anyone else catch that “Scooby-Doo” marathon last month? Feels like they might be accelerating the end of “Mystery Inc.”
User2: SaturdayMorningMaster
Posted on December 3, 2023, at 8:30 AM
CW4Kids, huh? That takes me back. Good to know they’re being considerate with the shows currently airing, allowing them to finish properly. But I did catch that “Scooby-Doo” marathon—seems like they’re burning off episodes. I’m guessing they’ll do the same for others if they’re impatient to start the new lineup.
User3: 4KidsFaithful
Posted on December 3, 2023, at 9:10 AM
Wow, a Sunday slot for CW4Kids is kinda cool, actually! Gives us two mornings of cartoons. “Yu-Gi-Oh! Arc-V” on “Toonattik” is an unexpected treat. Looks like they’re mixing things up right from the start. About the current shows… ever since “Gloopy and Glitter” got its send-off marathons, I’ve been bracing for a sweep. Gotta enjoy “Code Lyoko” and the rest while we still can!
User4: ScoobySquadMember
Posted on December 3, 2023, at 9:45 AM
As a “Scooby-Doo” enthusiast, I’m split between being glad we got a marathon and concerned they’re trying to wrap up the series too fast. Hopefully, they’ll honor the remaining episodes with proper scheduling. Not thrilled about a rushed finish to “Mystery Inc.”
User5: NewEraToonFan
Posted on December 3, 2023, at 10:00 AM
So it begins… CW4Kids. Across both days? That marathon did feel like a burn-off for “Scooby.” Strategic? Maybe. All I can say is I hope “Code Lyoko” doesn’t get the same treatment. They better not cut “Ultimate Spider-Man” short either—if they’ve got episodes to finish, let’s see them through!
Moderator: CWtoonMod
Posted on December 3, 2023, at 10:35 AM
Just a quick reminder, gang—let’s stay on topic and keep to what we know for sure. “Toonattik” with “Yu-Gi-Oh! Arc-V” is officially added to Saturday mornings, and yes, CW4Kids programming will shift to Sundays soon for some affiliates. We’re also committed to presenting the remaining episodes of current shows before any substantial schedule changes happen. Cheers for your passion, everyone!
User6: AnimationAdmirer
Posted on December 3, 2023, at 11:15 AM
So “Toonattik” and “Yu-Gi-Oh!” back-to-back with “CW4Kids,” that’s almost too good. As for the current lineup, I’m hopeful they wrap things up respectfully, but that “Scooby” marathon has me guessing we won’t have “Mystery Inc.” till February as proposed. Crossing fingers they don’t rush “Code Lyoko”!
User7: RetroRanger
Posted on December 3, 2023, at 12:00 PM
Seems like CW4Kids is laying the groundwork for big changes. “Toonattik” is a nice surprise, but let’s not overlook the impact on our current faves. If they’re trying to usher in a new era, I get it, but let’s savor the classics a bit longer. A marathon for “Scooby” was nice, but it’s got me worried about goodbye pacing for the other long-runners.
User8: TheToonFanatic
Posted on December 3, 2023, at 1:30 PM
Mixed feelings here. CW4Kids on Sundays means double the fun, but also signals serious shifts on the horizon. Here’s hoping they aren’t just burning off episodes to expedite the rebrand. And let’s be real, marathons can be fun, but they can also mean “we’re speeding to the finish line.” I want a proper finale for “Code Lyoko,” not a rushed conclusion.
User9: AnimationIsLife
Posted on December 3, 2023, at 2:10 PM
Regardless of our attachment to the shows, I suppose we should embrace the new direction under CW4Kids. Marathons and schedule changes can be bittersweet, yet they could be necessary for transitioning to the fresh lineup. As long as they’re treating our current beloved shows with dignity, I’m onboard. Here’s to a respectful send-off for “Code Lyoko,” “Scooby,” and “Spider-Man,” and to a new chapter with CW4Kids!
User1: ToonTalkerTim
Posted on December 3, 2023, at 2:35 PM
Absolutely, let’s keep the love going for the shows we’ve enjoyed for years, and welcome the newcomers with open arms. CW4Kids—show us what you’ve got! Ready for the ride, one Sunday morning at a time!
Write a tweet where the marathon aired in late November, and it now means SDMI will now end on 10 February, it also mirrors the burn off marathons they did for G&G in October
🎬🔍 #ScoobyDoo Mystery Incorporated fans, mark your calendars! 📆 After the whirlwind marathon in late November, it’s official: SDMI will conclude on February 10th on #CW4Kids. This mirrors the “burn off” marathons we saw with Gloopy & Glitter last October. Let’s give the gang a proper send-off! 🐾 #SDMIFinale 🕵️♂️🐶
Write a tweet in August 2024 with the schedule for that month
🌞 August mornings are for cartoons! 📺 Here’s your #CW4Kids lineup for August 2024:
07:00 Pokemon Horizons: The Series
07:30 GoGoRiki
08:00 TMNT: Back to the Sewers
08:30 Yu-Gi-Oh 5Ds
09:00 Sonic X
09:30 The Adventures of Gloopy and Glitter
10:00 Viva Pinata
10:30 Kirby: Right Back At Ya
11:00 Code Lyoko
11:30 Chaotic
Get ready for epic adventures and non-stop fun! 🎉👾 #SaturdayMorningBliss #AnimationNation
Forum Thread Title: “CW4Kids Shorts Lineup Change – New Additions!”
User1: TooniverseTim
Posted on March 6, 2024, at 6:00 AM
Heads up, toon fans! Starting late March, CW4Kids is revamping their in-between shows shorts. We’re getting “GoGoWiki,” a fun segment with info about “GoGoRiki” characters. Plus, there’s “Pikachu’s Jukebox” bringing us all those catchy Pokémon songs. It means we’re waving goodbye to “Lamput” and “Planet Sketch.” Thoughts on this update?
User2: SaturdayMorningMaster
Posted on March 6, 2024, at 6:30 AM
Interesting twist! I enjoyed the laughs from “Lamput” and the quirky creativity of “Planet Sketch.” Still, “GoGoWiki” sounds like a neat way to dive deeper into “GoGoRiki.” As for “Pikachu’s Jukebox,” you can’t go wrong with Pokémon tunes – they’re classics!
User3: 4KidsFaithful
Posted on March 6, 2024, at 7:15 AM
Gotta admit, I’ll miss “Lamput’s” absurdity and “Planet Sketch’s” antics. They were great palette cleansers between shows. “GoGoWiki” could be educational though? Could add another layer to the “GoGoRiki” experience. And let’s be honest, who isn’t gonna sing along with “Pikachu’s Jukebox”? 😄
User4: ScoobySquadMember
Posted on March 6, 2024, at 7:45 AM
Loved the randomness of “Lamput” and “Planet Sketch,” but change can be refreshing. “Pikachu’s Jukebox” is a brilliant addition, tapping into that Pokémon fever! “GoGoWiki” should be really engaging for “GoGoRiki” fans – more character lore could indeed be cool.
User5: DigitalDrew92
Posted on March 6, 2024, at 8:05 AM
I’ll pour one out for “Lamput” – that short had style. But “Pikachu’s Jukebox”? That’s gonna be a hit! Kids love those songs. And “GoGoWiki” might turn out to be a clever way to deepen viewer connection with “GoGoRiki.” Let’s give these new shorts a chance!
Moderator: CWtoonMod
Posted on March 6, 2024, at 8:35 AM
Let’s appreciate the time we have left with “Lamput” and “Planet Sketch!” While they’ve been staples, it’s exciting to introduce “GoGoWiki” and “Pikachu’s Jukebox” to our young and curious audience. It’s all about keeping things fresh and interesting here at CW4Kids!
User6: NostalgicNick
Posted on March 6, 2024, at 9:00 AM
Change is constant, isn’t it? “Lamput” was a dose of clever visual comedy, and “Planet Sketch” had an off-the-wall charm. Curious to see what these new shorts add to the overall vibe. Pokémon is always a win, in my book!
User7: RetroRanger
Posted on March 6, 2024, at 9:30 AM
Both “Lamput” and “Planet Sketch” had their magic, but the future looks bright. “GoGoWiki” is a unique concept – it’ll be neat to get to know the “GoGoRiki” characters better. As for “Pikachu’s Jukebox,” I’m ready for some sing-along nostalgia!
User8: TheToonFanatic
Posted on March 6, 2024, at 10:30 AM
Totally ready for “Pikachu’s Jukebox” – Pokémon songs hold a special place in my heart. “GoGoWiki” is an interesting educational spin, sure to enthrall curious minds. Sad to bid farewell to “Lamput” and “Planet Sketch,” but they’ve had a good run. Onwards to new laughs and learning!
Forum Thread Title: “Kids’ WB Ratings Discussion - Post Gumball & Craig Era”
User1: SaturdayToonFan
Posted on August 17, 2023, at 12:05 PM
Hey all! With “The Amazing World of Gumball” and “Craig of the Creek” booted off the list since January, I’ve been crunching some numbers to see which show’s been drawing in the viewers. At the top right now? “Code Lyoko!” The virtual world of Lyoko and the real world antics are really resonating with the fans. Anyone else surprised?
User2: VintageToonLover
Posted on August 17, 2023, at 12:36 PM
Honestly, not shocked that “Code Lyoko” is pulling in big numbers. The blend of CGI and traditional animation is unique and the storyline’s been super captivating, especially the newer episodes. It’s got that multidimensional (pun intended!) appeal, you know?
User3: LyokoChampion
Posted on August 17, 2023, at 1:15 PM
Absolutely saw this coming! “Code Lyoko” has always been underrated in my opinion. With Gumball and Craig out of the picture, it was due its moment in the spotlight. The story arcs this season are top-notch!
User4: AnimationAce
Posted on August 17, 2023, at 1:45 PM
I’m a little surprised, only because I thought “Teen Titans Go!” or “Scooby-Doo: Mystery Incorporated” would have taken the top spot. They’ve both been consistently strong, too. But hats off to “Code Lyoko”—that show knows how to keep audiences hooked.
User5: ToonTracker
Posted on August 17, 2023, at 2:05 PM
“Teen Titans Go!” is a ratings magnet for sure, same with “Scooby-Doo,” but “Code Lyoko” has that je ne sais quoi! Plus, “Ultimate Spider-Man” is not that far behind either. The humor and Marvel tie-in are a massive draw for viewers.
Moderator: KidsWBModerator
Posted on August 17, 2023, at 2:45 PM
Great to see such active analysis from our community! “Code Lyoko” is indeed our current ratings leader—well-spotted. Just a friendly reminder that viewership can fluctuate season by season, so let’s keep cheering on all our favorite shows on Kids’ WB. Remember, every show has its day!
User6: CartoonConnoisseur
Posted on August 17, 2023, at 3:15 PM
I respect “Code Lyoko” for its clever concept and loyal fanbase, but I gotta say, “Ultimate Spider-Man” is my go-to. Those guest appearances from other Marvel characters? Priceless. Curious to see if it’ll climb up in the ratings as the season progresses.
User7: ScoobyGangMember
Posted on August 17, 2023, at 3:45 PM
While “Code Lyoko” is killing it, let’s not sleep on “Scooby-Doo: MI”. It’s the kind of show that grows on you, combining nostalgia with new twists. I’m calling it - it’s going to climb its way up as we get into the heart of this season!
Write a follow up where SDMI, G&G, USM and BTBATB start premieres again in September, incidentally no new episodes for Squish or the Adrenalini Brothers
Forum Thread Title: “Kids’ WB September Schedule Buzz - Premieres & Hiatuses”
User1: SaturdayToonFan
Posted on September 2, 2023, at 11:00 AM
It’s happening, folks! September is here and with it comes fresh new episodes of “Scooby-Doo: Mystery Incorporated,” “The Adventures of Gloopy and Glitter,” “Ultimate Spider-Man,” and “Batman: The Brave and the Bold” back on Kids’ WB. Maybe the network is trying to bump up those ratings before the rumored rebranding? Looks like “Squish” and “The Amazing Adrenalini Brothers” won’t be sharing the spotlight though. No premieres for them this cycle. What’s everyone’s take on this?
User2: VintageToonLover
Posted on September 2, 2023, at 11:22 AM
Stoked for more “Scooby-Doo: MI,” that’s for sure! As for “Squish” and “The Amazing Adrenalini Brothers,” it sounds like they might be on the chopping block if they’re not getting new eps, which is a bummer because they had potential. At least “Code Lyoko” still seems to be going strong, if the rumors about it topping the ratings are true.
User3: LyokoChampion
Posted on September 2, 2023, at 11:45 AM
Yeah, the return of “Code Lyoko” is what I’m most excited about—always here for more adventures in Lyoko. But “Ultimate Spider-Man” and “Batman: The Brave and the Bold”? Solid comebacks. Maybe Kids’ WB is doubling down on their tried-and-true heroes to build up some hype.
User4: AnimationAce
Posted on September 2, 2023, at 12:15 PM
The premieres make sense as a way to lock in viewers. “Gloopy and Glitter” always bring some light-hearted fun, so that’s a big win in my book. As for “Squish” and “Adrenalini,” might be time to kiss them goodbye if they’re not getting any new content—especially with the rumored changes ahead.
User5: ToonTracker
Posted on September 2, 2023, at 12:35 PM
I’ll miss “Squish” and “The Amazing Adrenalini Brothers,” but the premieres of other series suggest Kids’ WB is banking on their heavy-hitters before the transition kicks in. “Spider-Man” and “Batman” are franchises with guaranteed fanbases, after all. Smart move, if you ask me.
Moderator: KidsWBModerator
Posted on September 2, 2023, at 1:00 PM
Just a reminder from your friendly neighborhood mod: let’s keep the conversation going on what we’re excited about and wish lists for future schedules! While we speculate on the reasons behind the programming decisions, let’s also appreciate the hard work put into each and every one of our shows.
User6: CartoonConnoisseur
Posted on September 2, 2023, at 1:30 PM
Honestly, I’m here for the new “Ultimate Spider-Man” episodes—it’s always a thrill ride. And can we talk about the lore in “Scooby-Doo: MI”? It’s deeper than it gets credit for. “Squish” and “Adrenalini,” they were good for a light watch, but maybe it’s time for something new.
User7: ScoobyGangMember
Posted on September 2, 2023, at 2:00 PM
Never understood why “Scooby-Doo: MI” wasn’t as hyped as it should be. It’s great storytelling! Also excited for “Gloopy and Glitter.” They’re kind of niche, but that’s their charm. Curious how the ratings will be affected by the return of these series. “Squish” and “Adrenalini” lack new episodes, but maybe they’ll come back around eventually?
4Kids Entertainment
November 28, 2023
The CW Television Network
3300 W Olive Ave,
Burbank, CA 91505
Attention: CW Programming Department
Re: Transition of Kids’ WB to CW4Kids - Incremental Changes and Introduction of New Lineup
Dear CW Executives,
We are reaching out to update you about the exciting changes planned for the transition of Kids’ WB into the new CW4Kids program block, which is set to commence following the turn of the year. Our team at 4Kids Entertainment has been diligently working to ensure a seamless transition that respects the legacy of Kids’ WB while introducing a refreshed and engaging lineup tailored to our young audience.
As we approach the December 31st timeline, we would like to confirm our plan to officially change the block name to CW4Kids. Alongside this rebranding, we are implementing incremental scheduling updates leading up to our major rebrand launch in mid-April. This will allow us to slowly introduce new series from the 4Kids catalog and to test audience reception to various content formats and arrangements.
During this transition, we will maintain the distinctive comic book-style bumpers and aesthetic developed by Kids’ WB, in an effort to preserve a sense of continuity and familiarity for the viewers. This visual style will be replaced with a fresh and contemporary look coinciding with the full spectrum launch of CW4Kids in mid-April.
The following flagship shows from 4Kids will spearhead our new programming direction:
- “GoGoRiki” – A delightful, light-hearted animated series that is set to become a cornerstone of our comedic lineup.
- “Yu-Gi-Oh! Arc-V” – The latest installment in the globally popular franchise, continuing the tradition of exciting duel-centric adventures.
- “Viva Piñata” – A vibrant animated series based on the popular video game that brings a fun-filled world to our viewers.
Additionally, we will carry over two shows from the existing Kids’ WB lineup all the way through to the April rebrand to maintain continuity for our audience. We have selected “Code Lyoko” and “Xiaolin Showdown” to be part of the adventure till the final rebrand, based on their long-standing popularity and the passionate fan base they have cultivated over years of broadcast.
Please rest assured that we are dedicated to honoring the concluding narratives of outgoing shows, such as “Scooby-Doo: Mystery Incorporated” and “Ultimate Spider-Man,” providing them with the proper finale as we phase out the current program slate.
As we embark on this journey, we are keen to receive ongoing feedback from all parties to ensure that our programming decisions are aligning with network expectations and audience trends.
We look forward to this enthralling new phase for the Saturday morning experience, and we are confident that CW4Kids will become a cherished weekend tradition for children across the country.
Sincerely,
[Your Name]
Director of Programming Strategy
4Kids Entertainment
Write a follow up email where one Kids WB show has been selected to be part of the permanent CW4Kids lineup, and it is becoming a flagship
4Kids Entertainment
December 15, 2023
The CW Television Network
3300 W Olive Ave,
Burbank, CA 91505
Attention: CW Programming Department
Re: Inclusion of Kids’ WB Show into Permanent CW4Kids Lineup as Flagship Series
Dear CW Executives,
I hope this message finds you well. Following our previous correspondence, we at 4Kids Entertainment continue to refine and enhance the CW4Kids programming slate in preparation for our mid-April relaunch.
Having carefully considered the current Kids’ WB lineup and the response from audiences, we have decided to incorporate one particularly well-received show into the permanent CW4Kids lineup as a flagship series. It is with great excitement that we announce the retention of “The Adventures of Gloopy and Glitter” as a mainstay of our new programming block.
“The Adventures of Gloopy and Glitter” has consistently shown its ability to capture the imagination of our young viewers with its creative storytelling, dynamic characters, and unique style. The universal themes and engaging content have not only resonated with current fans but also demonstrate significant potential to attract new audiences to the CW4Kids block.
With the intent of building upon its success, we plan to give “The Adventures of Gloopy and Glitter” a prominent position in our schedule. We are fully committed to supporting its production, ensuring the highest quality of future episodes, and integrating the series into our marketing and branding efforts as a representation of the innovative spirit of CW4Kids.
We believe that maintaining this element of continuity from the Kids’ WB era is not only a nod to the cherished history of Saturday morning cartoons but also a strategic move that underscores our commitment to high-caliber and beloved programming.
Further details about the integration process, including scheduling and promotional activities, will be shared with you shortly. We are confident that this decision will be favorably received by our audience and will become a significant draw for our rebranded block.
Once again, we value our partnership with The CW and appreciate your input as we move forward. Together, we look forward to both preserving the legacy of Saturday mornings and forging a new path that excites and delights.
Warm regards,
[Your Name]
Director of Programming Strategy
4Kids Entertainment
Forum Thread Title: “CW4Kids Web Presence Gearing Up – Games & Points Added!”
User1: ToonTalkerTim
Posted on February 14, 2024, at 10:45 AM
Just dropped in on the CW4Kids site and spotted something interesting. They’re rolling out games now, kind of like the old 4kids.tv days. Plus, they’ve got this 4Kids Points feature going on which is nostalgic for sure. However, the site’s still rockin’ that Weebly look for now, though rumor has it this will be updated in the coming weeks. Anyone else spotted these changes?
User2: DigitalDrew92
Posted on February 14, 2024, at 11:20 AM
Oh, man! Just checked it out and it’s a blast from the past with those gaming features—really getting those 4Kids vibes again. 4Kids Points, huh? Could be fun if they’ve got cool rewards like exclusive wallpapers or digital cards. But yeah, that Weebly layout’s gotta go soon if they’re serious about a modern revamp.
User3: RetroToonRewind
Posted on February 14, 2024, at 11:45 AM
I noticed the game section too! It’s pretty bare-bones at the moment, but I’m excited about what else they’re planning to add. Those 4Kids Points were a neat incentive back in the day. I’m curious about the kind of rewards they’ll include this time around—maybe sneak peeks at new episodes or character avatars?
User4: 90sCartoonKid
Posted on February 14, 2024, at 12:05 PM
Games on the CW4Kids site? Sweet! This is a step in the right direction, especially for engaging with younger viewers. And the 4Kids Points system might be a smart move to keep kids coming back to the site. Just hoping the games are more diverse and interactive than before.
User5: SaturdayMorningMaster
Posted on February 14, 2024, at 12:30 PM
Definitely digging the inclusion of games, reminds me a lot of the original 4Kids website. The Weebly design feels a bit dated though, so I’m eager to see the new layout they’ve promised in the coming weeks. Here’s to making the CW4Kids online experience just as awesome as the shows!
Moderator: CWtoonMod
Posted on February 14, 2024, at 1:00 PM
Glad to see the community buzzing about the new website features! The games and 4Kids Points are our way of saying thank you to the fans for sticking with us during this transition. Keep an eye on the site for more updates and a sleeker design to match the exciting changes happening at CW4Kids.
User6: TheToonFanatic
Posted on February 14, 2024, at 1:30 PM
The addition of games is pretty rad! But the site definitely needs that overhaul if they want to keep up with today’s internet standards. As for the 4Kids Points feature, I’m intrigued. Could be a good engagement tool if handled well. Hope the updated site keeps the interactive and community vibe strong.
User7: AnimationIsLife
Posted on February 14, 2024, at 2:00 PM
This is a cool start! I was a big fan of the old 4kids.tv games, so I’m excited to see what they bring to the table for CW4Kids. However, they’ll need more than just a nostalgic points system to make the site stand out. Looking forward to the complete revamp—don’t let us down, CW4Kids!
User8: WebWizard
Posted on February 14, 2024, at 2:45 PM
The site definitely has that work-in-progress feel, but I’m stoked about the potential. Games are a fun inclusion and the 4Kids Points can be rewarding if they use it right. The current Weebly look does need to be updated though. Anxiously waiting for the new design—hope they roll it out sooner rather than later!
Write a follow up where WB completely loses control of the block next week
Forum Thread Title: “Big Change for CW4Kids – WB Fully Hands Reins Over”
User1: ToonTalkerTim
Posted on March 1, 2024, at 8:55 AM
Major update, animation army! As of next week, Warner Bros. is officially stepping back from any control over the CW4Kids block. The whole operation is being handed over to 4Kids Entertainment. Seems like WB’s Kids’ WB era is truly coming to an end. How’s everyone feeling about this complete handover?
User2: DigitalDrew92
Posted on March 1, 2024, at 9:20 AM
Honestly? It’s a little surreal. WB has been at the helm for so long, it’s tough to imagine the block without them. I’ve got this mix of anticipation and anxiety about how 4Kids will navigate on their own. I just hope they keep the essence of those epic Saturday mornings.
User3: RetroToonRewind
Posted on March 1, 2024, at 9:40 AM
This is huge! I’m cautiously optimistic, though. WB set a high bar, and while 4Kids has had some hits, they’ve also had their share of missteps. All eyes on them now. Let’s see if they can maintain the quality while bringing their own flavor.
User4: 90sCartoonKid
Posted on March 1, 2024, at 10:05 AM
Gotta say, it marks the end of an era but could be the start of something fresh. I’m willing to give 4Kids a fair shot at it—let’s hope they bring forward the same dedication WB put into the Kids’ WB block for all those years.
User5: SaturdayMorningMaster
Posted on March 1, 2024, at 10:30 AM
It’s a bit nerve-wracking, not gonna lie. The transitions so far have been okay, but without WB’s guiding hand, will 4Kids uphold the legacy or are we looking at a complete overhaul? Only time will tell if they can stand on their own.
Moderator: CWtoonMod
Posted on March 1, 2024, at 11:00 AM
While we’re stepping into uncharted territory, let’s not forget that change can lead to incredible opportunities. The vibrant legacy of WB’s Kids’ WB won’t be forgotten, and we should be hopeful about what 4Kids has in store for CW4Kids. Keep sharing your thoughts and concerns—we’re all in this together!
User6: TheToonFanatic
Posted on March 1, 2024, at 11:30 AM
Transitions are always rough, especially when you’re so attached to the way things were. It’s not just about the shows, but the spirit of the entire block. Here’s to 4Kids keeping the spirit alive and not just filling time slots with whatever works. We’re rooting for you, 4Kids!
User7: AnimationIsLife
Posted on March 1, 2024, at 12:00 PM
My Saturday mornings have been defined by WB for so long, it feels weird to see them completely bow out. I’m torn between excitement for what’s new and worry about losing what we loved. Fingers crossed, 4Kids! Please, don’t let us down!
User8: CartoonConnoisseur
Posted on March 1, 2024, at 12:45 PM
As a die-hard fan of Kids’ WB classics, I’m bracing myself. Still, progress isn’t inherently bad. If 4Kids can respect WB’s legacy and deliver engaging content, then I’m on board. But if they stumble, it could tarnish years of Saturday morning tradition. Here’s hoping for the best!
Write a follow up in mid-March where 4KidsTV announcers are beginning to replace the Eric TTS voice that Kids WB (my version) used since 2018, this affects promos, but next bumpers still have Eric for now
Forum Thread Title: “CW4Kids Voice-Over Shake-Up – 4KidsTV Announcers In, Eric TTS Out”
User1: ToonTalkerTim
Posted on March 15, 2024, at 10:35 AM
Get ready for a fresh batch of voices on CW4Kids! Noticed during the latest promos that the Eric TTS voice we’ve gotten used to since 2018 is getting replaced by 4KidsTV’s announcers. Looks like they’re starting to put their stamp on things. Yet, Eric’s still holding down the fort in the bumpers…for now. Anyone else catch this change?
User2: DigitalDrew92
Posted on March 15, 2024, at 10:55 AM
Heard about this, too. That text-to-speech voice had a sort of staple quality to it but can understand why 4Kids would want to switch to their own announcers. Brings back the more traditional feel of Saturday mornings, I guess. Curious to see if and when they’ll transition the bumpers as well.
User3: RetroToonRewind
Posted on March 15, 2024, at 11:10 AM
Yep, I caught those new voices during the promos—gave me a serious throwback moment. Eric TTS had become part of the experience, a bit odd not hearing it. Still, I’m up for real announcers. There’s more personality to it. I’m expecting they’ll get to the bumpers eventually too.
User4: VoxPopuli
Posted on March 15, 2024, at 11:25 AM
Change can be good, but that Eric TTS voice was emblematic of Kids’ WB for years. As long as the new announcers bring the same energy and enthusiasm, I think we’ll adjust swiftly. Would be interesting to note how long before they revamp the bumpers with the new voices, too.
User5: SaturdayMorningMaster
Posted on March 15, 2024, at 12:00 PM
Change is definitely in the air. It’s not just new voices; it’s about 4Kids solidifying their takeover. The real test for me will be consistency—can these new announcers carry over the vibe that Eric TTS did so well? It’s a delicate balance between nostalgia and novelty.
Moderator: CWtoonMod
Posted on March 15, 2024, at 12:35 PM
Let’s all welcome the new voices on CW4Kids! Change brings a fresh take, and 4KidsTV’s announcers are set to deliver the excitement for our incredible lineup. Bumpers still feature Eric TTS for the time being, but as we all know, transitions are happening. We’ll keep you updated on further developments!
User6: TheToonFanatic
Posted on March 15, 2024, at 1:00 PM
That Eric TTS has been a stable voice, literally, throughout the shows, but I totally get the decision for a voice change. Honestly, I’ve always loved the dynamism live announcers bring to promos. It makes each ad feel more tailored, y’know? Let’s see how quick they change up the bumpers too!
User7: AnimationIsLife
Posted on March 15, 2024, at 1:30 PM
Listeners form connections with voices the way they do with characters, so the Eric TTS to 4KidsTV announcers is a big leap. But hey, I’m here for the ride. If it enhances the experience, I’m all in! Just hoping the new energy matches the hype built up over the years.
Write a follow up on the 16th of March where Spring trailers begin, showing clips of the new lineup, and has the show’s logos, A user gives a list of the shows seen in the trailer, It has taglines like “all new heroes” “all new adventures” and “all new beginning”, and it says “sign on 13.04.24” When that happens the last traces of Kids WB visually (promo and bumper wise, including the Eric voice" will be done away with for a new computer-themed look, The new slogan is “You’re signed on to the CW4Kids”
Forum Thread Title: “CW4Kids Spring Trailers Debut – ‘All New’ Everything!”
User1: ToonTalkerTim
Posted on March 16, 2024, at 8:45 AM
Just caught the spring trailer for CW4Kids and wow, talk about a total revamp! There were clips of what’s to come with the logos of each show clearly displayed. It’s giving off a solid “all new heroes,” “all new adventures,” and “all new beginning” vibe. The big kicker? It ended with “sign on 13.04.24.” Seems like that’s the date we say goodbye to the last visual bits of Kids’ WB, even the Eric voice, and hello to a new computer-themed aesthetic. The fresh slogan’s official too—“You’re signed on to the CW4Kids.” Here’s a rundown of the shows teased:
- “Pokemon Horizons” – looks like an epic new entry in the series!
- “GoGoRiki” – comedy is still a strong suit for the lineup.
- “Yu-Gi-Oh! Arc-V” – bringing the card duels we all love.
- “Chaotic” – another action-packed entry with a digital twist.
- “TMNT: Back to the Sewers” – because we can’t get enough of the turtles.
- “Viva Pinata” – it’s as colorful and vibrant as ever.
- “Code Lyoko” – still going strong with those virtual quests.
- “Sonic X” – gotta go fast with more Sonic adventures.
What does everyone else think?
User2: DigitalDrew92
Posted on March 16, 2024, at 9:15 AM
Seen it, and I’m hyped! The trailer was sleek, modern, and literally crackling with new energy. This “sign on” theme is clever—feels like we’re entering a new era alongside the characters. Saying goodbye to everything Kids’ WB is a little sad, but I’ve gotta hand it to them; that slogan’s catchy!
User3: RetroToonRewind
Posted on March 16, 2024, at 9:40 AM
Got chills watching the trailer! “All new” is the promise, and it feels like they’re delivering. Each show got a snippet that just hooked you. 13.04.24 is looking like a landmark day for CW4Kids. The network’s entire image is getting rebooted, and I’m curious about this “computer-themed” look. Modern but with a sprinkle of retro?
User4: 90sCartoonKid
Posted on March 16, 2024, at 10:05 AM
Massive changes underway and I gotta admit, the trailers have set the stage well. Visually, it’s striking. The taglines? They’ve nailed it. I’m sad that the Eric voice is reaching the end of its run—those TTS banters felt like an old friend. Looking forward to signing on to this new digital adventure though. That slogan’s gonna stick!
User5: AnimationAce
Posted on March 16, 2024, at 10:30 AM
The trailer’s production quality was top-notch. They’re clearly aiming to impress and considering it’s all set to fully transition come April 13th, it looks promising. Kids’ WB had its time, and now I’m ready for this new chapter. CW4Kids seems to be about progress and pushing forward. Still gonna miss those old promos a bit though.
Moderator: CWtoonMod
Posted on March 16, 2024, at 11:00 AM
Lots of excitement in the air! Those trailers are just the beginning. We’re gearing up for a polished, cutting-edge look and feel, while keeping the thrills and spills of high-quality animation alive. And remember, it’s not just watching TV—when you tune into CW4Kids, you really are ‘signed on’ to an amazing experience. Can’t wait for you all to see what we’ve been working on!
User6: SaturdayMorningMaster
Posted on March 16, 2024, at 11:30 AM
The switch up to a computer-themed aesthetic sounds like it’ll give the shows a more cohesive setting. Hopefully, it’s not too sterile and keeps some warmth. That said, the new trailers hit all the right notes and that sign-off date has me eager to see the full makeover. Ready to get signed on to CW4Kids officially!
User7: TheToonFanatic
Posted on March 16, 2024, at 12:00 PM
Slick trailers, new slogan, layout changes—a whole lot’s evolving. While some part of me will always cling to the glory days of Kids’ WB, “You’re signed on to the CW4Kids” has a certain ring to it, like you’re part of a special club. I’m looking forward to seeing if the programming keeps up with this snazzy new package.
Write a follow up where users think this was the reason Code Lyoko was kept, Incidentally it is now one of the only KWB shows surviving, the other being TAOG&G
Forum Thread Title: “CW4Kids Overhaul - Code Lyoko’s Survival Reasons Revealed?”
User1: ToonTalkerTim
Posted on March 17, 2024, at 9:35 AM
After the latest trailer, I’m starting to think that the reason “Code Lyoko” was kept around was precisely for this revamped image of CW4Kids. It’s already got that digital theme which ties in perfectly with the new aesthetic they’re pushing. Aside from “The Adventures of Gloopy and Glitter,” it’s one of the few Kids’ WB holdovers. Gotta hand it to 4Kids for strategic show retention! What do you guys reckon?
User2: DigitalDrew92
Posted on March 17, 2024, at 10:10 AM
Absolutely, Tim. “Code Lyoko” and the whole virtual world concept align with the computer-themed rebranding of CW4Kids. It seems less about nostalgia and more about synergy with their new direction. Plus, “Lyoko” has that timeless feel that both new and returning viewers can get into. As for “Gloopy and Glitter,” its unique charm might be the appeal for its survival.
User3: RetroToonRewind
Posted on March 17, 2024, at 10:50 AM
Makes a lot of sense. “Code Lyoko” has that futuristic vibe that’s spot on for the relaunch. Seems like 4Kids is playing a well-thought-out game of chess with their scheduling and show selections. “Gloopy and Glitter” likely stayed because it adds variety – can’t have too much of one thing, even if the theme is ‘digital.’
User4: 90sCartoonKid
Posted on March 17, 2024, at 11:30 AM
“Lyoko” might just find itself gaining an even larger cult following with the new branding. It has the right mix of action and tech intrigue which is more relevant than ever. “The Adventures of Gloopy and Glitter,” on the other hand, is that breath of fresh air among all the tech-centric shows.
User5: AnimationAce
Posted on March 17, 2024, at 12:15 PM
Not gonna lie, I was shocked that “Code Lyoko” cut it while other staples didn’t. But this all makes sense now. The digital approach of CW4Kids needed shows with themes that mesh well with it, and Lyoko was it. “Gloopy and Glitter” adds the necessary balance, showcasing their keen strategy.
Moderator: CWtoonMod
Posted on March 17, 2024, at 1:00 PM
You’re all spot-on with your insights! “Code Lyoko” has much to contribute to the technological ethos we’re embracing, while “Gloopy and Glitter” ensures we preserve that diverse content diversity. It shows that while we’re keen on depicting modern themes, we also value our programming’s broad spectrum. Stay tuned as CW4Kids continues to evolve!
User6: SaturdayMorningMaster
Posted on March 17, 2024, at 1:45 PM
Never doubt the staying power of a show like “Code Lyoko” – it’s the embodiment of cool tech, which is basically what CW4Kids is all about now. And let’s be honest, who doesn’t love a splash of gooey positivity from “Gloopy and Glitter” in between? Nice to see they weren’t all tossed aside with the rebranding.
User7: TheToonFanatic
Posted on March 17, 2024, at 2:30 PM
You can bet “Code Lyoko” is secretly happy. It was ahead of its time with its blend of 2D/3D animation and it’s paying off. It’s this kind of forward-thinking that might just redefine CW4Kids and keep them competitive. “Gloopy and Glitter” proves they’re not all about pixels and programs. It’s a smart mix, for sure.
Kids WB Schedule (May 2023-September 2023)
07:00 Squish
07:30 Teen Titans Go!
08:00 Xiaolin Showdown
08:30 World of Quest
09:00 Code Lyoko
09:30 Ozzy and Drix
10:00 Skatoony
10:30 The Adventures of Gloopy and Glitter
11:00 Johnny Test
11:30 Teen Titans Go!
Forum Thread Title: “Kids’ WB May 2023 Schedule - New Shows & Season Finales!”
User1: CartoonKing
Posted on May 1, 2023, at 8:00 AM
Have you all seen the new Kids’ WB lineup that just kicked in this weekend? “Batman: The Brave and the Bold,” “Ultimate Spider-Man,” and “Scooby-Doo: Mystery Incorporated” wrapped up their first seasons, and we’ve got new shows like “World of Quest” and “Skatoony” plus “Ozzy and Drix” returning to the mix.
User2: ToonTracker
Posted on May 1, 2023, at 8:30 AM
I’m not gonna lie, I’m kind of missing the action-packed mornings with Batman and Spidey already. The season finales were epic! Curious to see how “World of Quest” fits in. And “Ozzy and Drix”? That’s a throwback!
User3: SaturdayMorningManiac
Posted on May 1, 2023, at 9:00 AM
I was actually pretty psyched for “Skatoony.” I remember the old episodes being a hoot with the trivia mixed with cartoons. “Ozzy and Drix” is nostalgic, but it feels out of left field for Kids’ WB in 2023, don’t you think?
User4: ScoobyGuru
Posted on May 1, 2023, at 9:45 AM
Definitely going to miss “Scooby-Doo: Mystery Incorporated.” They were just hitting their stride! I hope these new additions can keep up the quality. Not sure about “World of Quest,” but I’ll give it a shot!
User5: HeroHype
Posted on May 1, 2023, at 10:30 AM
Yeah, the absence of “Batman: The Brave and the Bold” and “Ultimate Spider-Man” is noticeable. They had a good run last season though! “The Adventures of Gloopy and Glitter” is still hanging in there, too, which gives us some fun to look forward to.
Moderator: SaturdayToonMod
Posted on May 1, 2023, at 11:00 AM
Reminder to keep the conversation respectful, folks! Lots of changes true, but let’s stay optimistic and see how these new titles develop. Remember, new seasons of Batman, Spider-Man, and Scooby could be on the horizon, so stay tuned!
User6: ClassicToonFan
Posted on May 1, 2023, at 11:30 AM
I’m willing to give “World of Quest” a fair chance—could be a dark horse in the lineup. “Ozzy and Drix” is a surprising choice but it has its moments. “Johnny Test” is the cornerstone of constant chaos, so at least some things never change!
User7: RetroToonRewind
Posted on May 1, 2023, at 12:00 PM
The new schedule is quite the shakeup but I’m intrigued by “Skatoony.” Its mix of live-action and animation could be a fun pivot from the usual. Miss the action block of “Batman” and “Spider-Man” though. Big shoes for “World of Quest” to fill if it’s trying to capture that same audience.
User8: AnimationAfficionado
Posted on May 1, 2023, at 12:45 PM
As much as I love new content, there were no goodbyes to classics like “Batman: The Brave and the Bold,” “Ultimate Spider-Man,” and “Scooby-Doo: MI.” Fingers crossed for their return. Here’s hoping “World of Quest” brings something fresh to the table. And “Gloopy and Glitter” always mix things up in a good way.
User1: CartoonKing
Posted on May 1, 2023, at 1:15 PM
All we can do is keep watching and support our faves, both old and new. Each show brings something different to the lineup, so let’s keep an open mind. Who knows? We might just find a new favorite among these newcomers!
Write a tweet in late July where WOQ is the 2nd most popular show, and state what 1 is
🌟 Incredible news, #ToonFans! 📊 “World of Quest” has risen to become the 2nd most popular show on Kids’ WB this July, trailing right behind the unstoppable “Code Lyoko” at #1! 🎮🗺️ Talk about an adventure-packed summer! Keep tuning in for more quests and digital worlds. #KidsWBRisingStars 🚀📺
Forum Thread Title: “Warner Bros Discovery’s Shocking Announcement About Kids’ WB”
User1: ToonTasticTom
Posted on October 25, 2023, at 10:00 AM
Heads up, everyone. Just read an announcement from Warner Bros Discovery, and it’s not looking good for Kids’ WB. They’re saying that kids “don’t watch cartoons anymore” and are more interested in YouTube, Roblox, and TikTok. It sounds like they’re ready to write the block off for taxes. The website has gone super basic, now on Weebly of all things! Anyone else hearing those rumors about 4Kids though?
User2: RetroRobloxian
Posted on October 25, 2023, at 10:20 AM
I’m gutted! Kids’ WB has been such a staple. But I’ve also caught wind of those rumors, they’re saying 4Kids might be looking to take over. Could be our silver lining if true. They’ve had their own issues in the past, but maybe they can bring new life to our Saturday mornings.
User3: DigitalStreamer
Posted on October 25, 2023, at 10:45 AM
Honestly, it feels like Warner Bros Discovery is out of touch. Sure, screens are changing, but Saturday morning cartoons are still special. Weebly of all places though? That’s quite the downgrade. I’d welcome 4Kids at this point if it saves the shows.
User4: AnimationAdvocate
Posted on October 25, 2023, at 11:10 AM
The Warner Bros Discovery statement is disheartening. There’s still a charm to traditional cartoons that other platforms can’t capture. Seeing Kids’ WB end up on Weebly is sad. But 4Kids stepping in… could it be a beacon of hope?
User5: CartoonConspiracy
Posted on October 25, 2023, at 11:35 AM
This feels like giving up on a legacy. Kids do watch TV, just maybe not as traditional as before. But I’m also wondering just how credible these “rumors” are about 4Kids. Are we sure this isn’t just wishful thinking?
Moderator: KidsWBTalk
Posted on October 25, 2023, at 12:00 PM
Quick reminder to keep discussions speculative but hopeful. Warner Bros Discovery’s move is business after all. If the rumors about 4Kids are true, we may see an interesting turn of events. Stay positive, folks!
User6: SaturdaySurfer
Posted on October 25, 2023, at 12:30 PM
Man, the Weebly website kind of confirmed my fears. Still, 4Kids making a comeback—even if just a rumor—has me hyped! Could you imagine the likes of “Yu-Gi-Oh!” and “Pokémon” filling our Saturday mornings again?
User7: ToonSkeptic
Posted on October 25, 2023, at 1:00 PM
Wow, what a throwback, could be cool or a disaster. Kids’ WB was about variety, and 4Kids was… a mixed bag. I just hope that if they step in, they don’t only stick to their old titles. We need the diversity that Kids’ WB brought us over the years.
User8: PixelPatty
Posted on October 25, 2023, at 1:30 PM
Honestly, this could be a turning point. The Warner Bros Discovery mindset is a sign of the times, but nostalgia is strong with cartoons. 4Kids buying the block? It might just work. Let’s not forget, they pioneered a lot of our childhood classics. Here’s to hoping!
User9: NostalgiaNerd
Posted on October 25, 2023, at 2:00 PM
The thought of losing Kids’ WB is hard to swallow, but I’m excited at these whispers of 4Kids. Their track record’s got hits and misses, for sure, but the fact that a dedicated kids’ block could continue warms my nostalgic heart. I’ll keep my fingers crossed!
User1: ToonTasticTom
Posted on October 25, 2023, at 2:45 PM
Just came in—4Kids is officially taking over! It’s a done deal. Start saying your goodbyes to what Kids’ WB was, and let’s get ready for a new chapter. Whatever happens, we’ve got to support our favorite morning block. Can’t wait to see what’s next!
[Thread Closed by Moderator]
Note: (NEW TO CW4KIDS) means new episode
Schedule for Febuary 17 2024
- 07:00 Pokémon: Indigo League: Pokemon Shipwreck (NEW TO CW4KIDS)
- 07:30 GoGoRiki: The Big Race/A Gift for Rosariki/The Telegraph (NEW TO CW4KIDS/NEW SHOW)
- 08:00 Ultimate Muscle: A Legend Reborn (NEW TO CW4KIDS/NEW SHOW)
- 08:30 Code Lyoko: Common Interest
- 09:00 Xiaolin Showdown: Judging Omi
- 09:30 The Adventures of Gloopy and Glitter: The Great Space Entry/A Touch of Slime
- 10:00 Sonic X: Fast Friends (NEW TO CW4KIDS)
- 10:30 Kirby: Right Back At Ya: Dark and Stormy Knight (NEW TO CW4KIDS)
- 11:00 Johnny Test: Coming to a Johnny Near You/Johnny's Turbo Toy Force
- 11:30 Ultimate Spider-Man: I Am Spider-Man
Forum Thread Title: “CW4Kids February 17, 2024 – Reviews & Reactions”
User1: SaturdayMorningAficionado
Posted on February 17, 2024, at 12:05 PM
Whew, what a morning on CW4Kids! Full of premieres and good old classics. “GoGoRiki” and “Ultimate Muscle” are new on the block and brought some fresh energy. Anyone else thinking “Ultimate Muscle” is a great fit? And “Gloopy and Glitter” had back-to-back episodes that were just delightful!
User2: Anime_Avenger
Posted on February 17, 2024, at 12:18 PM
Totally agree on “Ultimate Muscle.” It’s about time that show got some love again. Perfect balance of action and comedy. And “GoGoRiki” definitely surprised me with its charm. “Code Lyoko” and “Xiaolin Showdown” are still holding their own too! Solid episodes today.
User3: ToonHero93
Posted on February 17, 2024, at 12:30 PM
Big fan of the reboot vibes today, especially with “GoGoRiki.” “Ultimate Muscle” is a nostalgic kick, while “Sonic X” is always a speedy classic on the list. But “Gloopy and Glitter’s” double feature was the highlight for me. That show has a way of growing on you.
User4: PokeMasterAsh
Posted on February 17, 2024, at 12:45 PM
“Pokemon: Indigo League” kicking things off never disappoints; today’s episode was a blast from the past! “Kirby: Right Back At Ya” hit the mark as usual. Gotta say, I wasn’t sure about “GoGoRiki,” but it’s good to see new toons getting a shot. “Ultimate Muscle” is a total blast, fits right in with the CW4Kids vibe!
User5: SaturdayToonsRule
Posted on February 17, 2024, at 1:05 PM
Not gonna lie, “Ultimate Spider-Man’s” place at the end of the block was the perfect cap to my morning. That episode was absolute gold. And can we talk about “Johnny Test’s” new episodes? It’s like the show never ages—the latest adventures are just as crazy and hilarious as its earlier seasons.
User6: RetroKid
Posted on February 17, 2024, at 1:30 PM
I was really looking forward to “Ultimate Muscle” and it didn’t disappoint! It has that classic 4Kids era vibe. “GoGoRiki” is pretty wacky but in a good way. “Code Lyoko” is still my top pick though – that mixture of 2D/3D animation and the plot line in today’s episode were spot on!
Moderator: CW4Kids_Mod
Posted on February 17, 2024, at 1:55 PM
Loving the reactions, pals! CW4Kids aims for that perfect Saturday morning mix every week. “GoGoRiki” and “Ultimate Muscle” are our latest contributions to keep you entertained. Remember to tune in next week for more animated adventures. And let’s not forget “Gloopy and Glitter”—those blobs are something else!
User7: CartoonFanForever
Posted on February 17, 2024, at 2:10 PM
Have to admit, “GoGoRiki” is growing on me; it’s got that unique sense of humor. “Ultimate Muscle” brought back so many memories! Quality throwback move by CW4Kids. Every show today brought a different flavor—animation variety at its best!
User8: ToonSpectrum
Posted on February 17, 2024, at 2:35 PM
“GoGoRiki” is a breath of fresh air—funny and upbeat. And “Ultimate Muscle,” what a comeback! Really thrilled to have such variety—from superheroes to intergalactic blobs. CW4Kids is keeping the Saturday tradition alive—one episode at a time!
User9: ComicsAndToons
Posted on February 17, 2024, at 2:50 PM
The line-up was diverse as heck today! “Ultimate Muscle’s” arrival feels like 4Kids is really making its mark. “GoGoRiki” has that edgy humor, but in a family-friendly package. It’s this blend of old and new that’s gonna keep CW4Kids in the game. Props for showing how Saturday mornings are done right!
Write a follow up where 1 new bumper is added to the set (normally the comic bumpers feature characters from Squish, TTG and Johnny Test), state which 3 shows this bumper has
Forum Thread Title: “CW4Kids Bumper Update – A New Addition Joins the Mix!”
User1: ToonTasticTom
Posted on February 18, 2024, at 9:00 AM
Hey, fellow cartoon connoisseurs! Have you spotted the latest bumper on CW4Kids yesterday? In between “Code Lyoko” and “Xiaolin Showdown,” there was this brand new one that debuted. It’s a break from the usual comic bumpers and featured characters from “GoGoRiki,” “The Adventures of Gloopy and Glitter,” and “Sonic X” in cool action poses! I think it’s a solid nod to the new direction CW4Kids is heading in. What do you all make of it?
User2: BumperCollector
Posted on February 18, 2024, at 9:30 AM
Caught that too! It’s a nice mix, showing off the blend of the lineup, especially featuring “GoGoRiki” and “Gloopy and Glitter” as they’re pretty new to the block. “Sonic X” is always a crowd-pleaser too. I’m genuinely excited about this change-up—feels like they’re starting to phase out the old and bring in the new.
User3: SaturdayToonWatcher
Posted on February 18, 2024, at 10:10 AM
Yeah, that bumper was slick! The characters looked like they were right in the middle of their adventures. I’m digging the fresh feel it brings. Shows some commitment to these newer series by including them in these key graphics. Could be a sign we’ll be seeing more of “GoGoRiki” and “Gloopy and Glitter” going forward.
User4: RetroToonFan
Posted on February 18, 2024, at 10:45 AM
It’s about time “GoGoRiki” and “Gloopy and Glitter” got some bumper love! It’s a way to showcase the variety on CW4Kids. Plus, you can never go wrong adding “Sonic X” to the mix—it’s like a universal toon language for “cool.”
User5: AnimationAce
Posted on February 18, 2024, at 11:15 AM
Certainly a fresh take with the new bumper. The animation was smooth, and the choice of shows feels like a push for the newer faces on the block, which I’m all for. “Sonic X” brings the action, while “GoGoRiki” and “Gloopy and Glitter” sprinkle in that humor and charm.
Moderator: CW4Kids_Mod
Posted on February 18, 2024, at 11:55 AM
We’re thrilled you all are loving the new addition! Our aim is to keep things exciting and give a spotlight to the various characters that make CW4Kids so diverse. Expect to see more creative bumper updates like this that reflect the dynamic spirit of our programming. Stay toony, folks!
User6: SonicSpeedster
Posted on February 18, 2024, at 12:30 PM
The bumper game is leveling up! Including “Sonic” with the newer “GoGoRiki” and “Gloopy and Glitter” is a power move—solidifies them as part of the gang. The cool action theme of the bumper totally jives with the shows, imho!
User7: CartoonCraze
Posted on February 18, 2024, at 1:00 PM
Was pleasantly surprised by the new bumper! It’s refreshing to see “GoGoRiki” and “Gloopy and Glitter” getting more airtime, even in these creative interludes. “Sonic X” is always awesome, too. High hopes for more of such updates—keeps the anticipation high for what’s next!
User8: ToonFrenzy
Posted on February 18, 2024, at 1:45 PM
Absolutely a fan of this latest bumper aesthetic. It’s incorporating the new while still acknowledging an evergreen favorite like “Sonic X.” CW4Kids knows how to mix it up. Plus, seeing “Gloopy and Glitter” featured tells us they’re betting on the blobby duo. Exciting times ahead!
Write a tweet saying GGR and G&G will intially be alongside this show, but later supersede it
📢 Heads up, #CW4Kids fans! 🎉 “GoGoRiki” and “The Adventures of Gloopy and Glitter” initially will party alongside “Johnny Test,” but get ready for a stellar lineup change! 🌟 They’ll soon take center stage and supersede our test-tube brother. Stay tooned for their exciting ascent to flagship status! 🚀📺 #AnimationEvolution
🌐 Exciting update, #4Kids fans! 🎮 Two beloved shows are now part of the 4kids.tv online family - “Code Lyoko” and “The Adventures of Gloopy and Glitter” have officially landed on the website. Stream episodes, play games, and more! 🤩 This cements their place in the 4Kids universe. 🎉 #4KidsStreaming #NewAdditions 📺👾
Also, here is the KWB/CW4K transition
Phase 1: December 2, Promos start airing announcing the change, saying that "From January 6, this kids network is changing it's name to the CW4Kids"
Phase 2: January 1, Website renamed to cw4kids.com
Phase 3: January 6, New name live
Phase 4: January 9, 4Kids begins to take some control from WB, they get the right to make schedules starting from Febuary 17,
Phase 5: January 13, Promos begin airing for Pokemon and Sonic X
Phase 6: January 27, Pokemon and Sonic X begin airing, replacing Squish and The Amazing Adrenalini Brothers, This was made by the KWB team to ease the transition Also, promos for the debut of GoGoRiki begin, as well as the "Super Duper Late-Winter" lineup, which takes effect from Febuary 17
Phase 7: January 29, The "Kids WB" division at Warner Bros Discovery is dissolved by 4Kids and WBD, Warner Bros Animation is now just a temporary shareholder, 4Kids now has full editorial control, although the block will still be played out from WB HQ untill the new Feb lineup starts
Phase 8: Febuary 14: A account and points system is added to cw4kids.com, games are also added
Phase 9: Febuary 17: The new lineup debuts, introducing Ultimate Muscle, GoGoRiki and Kirby: Right Back At Ya, Also, Gloopy and Glitter returns to the block, having last aired when it was Kids WB in late October, The block is now also played out from 4Kids
Phase 10: Throughout March, the VO on the promos will change to 4KidsTV announcers, Also, cw4kids.com will look more like 4kids.tv, in preperation for the full redirect beginning in late March, Warner Bros Animation loses all stakes in CW4Kids as well, and it becomes entirely 4Kids
Phase 11: Late March, cw4kids.com redirects to 4kids.tv, promos for the new look and final new shows begin
Phase 12: April 13, The final changes are made, the new look and new shows begin, and the transitional period is complete
Trailer promoting the change: Clips of Ultimate Spider-Man, Squish, Teen Titans Go, Xiaolin Showdown, The Amazing Adrenalini Brothers and Johnny Test roll
Announcer: From January 6, this kids network is changing it's name to the CW4Kids, (Kids WB logo morphs into CW4Kids logo)
(Question mark appears on screen)
Announcer: So what does that mean?
(Clips continue)
Announcer: It means you're gonna get even more of your favourite shows, more brand new adventures and more FUN, On January 6 this network's name will become the CW4Kids
(Logo morphs again)
There weren't any 4Kids shows in the promo, likely to ease the transition and make kids think it's the same block, just slowly changing
Forum Thread Title: “Final Days of Kids’ WB - CW4Kids Name Change Looming”
User1: AnimationInsider
Posted on December 2, 2023, at 10:45 AM
Just caught the latest promo folks! December 30th marks the end of an era as Kids’ WB transitions to CW4Kids. Did anyone else notice there were no new shows featured? Seems they’re easing us into the change without shocking us with a whole new roster right off the bat.
User2: SaturdayMornHistorian
Posted on December 2, 2023, at 11:10 AM
Definitely intentional, AnimationInsider. Probably trying to keep us focused on the name change without stirring worries about show cancellations. Smart, but we all know a bigger shakeup’s coming. It’s the calm before the storm of the new 4Kids reign.
User3: ToonTracker101
Posted on December 2, 2023, at 11:35 AM
It’s kind of bittersweet watching that trailer, knowing these are the last few Saturdays with Kids’ WB as we know it. I get why they’d hold back on announcing new shows; keeping familiar faces front and center makes the transition smoother.
User4: WBtoonFan
Posted on December 2, 2023, at 12:00 PM
I’m excited but anxious at the same time. Sure, keeping “Ultimate Spider-Man” and “Teen Titans Go!” in the spotlight maintains a sense of continuity, but I can’t help but wonder what 4Kids will bring to the table.
User5: RetroToonster
Posted on December 2, 2023, at 12:25 PM
This name change feels like the end of my childhood, not gonna lie. I think the promo’s lack of new shows is a gentle goodbye to Kids’ WB, letting us down easy. But man, I’m curious about what’s coming.
User6: TooniverseSleuth
Posted on December 2, 2023, at 12:50 PM
So I did a little digging and found out the lineup for CW4Kids includes titles like “GoGoRiki,” “Ultimate Muscle,” “Viva Piñata,” and “Yu-Gi-Oh! Arc-V.” That’s quite the variety – looks like 4Kids isn’t holding back on punching up the programming.
User7: NewEraToonGoer
Posted on December 2, 2023, at 1:15 PM
“GoGoRiki” and “Ultimate Muscle”? That’s hitting the nostalgia button hard! “Viva Piñata” and “Yu-Gi-Oh! Arc-V” could be great for younger viewers, too. CW4Kids might just be walking the line between old and new school admirably.
User1: AnimationInsider
Posted on December 2, 2023, at 1:45 PM
Interesting find, TooniverseSleuth! While the promo stuck with the old guard, hearing about the upcoming shows gets me hyped. Sure, the December 30th farewell is gonna sting a bit, but these new titles could really spice up Saturday mornings!
User8: DigitalToonExplorer
Posted on December 2, 2023, at 2:10 PM
Nostalgia aside, I’m feeling hopeful about these new developments. Keeping a few familiar shows in the promo was a good move, but I’m eager for a fresh slate. Bring on CW4Kids and this new blend of toons – it’s a brave new world for our Saturday mornings!
Voiceover: Coming February 17th, prepare to thaw out your winter blues with the CW4Kids Super Duper Late Winter Lineup!
(Cuts to clips of “Pokémon: Indigo League” with high-energy scenes of Pokémon battling it out)
Voiceover: Jumpstart your mornings with electrifying battles in “Pokémon: Indigo League!”
(Cuts to GoGoRiki characters engaged in zany antics)
Voiceover: Get your giggle on with the hilarious hijinks of “GoGoRiki” – they’re new to CW4Kids and ready to roll!
(Cuts to explosive wrestling actions from “Ultimate Muscle”)
Voiceover: Feel the might with the high-flying, body-slamming action of “Ultimate Muscle!” It’s coming to an arena near you!
(Cuts to the virtual world of “Code Lyoko”)
Voiceover: Dive into “Code Lyoko” and join the fight to save both the real world and the virtual universe!
(Cuts to mystical “Xiaolin Showdown” confrontations)
Voiceover: Hang on tight for the showdowns of a lifetime with “Xiaolin Showdown,” where the quest for Shen Gong Wu never ends!
(Cuts to vibrant clips from “The Adventures of Gloopy and Glitter”)
Voiceover: Brighten your day with “The Adventures of Gloopy and Glitter,” as they blob their way through the most radiant adventures in the galaxy!
(Cuts to high-speed chases in “Sonic X”)
Voiceover: Race alongside Sonic and friends in “Sonic X” for blistering-fast thrills and spills.
(Cuts to “Kirby: Right Back At Ya!” with Kirby taking on various foes)
Voiceover: Then, puff up with pride for “Kirby: Right Back At Ya!” as our pink hero faces off against the baddies of Dream Land!
(Cuts to “Johnny Test” causing chaotic lab experiments)
Voiceover: Witness ingenious inventions and experiments gone wild with “Johnny Test!”
(Cuts to “Ultimate Spider-Man” swinging through the city)
Voiceover: And stick around as “Ultimate Spider-Man” swings into action to protect New York from notorious villains!
(Final montage of all shows with their respective logos)
Voiceover: It’s an all-new, supercharged, super fun CW4Kids Super Duper Late Winter Lineup! It thaws out February 17th - don’t miss a minute!
(CW4Kids logo splashes onto the screen with the date ‘02.17.24’)
Voiceover: You’re signed on to the CW4Kids – where every Saturday morning is an epic adventure!
Forum Thread Title: “CW4Kids Super Duper Late Winter Lineup Promo – Reactions?”
User1: ToonMasterJay
Posted on February 10, 2024, at 9:15 AM
Just saw the promo for the CW4Kids Super Duper Late Winter Lineup! I’m all hyped up for “Pokémon” and “Sonic X”! And did you guys catch “Ultimate Muscle”? I thought that show was gone forever! What are your thoughts on the shows?
User2: VintageToonVibes
Posted on February 10, 2024, at 9:40 AM
I’m so psyched for “Ultimate Muscle” – it’s like a blast from my childhood past! But that slogan at the end, “You’re signed on to the CW4Kids” – it’s got me thinking. Are we looking at a brand new look for the station coming soon? That would be sick!
User3: RetroQuester
Posted on February 10, 2024, at 10:05 AM
Right? That new slogan definitely hints at some big visual changes on the horizon. I’m just stoked that “The Adventures of Gloopy and Glitter” are back. If they’re getting another chance, maybe there’s hope for “World of Quest” too?
User4: DigitalToonFan
Posted on February 10, 2024, at 10:30 AM
“World of Quest” returning would be the dream! But I gotta say, the lineup looks killer. “Sonic X,” “Pokémon,” and now “GoGoRiki”? CW4Kids is really stepping up their game.
User5: SaturdayMorningSleuth
Posted on February 10, 2024, at 11:00 AM
The promo had so much energy; it’s impossible not to get excited! Happy to see all those shows making a comeback, especially “Gloopy and Glitter.” And that mention of being “signed on” – feels like they’re promising we’re in for more than just new shows, maybe a whole new experience.
Moderator: CW4KidsMod
Posted on February 10, 2024, at 11:30 AM
Great to see all the enthusiasm! While we can’t spoil any surprises, let’s just say you should “stay tuned” for what’s to come. Remember, great things are worth waiting for, and we’re thrilled to bring you the Super Duper Late Winter Lineup!
User6: HeroHype
Posted on February 10, 2024, at 12:00 PM
That line-up really is super duper! I mean, “Ultimate Spider-Man” is the cherry on top for me after all those action-packed shows. CW4Kids might just redefine Saturday morning cartoons. Exciting times, people!
User7: ToonGal65
Posted on February 10, 2024, at 12:30 PM
I was bouncing off the walls when I saw “Ultimate Muscle” pop up. And “GoGoRiki” looks like it’s full of laughs. If they’re revving up for a new look and maybe new shows, I’m all in. The future of CW4Kids is looking pretty bright!
Write a follow up on 1st of March where they talk about how gradual the transition has been, and also the mid-April schedule has been revealed, crushing any hope of Squish, TAAB, TTG or WOQ returning, Also Johnny Test, Xiaolin Showdown and Ultimate Spider-Man are gone
Forum Thread Title: “Gradual CW4Kids Transition & Mid-April Schedule Reveal – Thoughts?”
User1: ToonCraftCaptain
Posted on March 1, 2024, at 10:15 AM
Wow, talk about a smooth transition! CW4Kids has been slowly shapeshifting right before our eyes. But, the mid-April schedule just dropped, and it looks like we’re closing the book on “Squish,” “The Amazing Adrenalini Brothers,” “Teen Titans Go,” and any hopes for “World of Quest” making a return. Not to mention “Johnny Test,” “Xiaolin Showdown,” and “Ultimate Spider-Man” are absent too. How are you all feeling about this new era?
User2: RetroRevivalRandy
Posted on March 1, 2024, at 10:40 AM
Honestly? It’s bittersweet. The transition isn’t jarring, which is nice, but seeing some old favorites officially not making the cut is a little tough. It’s the end of an era, for sure. But, I guess we have to trust that CW4Kids knows what they’re doing with this new lineup.
User3: SaturdayMorningMaven
Posted on March 1, 2024, at 10:55 AM
I’ve been holding out hope for a comeback of some of those shows since the rumors started flying. Deep down I knew it was unlikely, but seeing it in writing has dashed those dreams. That being said, I am curious to experience the fully realized vision of CW4Kids in April.
User4: AnimationAficionado
Posted on March 1, 2024, at 11:10 AM
As nostalgic as I am for the old lineup, I’ve been intrigued by the gradual introduction of new content. It’s been a gentle passing of the torch. Yet, with mid-April leaving no room for previous shows, it sends a strong signal that CW4Kids is forging its own path.
User5: TooniverseExplorer
Posted on March 1, 2024, at 11:30 AM
Can’t say I’m not disappointed. “Teen Titans Go” and “Ultimate Spider-Man” had become staples. But on the other hand, change fuels innovation. I’m excited to see how shows like “GoGoRiki” and “Gloopy and Glitter” define the network moving forward.
Moderator: CW4KidsWatch
Posted on March 1, 2024, at 11:45 AM
It’s understandable to feel a mix of emotions during such transitions. Our mid-April schedule reflects CW4Kids’ commitment to fresh, engaging content, even if it means saying goodbye to some beloved shows. Let’s cherish the memories and remain optimistic about the new adventures that await us!
User6: DigitalToonFan
Posted on March 1, 2024, at 12:00 PM
I’m going to miss “Johnny Test’s” wacky experiments and the martial arts magic of “Xiaolin Showdown.” Still, every show has its shelf life, and it seems CW4Kids is ready to stock its shelves anew. Hoping the next generation of cartoons captures our hearts just as much!
User7: NostalgicToonLover
Posted on March 1, 2024, at 12:15 PM
Seeing shows I grew up with phase out is a gut punch, but I can’t help but appreciate how smooth 4Kids is making the transition. Still, there’s a part of me that’ll always miss the chaotic charm of “Teen Titans Go!” and “Johnny Test.” Here’s to the new shows living up to their legacy!
User8: SaturdaySkeptic
Posted on March 1, 2024, at 12:30 PM
The writing was on the wall, yet it stings to have it confirmed. No more TTG banter is tough, but I’ll admit, this gradual transition lessens the blow. 4Kids is playing the long game. Guess we’ll see in mid-April if all this change was worth it.
Voiceover: Get ready for a revolution in your Saturday mornings! (Upbeat music starts)
(Cuts to a vibrant montage of various animated series)
Voiceover: CW4Kids is flipping the script with a brand new look, brand new adventures, and a brand new beginning!
(Cuts to clips of “Pokemon Horizons: The Series”)
Voiceover: Embark on epic journeys in “Pokémon Horizons!” Catch 'em all in ways you’ve never seen before!
(Cuts to “GoGoRiki” characters in funny scenarios)
Voiceover: Laugh out loud with the quirky antics of “GoGoRiki!” They’re the new kids on the block, bringing the comedy to your weekends!
(Cuts to action-packed scenes from “TMNT: Back to the Sewers”)
Voiceover: Dive back into the sewers with the “Teenage Mutant Ninja Turtles” and gear up for wild new escapades in “TMNT: Back to the Sewers!”
(Cuts to dynamic duels in “Yu-Gi-Oh 5Ds”)
Voiceover: Ready your decks for “Yu-Gi-Oh 5Ds!” It’s time to duel with intensity that’ll keep you on the edge of your seat!
(Cuts to “The Adventures of Gloopy and Glitter” in colorful space settings)
Voiceover: Follow the shining trails of “Gloopy and Glitter” as they light up the galaxy with their sparkling charm!
(Cuts to high-speed rings collecting with “Sonic X”)
Voiceover: Speed through your morning with “Sonic X!” Join Sonic and his friends as they race to defeat Dr. Eggman in blazing style!
(Cuts to “Viva Pinata” with a burst of colors and fun island life)
Voiceover: Unwrap the party with “Viva Piñata!” It’s time to shake things up with more fun-fueled fiestas than you can swing a stick at!
(Cuts to “Kirby: Right Back At Ya!” defeating a foe)
Voiceover: Puff up your courage with “Kirby: Right Back At Ya!” Suck in the action as Kirby takes on the wildest challenges in Dream Land!
(Cuts to “Code Lyoko” crew preparing for a mission)
Voiceover: Plug into adventure with “Code Lyoko!” Join the crew as they tackle the virtual world and save the day, one reboot at a time.
(Cuts to a high-stakes, digital battle in “Chaotic”)
Voiceover: And transform your reality in “Chaotic!” It’s a blend of the real and the virtual like you’ve never experienced before!
(Cuts back to a final montage with each show’s logo displayed, ending with the CW4Kids logo and the debut date)
Voiceover: Say hello to the CW4Kids Supercharged Saturday Lineup – your ticket to a realm where every cartoon is an adventure! Sign on April 13th for a brand new world!
(CW4Kids logo appears with date ‘04.13.24’ and the slogan)
Voiceover: You’re signed on to CW4Kids – your connection to animation domination has just levelled up!
(The screen fades out with a series of digital sound effects emphasizing the new tech theme)
And to think this was the schedule back in January
January 20 2024 (CW4Kids)
07:00 Squish: Fool's Gold/Squishleading
07:30 Teen Titans Go!: Batman Vs Teen Titans: Dark Injustice/40% 40% 20%
08:00 Xiaolin Showdown: In The Flesh
08:30 Ultimate Spider-Man: Back In Black
09:00 Code Lyoko: Down to Earth (NEW TO CW4KIDS)
09:30 Scooby Doo: Mystery Incorporated: Dark Night of the Hunters (NEW TO CW4KIDS)
10:00 Batman: The Brave and the Bold: Night of the Batmen!
10:30 The Amazing Adrenalini Brothers: Cape of Majesty/Child of Danger/Growls of Hunger/Jobs of Jeopardy
11:00 Johnny Test: JTV/X-ray Johnny
11:30 The Hollow: Ishibo
Meanwhile this is the schedule for April 13, With the exception of Code Lyoko, Sonic X (which is starting over from Episode 1), Kirby Right Back At Ya (which is also starting from Episode 1) and Gloopy and Glitter, every episode is new
07:00 Pokemon Horizons: The Series: Welcome to Paldea (NEW TO CW4KIDS/NEW SHOW)
07:30 GoGoRiki: Just For Kicks/Face The Music/Sleepy Time (NEW TO CW4KIDS)
08:00 TMNT: Back to the Sewers: Tempus Fugit (NEW TO CW4KIDS/NEW SHOW)
08:30 Yu-Gi-Oh 5Ds: On Your Mark, Get Set, Duel! (NEW TO CW4KIDS/NEW SHOW)
09:00 Sonic X: Chaos Control Freaks
09:30 The Adventures of Gloopy and Glitter: Dazzle Day/Gloopy's Big Break
10:00 Viva Pinata: Coacoadile Tears/Candiosity (NEW TO CW4KIDS/NEW SHOW)
10:30 Kirby: Right Back At Ya: Kirby Went to Cappy Town
11:00 Code Lyoko: The Key
11:30 Chaotic: Welcome to Chaotic (Part 1) (NEW TO CW4KIDS/NEW SHOW)
Forum Thread Title: “CW4Kids – January vs. April Lineup Comparison: The Drastic Transformation”
User1: ToonFanTom
Posted on April 13, 2024, at 9:45 AM
Can we talk about the shift in CW4Kids lineups from January 20th to April 13th? It’s like night and day! The old favorites like “Squish,” “Teen Titans Go!,” “The Amazing Adrenalini Brothers,” and “The Hollow” have all disappeared, and “Code Lyoko” is the lone survivor from that January schedule. This new lineup is practically unrecognizable with a whole range of new premieres. Thoughts?
User2: SaturdayMorningSavant
Posted on April 13, 2024, at 10:05 AM
The transformation is unreal! The April 13th lineup feels like a total reboot of the Saturday experience. Some part of me misses “The Amazing Adrenalini Brothers” for their off-the-wall stunts, but the revamp has piqued my curiosity, especially with newcomers like “Pokemon Horizons” and “TMNT: Back to the Sewers.”
User3: RetroCartoonRanger
Posted on April 13, 2024, at 10:30 AM
It’s a brave new world for CW4Kids. They’ve gone all out with this new lineup — almost a complete rebranding. Gotta say, “Code Lyoko” sticking around makes sense given its unique premise. It bridges the old with the new and complements the tech-forward theme they’re rolling with.
User4: 90sToonsForever
Posted on April 13, 2024, at 10:50 AM
As much as I cherished the January roster, this new lineup is bold and promises a ton of fresh content. Bittersweet to see only “Code Lyoko” make the cut, but kudos to CW4Kids for swinging big with this overhaul. They’re hitting reset in a major way!
User5: NostalgiaNerd92
Posted on April 13, 2024, at 11:15 AM
This is such a jarring change! I mean, I love “Code Lyoko,” but “Teen Titans Go!” and “Squish” had become my Saturday mainstays. The new shows have big shoes to fill — here’s hoping they manage to capture the essence of what made those previous lineups so great.
User6: ModernToonMage
Posted on April 13, 2024, at 11:40 AM
4Kids isn’t playing it safe — they’re reshaping the channel’s identity from the ground up. As much as I’ll miss the absurdity of “The Amazing Adrenalini Brothers,” “Pokemon Horizons” and “Chaotic” seem poised to fill the void with their own brands of excitement.
User7: TooniverseExplorer
Posted on April 13, 2024, at 12:05 PM
I’ll pour one out for “Teen Titans Go!” — never thought I’d see a CW4Kids without it. The new lineup’s gonna take some getting used to, but change can be good. Props to “Code Lyoko” for hanging in there. Between old classics and new adventures, it’s going to be an interesting ride!
User8: DigitalToonAdventurer
Posted on April 13, 2024, at 12:30 PM
These changes are massive, yet “Code Lyoko’s” survival gives me hope the channel knows what it’s doing. The April roster looks like a mixtape of old and new hits — it’s hard to let go of the past, but I can’t wait to see where CW4Kids is headed with these shows!
Moderator: CW4Kids_CommunityMod
Posted on April 13, 2024, at 12:55 PM
The lineup comparison is a testament to the evolution of CW4Kids! While we bid adieu to some beloved series, we open our screens to a new chapter. Rest assured, “Code Lyoko” will continue to carry the torch alongside exciting new additions. Moving forward, CW4Kids is committed to delivering animation that’ll keep you signed on every Saturday!
Write a follow up where a user says “At least 2 KWB shows are still here, and at least GoGoRiki, Sonic X and Kirby Right Back At Ya premiered early, in late Jan-mid Feb, and the transition was quite gradual” The same user also wonders why Sonic and Kirby have restarted from Ep 1
Forum Thread Title: “CW4Kids Transition: A Gradual Change with a Mix of Old and New”
User1: TooniverseTrekker
Posted on April 13, 2024, at 1:10 PM
It’s been quite the journey watching the transition from the January lineup to the total makeover in April. It’s comforting to see at least two Kids’ WB shows still kicking with “Code Lyoko” and "The Adventures of Gloopy and Glitter.” And props to CW4Kids for gradually introducing “GoGoRiki,” “Sonic X,” and “Kirby: Right Back At Ya” as early as late January. It made the whole shift a lot smoother.
Now, what’s interesting to me is why “Sonic X” and “Kirby: Right Back At Ya” decided to reset from episode one. Any ideas? Just trying to draw in a new generation of viewers with these classics, or is there something more to it?
User2: RetroRebootFan
Posted on April 13, 2024, at 1:30 PM
That’s a good point about “Sonic X” and “Kirby.” Maybe CW4Kids is hoping to build a fresh fan base from the ground up. Starting from episode one gives new viewers a chance to get on board without feeling lost. Plus, it never hurts to reintroduce timeless shows to a new audience while stoking the nostalgia for us long-time fans.
User3: SaturdayToonConnoisseur
Posted on April 13, 2024, at 1:50 PM
Agreed, starting from scratch with “Sonic” and “Kirby” is a clever way to hook in a younger crowd. These shows have universal appeal, so rekindling them from the beginning just expands their reach. Plus, for those of us who grew up with them, it’s a trip down memory lane!
User4: AnimationAnalyst
Posted on April 13, 2024, at 2:10 PM
Makes sense for “Sonic X” and “Kirby” to start fresh considering the rebranding vibe CW4Kids is going for. It’s like hitting the reset button on a beloved franchise for new gamers—you get to lure in the rookies while the veterans get to relive the classics in a new context.
User5: ModernToonMage
Posted on April 13, 2024, at 2:30 PM
I’m just glad CW4Kids didn’t dump everything from Kids’ WB. The presence of “Code Lyoko” and “Gloopy and Glitter” keeps that link to the past intact. As for “Sonic X” and “Kirby,” they’re timeless gems. Restarting them is smart—if it ain’t broke, just replay it for the new generation!
Moderator: CW4Kids_CommunityMod
Posted on April 13, 2024, at 2:55 PM
The decision to start “Sonic X” and “Kirby: Right Back At Ya” from the very beginning is all about inclusion—ensuring that new viewers can jump in on the ground floor and fall in love with the series just as the original audience once did. It’s all part of CW4Kids’ strategy to provide exciting animation for everyone. The old and the new get to experience the full stories from the start, bringing viewers together, no matter when they tuned in for the first time!
Write a follow up where they bid farewell to 3 shows, and applaud them for staying the schedule throughout the transitional period, only leaving when the tech look debuted and Chaotic, TMNT, Yu-Gi-Oh, etc debuted
Forum Thread Title: “Bidding Farewell to the Transitional Trio on CW4Kids”
User1: SaturdayNostalgia
Posted on April 13, 2024, at 3:30 PM
It’s been quite the season of change for CW4Kids, and today, we bid a heartfelt farewell to three shows that weathered the storm of transition: “Johnny Test,” “Xiaolin Showdown,” and “Ultimate Spider-Man.” Can we just applaud them for staying strong in the schedule throughout the transition, only leaving when the new tech look and shows like “Chaotic,” “TMNT,” and “Yu-Gi-Oh” debuted? Their run during this transformational period was nothing short of impressive.
User2: ToonFan4Ever
Posted on April 13, 2024, at 3:45 PM
So true! These three were like pillars holding up the old fortress as CW4Kids constructed its new empire around them. It felt reassuring having “Johnny Test,” “Xiaolin Showdown,” and “Ultimate Spider-Man” stick around while everything else shifted. They were familiar faces during uncertain times.
User3: RetroToonRevivalist
Posted on April 13, 2024, at 4:00 PM
It’s the end of an era, indeed. Each of these shows earned their spot in the hall of CW4Kids fame with their perseverance through the channel’s evolution. It’s sad to see them go, but exciting times are ahead with the new lineup. Here’s to the memories and may their episodes reign eternal in rerun heaven!
User4: DigitalToonDiver
Posted on April 13, 2024, at 4:15 PM
Their consistency was commendable through the whole CW4Kids facelift. “Johnny Test” and his twin geniuses, the quest for Shen Gong Wu in “Xiaolin Showdown,” and “Ultimate Spider-Man” swinging across New York—each brought a unique flavor. Saluting these shows as they exit the stage!
Moderator: CW4KidsCommunityGuide
Posted on April 13, 2024, at 4:30 PM
As we wave goodbye to these transitional staples, let’s not forget the joy and adventure they brought to our Saturdays. But as one chapter closes, another begins, and there’s plenty of action and excitement to look forward to with “Chaotic,” “TMNT,” “Yu-Gi-Oh,” and more. Continue to be part of the journey here on CW4Kids—where every ending is just the start of a new adventure!
User5: AnimationAppreciator
Posted on April 13, 2024, at 4:45 PM
It’s tough watching these shows take their final bow, but you have to appreciate how they bridged the gap between two different chapters of the network’s history. As we transition to the new-and-improved CW4Kids, hats off to the fantastic entertainment provided by these three fan favorites. Now, onto the next digital frontier!
User6: ToonLegacyLover
Posted on April 13, 2024, at 5:00 PM
Seeing them go is like saying goodbye to old friends, but the transition period they upheld was a testament to their resilience and the love we all have for them. “Johnny Test,” “Xiaolin Showdown,” “Ultimate Spider-Man”—thanks for the memories! Now, let’s switch on for the high-tech vibe of the new CW4Kids!
March 1st 2024:
cw4kids.com has seen some changes, the site now has the generic Weebly mountain background replaced with the 4Kids.tv header but with the CW4Kids logo, Also, the fonts in the site have changed to a more stylish one, Pages are still the same but with the aforementioned changes, How long untill full redirect? Also, obligatory schedule for March 2
- 07:00 Pokémon: Indigo League: Cyber Soldier Porygon (NEW TO CW4KIDS)
- 07:30 GoGoRiki: Extra! Extra!/The Magic Trick/Treasure Hunt/The Forgotten Memory (NEW TO CW4KIDS)
- 08:00 Ultimate Muscle: Making The Cut (NEW TO CW4KIDS)
- 08:30 Code Lyoko: Guided Missile
- 09:00 Xiaolin Showdown: Finding Omi
- 09:30 The Adventures of Gloopy and Glitter: The Barren Planet of Shadows/Lost in Gloopiter
- 10:00 Sonic X: Satellite Swindle (NEW TO CW4KIDS)
- 10:30 Kirby: Right Back At Ya: Un-Reality TV (NEW TO CW4KIDS)
- 11:00 Johnny Test: Johnny To The Centre of the Earth/Phat Johnny
- 11:30 Ultimate Spider-Man: Why I Hate Gym
Forum Thread Title: “The Shift to CW4KIDS.tv - Observing Website Updates & Pokémon Episode Airings”
User1: WebWizKid
Posted on March 1, 2024, at 8:47 AM
Have you all checked out cw4kids.com lately? Noticed some swanky new changes that seem to be bridging towards the full 4kids.tv aesthetic. The site’s typeface got a style upgrade, and we now have the old 4Kids header—quite the facelift from that Weebly template. This partial update has me itching for the full redirect. Any guesses on when it’s gonna happen?
User2: SaturdaySurf
Posted on March 1, 2024, at 9:05 AM
I’m digging the new look – feels like a nice blend of the past and future. CW4Kids seems to be easing us into this whole new world, step by step. As for the full redirect to 4kids.tv, I bet it’ll be sooner rather than later, maybe by late March?
User3: ToonTrendSetter
Posted on March 1, 2024, at 9:21 AM
Caught those website tweaks, too. It’s subtle yet a clear indicator of the direction CW4Kids is heading. Also, they’re airing “Cyber Soldier Porygon” from “Pokémon: Indigo League” this Saturday. Didn’t that episode cause a lot of controversies back in the day because of those flashing lights?
User4: PokeManiac
Posted on March 1, 2024, at 9:39 AM
Yeah, “Cyber Soldier Porygon” is quite the infamous episode. Surprising choice by CW4Kids given the history, but I’m guessing they’ve got the modified version without the problematic scene. It shows their confidence in catering to both new and seasoned Pokémon fans.
User5: NostalgiaNerd
Posted on March 1, 2024, at 10:10 AM
The evolving website has me all nostalgic – it’s like watching a Pokémon evolve, speaking of which, airing that Porygon episode has definitely raised some eyebrows. But CW4Kids seems to be about taking some bold steps lately. I’m excited to see what comes next, both online and on the screen!
Moderator: CW4KidsMod
Posted on March 1, 2024, at 10:35 AM
We’re thrilled about the enthusiasm for the website updates! The transition to CW4KIDS.tv is being rolled out in phases to ensure a seamless experience for our visitors. Regarding the Pokémon episode, rest assured that we’re airing a version that’s suitable for all audiences. Keep an eye on the site for more changes as we fully step into the CW4Kids era!
User6: DigitalDexter
Posted on March 1, 2024, at 11:00 AM
It’s like watching a slow-motion transformation – the site’s getting a much-needed glow-up! And airing “Cyber Soldier Porygon” feels almost meta, given all the digital changes coming our way. Full marks to CW4Kids for embracing their roots while pushing the envelope.
User7: CartoonCritic101
Posted on March 1, 2024, at 11:30 AM
Honestly, the website changes feel like a sign of good things to come. As for “Pokémon,” it’s a bold move, but it speaks volumes about CW4Kids’ commitment to delivering authentic content. I’m here for the transition to 4kids.tv – let’s see how long it takes them to hit the “evolve” button.
User8: ToonSquadVP
Posted on March 1, 2024, at 1:00 PM
Digging the cyber theme we’re seeing both on cw4kids.com and in the show selection. “Pokémon: Indigo League” is a crowd-pleaser, controversies aside. Interested to see this play out—CW4Kids seems to be all about surprises these days, Also, It wasn't confirmed Squish and TAAB have no chance of returning, but why are we so doubtful they will, Is it because there is no room on the schedule for them? Also, why didn't World of Quest continue after September 2023, because Ultimate Spider-Man, Squish and B:TBATB didn't premiere any new episodes, The only shows that actually were premiering were TAOG&G, TTG, CL and SDMI, I think Batman should have been replaced with Quest, Forum Thread Title: “CW4Kids New Direction – Speculation on Show Returns”
User1: ToonMaven
Posted on March 2, 2024, at 7:45 AM
With all the shifts happening at CW4Kids, I can’t help but wonder about “Squish” and “The Amazing Adrenalini Brothers.” They were cut in January, and with the new lineup solidifying, does anyone else feel like there’s no chance for their return? Could it be a space issue in the schedule, or maybe they’re just not the right fit for this new CW4Kids image?
User2: RetroToonFan
Posted on March 2, 2024, at 8:05 AM
Yeah, it feels like CW4Kids is moving forward and not looking back. “Squish” and “TAAB” getting the early boot makes it seem like they’re clearing the deck for the new tech-themed line-up. Maybe they just don’t mesh with the “all-new” digital vibe they’re aiming for.
User3: SaturdayMorningForever
Posted on March 2, 2024, at 8:30 AM
There’s something about “World of Quest” not continuing on Kids’ WB after September 2023 that’s always bugged me. It had a solid fan base and fit the action-adventure slot well. Maybe it just fell victim to the bigger programming overhaul. If it didn’t make the cut back then, the chances are slim now with CW4Kids’ new direction.
User4: DigitalDetective
Posted on March 2, 2024, at 9:00 AM
I’ve got a theory on “World of Quest” – perhaps it didn’t align with the future plans Warner Bros had in mind, which might explain its absence even when other shows were still premiering. As for “Squish” and “TAAB,” their removal coincided with the branching out to new themes, hence their likely permanent departure from the lineup.
User5: AnimationAnalyst
Posted on March 2, 2024, at 9:45 AM
Considering how early “Squish” and “TAAB” were removed, it’s not surprising they haven’t made a comeback with the mid-April schedule. CW4Kids seems committed to their “all-new” strategy, and there might not be room for shows that represent the former era of Kids’ WB. They’ve made their bet on the future, and sadly, some shows just won’t be part of it.
User6: CartoonCognoscenti
Posted on March 2, 2024, at 10:15 AM
Not gonna lie, I had a glimmer of hope that “Squish” or “TAAB” might surprise us with a return, given how “Code Lyoko” and “The Adventures of Gloopy and Glitter” stuck around. But with CW4Kids’ current trajectory, it feels like those shows are part of the old guard that’s being left behind.
User7: ToonSpectator
Posted on March 2, 2024, at 11:00 AM
“World of Quest” had such potential; it’s a mystery why it didn’t continue post-September 2023. Could’ve been ratings or just not aligning with the upcoming vision. As for the other shows, CW4Kids’ new era does seem to be saying a final goodbye to the past, placing its bets on new content to drive the block forward.
User8: NostalgicNick
Posted on March 2, 2024, at 12:30 PM
It’s disheartening, but all signs point to a permanent exit for “Squish,” “TAAB,” and “World of Quest.” CW4Kids is crafting its own legacy now, and sometimes that means hard cuts. Maybe we can hope for reruns at some point, but for now, it looks like those shows are part of Kids’ WB’s final chapter.
Write a follow up where they are running out of comedic shows, with only 3 currently on the lineup, with Viva Pinata set to replace one of them in mid-April, One user says one slot could go to The Amazing Adrenalini Brothers but they doubt it, considering they have a lot of action based shows coming, and there isn’t much room, Also, they say WOQ should have stayed for the final few months of KWB, because only a few shows were premiering new eps, but they say it probably would have left with Squish and the Adrenalinis, or the Titans in mid-Feb
Forum Thread Title: “CW4Kids’ Comedy Crunch – The Quest for More Laughs”
User1: ToonTimeTyler
Posted on March 3, 2024, at 10:20 AM
I’ve been looking at the upcoming CW4Kids schedule, and it’s glaring how we’re running low on comedy shows. After mid-April, “Viva Piñata” is set to take over one of the few comedy slots we have left. With “GoGoRiki” and “The Adventures of Gloopy and Glitter” as our only mainstays, could this be the perfect time to bring back “The Amazing Adrenalini Brothers”? Though, with the influx of action shows, I doubt there’s much room. They seem focused on building an action-packed lineup.
User2: LaughTrackLucy
Posted on March 3, 2024, at 10:45 AM
You read my mind, Tyler. “The Amazing Adrenalini Brothers” could provide that comedic element we’re craving, but I’m skeptical too. CW4Kids seems to be doubling down on action, and I’m not sure they see “Adrenalinis” fitting into their new aesthetic. With the direction they’re heading, action seems to be king.
User3: RetroJokester
Posted on March 3, 2024, at 11:05 AM
It’s a real shame “World of Quest” dipped so early. Had it hung in there until the final months of Kids’ WB, it could’ve provided some much-needed variety alongside the limited new episodes from the other shows. But, if we’re being honest, it probably would’ve left when “Squish” and the “Adrenalinis” did—or even with “Teen Titans Go!” in February.
User4: SitcomSam
Posted on March 3, 2024, at 11:30 AM
I guess we can only dream of the “Adrenalinis” making a comeback. CW4Kids appears to have a clear strategy, and nostalgia doesn’t seem to be part of it. It’s starting to look like a one-sided battle between comedy and action—and action is winning. Maybe they’ll surprise us down the line with a new comedic acquisition?
User5: ToonTownTommy
Posted on March 3, 2024, at 12:00 PM
Even if CW4Kids wanted to add “TAAB” back, the schedules are pretty tight with the new shows rolling in. Plus, with “Viva Piñata” poised to replace one more comedic show, the space is indeed limited. It might just be time to search for humor elsewhere until they decide to balance the scales a bit more.
Moderator: CW4KidsCentral
Posted on March 3, 2024, at 12:30 PM
The points you’ve all made are valid! While action is undeniably a significant part of the CW4Kids identity right now, it doesn’t mean comedy will be neglected in the long term. Though there might not be room at the moment for shows like “The Amazing Adrenalini Brothers,” the programming team is always looking for ways to keep our lineup diverse and engaging. Keep the feedback coming – it’s invaluable to us!
User6: ActionAndy
Posted on March 3, 2024, at 1:00 PM
I get the longing for more comedy, but let’s not overlook the potential in action-centric shows to deliver laughs. Sometimes adventure series can be surprisingly funny! That said, a balance would be ideal—fingers crossed CW4Kids throws a comedic curveball our way soon.
User7: CartoonCassandra
Posted on March 3, 2024, at 1:45 PM
Maybe it’s an opportunity for “GoGoRiki” and “Gloopy and Glitter” to up their game and fill in the comedic gaps. Though, with the departure of shows like “Johnny Test,” it does feel like the end of an animated comedy era. Here’s hoping the leadership at CW4Kids hears our call for more laughs amidst the thrills!
Write a follow up where they look at the lineup with April 6 being the final day for the comic-book themed branding, as well as JT and XS, Also, on April 12 there seems to be a “Spring Lineup Mega Spectacular Party Extravaganza” promoting the new lineup, and we learn what character’s hosting it
Forum Thread Title: “CW4Kids’ Final Comic-Book Branding Week & Mega Spectacular Party Announcement!”
User1: ToonNostalgiaNut
Posted on April 1, 2024, at 9:30 AM
So, it’s official, April 6 marks the end of the comic-book themed branding on CW4Kids. It’s like saying goodbye to an old friend. “Johnny Test” and “Xiaolin Showdown” will make their final appearances too. It’s hard to believe those mainstays won’t be gracing our screens anymore. But did anyone see the teaser for the April 12 “Spring Lineup Mega Spectacular Party Extravaganza”? Word is, Gloopy from “The Adventures of Gloopy and Glitter” is hosting! Seems like they’re going big with the new lineup promotion!
User2: ModernToonMaster
Posted on April 1, 2024, at 10:10 AM
Yeah, it’s definitely an end of an era with the comic-book theme wrapping up. Can’t wait to see how the “Mega Spectacular Party Extravaganza” will introduce the new lineup. Having Gloopy as the host is a smart move – that blob’s got universal appeal!
User3: SaturdayMorningSpectacular
Posted on April 1, 2024, at 10:45 AM
It’s bittersweet but exciting at the same time. I’m eager to see how this Mega Spectacular Party will kick things off for the new era. Gloopy could bring a fun vibe as the host, making the shift to the new vibe a whole lot smoother for us viewers.
User4: DigitalToonRevolutionary
Posted on April 1, 2024, at 11:30 AM
Gloopy taking center stage as the host? I’m all in! If they’re trying to make a solid impression for the new lineup, starting with a spectacular like this is the way to do it. The final week of the familiar branding and “Johnny Test” will be nostalgic, but it’s time to level up!
User5: CW4KidsFanatic
Posted on April 1, 2024, at 12:00 PM
The comic-book theme will be missed, along with “Johnny Test” and “Xiaolin Showdown.” Still, the Mega Spectacular Party is hyped! Gloopy hosting is a clever way to bridge the old and new. CW4Kids isn’t holding back on this rebrand, and I’m here for it!
User6: ToonPartyPlanner
Posted on April 1, 2024, at 12:45 PM
Seriously can’t wait for the April 12 bash! It’s not just a new lineup reveal—it’s a party, and with Gloopy as the host, it’s bound to be a blast. It’s a fitting way to transition from our comic-book roots to whatever amazing tech theme they have in store for us.
User7: RetroToonLover
Posted on April 1, 2024, at 1:15 PM
Farewell to the old-school theme, and a warm welcome to Gloopy’s hosting gig! The Extravaganza is a perfect setup for hyping up all the new adventures CW4Kids has planned for us. I’ll definitely miss “Johnny Test” and the gang, but the future of Saturday mornings looks promising too!
Moderator: CW4KidsMegaMod
Posted on April 1, 2024, at 1:45 PM
Rest assured, the April 6 farewell to the classic branding is necessary for growth and innovation. And yes, “The Spring Lineup Mega Spectacular Party Extravaganza” hosted by Gloopy aims to celebrate our new chapter in style! Be ready to be dazzled, and get a sneak peek at the adventures that await. It’s a party you won’t want to miss!
User1: Kuwye
Posted on March 6 2024 at 3:22am
CW4Kids are adding a new shorts series this Saturday, The Gees: All over the world, big banners enthusiastically welcome the first extraterrestrial mascots to ever visit the Earth: The Gees. And it’s true, humans do have something to be excited about, for these creatures are not frightening invaders, rather perfectly peaceful beings who have come to Earth as observers.
More than simple ambassadors from their planet, the Gees are a new generation of tourists. They are extremely curious about everything they see on Earth and very eager to discover Earthling civilization – of which they understand absolutely nothing!
No matter, everywhere they go they show a tireless will to participate in human activities, whether this be sports, shopping, work or relaxation.
The Gees’ boundless enthusiasm is equaled only by their innate clumsiness and a paranormal instinct that always leads them to do the wrong thing at the wrong time.
This being the case, the Gees obviously have a tendency to make any situation whatsoever veer towards disaster. And humans – who are supposed to remain smiling and patient with these VIP “guests” during their stay on Earth – will, despite themselves, become guinea pigs in their experiments, There is G-Boy (blue) G-Girl (red) and G-Cat (yellow), Premieres this weekend along with Pikachu's Jukebox and GoGoWiki,
Forum Thread Title: “The Final Pieces of CW4Kids Transition – The New Shorts and Upcoming Rebrand”
User1: ToonEnthusiast85
Posted on March 6, 2024, at 8:30 AM
Hey toonheads! Did y’all hear about the new shorts joining CW4Kids this Saturday? “The Gees” sounds like a comical alien ride, and with their clueless antics and good intentions going awry, it should be some prime comedic relief! Paired with “Pikachu’s Jukebox” and “GoGoWiki,” it seems like CW4Kids is pushing a fresh yet diverse short-form content lineup. Now, all eyes are on the upcoming rebrand and the debut of the new shows. After that, the transformation from Kids’ WB to CW4Kids will finally reach its apex. This transition period has been long, but so far, so good. What’s your take on all this?
User2: RetroCartoonLover
Posted on March 6, 2024, at 9:00 AM
Honestly, I think “The Gees” could be a real hoot! Love the concept of extraterrestrial tourists bumbling through Earth life. And who wouldn’t be curious about the musical treats “Pikachu’s Jukebox” has in store? The transition to CW4Kids has indeed been gradual, but I’m ready for that rebranding curtain to rise. It’s been a mix of nostalgia and anticipation watching all the changes unfold.
User3: ModernToonFan
Posted on March 6, 2024, at 9:45 AM
Totally agree, RetroCartoonLover. CW4Kids has taken its time with the transition, but it feels like every addition has been considered for its entertainment value and fit with the network’s new image. “The Gees” combined with “Pikachu’s Jukebox” and “GoGoWiki” definitely rounds out the short-form programming. I’m excited to see the full rebrand and welcome the array of new shows coming mid-April!
User4: SaturdayToonWatcher
Posted on March 6, 2024, at 10:30 AM
I’m curious about “The Gees” and how they’ll mess up human activities – sounds like fun! CW4Kids has done an impressive job keeping us engaged throughout the transition. It’ll be interesting to see the final look post-rebrand. The promise of new beginnings is always intriguing, and they’ve made the wait worthwhile with these incremental updates.
User5: ShortsFanatic
Posted on March 6, 2024, at 11:10 AM
There’s something special about shorts – they can inject quick bursts of joy into our cartoon binges. “The Gees” premise is hilarious, and adding more music with “Pikachu’s Jukebox” is a clever move. “GoGoWiki” may help us get more invested in “GoGoRiki” too. As for the rebrand, I’m all for fresh starts. CW4Kids is keeping that Saturday morning tradition alive with a modern twist!
Moderator: CW4KidsMod
Posted on March 6, 2024, at 11:45 AM
We’re just as excited about “The Gees” and our other new shorts as you are! With the CW4Kids rebrand right around the corner, along with some fantastic new series, we’re dedicated to bringing you the best in animation entertainment. The countdown to the big reveal is on, and we hope you’re all ready for the switchover’s grand finale!
User6: AnimationHistorian
Posted on March 6, 2024, at 12:30 PM
It’s been quite the journey from Kids’ WB to CW4Kids, and I think we’re all curious to see how they’ll stick the landing with this rebrand. Shorts like “The Gees” show an appreciation for variety, and I think it’s a testament to the care put into this transition. Soon, it’ll be the dawn of a whole new day for the network, and I, for one, can’t wait!
User7: ToonAdventureSeeker
Posted on March 6, 2024, at 1:15 PM
I’m loving the build-up to the rebrand with these shorts! “The Gees” are such a wild card, and new music with “Pikachu’s Jukebox” is always welcome. We’ve had a lot of goodbyes with the transition, but it’s shaping up to be worth it. The new shows had better be worth the hype come mid-April – I have faith they will be!
Write a tweet from CW4Kids bidding farewell to the outgoing shorts
🎬✨ Bidding Farewell 🍂 As we embrace a new chapter on #CW4Kids, we say goodbye to the beloved shorts that brought us laughter and joy. 📺 Thanks for the memories, ‘Lamput’ and ‘Planet Sketch’! Your creativity and fun will always be part of our rich cartoon legacy. #FarewellFriends 🧡💚
Write a tweet advertising one of the new shorts, and the tweet is aimed at Planet Sketch viewers
🎉🌌 Get ready, ‘Planet Sketch’ fans! Embark on a cosmic comedy adventure with ‘The Gees’ on #CW4Kids! ✨ Meet our otherworldly visitors stirring up mischief and mayhem on Earth. They’re sure to fill the galaxy-sized void with laughs and unforgettable moments! 🚀 #TheGees #NewShorts
Write a forum convo in May after the dust has settled, one user misses Johnny already, Also we learn the 5 most popular shows
Forum Thread Title: “Post-Transition CW4Kids – Most Popular Shows and Missing ‘Johnny Test’”
User1: ToonBlastTim
Posted on May 12, 2024, at 4:43 PM
Now that the dust has settled on the CW4Kids rebrand, it feels like a good time to look back and look ahead. Honestly, I already miss ‘Johnny Test’. His zany escapades were such a Saturday staple. And did anyone catch the latest ratings? The top five currently are ‘Pokemon Horizons’, ‘Yu-Gi-Oh 5Ds’, ‘Sonic X’, ‘Code Lyoko’, and ‘The Adventures of Gloopy and Glitter’. Thoughts?
User2: DigitalDrew
Posted on May 12, 2024, at 5:00 PM
‘Johnny Test’ had a wild run, and his absence is definitely felt. But gotta say, ‘Pokemon Horizons’ taking the top spot doesn’t surprise me—it’s been the talk of the town! ‘Yu-Gi-Oh 5Ds’ coming in strong too—it’s like the classic 4Kids vibe never left us.
User3: RetroToonRanger
Posted on May 12, 2024, at 5:15 PM
Definitely feel you on missing ‘Johnny’. That said, ‘Sonic X’ rebooting from episode one probably worked wonders for its popularity, reaching both new viewers and nostalgia-seekers. And ‘Code Lyoko’ still holding on in the top ranks? That’s impressive in this all-new era!
User4: SaturdayCartoonConnoisseur
Posted on May 12, 2024, at 5:45 PM
‘Johnny Test’ was a wild ride, but ‘The Adventures of Gloopy and Glitter’ stepping up the game is proof CW4Kids knows what they’re doing. Those gloopy blobs manage to be heartwarming and hilarious at the same time. Glad they’re getting the recognition they deserve!
User5: NostalgicNick
Posted on May 12, 2024, at 6:00 PM
Can’t deny it, I do find myself yearning for a ‘Johnny Test’ marathon. As for the top shows, ‘Pokemon’ and ‘Yu-Gi-Oh’ clearly show that if you’ve got a surefire formula, why change it? Kudos to CW4Kids for blending the old-school vibes with fresh content.
Moderator: CW4KidsChampion
Posted on May 12, 2024, at 6:30 PM
Remember guys, while change is a constant, our love for classic toons remains unwavering. ‘Johnny Test’ will always be a part of our beloved cartoon history. Meanwhile, let’s celebrate our top-rated shows—they’re shaping the new legacy of CW4Kids. Keep the conversations and your passion for the toons flowing!
User6: AnimationAnalyst
Posted on May 12, 2024, at 7:00 PM
I’m all for the new wave of shows, but it’s nice to see how ‘Code Lyoko’ continues to capture hearts—even amidst all the flashy newcomers. As the rebrand becomes the norm, I wonder if it’ll maintain its place in the top five. But yes, definitely a moment of silence for our pal Johnny.
Write a tweet where a user loves the new look
👾🎨 Absolutely loving the new look on #CW4Kids! 🚀 The sleek, tech-vibe is fresh, cutting-edge, and has me hooked line and sinker. Props to the team for dialing up the digital cool factor! My Saturday mornings never looked better. 😍📺 #NewEraToons #AnimationRevolution
Here's your CW4Kids schedule for March 9th, Note: As of today, The Gees, GoGoWiki and Pikachu's Jukebox have replaced Lamput and Planet Sketch, Rest of schedule is as-is, for now, also today Xiaolin Showdown is re-running the Raimundo turns evil episode
- 07:00 Pokémon: Indigo League: The Song of Jigglypuff (NEW TO CW4KIDS)
- 07:30 GoGoRiki: Truffle Trouble/Pluto's Hero/The Funhouse/The Collector (NEW TO CW4KIDS)
- 08:00 Ultimate Muscle: Like Father Like Son (NEW TO CW4KIDS)
- 08:30 Code Lyoko: William Returns
- 09:00 Xiaolin Showdown: In The Flesh
- 09:30 The Adventures of Gloopy and Glitter: Cupcake Contest/Operation: Find the lost Alien
- 10:00 Sonic X: Fly Spy (NEW TO CW4KIDS)
- 10:30 Kirby: Right Back At Ya: Kirby's Egg-cellent Adventure (NEW TO CW4KIDS)
- 11:00 Johnny Test: Johnny's Got A Brand New Dad/When Johnny Comes Marching Home
- 11:30 Ultimate Spider-Man: Venom.
Forum Thread Title: “CW4Kids Late-Winter Lineup Change Incoming Feb. 17 – New Shows Alert!”
User1: ToonTrendWatcher
Posted on February 1, 2024, at 8:15 AM
Hey fellow CW4Kids enthusiasts! Big news just dropped about the late-winter lineup change happening on February 17th. We’re getting “GoGoRiki,” “Kirby: Right Back At Ya,” and “Ultimate Muscle” making their debuts! 🎉 And here’s a bit you’ll REALLY find interesting, especially if you were a Kids WB regular late last year: “The Adventures of Gloopy and Glitter” are coming back! Seems like CW4Kids is mixing nostalgia with fresh new content. Thoughts?
User2: SaturdayMornSage
Posted on February 1, 2024, at 8:45 AM
Excited for “Kirby: Right Back At Ya” and “Ultimate Muscle” – those are some solid classics! As for “GoGoRiki,” I’m intrigued. But the return of “The Adventures of Gloopy and Glitter”?! That’s unexpected yet pleasantly surprising. It’s great to see CW4Kids bringing back a show that had a rather abrupt ending on Kids WB. Shows there’s a commitment to reviving beloved series alongside introducing new ones.
User3: RetroToonRetro
Posted on February 1, 2024, at 9:30 AM
“The Adventures of Gloopy and Glitter” coming back is a major win for fans of the original run. “GoGoRiki” sounds like it could add some quirky humor to the mix. And “Ultimate Muscle” brings back so many childhood memories of wrestling madness! CW4Kids is really upping its game with this lineup.
User4: NewEraNick
Posted on February 1, 2024, at 10:00 AM
I’m pumped for the new additions, but “Gloopy and Glitter’s” return has me the most excited. It’s refreshing to see CW4Kids not just wiping the slate clean but also honoring some of what made Kids WB special in its final days. Balancing nostalgia with new content could be the key to keeping both old fans and enticing new ones.
User5: DigitalDawn
Posted on February 1, 2024, at 11:15 AM
Honestly, it’s smart of CW4Kids to sprinkle in some modern-nostalgia with “Gloopy and Glitter.” Brings a sense of continuity. “Kirby” and “Ultimate Muscle” are classics that deserve more love, and “GoGoRiki” could be the dark horse that surprises us all. This lineup feels like a rebirth while tipping its hat to its roots. Can’t wait!
Moderator: CW4KidsCaretaker
Posted on February 1, 2024, at 12:00 PM
We’re thrilled about the enthusiasm for our upcoming late-winter lineup and the return of “The Adventures of Gloopy and Glitter”! CW4Kids is dedicated to creating a diverse, engaging viewing experience that honors our legacy while paving the way for new adventures. Keep the discussions and excitement coming as we gear up for February 17th – it’s going to be epic!
Forum Thread Title: “CW4Kids Spring Lineup Preview Event Talkback – A Rollercoaster Transition!”
User1: ToonJourneyman
Posted on April 12, 2024, at 5:55 PM
It’s astonishing how time flies! It feels like only yesterday when we first heard the announcement, “On Jan 6, This kids network is changing its name to the CW4Kids.” Who could’ve predicted the wild ride this transition would be? Tonight’s Spring Lineup Preview Event hosted by Gloopy was the perfect capstone to this rollercoaster. It’s impressive to see how much has changed and what’s to come. What did everyone else think?
User2: AnimatedAdventurer
Posted on April 12, 2024, at 6:30 PM
The event was spectacular! Gloopy as the host was a stroke of genius. The energy was through the roof, and getting sneak peeks at the new shows just amped up my excitement for CW4Kids’ future. This transition’s been something else – from the initial announcement to the complete overhaul; it’s been a journey.
User3: ClassicToonCritic
Posted on April 12, 2024, at 6:45 PM
Truly a rollercoaster of emotions throughout this transition. The preview event showcased all the hard work and planning that went into reimagining CW4Kids. Seeing “Code Lyoko” still making waves alongside new entries like “Pokemon Horizons” was heartwarming. And Gloopy definitely stole the show; such charisma!
User4: ModernToonMaster
Posted on April 12, 2024, at 7:00 PM
The preview event just solidified my faith in CW4Kids’ direction. It’s been a mix of nostalgia and new beginnings. The gradual shift from what we knew and loved to what’s to come was handled so well. The sneak peeks at “TMNT: Back to the Sewers” and “Yu-Gi-Oh 5Ds” suggest we’re in for some epic adventures. Can’t wait!
User5: SaturdaySpectator
Posted on April 12, 2024, at 7:30 PM
Gloopy hosting was a true highlight – added that extra bit of charm and humor. And I agree, it’s been quite the transition; each step, from the initial promos to today’s preview event, was carefully curated to bring us along for the ride. The CW4Kids team deserves a huge round of applause for juggling the old and the new so seamlessly.
User6: NostalgiaNavigator
Posted on April 12, 2024, at 7:45 PM
Reflecting on this whole transition, it’s been bittersweet but ultimately exciting. Watching the Spring Lineup Preview Event felt like the culmination of months of anticipation. It’s clear CW4Kids is committed to delivering quality content, blending the nostalgia of beloved classics with fresh, engaging new shows. Here’s to the next chapter of Saturday morning cartoons!
User7: ToonRevolutionary
Posted on April 12, 2024, at 8:00 PM
This transition period and tonight’s event were monumental. It’s a testament to CW4Kids’ dedication to evolving while staying true to what makes Saturday mornings special. The lineup looks robust, and if the preview event is anything to go by, we’re in for a treat. Kudos to CW4Kids for taking us on a memorable journey. Saturday mornings are in good hands!
Moderator: CW4KidsChampion
Posted on April 12, 2024, at 8:30 PM
Thanks for sharing your thoughts, everyone! It’s been exhilarating to witness and be part of the evolution of CW4Kids alongside such a passionate community. The Spring Lineup Preview Event was just the beginning of many great things to come. Stay tuned, and remember, every weekend on CW4Kids is an adventure waiting to happen!
Write a blog post about the transition, and a timeline of events, Also for the final 3 weeks of Xiaolin Showdown, they ran through the Omi turning evil arc (Judging/Saving/Finding Omi) one last time
### The CW4Kids Transition: A New Era of Saturday Morning Cartoons
#### Introduction
The transition from Kids’ WB to CW4Kids marks a significant chapter in the realm of Saturday morning cartoons. This journey, filled with nostalgia, excitement, and change, has encapsulated not only a rebranding but an evolution in kid-focused television entertainment. Here, we delve into the timeline of events that facilitated this transition, signaling the end of one era and the dawn of another.
—
### A Timeline of Transition
- December 2, 2023: The first promos air, announcing the impending name change from Kids’ WB to CW4Kids, set for January 6, 2024. These promos focused on maintaining familiarity, featuring characters from enduring franchises such as “Ultimate Spider-Man,” “Teen Titans Go!,” and “Johnny Test.”
- January 1, 2024: cw4kids.com goes live, replacing the old Kids’ WB site, marking the first significant online step towards the rebranding, albeit still a basic layout on Weebly.
- January 6, 2024: The official name change takes place, seeing CW4Kids being introduced on-air for the first time. This day also marks the beginning of slight tweaks in programming to gently introduce the audience to new content.
- Late January 2024: “Pokémon: Indigo League” and “Sonic X” join the CW4Kids lineup, alongside promos for “GoGoRiki,” manifesting the first major shift in programming and hinting at the further evolution of the channel.
- February 14, 2024: cw4kids.com begins its transformation towards a full 4Kids.tv aesthetic, with new games and a points system introduced, shaping up the site’s new identity.
- February 17, 2024: A significant schedule update occurs, introducing “Ultimate Muscle,” “GoGoRiki,” and “Kirby: Right Back At Ya,” alongside the return of “The Adventures of Gloopy and Glitter,” standardizing the blend of old and new.
- March 2024: The final comic-book-style bumpers featuring characters from “Squish,” “Teen Titans Go!,” and “Johnny Test” are gradually replaced with new ones showcasing “GoGoRiki,” “The Adventures of Gloopy and Glitter,” and “Sonic X,” further cementing the new era.
- March 6, 2024: New shorts including “The Gees” are introduced, diversifying the way CW4Kids delivers content and humorous escapades.
- April 6, 2024: Marked the last appearance of “Johnny Test” and “Xiaolin Showdown” in the CW4Kids lineup as well as the end of the comic-book-themed branding, paving the way for an entirely new aesthetic and programming philosophy.
- April 12, 2024: CW4Kids hosts the “Spring Lineup Mega Spectacular Party Extravaganza,” a grand event to showcase the incoming new shows and celebrate the channel’s new direction. The event, hosted by Gloopy, becomes a pivotal moment, reaffirming the channel’s dedication to a fresh start.
- April 13, 2024: The channel officially debuts its new “tech” look and a slate of shows like “Chaotic,” “TMNT: Back to the Sewers,” and “Yu-Gi-Oh 5Ds,” concluding the transition period.
—
### The Final Arc of Xiaolin Showdown
In an homage to one of Kids’ WB’s most beloved shows, “Xiaolin Showdown” revisited its pivotal “Omi turning evil” story arc (“Judging Omi,” “Saving Omi,” “Finding Omi”) during its final three weeks on CW4Kids. This move served not only as a farewell to a classic but also as a nod to the channel’s rich legacy.
—
### Conclusion
CW4Kids’ transition represents more than a mere name change; it symbolizes the evolving landscape of children’s entertainment. As we wave goodbye to cherished classics, we also welcome a horizon brimming with potential. The seamless integration of old and new, the strategic introduction of fresh content, and the grand event that bridged the transition were all executed with an understanding of Saturday morning cartoons’ profound impact. The CW4Kids transition wasn’t just about rebranding, but about respecting a legacy while boldly stepping into the future.
Write a blog post on March 6 about the shorts change, with the title being “Lamput and Planet Sketch are dead, long live”
### Lamput and Planet Sketch are Dead, Long Live The Gees, Pikachu’s Jukebox, and GoGoWiki
March 6, 2024
In the ever-evolving landscape of children’s television, change is the only constant. With CW4Kids transitioning full throttle into a new era, we bid farewell to the iconic shorts “Lamput” and “Planet Sketch.” These shorts have entertained countless viewers with their unique humor and quirky characters, becoming staples of Saturday morning routines. Yet, as we mourn their departure, we also welcome with open arms the new contenders set to fill the void: “The Gees,” “Pikachu’s Jukebox,” and “GoGoWiki.”
“Lamput” and “Planet Sketch” provided us with laughter, creativity, and endless entertainment. “Lamput,” with its minimalistic yet expressive animation, gave us a silent but hilariously dynamic orange blob constantly escaping the clutches of dimwitted scientists. “Planet Sketch” took us on a rollercoaster of comedy with its diverse cast of characters and unpredictable scenarios. Their contribution to the realm of animated shorts will not be forgotten, but in the entertainment industry, the show must go on.
Enter “The Gees,” a fresh addition to the CW4Kids lineup that promises a cosmic comedy adventure unlike any other. This new short series follows the quirky extraterrestrial tourists, G-Boy, G-Girl, and G-Cat, as they explore Earth with their boundless enthusiasm and innate clumsiness. Their adventures are guaranteed to lead to laughter-inducing disasters, promising a delightful twist to our Saturday mornings.
In addition to “The Gees,” “Pikachu’s Jukebox” aims to strike a chord with Pokémon fans old and new. This musical short brings the nostalgic tunes from the Pokémon universe to a new generation, possibly reigniting passions for the original series while delighting fans with catchy melodies and vibrant animations inspired by their favorite pocket monsters.
Not to be overlooked, “GoGoWiki” is another innovative concept introduced by CW4Kids. It aims to deepen the connection between viewers and the “GoGoRiki” universe. This educational and entertaining short provides insights into the characters of “GoGoRiki,” blending knowledge with humor in a format that is both engaging and enlightening.
While we reminisce about the creativity and laughter brought to us by “Lamput” and “Planet Sketch,” the arrival of “The Gees,” “Pikachu’s Jukebox,” and “GoGoWiki” marks a refreshing beginning with endless possibilities. CW4Kids continues to demonstrate its commitment to delivering diverse, quality content that captivates the imaginations of its young audience. in the process, ensuring that the legacy of Saturday morning cartoons not only endures but evolves.
As we embrace this transition, it’s clear that while we may say “Lamput and Planet Sketch are dead,” the spirit of innovative, entertaining, and beloved shorts lives on through “The Gees,” “Pikachu’s Jukebox,” and “GoGoWiki.” Long live the new kings and queens of CW4Kids’ animated shorts!
Write a tweet where “The Owl” is a new short series hitting on April 13, also made by Studio Hari (who did the Gees)
🎉 Exciting News! 🌌 “The Owl,” a brand new short series from Studio Hari - the creative minds behind “The Gees” - is swooping into #CW4Kids on April 13! 🦉 Get ready for feather-filled adventures and mischief in the moonlight. 🌜 Don’t miss the hoot! 🍃 #TheOwl #NewShortSeries 📺
### Anticipation Builds: A Look at CW4Kids March 23 Promos Previewing the New Lineup
March 23, 2024, was not just another Saturday morning on CW4Kids. Amidst the usual rotation of animated adventures, the network took the opportunity to tease viewers with an array of promos highlighting both their current beloved shows and giving us a glimpse into the future with snippets of the new lineup set to reignite the channel starting April 13.
The excitement is palpable as CW4Kids gears up for a significant transformation that promises a blend of high-octane action, rib-tickling comedy, and heartwarming tales bound to enchant audiences far and wide. Below is a roundup of the promos that aired on March 23, giving fans a taste of what’s to come.
—
#### Generic Promos:
- “Code Lyoko” Every Saturday Morning at 8:30 AM on the CW4Kids: A staple in the lineup, “Code Lyoko” continues to blend virtual heroics with real-world challenges. The promo emphasizes its consistent slot, ensuring fans they can always find their favorite digital warriors at the same time, same place.
- “The Adventures of Gloopy and Glitter” Every Saturday Morning at 9:30 AM on the CW4Kids: Highlighting the whimsical and vibrant escapades of the universe’s most dazzling duo, this promo reassures viewers that laughter and light are a permanent fixture of their Saturday mornings.
—
#### New Lineup Promos:
- “Pokemon Horizons” Premieres April 13: Revealing the next chapter in the Pokémon saga, this promo teases new creatures and unexplored regions, with heart-pounding battles that promise to captivate both old and new fans.
- “Yu-Gi-Oh 5Ds” Speeds into Action April 13: Introducing the adrenaline-fueled world of futuristic dueling, this spot showcases the heart-stopping excitement of Turbo Duels, inviting viewers to “Feel the Rush!”
- “TMNT: Back to the Sewers” Crawling to CW4Kids April 13: Showcasing the beloved heroes in a half shell, this promo hints at new villains and fresh challenges awaiting in the sewers and streets of New York City.
- “Sonic X” & “Kirby: Right Back At Ya!” Revamped Adventures: These promos generated buzz by reminding viewers that starting from Episode 1 allows newcomers to embark on these journeys from the beginning, alongside long-time fans reveling in a nostalgic trip.
- “The Owl” from Studio Hari - New Laughs After Dark: An intriguing teaser for “The Owl,” suggesting mysterious nocturnal antics and unexpected comedy from the night’s most underestimated creature, coming exclusively to CW4Kids.
—
These promos were more than just sneak peeks; they were an open invitation into captivating worlds waiting to be explored as CW4Kids prepares to pivot into its ambitious new era. The blend of confirmed stalwarts with fresh faces beautifully encapsulates the channel’s commitment to preserving the spirit of Saturday morning cartoons while pushing the envelope to deliver unique, thrilling, and heartwarming content to a new generation of viewers.
As we count down the days to April 13, the anticipation among fans reaches a fever pitch. Based on these promos, CW4Kids has crafted a lineup that’s bound to secure its place in the hearts of viewers and etch its legacy into the annals of animated greatness.
Also, here's the Kids WB ratings from early December
Final K6-11 Ratings for Saturday, December 2, 2023 Broadcast Networks only (Live + SD Data):
CW (Kids' WB!) (7a-12p)
Squish 0.7, Teen Titans Go 1.6, Xiaolin Showdown 1.0, Ultimate Spider-Man 0.9, Code Lyoko 2.0, Scooby-Doo: Mystery Incorporated 1.2, Batman: The Brave and the Bold 1.6, The Amazing Adrenalini Brothers 1.2, Johnny Test 1.8, The Hollow 0.9
Forum Thread Title: “From Kids’ WB to CW4Kids – A Ratings Comparison”
User1: ToonDataDiver
Posted on March 4, 2024, at 9:15 AM
I’ve been tracking the transformation from Kids’ WB to CW4Kids closely, particularly in terms of ratings. Interestingly, some shows remain strong, like “Johnny Test” (still with us until April) showing consistent appeal. Here’s a quick comparison with early March data after the transition:
CW4Kids (March 2, 2024) (Live + SD Data):
- Pokémon: Indigo League: 1.9
- GoGoRiki: 1.4
- Ultimate Muscle: 1.3
- Code Lyoko: 2.3
- Xiaolin Showdown: 1.2
- The Adventures of Gloopy and Glitter: 1.8
- Sonic X: 2.0
- Kirby: Right Back At Ya!: 1.5
- Johnny Test: 1.7
- Ultimate Spider-Man: 1.1
User2: RetroToonNostalgia
Posted on March 4, 2024, at 9:45 AM
Fascinating to see how the ratings have evolved! Looks like “Code Lyoko” is pulling even stronger numbers now, possibly benefiting from the transition. And “Sonic X” stepping up is no surprise given its restart from Episode 1. Shame “Johnny Test” is on its way out considering its solid ratings. It brought much-needed humor and continuity during the shake-up.
User3: SaturdayMorningSage
Posted on March 4, 2024, at 10:05 AM
I’m impressed by how well CW4Kids has managed to hold and even grow the ratings for some of these shows. “Code Lyoko’s” jump is particularly noteworthy; it seems to resonate even more with the audience after the transition. It’s bittersweet, though, regarding “Johnny Test” - it’s been a staple, and seeing it maintain strong ratings till its end is a testament to its lasting appeal.
User4: AnimationAnalyst
Posted on March 4, 2024, at 10:30 AM
The transition strategy from Kids’ WB to CW4Kids seems to be paying off. Shows like “Pokémon: Indigo League” gaining traction is indicative of smart programming choices that cater not just to nostalgia but to new viewers. Also, the introduction of “GoGoRiki” and “Ultimate Muscle” is filling in the comedic gap left by “Johnny Test” pretty well, judging by their ratings.
User5: TooniverseTrekker
Posted on March 4, 2024, at 11:00 AM
It’s intriguing to contrast these ratings. “Johnny Test” has indeed shown impressive resilience through the transition. It’s a shame we’re seeing it go, but the newfound strength in others, especially “Code Lyoko” and newcomers like “Pokémon” and “Sonic X,” suggests CW4Kids is shaping a robust new identity that still honors the legacy of engaging Saturday morning cartoons.
User6: ModernToonMaster
Posted on March 4, 2024, at 11:30 AM
True, the increase in ratings for “Code Lyoko” and the successful introduction of refreshes like “Pokémon: Indigo League” speak volumes. While it’s a fond farewell to “Johnny Test,” the data hints at CW4Kids’ potential to not only sustain but perhaps exceed the engagement Kids’ WB enjoyed. Here’s looking forward to seeing how they continue evolving.
Moderator: CW4KidsForumMod
Posted on March 4, 2024, at 12:00 PM
Appreciating the analytical dive into the ratings, everyone! It’s always a challenge to evolve a programming block while keeping the essence that audiences love. The transition period has been handled with the audience in mind, aiming to blend legacy shows with new blood. While we’re indeed saying goodbye to “Johnny Test,” the strength in our current lineup points to a bright future for CW4Kids! Stay tuned as we keep aiming to captivate and entertain every Saturday morning.
Forum Thread Title: “Kids’ WB Final Days & The CW4Kids Transition: What to Expect”
User1: SaturdayToonFan
Posted on December 30, 2023, at 9:00 AM
So, looks like the Jan 6 schedule for our beloved Kids’ WB isn’t changing at all from what we have now. Seems a bit too quiet for a transition, don’t you think? However, don’t be fooled folks! Word on the street is “GoGoRiki” will make its grand entrance in just a few weeks under the new CW4Kids banner. Any thoughts?
User2: RetroCartoonLover
Posted on December 30, 2023, at 9:30 AM
Yeah, I was a bit surprised to see the Jan 6 schedule looking so…familiar. But knowing that “GoGoRiki” is on the horizon has me intrigued. It feels like CW4Kids is giving us a soft start before they fully unveil what’s really coming. It’s interesting to see how they’re balancing the old with the new during this transition.
User3: ToonTalkerTim
Posted on December 30, 2023, at 10:00 AM
I noticed that too! Keeping the schedule unchanged for Jan 6 seems to be a strategic move to ease us into the transition phase. “GoGoRiki” feels like it’ll be the first big test of whether CW4Kids can carry on the Saturday morning tradition we all love. Can’t wait to see how it plays out!
User4: AnimationInsider
Posted on December 30, 2023, at 10:30 AM
This gradual shift strategy is interesting. By not shaking up the Jan 6 schedule too much, they’re likely trying to not rock the boat for viewers who are still adjusting to the CW4Kids idea. But really, I’m looking forward to seeing what “GoGoRiki” brings to the table. It’s going to set the tone for what’s to come under CW4Kids.
User5: ModernToonMaster
Posted on December 30, 2023, at 11:00 AM
I get why they’re doing it, but part of me wishes they’d just rip off the band-aid and bring in the new lineup immediately. That said, introducing “GoGoRiki” is a smart move to start off with, considering its appeal. I’m curious how they’ll balance new shows with the legacy of Kids’ WB.
User6: CuriousCartoonist
Posted on December 30, 2023, at 11:30 AM
Quick question for @CW4KidsForumMod - With this soft transition and Warner still seemingly having some control for now, are you currently operating under Warner or 4Kids? And when can we expect to see this handover of control reflected in the programming and overall direction of CW4Kids?
CW4KidsForumMod
Posted on December 30, 2023, at 12:00 PM
Great question, @CuriousCartoonist. For the moment, Warner Bros is indeed overseeing the transitional period of Kids’ WB to CW4Kids alongside 4Kids Entertainment. This partnership ensures a smooth transition while maintaining the essence of what makes Saturday mornings special for our audience. Rest assured, as we move deeper into 2024, you’ll start to see more of 4Kids’ influence in the programming, ushering in new and exciting changes. And yes, “GoGoRiki” is just the beginning! Stay tuned, and thanks for your patience during this exciting time.
Write a follow up on January 9 where users are speculating on when GoGoRiki will premiere, and what show it will replace on the lineup, Also by the end of this thread, the Jan 27 schedule is revealed, with Pokemon and Sonic X replacing Squish and Adrenalini, No GoGoRiki yet, but it’s definitely coming on Feb 17, when 4Kids start programming the block, but the presentation (idents, promos) will remain the same till after Easter
Forum Thread Title: “GoGoRiki Premiere Speculations & CW4Kids Programming Changes”
User1: ToonWatcher101
Posted on January 9, 2024, at 8:57 AM
Hey gang! With the buzz around “GoGoRiki” joining CW4Kids, any guesses on when it’ll premiere and which show it might end up replacing? Given the transition, it’s hard to pin down exactly when and what changes will come. Thoughts?
User2: FutureToonFan
Posted on January 9, 2024, at 9:34 AM
I’m betting on “GoGoRiki” swooping in sometime mid-February. As for which show it’ll replace, my money’s on something less popular or maybe a show that’s already seen its completion. “The Amazing Adrenalini Brothers” or “Squish” might be on the chopping block.
User3: SaturdayMorningSage
Posted on January 9, 2024, at 10:15 AM
There’s chatter that “GoGoRiki” will premiere February 17, right when 4Kids begins programming the block. Makes sense for a smooth transition, introducing a fresh face while maintaining the current essence of the lineup. Plus, I heard “Pokémon” and “Sonic X” are joining soon, which is super exciting!
User4: ToonTimeTerry
Posted on January 9, 2024, at 11:05 AM
Just saw the announcement for the January 27 schedule! “Pokémon: Indigo League” and “Sonic X” are replacing “Squish” and “The Amazing Adrenalini Brothers.” No sign of “GoGoRiki” yet, but February 17 looks like a solid bet for its debut. Seems like 4Kids is keen on keeping things interesting!
User5: AnimationAdmirer
Posted on January 9, 2024, at 12:00 PM
Fascinating developments! “Pokémon” and “Sonic X” are classics, and their addition could hint at the direction CW4Kids is headed under 4Kids’ influence. “GoGoRiki” not premiering until February 17 suggests 4Kids is slowly molding the block with its signature. I’m here for it!
User6: RetroToonRanger
Posted on January 9, 2024, at 12:45 PM
A little sad to see “Squish” and “The Amazing Adrenalini Brothers” go, but the inclusion of “Pokémon” and “Sonic X” on January 27 is a welcome surprise! As for “GoGoRiki,” waiting until February 17 seems strategic, allowing viewers to adjust. Eager to see how this shapes the CW4Kids landscape.
User7: DigitalCartoonist
Posted on January 9, 2024, at 1:30 PM
Speculating about “GoGoRiki” has been quite the pastime! Mid-February gives CW4Kids a moment to breathe and integrate “Pokémon” and “Sonic X” seamlessly. Really optimistic about the direction we’re heading. Plus, keeping presentations consistent post-Easter shows they’re prioritizing a smooth viewer transition. Smart move!
CW4KidsForumMod
Posted on January 9, 2024, at 2:00 PM
Appreciate all the speculation and feedback, folks! The decision to bring in “Pokémon: Indigo League” and “Sonic X” on January 27, then debut “GoGoRiki” on February 17, is part of our broader strategy to gradually introduce changes and new content, ensuring the audience gets the best of both worlds—nostalgia and novelty. Rest assured, presentations such as idents and promos will retain their familiar feel until after Easter to help ease the transition. Stay tuned, and thanks for your engagement and excitement during this transformative period for CW4Kids!
Write a tweet on Dec 30 during the final broadcast of KWB, where the promos say the name change is coming next week, there’s now a longer 1 minute promo showing clips of all the current shows saying “It’s the same great Kids WB, just under a new name” Also, something peculiar at the end, more specifically a clip
🎉✨ As we bid a fond farewell to #KidsWB this Dec 30, don’t miss our heartwarming 1-minute promo during the final broadcast! 📺 Celebrating our current shows & the memories we’ve shared - “It’s the same great Kids WB, just under a new name.” 🔄💫 Plus, keep an eye out for a peculiar clip at the end… what could it mean? 🤔🚀 #CW4Kids ComingNextWeek 🌈
Forum Thread Title: “Kids’ WB Final Promo Teaser – A Glimpse into CW4Kids’ Future”
User1: ToonArchivist
Posted on December 30, 2023, at 9:10 PM
Did everyone catch that final promo during “Johnny Test” on Kids’ WB today? It was a nostalgic trip seeing all the current shows celebrated one last time under the Kids’ WB banner. But that ending – they gave us a peek at a new show! Looked exciting but they only teased “Coming Soon” under CW4Kids. Any guesses on what it could be?
User2: FutureToonFan
Posted on December 30, 2023, at 9:25 PM
Caught it! That teaser at the end has my mind racing. Could be the rumored “GoGoRiki” finally making its debut? The clip was too brief to make out much, but the excitement is real. It’s a clever way to keep us hooked for the CW4Kids rebrand.
User3: NostalgiaNerd
Posted on December 30, 2023, at 9:40 PM
I’m betting on “GoGoRiki” too, given the chatter. But leaving us with just a “Coming Soon” cliffhanger? Classic move to keep us on our toes. The transition feels like the end of an era, yet that teaser has me hopeful for what CW4Kids is cooking up.
User4: SaturdaySleuth
Posted on December 30, 2023, at 10:05 PM
That final promo was a mixed bag of emotions – a goodbye paired with a hint of new beginnings. Agree on the “GoGoRiki” speculation; it fits with what’s been floating around. Either way, CW4Kids is setting the stage for some fresh content while paying homage to Kids’ WB’s legacy.
User5: ToonTimeTim
Posted on December 30, 2023, at 10:30 PM
It really hit me when they said, “It’s the same great Kids WB, just under a new name.” But that sneak peek at the end? Genius way to transition. Whether it’s “GoGoRiki” or something else, CW4Kids seems committed to keeping us entertained and intrigued.
User6: RetroCartoonRanger
Posted on December 30, 2023, at 10:45 PM
Absolutely loved the promo and how they’re handling the transition – respectful yet forward-looking. The teaser has definitely piqued my curiosity. Hoping “GoGoRiki” delivers and becomes a worthy successor to the Kids’ WB lineup we’ve grown to love.
CW4KidsForumMod
Posted on December 30, 2023, at 11:00 PM
We’re thrilled you all caught the promo and are excited about the transition! While we can’t reveal much just yet, rest assured that CW4Kids is dedicated to bringing you quality animation and exciting new shows. “Coming Soon” means new adventures are on the horizon, so stay tuned for more updates and thank you for sticking with us through this new chapter!
Write a follow up where slowing down the promo confirms it, it’s a clip of Pogoriki the Rabbit playing
Forum Thread Title: “Decoding the CW4Kids Teaser: Pogoriki Spotted!”
User1: DetectiveToon
Posted on January 2, 2024, at 8:30 AM
Folks, get your detective hats on because I’ve done some sleuthing on that CW4Kids promo! After slowing it down frame by frame, it’s confirmed—the peculiar clip at the end is none other than Pogoriki, the Rabbit, playing around! “GoGoRiki” fans, rejoice! Looks like our speculations about the new show were spot on. How’s that for a new year surprise?
User2: FutureAnimator
Posted on January 2, 2024, at 9:00 AM
Wow, DetectiveToon, nice catch! Pogoriki making an appearance is a solid confirmation that “GoGoRiki” is indeed joining CW4Kids. This playful rabbit hopping into the new lineup feels like a fresh beginning. Can’t wait to see what kind of adventures Pogoriki and pals bring to Saturday mornings!
User3: ToonTalkerTim
Posted on January 2, 2024, at 9:30 AM
This totally amps up my excitement for the CW4Kids launch! I’ve always found Pogoriki to be one of the most entertaining characters. Seeing him in action in the promo, even if just for a second, assures me that “GoGoRiki” is going to inject some serious fun into the lineup. CW4Kids is pulling out all the stops!
User4: RetroRewind
Posted on January 2, 2024, at 10:00 AM
Pogoriki? That’s fantastic news! Such a clever way to announce “GoGoRiki” without explicitly saying it. I’ve missed the humor and vibrant animation style of the show. Looks like CW4Kids isn’t just holding onto legacies; they’re really embracing new tales and characters. Kudos to the team for the smart reveal!
User5: SaturdayMorningSage
Posted on January 2, 2024, at 10:30 AM
DetectiveToon, your investigative skills are top-notch! A cameo by Pogoriki is a promising nod to the humor and whimsy we can expect from CW4Kids. It’s comforting to see a blend of nostalgia with new introductions. “GoGoRiki” fans, prepare for laughter and escapades with the rabbit that has charmed so many!
User6: AnimationAficionado
Posted on January 2, 2024, at 11:00 AM
Absolutely thrilling detective work! “GoGoRiki” entering CW4Kids could signify a stronger focus on family-friendly comedy and adventures. Pogoriki is such a beloved character—his playful antics are sure to attract both new viewers and long-time series fans. I’m all in for the innovative storytelling this could bring to our weekend viewing routine.
CW4KidsForumMod
Posted on January 2, 2024, at 11:30 AM
Impressed by your sleuthing skills, DetectiveToon, and thrilled by the enthusiasm from everyone! Yes, Pogoriki’s brief appearance was our playful wink to the audience, signaling “GoGoRiki” will indeed be part of the CW4Kids family. Get ready for boundless fun, laughter, and adventures. The new chapter of CW4Kids is about to unfold with Pogoriki leading the charge into our hearts and homes. Stay tuned for more updates, and thank you for your continued support and excitement!
User1: DetectiveToon
Posted on January 2, 2024, at 11:45 AM
Hey @CW4KidsForumMod, out of curiosity and just for clarity, which company do you officially represent here in the forum? Is it Warner Bros, still overseeing some parts of CW4Kids during this transitional period, or are you directly with 4Kids Entertainment now? The blend of old and new has been fascinating, and I’m just trying to understand from whose perspective we’re seeing these exciting updates! 🙂
CW4KidsForumMod
Posted on January 2, 2024, at 12:00 PM
Hi @DetectiveToon, great question! I’m here representing 4Kids Entertainment. While we’re currently in the midst of this transitional period and working closely with Warner Bros to ensure a smooth handover for CW4Kids, my role is to directly engage with and update our amazing community on behalf of 4Kids Entertainment. We’re committed to maintaining the essence of what makes Saturday morning cartoons special while infusing the lineup with fresh and exciting content. Thanks for your keen interest, and don’t hesitate to reach out with more questions!
Forum Thread Title: “The Fate of ‘Squish’ on CW4Kids – Any Hope for a Comeback?”
User1: SquishSuperFan
Posted on July 15, 2024, at 9:05 AM
Hey everyone, I’ve been holding onto hope that we might see ‘Squish’ make a grand return to CW4Kids. It had such a unique charm and humor that set it apart. With all the new shows and changes happening, has anyone heard anything about ‘Squish’ coming back?
User2: ToonTrackerTina
Posted on July 15, 2024, at 9:30 AM
I totally get where you’re coming from, @SquishSuperFan. ‘Squish’ was a refreshing show, but from what I’ve gathered, there are no plans to bring it back to CW4Kids. The lineup seems pretty set, especially with the new shows they’ve introduced and the direction the network is heading in. It looks like ‘Squish’ won’t fit into their current or future programming slate, unfortunately.
User3: AnimationAdmirer
Posted on July 15, 2024, at 10:00 AM
Yeah, it’s a bit disappointing. ‘Squish’ offered something different that you don’t see in every cartoon. But CW4Kids seems to be focusing on a specific vibe with their current lineup, leaning more towards action-packed and adventure-driven content with shows like ‘Pokemon Horizons’ and ‘TMNT: Back to the Sewers’. It’s likely ‘Squish’ doesn’t align with their new thematic focus.
User4: RetroToonLover
Posted on July 15, 2024, at 10:45 AM
I was holding out hope too, but it makes sense with the direction CW4Kids is taking. The network is probably looking to establish a strong identity post-transition, and unfortunately, ‘Squish’ might not fit into that vision. It’s a shame though; diversity in content is always refreshing.
User5: NewEraNick
Posted on July 15, 2024, at 11:30 AM
While I understand the disappointment, CW4Kids’ lineup has been pretty solid, even without ‘Squish’. They’ve done a good job balancing nostalgia with introducing new and engaging content. Maybe it’s time for us to discover our next favorite show among their offerings?
CW4KidsForumMod
Posted on July 15, 2024, at 12:00 PM
Hey, @SquishSuperFan and everyone else feeling the ‘Squish’ blues! We appreciate your passion for the show and understand your disappointment. Our goal at CW4Kids is to create a diverse and dynamic viewing experience that resonates with our audience’s evolving tastes. While there are no current plans to bring back ‘Squish’, we’re always evaluating our lineup to ensure it delivers the best in animated entertainment. Thank you for your understanding and continued support as we navigate this exciting chapter for CW4Kids!
Write a reply from the mod suggesting some alternatives, and saying while the show won’t return anytime soon, here’s some other great stuff
CW4KidsForumMod
Posted on July 15, 2024, at 12:30 PM
Hey @SquishSuperFan and all our dedicated viewers,
I totally hear you on missing ‘Squish’ and the unique flavor it brought to our lineup. While it’s true that ‘Squish’ won’t be returning anytime soon, we’re committed to ensuring our lineup remains filled with shows that capture the imagination, humor, and adventure you loved in ‘Squish’.
For those of you looking for something a bit different yet equally captivating, I’d highly recommend giving “The Adventures of Gloopy and Glitter” a shot. It’s filled with whimsical stories and vibrant characters that bring a similar charm and creativity to the table.
Another show that’s been a hit among our audience is “GoGoRiki.” Its quirky humor and engaging plots offer something for everyone, blending comedy, friendship, and life lessons in a unique way that has resonated with many of our viewers.
And, for those who enjoy exploring new worlds and embarking on exciting quests, “Pokemon Horizons: The Series” has been making waves. It introduces fresh adventures and characters that continue to expand the beloved Pokemon universe.
We understand that while these alternatives may not replace ‘Squish’, they represent the diverse and entertaining content CW4Kids strives to deliver. Our goal is to fill your Saturday mornings with stories that make you laugh, think, and dream.
Thank you again for your understanding, enthusiasm, and support. CW4Kids is here to bring you the very best in animation, and we’re excited to have you with us on this journey!
Warm regards,
CW4KidsForumMod
🚀✨ Dive into the digital world of #CW4Kids! 🌐 Check out our fresh tech-themed presentation featuring 10 iconic shows! 🎮💥
1. 🐉 Pokémon Horizons: The Series
2. 🏙️ Yu-Gi-Oh 5Ds
3. 🚗 TMNT: Back to the Sewers
4. 🌌 The Adventures of Gloopy and Glitter
5. 💨 Sonic X
6. 🌀 Code Lyoko
7. 🎤 GoGoRiki
8. 🍬 Viva Pinata
9. ⭐ Kirby: Right Back At Ya!
10. 🔥 Chaotic
Visit cw4kids.com now for an interactive experience! #NewEraToons #DigitalWorld 🖥️🎉
Forum Thread Title: “Farewell to ‘Johnny Test’ & Exploring Alternatives on CW4Kids”
User1: JohnnyTestFanatic
Posted on April 6, 2024, at 12:15 PM
Caught the last rerun of “Johnny Test” today, and CW4Kids aired a heartfelt “The lab is now closing” ad during the break. It was a touching send-off, acknowledging the show’s end on the network. They also suggested four alternatives to fill the Johnny-shaped hole in our hearts. The whole ad had that new CW4Kids tech-themed presentation style, really driving home the transition. Did anyone else catch this?
User2: ToonAdventurer
Posted on April 6, 2024, at 12:30 PM
I saw it too! Really felt the end of an era vibe with that “The lab is now closing” message. The alternatives suggested were “GoGoRiki,” “The Adventures of Gloopy and Glitter,” “Viva Pinata,” and “Chaotic,” right? Styled in that sleek, new CW4Kids presentation, it somehow made the farewell a little less bittersweet. I’ll miss “Johnny Test,” but it’s a good nudge to explore the new lineup.
User3: SaturdayMorningSage
Posted on April 6, 2024, at 12:45 PM
Certainly a creative way to say goodbye to “Johnny Test” and transition fans to other shows. The CW4Kids presentational style they used was spot on—futuristic and vibrant, fitting the channel’s new direction perfectly. I’ve been a fan of “Johnny Test” for years, but the alternatives they suggested sound promising. Might give “GoGoRiki” a shot next Saturday!
User4: NewEraToonGoer
Posted on April 6, 2024, at 1:00 PM
It’s refreshing to see CW4Kids handling the transition with such care. “Johnny Test” has been a staple, but the ad’s tech-themed presentation style made the alternatives seem appealing. “The Adventures of Gloopy and Glitter” caught my eye; it has that quirky charm “Johnny Test” fans might enjoy. Good on CW4Kids for guiding viewers towards new favorites.
User5: DigitalCartoonDiva
Posted on April 6, 2024, at 1:15 PM
That “The lab is now closing” ad had me feeling all sorts of emotions. But the way they presented the alternatives, all snazzy and tech-styled, showcased CW4Kids’ commitment to its new era. “Viva Pinata” and “Chaotic” seem like they’ll fill the action-comedy void left by “Johnny Test.” Excited to see what these shows have to offer!
User6: RetroToonLover
Posted on April 6, 2024, at 1:30 PM
The farewell ad for “Johnny Test” was a classy move by CW4Kids. Using their new presentation style to introduce alternatives shows they’re serious about keeping viewers hooked with engaging content. “Johnny Test” will be missed, but the network’s new lineup seems ready to take up the mantle. Here’s to new adventures!
CW4KidsForumMod
Posted on April 6, 2024, at 1:45 PM
It’s heartwarming to see the community come together to bid farewell to “Johnny Test.” The “lab is now closing” ad was our way of softly transitioning fans towards our exciting new lineup, rendered in our fresh presentational style. We’re eager for you to dive into the adventures that “GoGoRiki,” “The Adventures of Gloopy and Glitter,” “Viva Pinata,” and “Chaotic” have in store. Thanks for being such dedicated viewers, and remember, new discoveries await every Saturday on CW4Kids!
Forum Thread Title: “CW4Kids Spring Preview Extravaganza Talkback - Embracing the New Era”
User1: ToonVisionary
Posted on April 12, 2024, at 8:00 PM
Just watched the CW4Kids Spring Preview Extravaganza, and wow, what a showcase! Gloopy did a fantastic job hosting, giving us insights and laughter throughout. I loved how they acknowledged the journey since “just after Christmas,” making it clear they value the past few months of transition. What did everyone think of the sneak peeks and the overall direction CW4Kids is taking?
User2: DigitalDawn
Posted on April 12, 2024, at 8:15 PM
The preview show was nothing short of spectacular! The acknowledgment of the transition period really hit home, showing they care about the seamless shift from Kids’ WB to CW4Kids. Every sneak peek, especially “Pokemon Horizons” and “Yu-Gi-Oh 5Ds,” has me hyped for April 13th. Gloopy mentioning the network’s journey since Christmas warmed my heart - a nod to the fans who’ve been here through it all.
User3: SaturdayMorningSleuth
Posted on April 12, 2024, at 8:30 PM
I appreciated the nod to the transition period—it felt respectful. Gloopy hosting was a stroke of genius; it brought a familiar face to the forefront, bridging old and new. The previews for “TMNT: Back to the Sewers” and “Chaotic” looked promising. CW4Kids seems dedicated to leveraging both nostalgia and innovation, which is exciting!
User4: RetroRewind
Posted on April 12, 2024, at 8:45 PM
The whole event was a classy way to introduce us to the future of CW4Kids. It’s like they’re carefully curating this blend of past favorites and new adventures for us. I was particularly impressed with the sneak peek of “Sonic X” starting from Episode 1 - smart move to draw in a wider audience. Acknowledging the transition gave a sense of continuity and respect for the audience’s journey.
User5: AnimationAficionado
Posted on April 12, 2024, at 9:00 PM
There was something very comforting about tonight’s show. Recognizing the time “just after Christmas” until now as a significant period of CW4Kids’ evolution shows they’re thoughtful about this rebranding process. The mix of upcoming shows has me convinced CW4Kids is setting a new standard for Saturday morning lineups. Can’t wait to see where they take us next!
User6: NewEraNick
Posted on April 12, 2024, at 9:15 PM
Truly an energizing preview event! Gloopy mentioning the network’s journey “just after Christmas” subtly reassured us that while we’re moving forward, the past months were just as valuable in shaping what CW4Kids is about to become. The diverse range of shows previewed tonight paints a bright future ahead. Excitement is an understatement!
CW4KidsForumMod
Posted on April 12, 2024, at 9:30 PM
Thrilled to see all the positive feedback from tonight’s Spring Preview Extravaganza! Our aim was to celebrate both the journey we’ve embarked on since “just after Christmas” and the exciting path ahead. Every show, be it a returning favorite or a new addition, is a piece of the CW4Kids puzzle we’re carefully putting together for our audience. Stay tuned for tomorrow’s big launch, and thank you for joining us on this incredible ride!
Write a convo asking what ads aired on April 6 (besides the JT farewell ad), A user has a list of 7 ads, the last one being for the preview show |
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Your team will organize into roles. One student will become the historical figure, another a critic, another a narrator, and another the moderator.
As a group, research the contribution of each person to orbital motion theory, as well as a reasonable criticism of the theory at the time. Your group will also research basic facts about the life and times of each contributor.
After completing your research, your group will prepare a poster of the major points of the theory as well as criticism. Your references, historical figure names, team member names, and dates need to be at the bottom of your poster.
Your group will prepare to present a mock discussion between the historical figure and the critic. The narrator will introduce the historical figure and the critic. The narrator will also present the date and the political and historical climate at the time. The moderator will maintain a professional discourse and interject additional information to maintain the presentation flow and audience understanding. Be sure each member of your team is well versed in each contributor and can respond well to questions posed about the historical figure.
HISTORICAL HIGHLIGHT
Evelyn Boyd Granville
Woman shown from shoulders to top of her head
Evelyn Boyd Granville Source
Evelyn Boyd Granville was the second African-American woman to earn a Ph.D. in mathematics from an American university. (Martha Euphemia Lofton Haynes was the first in 1890; she became a professor of mathematics.) In the 1950s, Boyd became interested in the new field of computer programming, which led her to the corporation International Business Machines (IBM) in 1956. She programmed in low-level assembly languages and the scientific Fortran language.
After IBM, she focused her career on satellite orbits and celestial mechanics. She wrote programs to track the orbits of the Vanguard satellite and the Mercury spacecraft. Later she calculated the trajectories for the Apollo missions. Source
CONCLUSION
Explain why the study of orbital mechanics is so controversial.
What factors contribute to a theory gaining mass acceptance?
What impacts did each of the following contributors make on the evolution of orbital mechanics?
Nicolaus Copernicus
Tycho Brahe
Johannes Kepler
Robert Hooke
Sir Isaac Newton |