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nch photographic refractor , newly procured from Paris . Augustinian Father Rodriguez was the expert meteorologist who held the post of director from 1898 to 1905 . In 1891 , Pope Leo XIII , promulgating the motu proprio Ut mysticam , designated the second tower as the seat of the newly established Vatican Observatory , a decision which required altering the roof to provide a flat terrace for astronomical observations .
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= = Fourth stage = =
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The fourth stage involved remedying the problem of communicating between the two towers during the time of Pope Pius X. His plans were to make the Gregorian Tower into a historical tower and to record and carry out observations at the second tower by linking the two towers along the fortified wall with a 83 metres ( 272 ft ) iron bridge spanning the gap . At the west end of this bridge , a four @-@ inch equatorial was installed on semicircular bastion . The east end of the bridge , above the barracks of th |
e gendarmes , had a heliograph , with a camera attached , used to photograph the Sun ( photoheliograph ) . A new 16 @-@ inch visual telescope , called Torre Pio X , was erected in the second tower . As a result of these modifications , the original library was moved to the Pontifical Academy Lincei , and the old meteorological and seismic instruments were shifted to the Valle di Pompei observatory . The new Astronomical Library was housed in two rooms of the building . The two new Repsold machines were used |
for recording on the astrographic plates . The recorded observations were published along with explanatory notes together with the last two series of the atlas of stars . Charts were printed on silver bromide paper .
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= = Features = =
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The tower had two floors and a mezzanine . On the first floor was the famous Sundial Room or Meridian Room , which was initially an open loggia . Pope Urban VIII had it enclosed and it was subsequently decorated with long sequences of frescoes painted between 1580 and 1582 by Simon Lagi and the two Flemish artists Paul and Matthijs Bril . Today the tower has paintings by Cristoforo Roncalli and Matteino da Siena .
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The Sundial Room , also called the Meridian Hall , was once the residence of Queen Christina of Sweden , then newly converted to Catholicism . The room was further modified by two additions which gave it its current name : a sundial , and a delicate but sophisticated anemoscope which was fixed to the ceiling of the Meridian Hall . These were created by Ignazio Danti , the papal cosmographer , in association with the Gregorian Calendar Reform . The sundial consisted of a straight line in white marble runnin |
g across the floor in a north @-@ south direction , intended to measure the height of the Sun at noon according to the seasons of the year . The observations made with the sundial provided essential confirmation of the need to reform the Julian calendar . The anemoscope , in contrast , was a complex mechanism attached to the ceiling which was used to measure the strength and direction of the wind but soon stopped functioning . The instrument may have led to the other name of the tower , Tower of the Winds ; |
however , an ancient observatory at Athens was also called the Tower of the Winds and might have been the source for inspiration .
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The interior walls and ceiling of the hall were richly decorated , in some cases with gaudy frescoes of the hills and Roman countryside , the Pantheons , religious themes , the buildings surrounding the area , and naval shipwrecks with Jesus calming the storm and so forth .
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= There 's Got to Be a Way =
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" There 's Got to Be a Way " is a song by American singer and songwriter Mariah Carey from her self @-@ titled debut studio album ( 1990 ) . Columbia released it as the fifth and final single from the album in the United Kingdom . It was one of four songs Carey wrote with Ric Wake during their first recording session together , but " There 's Got to Be a Way " was the only composition to make the final track listing . It is a socio @-@ political conscious R & B @-@ pop song which addresses the existence of |
poverty , racism and war in the world which gradually becomes more aspirational and positive as it progresses . The track garnered a mixed reception upon the album 's release in 1990 . While Carey 's vocals were praised , it was seen as too political . An accompanying music video highlights social injustices . The song reached number 54 on the UK Singles Chart .
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= = Background and release = =
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" There 's Got to Be a Way " was written by Mariah Carey and Ric Wake for Carey 's self @-@ titled debut studio album ( 1990 ) . It was written during Carey and Wake 's first recording session together . They composed four songs , but only " There 's Got to Be a Way " was chosen for the final track listing . Co @-@ produced by Wake and Narada Michael Walden , it appears as the second of ten songs on the track listing . The track was recorded and engineered by Bob Cadway at Cove City Sound Studios and The P |
ower Station , both located in New York City . He was assisted by Dana Jon Chappelle . It was mixed by David Frazer at Tarpan Studios in San Rafael . The keyboards , bass and rhythm engineering was carried out by Louis Biancaniello , while Joe Franco performed the percussion , Vernon " Ice " Black played the guitar , and Rich Tancredo also performing on the keyboards . Walter Afanasieff played the synth horns . Carey provided her own background vocals along with Billy T. Scott , Jamiliah Muhammed and The Bi |
lly T. Scott Ensemble . The song was released as the fifth and final single from the album in the United Kingdom . It is available to purchase as a CD single while the remixes are available on vinyl .
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= = Composition = =
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" There 's Got to Be a Way " is an R & B @-@ pop music song with elements of gospel . The theme of social activism can be heard in the lyrics " There ’ s got to be a way / to connect this world today . " The song begins with Carey publicly denouncing the existence of poverty and racism in the world , and she uses the bridge to shift the lyrics towards an uplifting and aspirational tone . Carey suggests we should be more tolerant of each other and not resort so readily to war in the lyrics " Couldn 't we ac |
cept each other / Can 't we make ourselves aware . "
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= = Critical reception = =
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Music critic Robert Christgau felt that Carey was being too political in her " brave , young , idealistic attack " on war and destitution . Ralph Novak , David Hiltbrand and David Grogan of People wrote that it is a " testimony to her talent that she does so much with so little . " They continued to write that Carey 's " tone and clarity " makes " There 's Got to Be a Way " a " mesmerizing " track . To mark twenty @-@ five years since the release of Mariah Carey in June 1990 , Billboard writer Trevor Ander |
son wrote a track @-@ by @-@ track review of the album in June 2015 . He noted that " There 's Got to Be a Way " follows the same melodic tone as the album 's opener " Vision of Love " but highlighted their stark lyrical differences , as the former is about social activism and the latter is about love . Although he praised Carey 's vocals , writing that she " deploys " one of her best whistle notes of her career , he felt that " the aim for broad appeal comes at the expense of memorable lyrics . "
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= = Music video = =
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The accompanying music video begins with a shot of an empty street , followed by clips of disadvantaged and poorer members of society going about their daily activities . Two men play dominoes on a wooden crate outside a building , a gang make fun of an elderly man hanging newspapers outside his store and an obese woman walks down the street . Clips of Carey leaning against a wall and sitting on some steps looking on at what is happening are shown . As the first chorus begins , everyone starts to dance joy |
fully in the street and help those in need . A gospel choir comes out of one of the buildings as the street becomes more crowded with people of all ages and backgrounds rejoicing and getting along with each other . One of the shops in the background has a neon light outside the entrance which says " Jesus Saves " .
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= = Track listings = =
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" There 's Got to Be a Way " ( Original album version ) – 4 : 52
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" There 's Got to Be a Way " ( 7 " remix )
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" There 's Got to Be a Way " ( 12 " remix )
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" There 's Got to Be a Way " ( Alternative Vocal Dub Mix )
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= = Charts = =
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= Nebraska Highway 88 =
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Nebraska Highway 88 ( N @-@ 88 ) is a highway in northwestern Nebraska . It has a western terminus at Wyoming Highway 151 ( WYO 151 ) at the Wyoming – Nebraska state line . The road travels eastward to N @-@ 71 , where it turns south . N @-@ 88 continues east to south of Bridgeport . The road turns north , ends at an intersection with U.S. Highway 385 ( US 385 ) and N @-@ 92 in Bridgeport . The route was designated in 1937 , before the official state highway system was created . It was extended to the stat |
e line in 1986 .
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= = Route description = =
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N @-@ 88 starts at the Nebraska – Wyoming state line in Banner County , where WYO 151 ends , and travels northeast . The road quickly bends east after less than one mile ( 1 @.@ 6 km ) , and continues in a straight line . For the next twenty miles ( 32 km ) , N @-@ 88 intersects minor streets , through rural farmland . The route turns south at N @-@ 71 , and becomes concurrent . Four miles ( 6 @.@ 4 km ) later , N @-@ 88 turns east , ending the concurrency with N @-@ 71 . The route continues to travel thro |
ugh farmland for sixteen miles ( 26 km ) , where it enters Morrill County . The road crosses over Pumpkin Creek four times , and enters the unincorporated community of Redington . Two rock formations , Courthouse and Jail Rocks , become visible from the road . N @-@ 88 turns north toward Bridgeport soon after . The road crosses over Pumpkin Creek for the fifth time , and enters into Bridgeport five miles ( 8 @.@ 0 km ) later . The road intersects a railroad owned by BNSF Railway . N @-@ 88 turns northeast s |
oon after , and ends at the intersection of US 385 and N @-@ 92 . In 2012 , Nebraska Department of Roads ( NDOR ) calculated as many as 2 @,@ 410 vehicles traveling on the N @-@ 71 / N @-@ 88 concurrency , and as few as 315 vehicles traveling east of the Banner – Morrill county line . This is expressed in terms of annual average daily traffic ( AADT ) , a measure of traffic volume for any average day of the year . Only the N @-@ 71 / N @-@ 88 concurrency is part of the National Highway System ( NHS ) , a ne |
twork of highways identified as being most important for the economy , mobility and defense of the nation .
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= = History = =
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N @-@ 88 was unofficially designated around 1937 , connecting from N @-@ 29 , to N @-@ 86 and N @-@ 19 in Bridgeport . The route remained relatively the same as the state highway system was officially designated . Before 1955 , Nebraska did not have an adequate legal instrument to define the state highway system . By 1960 , N @-@ 19 was renumbered to US 385 , and US 26 was rerouted north near Bridgeport . The old alignment became part of N @-@ 92 . Two years later , N @-@ 29 was renumbered to N @-@ 71 . Be |
tween 1981 @-@ 82 , a road appeared on the official state map , extending from WYO 151 to N @-@ 71 . That road became part of N @-@ 88 by 1986 . No significant changes have been made since .
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= = Major intersections = =
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= USS Atlanta ( 1861 ) =
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Atlanta was a casemate ironclad that served in the Confederate and Union Navies during the American Civil War . She was converted from a Scottish @-@ built blockade runner named Fingal by the Confederacy after she made one run to Savannah , Georgia . After several failed attempts to attack Union blockaders , the ship was captured by two Union monitors in 1863 when she ran aground . Atlanta was floated off , repaired , and rearmed , serving in the Union Navy for the rest of the war . She spent most of her t |
ime deployed on the James River supporting Union forces there . The ship was decommissioned in 1865 and placed in reserve . Several years after the end of the war , Atlanta was sold to Haiti , but was lost at sea in December 1869 on her delivery voyage .
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= = Description and career as Fingal = =
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Fingal was designed and built as a merchantman by J & G Thomson 's Clyde Bank Iron Shipyard at Govan in Glasgow , Scotland , and was completed early in 1861 . She was described by Midshipman Dabney Scales , who served on the Atlanta before her battle with the monitors , as being a two @-@ masted , iron @-@ hulled ship 189 feet ( 57 @.@ 6 m ) long with a beam of 25 feet ( 7 @.@ 6 m ) . She had a draft of 12 feet ( 3 @.@ 7 m ) and a depth of hold of 15 feet ( 4 @.@ 6 m ) . He estimated her tonnage at around |
700 tons bm . Fingal was equipped with two vertical single @-@ cylinder direct @-@ acting steam engines using steam generated by one flue @-@ tubular boiler . The engines drove the ship at a top speed of around 13 knots ( 24 km / h ; 15 mph ) . They had a bore of 39 inches ( 991 mm ) and a stroke of 30 inches ( 762 mm ) .
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The ship briefly operated between Glasgow and other ports in Scotland for Hutcheson 's West Highland Service before she was purchased in September 1861 by James D. Bulloch , the primary foreign agent in Great Britain for the Confederacy , to deliver the military and naval ordnance and supplies that he had purchased . To disguise his control of Fingal , and the destination of her cargo , Bulloch hired an English crew and captain and put out his destination as Bermuda and Nassau in the Bahamas . The cargo wa |
s loaded in Greenock in early October , although Bullock and the other passengers would not attempt to board until they rendezvoused with the ship at Holyhead , Wales . On the night 14 / 15 October , as she was slowly rounding the breakwater at Holyhead , Fingal rammed and sank the Austrian brig Siccardi , slowly swinging at anchor without lights . Bulloch and the passengers embarked in the steamer while Bulloch dispatched a letter to his financial agents instructing them to settle damages with the brig 's |
owners because he could not afford to take the time to deal with the affair lest he and Fingal be detained . The ship reached Bermuda on 2 November and , after leaving port on 7 November , Bulloch informed the crew that the steamer 's real destination was Savannah , Georgia ; he offered to take anyone who objected to the plan to Nassau . However , all of the crew agreed to join in the effort to run the Union blockade . Fingal was able slip safely into the Savannah estuary in a heavy fog on the night of 12 N |
ovember without sighting any blockaders .
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While Fingal was discharging her cargo , Bulloch went to Richmond to confer with Stephen Mallory , Secretary of the Navy . Mallory endorsed Bulloch 's plan to load Fingal with cotton to sell on the Navy Department 's account to be used to purchase more ships and equipment in Europe . He returned to Savannah on 23 November and it took him almost a month to purchase a cargo and acquire enough coal . He made one attempt to break through the blockade on 23 December , but it proved impossible to do as the Union |
controlled every channel from Savannah , aided by their occupation of Tybee Island at the mouth of the Savannah River . Bulloch reported to Mallory in late January 1862 that breaking out was hopeless so Mallory ordered him to turn the ship over to another officer and to return to Europe some other way .
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= = As Atlanta = =
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The brothers Asa and Nelson Tift received the contract to convert the blockade runner into an ironclad in early 1862 with the name of Atlanta , after the city in Georgia . This was largely financed by contributions from the women of Savannah . Fingal was cut down to her main deck and large wooden sponsons were built out from the sides of her hull to support her casemate . After the conversion , Atlanta was 204 feet ( 62 @.@ 2 m ) long overall and had a beam of 41 feet ( 12 m ) . Her depth of hold was now 1 |
7 feet ( 5 @.@ 2 m ) and she now had a draft of 15 feet 9 inches ( 4 @.@ 8 m ) . Atlanta now displaced 1 @,@ 006 long tons ( 1 @,@ 022 t ) and her speed was estimated at 7 – 10 knots ( 13 – 19 km / h ; 8 @.@ 1 – 11 @.@ 5 mph ) .
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The armor of the casemate was angled at 30 ° from the horizontal and made from two layers of railroad rails , rolled into plates 2 inches ( 51 mm ) thick and 7 inches ( 180 mm ) wide . The outer layer ran vertically and the inner layer horizontally . Her armor was backed by 3 inches ( 76 mm ) of oak , vertically oriented , and two layers of 7 @.@ 5 inches ( 191 mm ) of pine , alternating in direction . The bottom of the casemate was some 20 inches ( 508 mm ) from the waterline and its top was 8 feet 6 inch |
es ( 2 @.@ 59 m ) above the waterline . The pyramidal pilothouse was armored in the same way and had room for two men . The upper portion of Atlanta 's hull received two inches of armor .
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The rectangular casemate was pierced with eight narrow gun ports , one each at the bow and stern and three along each side . Each gun port was protected by an armored shutter made of two layers of iron riveted together and allowed the guns to elevate only to a maximum of + 5 to + 7 ° . Atlanta was armed with single @-@ banded , 7 @-@ inch ( 178 mm ) Brooke rifles on pivot mounts at the bow and stern . The middle gun port on each side was occupied by a single @-@ banded , 6 @.@ 4 @-@ inch ( 163 mm ) Brooke |
rifle . The 17 @-@ caliber , seven @-@ inch guns weighed about 15 @,@ 000 pounds ( 6 @,@ 800 kg ) and fired 80 @-@ pound ( 36 kg ) armor @-@ piercing " bolts " and 110 @-@ pound ( 50 kg ) explosive shells . The equivalent statistics for the 18 @.@ 5 @-@ caliber , 6 @.@ 4 @-@ inch gun were 9 @,@ 110 pounds ( 4 @,@ 130 kg ) with 80 @-@ pound bolts and 64 @-@ pound ( 29 kg ) shells . Atlanta was also armed with a 20 @-@ foot ( 6 @.@ 1 m ) , solid iron , ram that was reinforced by a series of vertical steel bar |
s . In front of the ram was a spar torpedo that carried 50 pounds ( 23 kg ) of black powder on a wooden pole connected to an iron lever that could be raised or lowered by means of pulleys .
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On 31 July 1862 , under the command of Lieutenant Charles H. McBlair , Atlanta conducted her sea trials down the Savannah River toward Fort Pulaski . The ship proved to be difficult to steer , and the additional weight of her armor and guns significantly reduced her speed and increased her draft . This latter was a real problem in the shallow waters near Savannah . She also leaked significantly , and her design virtually eliminated air circulation . One report said that " it was almost intolerable on board |
the Atlanta , there being no method of ventilation , and the heat was intense . " Scales commented in his diary , " What a comfortless , infernal and God @-@ forsaken ship ! ! "
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Attempts were made to fix the problems and were at least partially successful in stopping many of the leaks . The ship was commissioned on 22 November and became the flagship of Flag Officer Josiah Tattnall , commander of the naval defenses of Georgia . Under pressure from Mallory to engage the blockading ships , Tattnall attempted to engage them before any ironclads arrived on 5 January 1863 , but army engineers could not clear the obstacles blocking the channel in a timely manner , despite early coordina |
tion being made by Tattnall to do so . It took another month to actually clear the obstacles and two monitors arrived before the end of January . Nonetheless Tattnall attempted to pass through the obstructions during high tide on 3 February , but high winds prevented the water from rising enough to allow the ship to do so . After Atlanta successfully passed through them on 19 March , Tattnall planned to attack the Union base at Port Royal , South Carolina while the monitors were attacking Charleston . Deser |
ters revealed Tatnall 's plan while he was waiting at the head of Wassaw Sound and he was forced to retreat when three monitors augmented the defenses at Port Royal . Dissatisfied with Tattnall 's perceived lack of aggressiveness , Mallory replaced Tattnall as commander of the Savannah squadron later that month with Commander Richard L. Page . Page , in his turn was relieved in May by Commander William A. Webb ; Atlanta remained the squadron flagship throughout this time .
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Webb demonstrated his aggressiveness when he attempted to sortie on the first spring tide ( 30 May ) after taking command , but Atlanta 's forward engine broke down after he had passed the obstructions , and the ship ran aground . She was not damaged although it took over a day to pull her free . He planned to make another attempt on the next full tide , rejecting Mallory 's idea that he wait until the nearly complete ironclad Savannah was finished before his next sortie . In the meantime , Rear Admiral Sa |
muel F. Du Pont , commander of the South Atlantic Blockading Squadron , had ordered the monitors Weehawken and Nahant into Wassaw Sound . Commander John Rodgers in Weehawken had overall command of the two ships .
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In the early evening of 15 June , Webb began his next attempt by passing over the lower obstructions in the Wilmington River and spent the rest of the night coaling . He moved forward the next evening to a concealed position within easy reach of the monitors for an attack early the following morning . Webb planned to sink one of the monitors with his spar torpedo and then deal with the other one with his guns . The gunboat Isondiga and the tugboat Resolute were to accompany him to tow one or both of the mo |
nitors back to Savannah .
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A lookout aboard Weehawken spotted Atlanta at 04 : 10 on the morning of 17 June . When the latter ship closed to within about 1 @.@ 5 miles ( 2 @.@ 4 km ) of the two Union ships , she fired one round from her bow gun that passed over Weehawken and landed near Nahant . Shortly afterward , Atlanta ran aground on a sandbar ; she was briefly able to free herself , but the pressure of the tide pushed her back onto the sandbar . This time Webb was unable to get off and the monitors closed the range . When Weehaw |
ken , the leading ship , closed to within 200 – 300 yards ( 180 – 270 m ) she opened fire with both of her guns . The 11 @-@ inch ( 279 mm ) shell missed , but the 15 @-@ inch ( 381 mm ) shell struck the ironclad above the port middle gun port , penetrated her armor and broke the wooden backing behind it , spraying splinters and fragments that disabled the entire gun crew and half the crew of the bow gun , even though it failed to cleanly penetrate through the backing . The next shot from the 11 @-@ inch Da |
hlgren gun struck the upper hull and started a small leak even though it failed to penetrate the two @-@ inch armor there . The next shell from the 15 @-@ inch Dahlgren glanced off the middle starboard gun shutter as it was being opened , wounding half the gun 's crew with fragments . The final shell was also from the 15 @-@ inch Dahlgren and it struck the top of the pilothouse , breaking the armor there and wounding both pilots in it . By this time , Atlanta had been able to fire only seven shots , none of |
which hit either Union ship , and was hard aground with high tide not due for another hour and a half . Weehawken and Nahant were able to freely maneuver into positions from which the Atlanta 's narrow gun ports would not allow her to reply and the damage already inflicted by the former ship made further resistance futile . Webb surrendered his ship within 15 minutes of opening fire , before Nahant even had a chance to fire . Of the ironclad 's 21 officers and 124 enlisted men , one man was killed and anot |
her sixteen were wounded badly enough to require hospitalization .
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= = In the Union Navy = =
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Atlanta was easily pulled free by the Union ships and she reached Port Royal under her own power . Not badly damaged , she was repaired and bought by the Union Navy . The prize money of $ 350 @,@ 000 was shared between the crews of Weehawken , Nahant and the gunboat Cimarron , the only ships within signaling distance . The ship retained her name and was commissioned again on 2 February 1864 , rearmed with a pair of 8 @-@ inch ( 203 mm ) , 150 @-@ pound Parrott rifles in the bow and stern and 6 @.@ 4 @-@ in |
ch , 100 @-@ pound Parrott rifles amidships . The 150 @-@ pound Parrott rifle weighed 16 @,@ 500 pounds ( 7 @,@ 500 kg ) and was 17 calibers long . The 100 @-@ pounder weighed 9 @,@ 800 pounds ( 4 @,@ 400 kg ) and was 20 calibers long . It fired a 100 @-@ pound ( 45 kg ) shell a distance of 6 @,@ 900 yards ( 6 @,@ 300 m ) at an elevation of + 25 ° . All four of her Brooke rifles are currently located in Willard Park in the Washington Navy Yard . Atlanta was assigned to the North Atlantic Blockading Squadron |
and spent most of her time stationed up the James River where she could support operations against Richmond and defend against a sortie by the ironclads of the James River Squadron . On 21 May 1864 , she and the gunboat Dawn fired on and dispersed Confederate cavalry that was attacking Fort Powhatan and she was deployed further upriver in February 1865 after the Battle of Trent 's Reach to better blockade the Confederate ironclads at Richmond .
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After the end of the war in April , Atlanta was decommissioned in Philadelphia on 21 June 1865 and placed in reserve at League Island . She was sold to Sam Ward on 4 May 1869 for the price of $ 25 @,@ 000 and subsequently delivered to representatives of Haiti on 8 December by Sydney Oaksmith , a lawyer who had received an advance of $ 50 @,@ 000 on her purchase price of $ 260 @,@ 000 . The ship was briefly seized by the Customs Service , possibly for violations of neutrality laws as she had just loaded fou |
r large guns and a number of recruits for the forces of Sylvain Salnave , President of Haiti , who was embroiled in a civil war . Atlanta was released and sailed for Port @-@ au @-@ Prince three days later . She broke down in Delaware Bay and had to put in at Chester , Pennsylvania for repairs . The ship , now renamed either Triumph or Triumfo , departed on 18 December 1869 and vanished en route , apparently sinking with the loss of all hands , either off Cape Hatteras or the Delaware Capes .
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= Jacqueline Fernandez =
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Jacqueline Fernandez ( born 11 August 1985 ) is a Sri Lankan actress , former model , and the winner of the 2006 Miss Universe Sri Lanka pageant . As Miss Universe Sri Lanka she represented her country at the 2006 world Miss Universe pageant . She graduated with a degree in mass communication from the University of Sydney , and worked as a television reporter in Sri Lanka .
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While on a modelling assignment in India in 2009 , Fernandez successfully auditioned for Sujoy Ghosh 's fantasy drama Aladin , which marked her acting debut . Fernandez ' breakthrough role was in Mohit Suri 's psychological thriller Murder 2 ( 2011 ) , her first commercial success . This was followed by glamorous roles in the ensemble @-@ comedy Housefull 2 ( 2012 ) and its sequel Housefull 3 , and the action thriller Race 2 ( 2013 ) , all of which were box @-@ office successes . Her performance in the fir |
st of these garnered her an IIFA Award for Best Supporting Actress nomination . In 2014 , Fernandez played the leading lady in Sajid Nadiadwala 's Kick , which is one of the highest @-@ grossing Bollywood films of all time .
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One of the most popular actresses in India , she was the recipient of the IIFA Award for Star Debut of the Year – Female in 2010 . Alongside her screen acting career , Fernandez has participated in stage shows , and is active in humanitarian work .
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= = Early life and modeling career = =
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Fernandez was born on 11 August 1985 , in Manama , Bahrain , and was raised in a multi @-@ ethnic family . Her father , Elroy , is Sri Lankan , and her mother , Kim , is of Malaysian descent . Her grandfather , on her mother 's side of the family , is Canadian and her great grandparents were from Goa , India . Her father , who was a musician in Sri Lanka , moved to Bahrain in the 1980s to escape civil unrest between the Tamils and Sinhalese and subsequently met her mother who was an air hostess . She is th |
e youngest of four children with one elder sister and two elder brothers . She hosted television shows in Bahrain at the age of fourteen . After receiving her early education in Bahrain , she pursued a degree in mass communication from the University of Sydney in Australia . After graduating she worked as a television reporter in Sri Lanka . She also attended the Berlitz school of languages , where she learnt Spanish and improved her French and Arabic .
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According to Fernandez , she had aspired to become an actress at a young age and fantasized about becoming a Hollywood movie star . She received some training at the John School of Acting . Although , she was a television reporter , she accepted offers in the modeling industry , which came as a result of her pageant success . In 2006 , she was crowned the winner of the Miss Universe Sri Lanka pageant and represented Sri Lanka at the world Miss Universe 2006 pageant held in Los Angeles . In a 2015 interview |
, Fernandez described the modeling industry as " a good training ground " and said : " It is a medium that is about shedding your inhibitions , knowing your body , confidence " . In 2006 , she appeared in a music video for the song " O Sathi " by music duo Bathiya and Santhush .
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= = Acting career = =
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= = = 2009 – 2013 = = =
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In 2009 , Fernandez traveled to India for a modeling assignment . She studied acting under the mentorship of theatre director Barry John , and successfully auditioned for Sujoy Ghosh 's fantasy film Aladin ( 2009 ) her acting debut . She played the love interest of Riteish Deshmukh 's character , a role based on the Princess Jasmine character . Fernandez garnered mixed reviews for her performance . Anupama Chopra of NDTV called her a " plastic debutant [ e ] " , and Rajeev Masand of CNN @-@ IBN felt that s |
he was : " easy on the eyes and appears confident but has precious little to do " . Although the film was a critical and commercial failure , she won the IIFA Award for Star Debut of the Year - Female .
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In 2010 , Fernandez appeared opposite Deshmukh in the science fiction romantic comedy Jaane Kahan Se Aayi Hai . She was cast as a girl from Venus , who lands on Earth in search of love . The film , along with Fernandez 's performance , received poor reviews ; Rediff.com 's Sukanya Verma noted : " She gamely makes a fool of herself whilst aping the actions of movie stars , ranging from Sridevi 's Naagin dance , Mithun Chakravarthy 's Disco Dancer moves , to Big B 's violent headshake in Hum . Her Tara could |