As always, another great movie and another great discussion! Above you'll find the recording of our discussion, and below you'll find the show notes that either inspired some of our topics, or offer more to think about as you digest the film. Hope you can make it to our next discussion on the Toy Story films!

Show Notes

1. 12 Angry Men on Wikipedia Cool description of how the director used lenses and the camera to help tell this story:

2. "12 Angry Men: Lumet’s Faces" by Thane Rosenbaum
The whole article is a great piece on the film and is definitely worth a read. Here are the highlights:

Equally nameless, and far more distant, is the teenager with his appointment with the electric chair. Does he realize that his life is in the hands of a jury composed of men so easily given to prejudgment? Forget reasonable doubt—they won’t even give him the benefit of the doubt. Without fancy stagecraft, 12 Angry Men portrays the American jury system as tragic opera.
The film captured the American legal system in a way that had never been done before. There are no preening, cagey lawyers or craggy, wise judges. The jury is where justice resides—with common men who apply common sense and ultimately do what’s right, in spite of extreme prejudice. The hero, juror 8, doesn’t know if the teenager is innocent or guilty; he simply wants to believe that the system is capable of delivering justice, and he doesn’t want to be complicit in compounding an injustice. The jury becomes the repository of America’s faith that the law can get it right. But, at the same time, the film provides a civics lesson on the frightening implications of the legal system’s getting it all wrong.
12 Angry Men, in particular, illuminates the richness of what can happen when the interior lives of human beings are projected onto a screen. Shooting in black and white, in a tiny room overrun with emotional complexity, Lumet worked movie magic simply by changing the focal length of his lenses, from wide-angle to telephoto, manipulating the depth of the frame and, in so doing, providing the viewer with a greater depth of feeling as the camera zooms in on the faces of these twelve once angry, but finally subdued, and forever immortalized, men.

3. 3 Reasons: 12 Angry Men by Criterion Collection

4. "12 Angry Men" by Roger Ebert


5. "Deliberation and Dissent: 12 Angry Men Versus the Empirical Reality of Juries" by Valerie P. Hans, p. 585

A law professor's take on the movie's relation to reality:

The movie 12 Angry Men starts by showing lay participation at its worst. The discussion is cursory. The jurors exchange insults and put-downs. the comments about the trial and the defendant reflect snap judgments and prejudice. In short, the men are really bad jurors. But the deliberation transforms the men into thoughtful jurists who consider the evidence more deeply and reason through it to their collective verdict.