Frankenstein Conquers the World: Wikis




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Frankenstein vs. Baragon

Original Japanese Poster
Directed by Ishirō Honda
Produced by Tomoyuki Tanaka
Henry G. Saperstein
Written by Reuben Bercovitch
Takeshi Kimura
Starring Nick Adams
Tadao Takashima
Kumi Mizuno
Music by Akira Ifukube
Cinematography Hajime Koizumi
Sadamasa Arikawa
Editing by Ryohei Fujii
Distributed by Toho (Japan)
American International Pictures (USA)
Release date(s) August 8, 1965 (Japan)
July 8, 1966 (USA)
Running time 94 minutes (Japan)
87 minutes (USA)
Country  Japan
Language Japanese
Followed by War of the Gargantuas

Frankenstein Conquers the World, released in Japan as Frankenstein versus Subterranean Monster Baragon (フランケンシュタイン対地底怪獣 Furankenshutain Tai Chitei Kaijū Baragon ?) and Toho's official English title is Frankenstein vs. Baragon, is a tokusatsu kaiju/horror film produced in 1965 by Toho Company Ltd. This film features a Japanese version of the Frankenstein Monster, who becomes giant-sized to fight the giant subterranean monster, Baragon.

This was also the first of two Toho-produced films to star Hollywood actor Nick Adams, the other being the sixth Godzilla film, Invasion of Astro-Monster.



The prologue is set in World War II, circa 1945. Nazis break into the laboratory of Dr. Reisendorf and confiscate the heart of the Frankenstein Monster, on which he is busy experimenting. The Nazis travel by submarine to the Pacific. The Allied Forces then bomb their submarine, but not before the Nazis pass the heart (contained in a locked chest) to the Imperial Japanese Navy, who take it back to Hiroshima to be experimented on. But just as they are about to begin, Hiroshima is bombed by the Allied Forces, and the heart is lost.


The Former Naval Captain Kawai, who brought the Frankenstein heart to Japan in WWII, is working in an oil factory in Akita Prefecture, when a sudden earthquake shakes the factory and collapses a tower, beneath which he saw the ghastly face of a giant dinosaur with a glowing horn.

Meanwhile, Dr. Bowen and the scientists find that the strange boy is growing due to intake of protein. Afraid of his strength, the scientists lock and chain the boy in a jail cell, and Sueko, who really cares for him, feeds him some protein food to sustain him. Meanwhile, Dr. Bowen is visited by Kawai, who tells him that the boy could have grown from the heart of the Frankenstein Monster, as the boy was seen in Hiroshima more than once before. At Bowen's advice, Dr. Kawaji confers with the aging Dr. Reisendorf in Frankfurt. Reisendorf tells Kawaji of the story of the Frankenstein Monster and its noted virtual immortality, due to the intake of protein. Reisendorf recommends cutting off the monster's arm or leg, speculating that a new one will grow back. When relating this to his fellow scientists upon his return to Japan, Sueko strongly objects to this method, fearing that nothing may grow back. Even when Bowen suggests that they wait a little longer to think it over, Kawaji tenaciously attempts to sever one of the now-gigantic monster's limbs. He is interrupted by a TV crew, whom Kawaji allows to film the monster, though they it enrage by shining bright studio lights at its face. The monster, heretofore known as "Frankenstein", breaks loose and is on the run from the Japanese police. He even has a tender encounter with Sueko on the balcony of her apartment before he has to run away.


But unbeknownst to Bowen and the scientists, Baragon, the monster Kawai saw earlier, goes on a rampage. Tunneling under the earth, he pops out and ravages villages, eating people and animals and leaving destruction in his wake. People believe this is Frankenstein's doing, and the misunderstood monster is wrongly hunted down by the military, though not before narrowly escaping. Before Bowen and his assistants have no choice but to dismiss Frankenstein, Kawai returns to tell them that Frankenstein may not be responsible for the disasters; it could be the monster ( Baragon. ) he saw in Akita. He tries to convince the authorities, but to no avail. Kawaji still wishes the scientists luck in finding Frankenstein.

Bowen, Sueko, and Kawaji then form a search party and venture into the forest in which they believe Frankenstein is currently hiding. But Kawaji, to the shock of Bowen and Sueko, then proceeds to attempt to kill him, believing that Frankenstein could be dangerous by his very nature, and not even Sueko could possibly tame him. He intends to blind him with chemical grenades and capture him to recover his heart and brain. Kawaji presses on to find Frankenstein, and instead finds Baragon. Kawaji and Bowen try in vain to stop the monster with the grenades, but it is about to eat Sueko, until Frankenstein comes to the rescue. The cataclysmic battle between the two giant monsters then begins.

Alternate ending

The unfortunate Giant Octopus drove many fans up the wall. This monster appeared on several stills from Frankenstein Conquers the World, but no one could spot it in the film. Ishiro Honda explains apologetically: "The movie was made in co-production with an American company, Benedicts Productions. The bosses were so astonished by the octopus scenes from King Kong vs. Godzilla, they begged to include it into the screenplay, even in spite of logic. So we shot some scenes with the Giant Octopus but, in the end, they were left out of the picture."

For accuracy, it should be added that after many years, in the Japanese video edition of Frankenstein Conquers the World, that discarded scene was tagged on as an “alternate ending.” The management of Benedicts Productions stood by their guns, however, and in the following co-production, War of the Gargantuas ( 1966 ), the octopus rolled through the screen officially and in its full slimy glory.[1]

However, there is a DVD release that either recovers or re-creates the alternate ending.



Producer Tomoyuki Tanaka had originally commissioned a film called Frankenstein vs. the Human Vapor (フランケンシュタイン対ガス人間 - Furankenshutain tai Gasu Ningen), with a draft written by Kimura. This also follows up with The Human Vapor (1960), as Mizuno finds the Frankenstein Monster's body, and revives him, so that he can help him use the Frankenstein formula to revive his beloved girlfriend Fujichiyo (who died at the end of said film). This was also supposed to be Toho's co-feature with the Japanese release of My Fair Lady.

Parallels to the source material

There are many references to the 1931 Frankenstein film adaptation, an iconic representation of the monster featured in the famous book by Mary Shelley. In general, the monster is referred to by the name of his creator ("Frankenstein"), as opposed to "The Frankenstein Monster" (which Dr. Bowen did refer to him as once in this film).


The sequel to this film is War of the Gargantuas (titled Furankenshutain no Kaijû: Sanda tai Gaira in Japan). In said film, pieces of Frankenstein's cells mutate into two giant humanoid monsters: Sanda (the Brown Gargantua) and Gaira (the Green Gargantua). The former is a benevolent and peace-loving creature, the latter is murderous and savage. However, United Productions of America, the US co-producers, obscured all references to Frankenstein in the American version. Probably because the two monsters could not be recognized as "Frankenstein" monsters. However, a reference is made to a severed hand.

DVD release

Tokyo Shock

  • Released: 2007
  • Sound: English/Japanese mono and 5.1
  • Region 1
  • Note: Includes three cuts of the film: Japanese, International, and US.


  1. ^ Video of alternate ending, Gojiman's World


External links

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