BEGIN:VCALENDAR PRODID:-// iCalcreator 2.6// VERSION:2.0 X-WR-CALNAME:Calendar of X-WR-CALDESC:In this calendar you will find information about events that y ou did save X-WR-TIMEZONE:US/Pacific BEGIN:VEVENT DTSTAMP:20140315T192202Z CATEGORIES:Personal CLASS:EVENT DESCRIPTION:Event Name: Joe Pug | Rayland Baxter \nEvent Url:\nEvent Date Be gin: 2010-06-10\nEvent Date End: 2010-07-17\n\nFor the moment\, Joe Pug ha s it figured out\, career if not life: Just write the songs that have to b e written\, play them for anybody who will listen\, tour as if you had no home. Oh\, and give your music away. Which isn't to say he won't be sellin g his debut full-length offering\, Messenger ( Released 2/16/2010 on Light ning Rod). But free is how he came to make it\, more or less. It worked l ike this\, for Joe Pug anyhow: The day before his senior year as a playwri ght student at the University of North Carolina\, he sat down for a cup of coffee and had the clearest thought of his life: I am profoundly unhappy here. Then came the second clearest. Pug packed up his belongings and poi nted his car towards Chicago. Working as a carpenter by day\, the 23 year- old Pug spent nights playing the guitar he hadn't picked up since his teen age years. Using ideas originally slated for a play he was writing called &ldquo\;Austin Fish\,&rdquo\; Pug began creating the sublime lyrical arran gements that would become the Nation of Heat EP. The songs were recorded fast and fervently at a Chicago studio where a friend snuck him in to late night slots other musicians had canceled. He was short on money\, but his bare-boned sincerity didn't require much more than a microphone and it dr ipped off of each note he sang. The early rumblings of critical praise fo r the EP were confirmed when his first headlining gig sold out Chicago's s toried Schubas Tavern in 2008. As word spread\, Pug struck upon an idea th at would later prove to be one of the most significant in his young career . He offered his existing fans unlimited copies of a free 2-song sampler C D to pass along to their friends. He sent the CDs out at his own expense\, even covering the postage. Inside each package was a personal note thanki ng the fan for helping to spread the word. The response was overwhelming\, and to date he has sent out over 15\,000 CDs to 50 states and 14 differen t countries. Without access to radio\, Pug managed to turn his fans into h is very own broadcast system. The offer still stands\, and to this day it' s featured prominently on &ldquo\;Look\, in the end\ , I just trust my fans\, and the nature of people in general. I need to pa y my bills like anyone else does. But I also don't think it's right to ask someone to pay $15 when they don't know what they're getting. So in a way by sending out these CDs\, I'm wagering that they'll like my music\, and that if they do they'll come to shows\, buy CDs\, and help me spread the w ord even further. And so far I've been proven right. Without question\, th e more sampler CDs I send out\, the more music I sell.&rdquo\; Nation of Heat took on a life of its own\, passing from friend to friend and iPod to iPod. The crowds swelled and the media took notice. Tours with Steve Earl e\, M. Ward\, and Josh Ritter followed\, as did invitations to Lollapalooz a and the Newport Folk Festival. He crisscrossed the country incessantly\, traveling mostly alone in his 1995 Plymouth Voyager with no stereo or air conditioning. As the tours went on\, he became closely linked to the burg eoning indie-folk scene that was coalescing loosely around Pug and his you ng contemporaries in bands such as The Low Anthem\, Langhorne Slim\, and H orse Feathers. After over 200 shows\, Pug took a brief respite to record his full-length debut. If Nation of Heat heralded the arrival of a talent to watch\, Messenger assigns Pug a deserved spot among the finest songwrit ers of his generation. From the opening notes of the title track that lead s off the record\, it's clear that the artist has no intention of retreati ng to the comfortable or the familiar. While the scathing war indictment & ldquo\;Bury Me Far (From My Uniform)&rdquo\; and the sparse\, poetic &ldqu o\;Unsophisticated Heart&rdquo\; illustrate that Pug is still a master of the guy-and-guitar song\, it's the supporting cast Pug brought on board th at truly brings out the record's subtle beauty. From the haunting\, ether eal pedal steel guitar that sneaks delicately under &ldquo\;The Sharpest C rown&rdquo\; to the barrelhouse rhythm section that propels &ldquo\;The Do or Is Always Open&rdquo\;\, it's clear that Pug is as comfortable explorin g this new territory as he is solo. &ldquo\;The first record\, it was a br eeze\,&rdquo\; he says. &ldquo\;Didn't even know we were making it\, just me and a guitar&hellip\;the songs completely unadorned. This one\, it's li ke that thing where there's an explosion and you realize how many options there are in the world.&rdquo\;\n\nStart time: 7:00 DTSTART:20100610T000000 DTEND:20100717T000000 LOCATION: SUMMARY:Joe Pug | Rayland Baxter TRANSP:TRANSPARENT END:VEVENT END:VCALENDAR