BELTING, HansUnited StatesUS1987Deals with the following broad questions: what made papal programs in Rome particular or singular? What were they meant to tell their audience? In what way did they differ from each other within different periods of church politics between A.D. 300 (when the pope became a political figure) and A.D. 1300 (when he left Rome for Avignon)? Focuses on the pictorial programs of apses (mosaics and some frescoes).Bibliographie d'Histoire de l'Art15 ill.ISBN 0915773015Englisheng24998155AbsideArchitectureArtArt religieuxDécorEgliseEglise (institution)ItalieMosaïqueMécénatPapautéPeinture muraleRoma (ITA)Symbolisme300-1300ApsesArchitectureArtChurchChurchesDecorationItalyMosaicsMural paintingPapacyPatronageReligious artRoma (ITA)Symbolism300-1300530 - BIBLIOGRAPHIE D'HISTOIRE DE L'ARTLight on the eternal city : observations and discoveries in the art and architecture of Rome; [University Park]; Pennsylvania State University PressPapal artistic commissions as definitions of the medieval church in RomeArticle