HBO Documentary Explores Dark Underbelly Of Russia's Bolshoi Ballet Russia's Bolshoi Ballet was rocked following the 2013 acid attack on the company's artistic director. A new documentary airing Monday on HBO, Bolshoi Babylon, looks at the culture of the company and how things got to that point. NPR explores how the paranoia and distrust of management within the ranks of the company is both very Russian and a symbol of the Bolshoi Ballet.


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HBO Documentary Explores Dark Underbelly Of Russia's Bolshoi Ballet

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ELIZABETH BLAIR, BYLINE: The documentary begins with stunning, close-up images of Bolshoi dancers performing.



UNIDENTIFIED MAN: (Speaking Russian).



UNIDENTIFIED MAN: (Speaking Russian).

BLAIR: "The acid attack on the ballet director," he says, "means the country is sick, not just the theater."

"Bolshoi Babylon" is the work of filmmakers Mark Franchetti and Nicholas Read. Franchetti has been a Moscow-based journalist for 18 years. He won a British Press Award for his coverage of the 2002 Moscow theater siege in which 130 hostages were killed. He's covered Russian politics and the war in Ukraine.

MARK FRANCHETTI: That acid attack tells you much more than just infighting gone sour within the company. It very much reflects the way Putin's Russia works, that you have different clans that are sort of fighting over big spoils and influence.

BLAIR: The characters in this story are straight out of an international thriller. There's Sergey Filin, victim of the attack. Through footage of the handsome Filin performing, we see why he was one of the Bolshoi's popular soloists before becoming the company's artistic director. We see the horrific images of the burns on his face, which made headlines around the world.


UNIDENTIFIED WOMAN: Well, the doctors say it's too early to predict whether Sergey Filin will fully manage to regain his vision.

BLAIR: There's lead dancer Pavel Dmitrichenko who's now serving time for ordering the attack. We learn that both of his parents were dancers and that he aspired to one day lead the company. We hear from principal dancers and the Bolshoi's ballet master. But the film also zooms out and explores the significance of this company to the Soviet Union and now Russia.

President Nixon attends a performance. So does Fidel Castro. Russian Prime Minister Dmitry Medvedev tells the filmmakers the Bolshoi is the government's secret weapon. Co-director Nicholas Read.

NICHOLAS READ: Dancers were - you know, during the Cold War were used as a sort of instrument of trying to achieve some - you know, a new dialogue with the West. So they've been used as this sort of tool of soft power.

BLAIR: And that's partly why the dancers were surprised the Bolshoi gave the filmmakers access to performances, rehearsals and meetings for an entire season. They visited dancer Anastasia Miskova at her home.

ANASTASIA MISKOVA: (Speaking Russian).

BLAIR: Speaking from NPR's Moscow bureau, Miskova told me the Bolshoi rarely opens its doors.

MISKOVA: (Through interpreter) We don't do this in Russia. In Russia, it's - everybody - people just trying to put, like, the masks. They're trying to have the mask on their face, not - they're trying not to show the real face.

BLAIR: If there's a hero in this story, it would be Vladimir Urin, the man brought in to straighten out the beleaguered company. As general director of the Bolshoi, he's a Kremlin appointee. It was his decision to allow the filmmakers in. Mark Franchetti says it was a rare gesture for the head of a Russian institution as prestigious and politically connected as the Bolshoi, especially at a time when Russia's relations with the West are at an all-time low.

FRANCHETTI: We were filming when the whole Ukraine crisis broke out and when relations between especially Russia and America, but overall with the West, plunged to their worst since the Cold War.

BLAIR: In many ways, "Bolshoi Babylon" shows the conflicts and contradictions within this major ballet company and within Russia itself. The film might not get at the whole truth of what happened, but it gets us much closer to what life is like inside this historic institution where ambition, jealousies and power aren't just happening on stage. Elizabeth Blair, NPR News.

