On Thursday, the National Association of Theatre Owners (NATO) released a report showing that movie-ticket sales had decreased by about 12 cents. This time last year, the average ticket price was $9.38; now, it’s $9.26. At the same time, box office numbers have also decreased; this year’s Q2 box office stands at $3.22 billion, compared to last year’s $3.34 billion. That’s despite the strength of the quarter’s biggest releases, including Aladdin, Avengers: Endgame, Captain Marvel, and Toy Story 4. In other words: Even that Disney deluge wasn’t enough to pull this quarter higher.

So, what does this all mean for the summer box office? Analysts, at least, aren’t panicking; these numbers are par for the course in the business, they say. “We had a very down June,” said Shawn Robbins, chief analyst for BoxOffice Media. “We’re also comparing it against a record year last year”—when hits like Black Panther and Deadpool 2 drove sales higher than ever before. “It makes it hard to live up to that expectation.”

Plus, the summer of 2019 isn’t over yet. The calendar still holds a few future films that could kick numbers into high gear. “I think it’s looking up from here on,” Robbins said. “It always felt like the back half of the summer was going to have the stronger slate, with Spider-Man: Far From Home and Lion King and Hobbs & Shaw coming out.”

Thus far, Spider-Man has grossed $864 million worldwide, and is close to outpacing 2017’s Spider-Man: Homecoming ($880 million). The Lion King remake, out on Friday, is tracking at around $400 million worldwide in its opening weekend, while Hobbs & Shaw, a Fast and Furious spin-off, could electrify the August box office. Stepping away from franchises, there’s also Quentin Tarantino’s Once Upon a Time…in Hollywood, which could earn up to $50 million in its domestic opening weekend and pick up worldwide steam from there. As the summer moves into fall, It: Chapter Two will be there to rake in the millions.

“All the people raising the red flag, it’s completely misguided. When the box office is down, everyone gets bummed out, [but] then it comes back,” agreed Paul Dergarabedian, senior media analyst for Comscore. “To me, it’s one of the most cyclical businesses out there.”

The decrease in ticket prices can be attributed to a number of factors, including theater promotions, discounts, and theatrical subscription services like AMC Stubs A-List. “That’s not much of a movement of the needle,” Dergarabedian said of the 12-cent decrease. “We’re not talking about a huge change.”

Lower ticket prices are also worth celebrating, he noted. “It’s good news for consumers,” he said, pointing out that price-sensitive moviegoers will have a new incentive to go to the theater—so long as the films there are high-quality enough to compete with the offerings of streamers like Netflix, which pose the biggest threat to the theatrical experience as we know it.

These days, though, even Netflix is feeling the squeeze of the content bubble. On Wednesday, the streamer reported that it had lost 126,000 paid subscribers in the U.S. during its second quarter, and had fallen short of its new subscriber estimation: 2.7 million subscribers this quarter, versus 5.5 million in the first quarter. The platform has also made headlines for losing streaming rights to hit sitcoms Friends and The Office.