# migrations

dir: sysdb
filename: 00001-collections.sqlite.sql
hash: 38352d725ad1c16074fac420b22b4633
sql:
CREATE TABLE collections (
    id TEXT PRIMARY KEY,
    name TEXT NOT NULL,
    topic TEXT NOT NULL,
    UNIQUE (name)
);

CREATE TABLE collection_metadata (
    collection_id TEXT REFERENCES collections(id) ON DELETE CASCADE,
    key TEXT NOT NULL,
    str_value TEXT,
    int_value INTEGER,
    float_value REAL,
    PRIMARY KEY (collection_id, key)
);


dir: sysdb
filename: 00002-segments.sqlite.sql
hash: 2913cb6a503055a95f625448037e8912
sql:
CREATE TABLE segments (
    id TEXT PRIMARY KEY,
    type TEXT NOT NULL,
    scope TEXT NOT NULL,
    topic TEXT,
    collection TEXT REFERENCES collection(id)
);

CREATE TABLE segment_metadata (
    segment_id TEXT  REFERENCES segments(id) ON DELETE CASCADE,
    key TEXT NOT NULL,
    str_value TEXT,
    int_value INTEGER,
    float_value REAL,
    PRIMARY KEY (segment_id, key)
);


dir: sysdb
filename: 00004-tenants-databases.sqlite.sql
hash: 048867ce8fcdefe4023c7110e4433591
sql:
CREATE TABLE IF NOT EXISTS tenants (
    id TEXT PRIMARY KEY,
    UNIQUE (id)
);

CREATE TABLE IF NOT EXISTS databases (
    id TEXT PRIMARY KEY, -- unique globally
    name TEXT NOT NULL, -- unique per tenant
    tenant_id TEXT NOT NULL REFERENCES tenants(id) ON DELETE CASCADE,
    UNIQUE (tenant_id, name) -- Ensure that a tenant has only one database with a given name
);

CREATE TABLE IF NOT EXISTS collections_tmp (
    id TEXT PRIMARY KEY, -- unique globally
    name TEXT NOT NULL, -- unique per database
    topic TEXT NOT NULL,
    dimension INTEGER,
    database_id TEXT NOT NULL REFERENCES databases(id) ON DELETE CASCADE,
    UNIQUE (name, database_id)
);

-- Create default tenant and database
INSERT OR REPLACE INTO tenants (id) VALUES ('default_tenant'); -- The default tenant id is 'default_tenant' others are UUIDs
INSERT OR REPLACE INTO databases (id, name, tenant_id) VALUES ('00000000-0000-0000-0000-000000000000', 'default_database', 'default_tenant');

INSERT OR REPLACE INTO collections_tmp (id, name, topic, dimension, database_id)
    SELECT id, name, topic, dimension, '00000000-0000-0000-0000-000000000000' FROM collections;
DROP TABLE collections;
ALTER TABLE collections_tmp RENAME TO collections;


dir: sysdb
filename: 00005-remove-topic.sqlite.sql
hash: b1367c826b8fba5f96f27befdc1d42d2
sql:
-- Remove the topic column from the Collections and Segments tables

ALTER TABLE collections DROP COLUMN topic;
ALTER TABLE segments DROP COLUMN topic;


dir: sysdb
filename: 00006-collection-segment-metadata.sqlite.sql
hash: 4eea7468935bf25d4604a0fed2366116
sql:
-- SQLite does not support adding check with alter table, as a result, adding a check
-- involve creating a new table and copying the data over. It is over kill with adding
-- a boolean type column. The application write to the table needs to ensure the data
-- integrity.
ALTER TABLE collection_metadata ADD COLUMN bool_value INTEGER;
ALTER TABLE segment_metadata ADD COLUMN bool_value INTEGER;


dir: sysdb
filename: 00007-collection-config.sqlite.sql
hash: 1c7e63bba346a42a18b6ab7f1c989bed
sql:
-- Stores collection configuration dictionaries.
ALTER TABLE collections ADD COLUMN config_json_str TEXT;


dir: sysdb
filename: 00008-maintenance-log.sqlite.sql
hash: 0a0e7e93111a01789addf64961c6127c
sql:
-- Records when database maintenance operations are performed.
-- At time of creation, this table is only used to record vacuum operations.
CREATE TABLE maintenance_log (
  id INT PRIMARY KEY,
  timestamp INT NOT NULL,
  operation TEXT NOT NULL
);


dir: sysdb
filename: 00009-segment-collection-not-null.sqlite.sql
hash: 054355aef9e63702bf54ea29e61563f1
sql:
-- This makes segments.collection non-nullable.
CREATE TABLE segments_temp (
    id TEXT PRIMARY KEY,
    type TEXT NOT NULL,
    scope TEXT NOT NULL,
    collection TEXT REFERENCES collection(id) NOT NULL
);

INSERT INTO segments_temp SELECT * FROM segments;
DROP TABLE segments;
ALTER TABLE segments_temp RENAME TO segments;


dir: metadb
filename: 00001-embedding-metadata.sqlite.sql
hash: 2b4cf52c4bb2676e21d6860a4409f856
sql:
CREATE TABLE embeddings (
    id INTEGER PRIMARY KEY,
    segment_id TEXT NOT NULL,
    embedding_id TEXT NOT NULL,
    seq_id BLOB NOT NULL,
    created_at TIMESTAMP NOT NULL DEFAULT CURRENT_TIMESTAMP,
    UNIQUE (segment_id, embedding_id)
);

CREATE TABLE embedding_metadata (
    id INTEGER REFERENCES embeddings(id),
    key TEXT NOT NULL,
    string_value TEXT,
    int_value INTEGER,
    float_value REAL,
    PRIMARY KEY (id, key)
);

CREATE TABLE max_seq_id (
    segment_id TEXT PRIMARY KEY,
    seq_id BLOB NOT NULL
);

CREATE VIRTUAL TABLE embedding_fulltext USING fts5(id, string_value);


dir: metadb
filename: 00002-embedding-metadata.sqlite.sql
hash: 12a570f7121b3a8ce750a2a7c36da20f
sql:
-- SQLite does not support adding check with alter table, as a result, adding a check
-- involve creating a new table and copying the data over. It is over kill with adding
-- a boolean type column. The application write to the table needs to ensure the data
-- integrity.
ALTER TABLE embedding_metadata ADD COLUMN bool_value INTEGER


dir: metadb
filename: 00003-full-text-tokenize.sqlite.sql
hash: f97ad6334aeaa8f419f01110b648b97a
sql:
CREATE VIRTUAL TABLE embedding_fulltext_search USING fts5(string_value, tokenize='trigram');
INSERT INTO embedding_fulltext_search (rowid, string_value) SELECT rowid, string_value FROM embedding_metadata;
DROP TABLE embedding_fulltext;


dir: metadb
filename: 00004-metadata-indices.sqlite.sql
hash: fb36603a45ee2cd0254cef3ef86585e8
sql:
CREATE INDEX IF NOT EXISTS embedding_metadata_int_value ON embedding_metadata (key, int_value) WHERE int_value IS NOT NULL;
CREATE INDEX IF NOT EXISTS embedding_metadata_float_value ON embedding_metadata (key, float_value) WHERE float_value IS NOT NULL;
CREATE INDEX IF NOT EXISTS embedding_metadata_string_value ON embedding_metadata (key, string_value) WHERE string_value IS NOT NULL;


dir: metadb
filename: 00005-max-seq-id-int.sqlite.sql
hash: 0e9de46758761b373ce682925edcc326
sql:
ALTER TABLE max_seq_id ADD COLUMN int_seq_id INTEGER;

-- Convert 8 byte wide big-endian integer as blob to native 64 bit integer.
-- Adapted from https://stackoverflow.com/a/70296198.
UPDATE max_seq_id SET int_seq_id = (
  SELECT (
       (instr('123456789ABCDEF', substr(hex(seq_id), -1 , 1)) <<  0)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -2 , 1)) <<  4)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -3 , 1)) <<  8)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -4 , 1)) << 12)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -5 , 1)) << 16)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -6 , 1)) << 20)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -7 , 1)) << 24)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -8 , 1)) << 28)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -9 , 1)) << 32)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -10, 1)) << 36)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -11, 1)) << 40)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -12, 1)) << 44)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -13, 1)) << 48)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -14, 1)) << 52)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -15, 1)) << 56)
     | (instr('123456789ABCDEF', substr(hex(seq_id), -16, 1)) << 60)
    )
);

ALTER TABLE max_seq_id DROP COLUMN seq_id;
ALTER TABLE max_seq_id RENAME COLUMN int_seq_id TO seq_id;


dir: embeddings_queue
filename: 00001-embeddings.sqlite.sql
hash: d3755dfd232be8e8301f4d7fcfb3a486
sql:
CREATE TABLE embeddings_queue (
    seq_id INTEGER PRIMARY KEY,
    created_at TIMESTAMP NOT NULL DEFAULT CURRENT_TIMESTAMP,
    operation INTEGER NOT NULL,
    topic TEXT NOT NULL,
    id TEXT NOT NULL,
    vector BLOB,
    encoding TEXT,
    metadata TEXT
);


# collections

id: e665d038-91c5-498b-ac4d-b7cc4092f287
name: webpages_collection
database_id: 00000000-0000-0000-0000-000000000000
config_json_str:
{"vector_index":{"hnsw":{"space":"l2","ef_construction":100,"ef_search":100,"max_neighbors":16,"resize_factor":1.2,"sync_threshold":1000}},"embedding_function":{"type":"known","name":"default","config":{}}}


# embedding_metadata

key: chroma:document
string_value:
Mercedes Sosa - WikipediaMercedes Sosa - Wikipedia

From Wikipedia, the free encyclopedia

Argentine singer (1935–2009)
Not to be confused with Mercedes Sola.

Mercedes SosaPortrait by Annemarie Heinrich, 1960sBornHaydée Mercedes Sosa(1935-07-09)9 July 1935San Miguel de Tucumán, Tucumán, ArgentinaDied4 October 2009(2009-10-04) (aged 74)Buenos Aires, ArgentinaOccupationSingerYears active1950–2009Musical careerGenresFolknueva canciónInstrumentsVocals
Musical artist
Haydée Mercedes "La Negra" Sosa (Latin American Spanish: [meɾˈseðes ˈsosa]; 9 July 1935[1] – 4 October 2009) was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of El nuevo cancionero. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the "voice of the voiceless ones".[2] She was often called "the conscience of Latin America".[3]
Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris, the Sistine Chapel in Vatican City, as well as sold-out shows in New York's Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.

Life[edit]
Sosa was born on 9 July 1935, in San Miguel de Tucumán, in the northwestern Argentine province of Tucumán, of mestizo ancestry. She was of French, Spanish and Diaguita descent.[4] Her nickname "la negra", which is a common nickname in Argentina for people with darker complexion, is a reference to her indigenous heritage.[5] Her parents, a day laborer and a washerwoman,[3] were Peronists, although they never registered in the party, and she started her career as a singer for the Peronist Party in Tucuman under the name Gladys Osorio.


key: chroma:document
string_value:
[6] In 1950, at age fifteen, she won a singing competition organized by a local radio station and was given a contract to perform for two months.[7] She recorded her first album, La Voz de la Zafra, in 1959.[7] A performance at the 1965 Cosquín National Folklore Festival—where she was introduced and brought to the stage while sitting in the audience by fellow folk singer Jorge Cafrune—[8] brought her to the attention of the Argentine public.[7] Sosa and her first husband, Manuel Oscar Matus, with whom she had one son, were key players in the mid-60s nueva canción movement (which was called nuevo cancionero in Argentina).[9] Her second record was Canciones con Fundamento, a collection of Argentine folk songs.

Sosa with Félix Luna and Ariel Ramírez (at the piano)
Sosa "spent the late 1960s building her audience in Europe and among the cosmopolitan middle class in Buenos Aires, becoming in the process a much bigger star" than her contemporaries.[10] In 1967, Sosa toured the United States and Europe with great success.[citation needed] In later years, she performed and recorded extensively, broadening her repertoire to include material from throughout Latin America.
In the early 1970s, Sosa released two concept albums in collaboration with composer Ariel Ramírez and lyricist Félix Luna: Cantata Sudamericana and Mujeres Argentinas (Argentine Women). She also recorded a tribute to Chilean musician Violeta Parra in 1971, including what was to become one of Sosa's signature songs, Gracias a la vida.[4][11] She further popularized of songs written by Milton Nascimento of Brazil and Pablo Milanés and Silvio Rodríguez both from Cuba.[4] Throughout the decade, she released albums such as Hasta la Victoria in 1972 and Traigo un Pueblo en mi Voz in 1973. They featured songs like "Cuando tenga la tierra", written by Ariel Petrocelli and Daniel Toro, which tackles political and social issues like wealth and land inequality.[12][13] During the 1970s she was a part of two films by the director Leopoldo Torre Nilsson: El Santo de la Espada in 1970 and Güemes, la tierra en armas in 1971, in which she portrayed Juana Azurduy de Padilla, the guerrilla military leader who fought for Argentine independence.


key: chroma:document
string_value:
[12][14]

Sosa in 1972
After the military junta of Jorge Videla came to power in 1976, the atmosphere in Argentina grew increasingly oppressive. Sosa faced death threats against both her and her family, but refused for many years to leave the country. At a concert in La Plata in 1979, Sosa was searched and arrested on stage, along with all those attending the concert.[9] Their release came about through international intervention.[7] Despite attempts to hold more concerts, she was officially barred from performing by the military regime.[5] Banned in her own country, she moved to Paris and then to Madrid.[7][9] She has spoken publicly about her artistic and emotional struggles during this period of her life.[5] While in exile, she released the album A Quien Doy in 1981. The album included a recording of the song "Cuando Me Acuerdo de Mi Pais" which was originally written by the prolific Chilean singer/songwriter, Patricio Manns. The song, which he wrote while also in political exile, expresses the sorrow he felt from being separated from his homeland.[15] She related to this feeling and struggled to continue recording and performing. In an interview with the New York Times, she said, “It was a mental problem, a problem of morale...It wasn’t my throat, or anything physical".[5]
Sosa returned to Argentina from her exile in Europe in February 1982,[16][9] several months before the military regime collapsed as a result of the Falklands War, and gave a series of concerts at the Teatro Ópera in Buenos Aires, where she invited many of her younger colleagues to share the stage. A double album of recordings, Mercedes Sosa en Argentina, from these performances became an instant best seller. She then traveled to perform in her home province of Tucuman. However, these performances were largely ignored by mainstream media in the country.[16] In subsequent years, Sosa continued to tour both in Argentina and abroad, performing in such venues as the Lincoln Center in New York City and the Théâtre Mogador in Paris. In poor health for much of the 1990s, she performed a comeback show in Argentina in 1998.


key: chroma:document
string_value:
[7] In 1994, she played in the Sistine Chapel in Vatican City.[4] In 2002, she sold out both Carnegie Hall in New York and the Colosseum in Rome in the same year.[4]

Sosa in 1973
A supporter of Perón, she favored leftist causes throughout her life. She supported President Raul Alfonsin in the election of 1983 which marked the return of democracy in Argentina following the dictatorship. She referred to this election as "Argentina's Spring"[17] She opposed President Carlos Menem, who was in office from 1989 to 1999, and supported the election of Néstor Kirchner, who became president in 2003.[18]
Sosa was a UNESCO Goodwill Ambassador for Latin America and the Caribbean.[9][19]
Sosa disliked being identified as a protest singer.[3][20] While she was outright in her political stances, Sosa said the following on the position of the artist:

“An artist isn’t political in the party political sense – they have a constituency, which is their public – it is the poetry that matters most of all.”
In a career spanning four decades, she worked with performers across several genres and generations, folk, opera, pop, rock, including Martha Argerich, Andrea Bocelli, David Broza, Franco Battiato, Jaime Roos, Joan Baez, Francis Cabrel, Gal Costa, Luz Casal, Lila Downs, Lucio Dalla, Maria Farantouri, Lucecita Benitez, Nilda Fernández, Charly Garcia, León Gieco, Gian Marco, Nana Mouskouri, Pablo Milanés, Holly Near, Milton Nascimento, Pata Negra, Fito Páez, Franco De Vita, Lourdes Pérez, Luciano Pavarotti, Silvio Rodríguez, Ismael Serrano, Shakira, Sting, Caetano Veloso,[4] Julieta Venegas, Gustavo Cerati and Konstantin Wecker[9]
Sosa participated in a 1999 production of Ariel Ramírez's Misa Criolla.[21] Her song Balderrama is featured in the 2008 movie Che, starring Benicio del Toro as the Argentine Marxist revolutionary Che Guevara.[22]
Sosa was the co-chair of the Earth Charter International Commission.

Awards[edit]
Sosa won the Latin Grammy Award for Best Folk Album in 2000 (Misa Criolla),[23] 2003 (Acústico),[24] 2006 (Corazón Libre),[25] 2009 (Cantora 1, which also won Best Recording Package and was nominated for Album of the Year),[26] and 2011 (Deja La Vida Volar),[27] as well as several international awards.


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string_value:
In 1995, Konex Foundation from Argentina granted her the Diamond Konex Award, one of the most prestigious awards in Argentina, as the most important personality in the popular music of her country in the last decade.[28]

Death[edit]
Mercedes Sosa lying in repose, with her family and President Cristina Fernández de Kirchner viewing
Suffering from recurrent endocrine and respiratory problems in later years, the 74-year-old Sosa was hospitalized in Buenos Aires on 18 September 2009.[29] She died from multiple organ failure on 4 October 2009, at 5:15 am.[11] She is survived by one son, Fabián Matus, born of her first marriage.[7][30] He said: "She lived her 74 years to the fullest. She had done practically everything she wanted, she didn't have any type of barrier or any type of fear that limited her".[30] The hospital expressed its sympathies to her relatives.[31] Her website featured the following: "Her undisputed talent, her honesty and her profound convictions leave a great legacy to future generations".[32]
Her body was placed on display at the National Congress building in Buenos Aires for the public to pay their respects, and President Fernández de Kirchner ordered three days of national mourning.[30][33] Thousands had queued by the end of the day.[32][34]
Sosa's obituary in The Daily Telegraph said she was "an unrivalled interpreter of works by her compatriot, the Argentine Atahualpa Yupanqui, and Chile's Violeta Parra".[7] Helen Popper of Reuters reported her death by saying she "fought South America's dictators with her voice and became a giant of contemporary Latin American music".[34] Sosa received three Latin Grammy nominations for her album, in 2009 . She went on to win Best Folk Album about a month after her death.[4][9]

Tributes[edit]
In 2019, Sosa was celebrated by a Google Doodle. The doodle was showcased in Argentina, Chile, Uruguay, Paraguay, Bolivia, Peru, Ecuador, Cuba, Iceland, Sweden, Serbia, Greece, Israel and Vietnam.[35]
In 2023, Rolling Stone ranked Sosa at number 160 on its list of the 200 Greatest Singers of All Time.


key: chroma:document
string_value:
[36]

Discography[edit]
Sosa in 2005, with Argentina's then-First Lady (later president from 2007 to 2015), Cristina Fernández de Kirchner
Sosa recorded forty albums.[4][9]

Studio albums[edit]

Year

Album details

1962

La Voz De La Zafra
Label: RCA

1965

Canciones Con Fundamento
Label: El Grillo

1966

Hermano
Label: Philips

1966

Yo No Canto Por Cantar
Label: Philips

1967

Para Cantarle A Mi Gente
Label: Philips

1968

Con Sabor A Mercedes Sosa
Label: Philips

1969

Mujeres Argentinas
Label: Philips

1970

El Grito De La Tierra
Label: Philips

1970

Navidad Con Mercedes Sosa
Label: Philips

1971

Homenaje a Violeta Parra
Label: Philips

1972

Hasta La Victoria
Label: Philips

1972

Cantata Sudamericana
Label: Philips

1973

Traigo Un Pueblo En Mi Voz
Label: Philips

1975

A Que Florezca Mi Pueblo
Label: Philips

1976

En Dirección Del Viento
Label: Philips

1977

Mercedes Sosa Interpreta A Atahualpa Yupanqui
Label: Philips

1979

Serenata Para La Tierra De Uno
Label: Philips

1981

A Quien Doy / Cuando Me Acuerdo de Mi País
Label: Philips

1982

Como Un Pájaro Libre
Label: Philips

1983

Mercedes Sosa
Label: Philips

1984

¿Será Posible El Sur?
Label: Philips

1985

Vengo A Ofrecer Mi Corazón
Label: Philips

1986

Mercedes Sosa '86
Label: Philips

1987

Mercedes Sosa '87
Label: Philips

1993

Sino
Label: Philips/Polygram

1994

Gestos De Amor
Label: Polydor

1996

Escondido En Mi País
Label: Polydor

1997

Alta Fidelidad (w/Charly García)
Label: Mercury

1998

Al Despertar
Label: Mercury

1999

Misa Criolla
Label: Mercury

2005

Corazón Libre
Label: Edge

2009

Cantora 1 (w/various artists)
Label: RCA

2009

Cantora 2 (w/various artists)
Label: RCA

2011

Censurada
Label: Philips

2015

Lucerito
Label: RCA

EPs[edit]

Year

EP details

1975

Niño De Mañana
Label: Philips

Live albums[edit]

Year

Album details

1973

Si Se Calla El Cantor (with Gloria Martin)
Label: Philips

1980

Gravado Ao Vivo No Brasil
Label: Philips

1982

Mercedes Sosa en Argentina
Label: Phonogram/Philips

1985

Corazón Americano (with Milton Nascimento León Gieco)
Label: Philips

1989

Live in Europe
Label: Tropical Music/Polygram Argentina

1991

De Mí
Label: Philips

2002

Acústico En Vivo
Label: Sony Music Argentina

2003

Argentina Quiere Cantar (with Víctor Heredia León Gieco)
Label: Odeon/EMI

2010

Deja La Vida Volar (En Gira)
Label: RCA

2014

Angel
Label: Universal Music

2024

En vivo en el Gran Rex 2006
Label: INAMU Discos

Mercedes Sosa en Nueva York, 1974
Label: Sony Music Argentina

Compilation albums[edit]

Year

Album details

1975

Disco De Oro
Label: Philips

1983

Recital
Label: Philips

1988

Amigos Míos
Label: Philips

1993

30 Años
Label: Polygram Argentina

1995

Oro
Label: Polygram

1997

The Best Of Mercedes Sosa
Label: Mercury

2013

Siempre En Ti
Label: Universal Music

Filmography[edit]
Güemes, la tierra en armas (1971)
Argentinísima (1972)
Esta es mi Argentina (1974)
Mercedes Sosa, como un pájaro libre (1983)
Será possible el sur: Mercedes Sosa (1985)
Historias de Argentina en vivo (2001)
Further reading[edit]

Christensen, Anette (2019).


key: chroma:document
string_value:
Mercedes Sosa - The Voice of Hope. Denmark: Tribute2life Publishing. ISBN 978-87-998216-5-5.
Christensen, Anette (2019). Mercedes Sosa - More Than a Song. Denmark: Tribute2life Publishing. ISBN 978-87-998216-7-9. (Abridged version of Mercedes Sosa - The Voice of Hope)
Braceli, Rodolfo (2010). Mercedes Sosa. La Negra (in Spanish). Italy: Perrone. ISBN 978-88-6004-347-4.
Matus, Fabián (2016). Mercedes Sosa. La Mami (in Spanish). Argentina: Planeta. ISBN 978-950-49-5247-3.

References[edit]

^ Mercedes Sosa at BrainyHistory.com

^ "Singer Mercedes Sosa: The voice of the 'voiceless ones' outlasts South American dictatorships".

^ a b c Heckman, Don (29 October 1995). "POP MUSIC : The Voice Heard Round the World : Mercedes Sosa, a compelling figure in world music and a social activist, will make a rare L.A. appearance". Los Angeles Times. Retrieved 5 December 2023.

^ a b c d e f g h "Legendary folk singer Mercedes Sosa dies at 74". France 24. 4 October 2009. Retrieved 5 October 2009.

^ a b c d Bernstein, Adam (5 October 2009). "Argentine folk singer who championed social justice". Los Angeles Times. Retrieved 8 March 2025.

^ Mercedes Sosa: The Voice of Latin America. Dir. Rodrigo H. Villa. First Run Features, 2013. Web.

^ a b c d e f g h "Mercedes Sosa: Obituary". The Daily Telegraph. 4 October 2009. Retrieved 5 October 2009.

^ The presentation by Jorge Cafrune and the song Mercedes Sosa sang on YouTube. Retrieved 3 March 2010.

^ a b c d e f g h "Latin artist Mercedes Sosa dies". BBC. 4 October 2009. Retrieved 5 October 2009.

^ Karush, Matthew (2017). Musicians in Transit: Argentina and the Globalization of Popular Music. Duke. p. 168. ISBN 978-0-8223-7377-3.

^ a b Associated Press[dead link]

^ a b "Biografía". Fundación Mercedes Sosa (in Spanish). Retrieved 8 March 2025.

^ Argentina, Cadena 3. "El folclore argentino llora la muerte de Daniel Toro - Notas - Viva la Radio". Cadena 3 Argentina (in Spanish). Retrieved 14 March 2025.{{cite web}}: CS1 maint: numeric names: authors list (link)

^ Nilsson, Leopoldo Torre (7 April 1971), Güemes - la tierra en armas (Drama, History), Alfredo Alcón, Norma Aleandro, Gabriela Gili, Producciones Cinematográficas Cerrillos, retrieved 8 March 2025

^ Rodrigo (10 September 2020).


key: chroma:document
string_value:
"Patricio Manns: Cuando me acuerdo de mi país (1983) | PERRERAC: La canción, un arma de la revolución" (in Spanish). Retrieved 14 March 2025.

^ a b Lopez, Vicente F. (18 January 1983). "ARTISTAS EXILIADOS HAN REGRESADO A ARGENTINA". El Nuevo Herald. p. 8. Retrieved 7 March 2025.

^ Drosdoff, Daniel (30 October 1983). "ARGENTINIAN VOTE TO END DICTATORSHIP PERONIST AND RADICAL IN LEAD FOR PRESIDENCY". Miami Herald. pp. 16A. Retrieved 7 March 2025.

^ Interview with Mercedes Sosa Archived 16 October 2009 at the Wayback Machine, Magazin Berliner Zeitung, 25 October 2003. (in German)

^ Mercedes Sosa in concert Archived 4 January 2008 at the Wayback Machine

^ Meyer, Bill (7 October 2009). "A U.S. musician pays tribute to Mercedes Sosa". People's World. Retrieved 5 December 2023.

^ "In Profile: Mercedes Sosa". soundsandcolours.com. 26 August 2010. Retrieved 27 March 2018.

^ Balderrama by Mercedes Sosa on YouTube – a tribute to Che Guevara

^ "Latin Grammys: Ganadores – Años Anteriores (2000)". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.

^ "Latin Grammys: Ganadores – Años Anteriores (2003)". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.

^ "Latin Grammys: Ganadores – Años Anteriores (2006)". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.

^ "Latin Grammys: Ganadores – Años Anteriores (2009)". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.

^ "Latin Grammys: Ganadores – Años Anteriores (2011)". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.

^ "Premios Konex 1995: Música Popular". Fundación Konex (in Spanish). Retrieved 7 July 2021.

^ ""En ningún momento sufrió", dijo el hijo de Mercedes Sosa" (in Spanish). October 2009. Archived from the original on 4 October 2009. Retrieved 1 October 2009.

^ a b c Javier Doberti (4 October 2009). "Argentine singer Mercedes Sosa, 'voice of Latin America,' dies at 74". CNN. Retrieved 5 October 2009.

^ "Argentine folk legend Mercedes Sosa dead at 74".


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Bangkok Post. 4 October 2009. Retrieved 5 October 2009.

^ a b "Argentine folk icon Sosa dies at 74". Al Jazeera. 4 October 2009. Retrieved 5 October 2009.

^ "Continúa la procesión en el Congreso para despedir a Mercedes Sosa".

^ a b Helen Popper (4 October 2009). "Argentine singer Mercedes Sosa dies at 74". Reuters. Archived from the original on 11 October 2009. Retrieved 5 October 2009.

^ "Celebrating Mercedes Sosa". Doodles Archive, Google. 31 January 2019.

^ "The 200 Greatest Singers of All Time". Rolling Stone. 1 January 2023. Retrieved 9 March 2023.

External links[edit]

Wikiquote has quotations related to Mercedes Sosa.

Wikimedia Commons has media related to Mercedes Sosa.

Tribute to Mercedes Sosa (in Portuguese BR)
Mercedes Sosa's website (in Spanish)
Mercedes Sosa's News (in Spanish)
Mercedes Sosa at IMDb
Mercedes Sosa's Discography on Discogs.com

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wikipedia.org/w/index.php?title=Mercedes_Sosa oldid=1294833034"
Categories: 1935 births2009 deathsLatin Grammy Award winners20th-century Argentine women singersArgentine activistsArgentine women activistsArgentine people of French descentArgentine people of Diaguita descentArgentine people of Quechua descentDeaths from kidney failure in ArgentinaPeople from San Miguel de TucumánNueva canción musiciansBombo legüero playersLatin Grammy Lifetime Achievement Award winnersRecipients of the Order of Cultural Merit (Brazil)20th-century drummersWomen in Latin musicHidden categories: All articles with dead external linksArticles with dead external links from June 2024CS1 Spanish-language sources (es)CS1 maint: numeric names: authors listWebarchive template wayback linksArticles with German-language sources (de)Articles with short descriptionShort description is different from WikidataWikipedia indefinitely move-protected pagesUse dmy dates from July 2023Articles with hCardsPages with Latin American Spanish IPAAll articles with unsourced statementsArticles with unsourced statements from December 2023Commons category link is on Wikidata

Mercedes Sosa"POP MUSIC : The Voice Heard Round the World : Mercedes Sosa, a compelling figure in world music and a social activist, will make a rare L.A. appearance""Argentine folk singer who championed social justice"The presentation by Jorge Cafrune and the song Mercedes Sosa sangAssociated Press"El folclore argentino llora la muerte de Daniel Toro - Notas - Viva la Radio""Patricio Manns: Cuando me acuerdo de mi país (1983) | PERRERAC: La canción, un arma de la revolución""ARGENTINIAN VOTE TO END DICTATORSHIP PERONIST AND RADICAL IN LEAD FOR PRESIDENCY"ArchivedArchived"In Profile: Mercedes Sosa""Latin Grammys: Ganadores – Años Anteriores (2000)""Latin Grammys: Ganadores – Años Anteriores (2006)""Latin Grammys: Ganadores – Años Anteriores (2011)"""En ningún momento sufrió", dijo el hijo de Mercedes Sosa""Argentine singer Mercedes Sosa, 'voice of Latin America,' dies at 74""Argentine folk


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icon Sosa dies at 74""Argentine singer Mercedes Sosa dies at 74""Celebrating Mercedes Sosa"Tribute to Mercedes SosaMercedes Sosa's NewsMercedes Sosa's Discography


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Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | BrightlyMastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | BrightlyIn the landscape of asset performance and planning, a trio of terms continually crops up. The driving metrics of capacity planning are overall equipment effectiveness, mean time between failures, and mean time to repair. These terms represent critical KPIs (key performance indicators) that several types of manufacturers rely on to assess their operation’s capacity, their equipment's reliability, and turnaround times. Let’s take a dive deeper into these fundamental metrics and unveil their impact.Overall Equipment Effectiveness (OEE)What is OEE?Overall equipment effectiveness is the gold standard for measuring manufacturing efficiency. It assesses how efficiently a manufacturing unit performs relative to its designed capacity during its operational periods. It is also used as an effective capacity planning metric. Yes, in a perfect world, we can achieve 85% or higher OEE (world-class) but it is not realistic for most. OEE allows you to understand historical performance when manufacturing a type of product, therefore rather than hoping we get this order to client in time, we can understand realistic production output and delivery window.Why is it important?OEE is calculated by multiplying A-P-Q (explained in-depth below). OEE, by asset or by line, allows you to focus attention on the least effective asset. Then from there understand the lagging output metric leading to poor performance. In short, it shows you where your inefficiencies are.In-depth lookOEE comprises three pivotal factors: Availability (actual operating time versus planned production time), Performance (actual run rate versus designed run rate), and Quality (good units produced versus total units started). The comprehensive OEE formula is:OEE = Availability × Performance × QualityThough a 100% OEE is idyllic, scores around 85% are heralded as world-class in both process and discrete manufacturing.


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Mean Time Between Failures (MTBF)What is MTBF?Mean time between failures represents the average time interval between equipment failures. Think of it as the equipment's reliability barometer, signaling how frequently it's expected to fail during its lifespan. MTBF is one part of the Reliability equation. The inverse of MTBF is the failure rate.Why is it important?Imagine if you predictably got sick every two months (MTBF = 60 days) what would you do with that information? Get a checkup, implement some preventive medicine practices, routinely or at least prior to that 60-day mark. Ahh, same goes with how you schedule, maintain, and operate your assets with the use of MTBF.In-depth lookIt's worth noting that MTBF is relevant mainly for assets that can be repaired after a malfunction, rather than those run-to-failure, then replaced. The formula for MTBF is:MTBF = Number of operational hours ÷ Number of failures For a more in-depth read, check out the comprehensive overview of MTBF in the Learning Center. Mean Time to Repair (MTTR)What is MTTR?Mean time to repair measures the average time required to diagnose and repair an asset, returning it to operational status and base-operating condition.Why is it important?Imagine a critical machine in a manufacturing plant breaking down. The swifter the repair, the quicker the resumption of production, minimizing losses.In-depth lookMTTR underscores the maintenance efficiency and/or the equipment's inherent ease of Maintainability.. How invasive is it to remedy the issue? The underlying objective is to keep MTTR minimal. Monitoring this metric can help in future design planning of replacement assets. Like Reliability, buyers can require design features that increase their assets' maintainability. The formula for MTTR is: MTTR = Total downtime x Number of failuresMTTR = Number of failures x Total downtime​The Interconnection and the Balancing ActStriving for a high OEE might overburden assets, reducing MTBF. Likewise, extensive MTBF, if paired with a high MTTR, might not promise satisfactory reliability.


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Hence, understanding and balancing these metrics is vital.From a capacity planning perspective, think of it from OEE to MTBF to MTTR, or vice versa. When the asset is running, what is my expected output? Factor into that plan, how often it needs proactive attention (MTBF), and lastly, when it goes down, what is the average turnaround time (MTTR)? This will help production and maintenance balance realistic expectations of asset performance versus operational needs.How does a CMMS fit into OEE/MTBF/MTTR? CMMS’ play a pivotal role influencing these metrics. Here is how:Availability: CMMS is a tool used to track both repair and maintenance activities for an asset. The more proactive we become, the more downtime we are mitigating. What is the right ratio of preventive versus reactive maintenance for you? World-class, like OEE, is more than 85% proactive work. That is not economically feasible for every industry. Find the right balance for you and optimize it. The key here is mitigating downtime factors through proactive and condition monitoring techniques, and you will increase the availability of your assets.Sensors: Modern CMMSs, like Asset Essentials™, can consume existing process data (PLC, SCADA, MES) using our Smart Assets application, or retrofitting with new sensors, allowing maintenance teams to ease the burden of now being able to be everywhere and see everything, all the time. Monitor critical assets, set thresholds, and act on those alerts to minimize functional failure damage to equipment — which will extend your MTBF significantly.Optimized Asset Lifecycle: With insights from these KPIs, CMMSs play a huge role in determining remaining useful life (RUI) and report on asset performance through maintenance work order history data. That includes top 10 problems, causes, as well as material cost and labor hours invested. If all these indicators are trending in the wrong direction, we need to have a repair versus replace conversation sooner rather than later. Your CMMS should help you tell this story.In essence, OEE, MTBF, and MTTR form the cornerstone of informed capacity planning.


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As industries strive for efficiency, reliability, and quality, understanding and optimizing these metrics becomes a competitive advantage. Partnering with the right CMMS provider can be the game-changer, transforming these metrics from mere numbers to actionable insights driving business success.


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{"chroma:document":"Mercedes Sosa - WikipediaMercedes Sosa - Wikipedia\n\nFrom Wikipedia, the free encyclopedia\n\nArgentine singer (1935–2009)\nNot to be confused with Mercedes Sola.\n\nMercedes SosaPortrait by Annemarie Heinrich, 1960sBornHaydée Mercedes Sosa(1935-07-09)9 July 1935San Miguel de Tucumán, Tucumán, ArgentinaDied4 October 2009(2009-10-04) (aged 74)Buenos Aires, ArgentinaOccupationSingerYears active1950–2009Musical careerGenresFolknueva canciónInstrumentsVocals\nMusical artist\nHaydée Mercedes \"La Negra\" Sosa (Latin American Spanish: [meɾˈseðes ˈsosa]; 9 July 1935[1] – 4 October 2009) was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of El nuevo cancionero. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the \"voice of the voiceless ones\".[2] She was often called \"the conscience of Latin America\".[3]\nSosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris, the Sistine Chapel in Vatican City, as well as sold-out shows in New York's Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.\n\nLife[edit]\nSosa was born on 9 July 1935, in San Miguel de Tucumán, in the northwestern Argentine province of Tucumán, of mestizo ancestry. She was of French, Spanish and Diaguita descent.[4] Her nickname \"la negra\", which is a common nickname in Argentina for people with darker complexion, is a reference to her indigenous heritage.[5] Her parents, a day laborer and a washerwoman,[3] were Peronists, although they never registered in the party, and she started her career as a singer for the Peronist Party in Tucuman under the name Gladys Osorio.","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","title":"Mercedes Sosa - Wikipedia"}


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{"chroma:document":"[6] In 1950, at age fifteen, she won a singing competition organized by a local radio station and was given a contract to perform for two months.[7] She recorded her first album, La Voz de la Zafra, in 1959.[7] A performance at the 1965 Cosquín National Folklore Festival—where she was introduced and brought to the stage while sitting in the audience by fellow folk singer Jorge Cafrune—[8] brought her to the attention of the Argentine public.[7] Sosa and her first husband, Manuel Oscar Matus, with whom she had one son, were key players in the mid-60s nueva canción movement (which was called nuevo cancionero in Argentina).[9] Her second record was Canciones con Fundamento, a collection of Argentine folk songs.\n\nSosa with Félix Luna and Ariel Ramírez (at the piano)\nSosa \"spent the late 1960s building her audience in Europe and among the cosmopolitan middle class in Buenos Aires, becoming in the process a much bigger star\" than her contemporaries.[10] In 1967, Sosa toured the United States and Europe with great success.[citation needed] In later years, she performed and recorded extensively, broadening her repertoire to include material from throughout Latin America.\nIn the early 1970s, Sosa released two concept albums in collaboration with composer Ariel Ramírez and lyricist Félix Luna: Cantata Sudamericana and Mujeres Argentinas (Argentine Women). She also recorded a tribute to Chilean musician Violeta Parra in 1971, including what was to become one of Sosa's signature songs, Gracias a la vida.[4][11] She further popularized of songs written by Milton Nascimento of Brazil and Pablo Milanés and Silvio Rodríguez both from Cuba.[4] Throughout the decade, she released albums such as Hasta la Victoria in 1972 and Traigo un Pueblo en mi Voz in 1973. They featured songs like \"Cuando tenga la tierra\", written by Ariel Petrocelli and Daniel Toro, which tackles political and social issues like wealth and land inequality.[12][13] During the 1970s she was a part of two films by the director Leopoldo Torre Nilsson: El Santo de la Espada in 1970 and Güemes, la tierra en armas in 1971, in which she portrayed Juana Azurduy de Padilla, the guerrilla military leader who fought for Argentine independence.","title":"Mercedes Sosa - Wikipedia","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


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{"url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","chroma:document":"[12][14]\n\nSosa in 1972\nAfter the military junta of Jorge Videla came to power in 1976, the atmosphere in Argentina grew increasingly oppressive. Sosa faced death threats against both her and her family, but refused for many years to leave the country. At a concert in La Plata in 1979, Sosa was searched and arrested on stage, along with all those attending the concert.[9] Their release came about through international intervention.[7] Despite attempts to hold more concerts, she was officially barred from performing by the military regime.[5] Banned in her own country, she moved to Paris and then to Madrid.[7][9] She has spoken publicly about her artistic and emotional struggles during this period of her life.[5] While in exile, she released the album A Quien Doy in 1981. The album included a recording of the song \"Cuando Me Acuerdo de Mi Pais\" which was originally written by the prolific Chilean singer/songwriter, Patricio Manns. The song, which he wrote while also in political exile, expresses the sorrow he felt from being separated from his homeland.[15] She related to this feeling and struggled to continue recording and performing. In an interview with the New York Times, she said, “It was a mental problem, a problem of morale...It wasn’t my throat, or anything physical\".[5]\nSosa returned to Argentina from her exile in Europe in February 1982,[16][9] several months before the military regime collapsed as a result of the Falklands War, and gave a series of concerts at the Teatro Ópera in Buenos Aires, where she invited many of her younger colleagues to share the stage. A double album of recordings, Mercedes Sosa en Argentina, from these performances became an instant best seller. She then traveled to perform in her home province of Tucuman. However, these performances were largely ignored by mainstream media in the country.[16] In subsequent years, Sosa continued to tour both in Argentina and abroad, performing in such venues as the Lincoln Center in New York City and the Théâtre Mogador in Paris. In poor health for much of the 1990s, she performed a comeback show in Argentina in 1998.","title":"Mercedes Sosa - Wikipedia"}


created_at: 2025-06-10 20:16:37
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{"chroma:document":"[7] In 1994, she played in the Sistine Chapel in Vatican City.[4] In 2002, she sold out both Carnegie Hall in New York and the Colosseum in Rome in the same year.[4]\n\nSosa in 1973\nA supporter of Perón, she favored leftist causes throughout her life. She supported President Raul Alfonsin in the election of 1983 which marked the return of democracy in Argentina following the dictatorship. She referred to this election as \"Argentina's Spring\"[17] She opposed President Carlos Menem, who was in office from 1989 to 1999, and supported the election of Néstor Kirchner, who became president in 2003.[18]\nSosa was a UNESCO Goodwill Ambassador for Latin America and the Caribbean.[9][19]\nSosa disliked being identified as a protest singer.[3][20] While she was outright in her political stances, Sosa said the following on the position of the artist:\n\n“An artist isn’t political in the party political sense – they have a constituency, which is their public – it is the poetry that matters most of all.”\nIn a career spanning four decades, she worked with performers across several genres and generations, folk, opera, pop, rock, including Martha Argerich, Andrea Bocelli, David Broza, Franco Battiato, Jaime Roos, Joan Baez, Francis Cabrel, Gal Costa, Luz Casal, Lila Downs, Lucio Dalla, Maria Farantouri, Lucecita Benitez, Nilda Fernández, Charly Garcia, León Gieco, Gian Marco, Nana Mouskouri, Pablo Milanés, Holly Near, Milton Nascimento, Pata Negra, Fito Páez, Franco De Vita, Lourdes Pérez, Luciano Pavarotti, Silvio Rodríguez, Ismael Serrano, Shakira, Sting, Caetano Veloso,[4] Julieta Venegas, Gustavo Cerati and Konstantin Wecker[9]\nSosa participated in a 1999 production of Ariel Ramírez's Misa Criolla.[21] Her song Balderrama is featured in the 2008 movie Che, starring Benicio del Toro as the Argentine Marxist revolutionary Che Guevara.[22]\nSosa was the co-chair of the Earth Charter International Commission.\n\nAwards[edit]\nSosa won the Latin Grammy Award for Best Folk Album in 2000 (Misa Criolla),[23] 2003 (Acústico),[24] 2006 (Corazón Libre),[25] 2009 (Cantora 1, which also won Best Recording Package and was nominated for Album of the Year),[26] and 2011 (Deja La Vida Volar),[27] as well as several international awards.","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","title":"Mercedes Sosa - Wikipedia"}


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{"title":"Mercedes Sosa - Wikipedia","chroma:document":"In 1995, Konex Foundation from Argentina granted her the Diamond Konex Award, one of the most prestigious awards in Argentina, as the most important personality in the popular music of her country in the last decade.[28]\n\nDeath[edit]\nMercedes Sosa lying in repose, with her family and President Cristina Fernández de Kirchner viewing\nSuffering from recurrent endocrine and respiratory problems in later years, the 74-year-old Sosa was hospitalized in Buenos Aires on 18 September 2009.[29] She died from multiple organ failure on 4 October 2009, at 5:15 am.[11] She is survived by one son, Fabián Matus, born of her first marriage.[7][30] He said: \"She lived her 74 years to the fullest. She had done practically everything she wanted, she didn't have any type of barrier or any type of fear that limited her\".[30] The hospital expressed its sympathies to her relatives.[31] Her website featured the following: \"Her undisputed talent, her honesty and her profound convictions leave a great legacy to future generations\".[32]\nHer body was placed on display at the National Congress building in Buenos Aires for the public to pay their respects, and President Fernández de Kirchner ordered three days of national mourning.[30][33] Thousands had queued by the end of the day.[32][34]\nSosa's obituary in The Daily Telegraph said she was \"an unrivalled interpreter of works by her compatriot, the Argentine Atahualpa Yupanqui, and Chile's Violeta Parra\".[7] Helen Popper of Reuters reported her death by saying she \"fought South America's dictators with her voice and became a giant of contemporary Latin American music\".[34] Sosa received three Latin Grammy nominations for her album, in 2009 . She went on to win Best Folk Album about a month after her death.[4][9]\n\nTributes[edit]\nIn 2019, Sosa was celebrated by a Google Doodle. The doodle was showcased in Argentina, Chile, Uruguay, Paraguay, Bolivia, Peru, Ecuador, Cuba, Iceland, Sweden, Serbia, Greece, Israel and Vietnam.[35]\nIn 2023, Rolling Stone ranked Sosa at number 160 on its list of the 200 Greatest Singers of All Time.","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


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{"title":"Mercedes Sosa - Wikipedia","chroma:document":"[36]\n\nDiscography[edit]\nSosa in 2005, with Argentina's then-First Lady (later president from 2007 to 2015), Cristina Fernández de Kirchner\nSosa recorded forty albums.[4][9]\n\nStudio albums[edit]\n\nYear\n\nAlbum details\n\n1962\n\nLa Voz De La Zafra\nLabel: RCA\n\n1965\n\nCanciones Con Fundamento\nLabel: El Grillo\n\n1966\n\nHermano\nLabel: Philips\n\n1966\n\nYo No Canto Por Cantar\nLabel: Philips\n\n1967\n\nPara Cantarle A Mi Gente\nLabel: Philips\n\n1968\n\nCon Sabor A Mercedes Sosa\nLabel: Philips\n\n1969\n\nMujeres Argentinas\nLabel: Philips\n\n1970\n\nEl Grito De La Tierra\nLabel: Philips\n\n1970\n\nNavidad Con Mercedes Sosa\nLabel: Philips\n\n1971\n\nHomenaje a Violeta Parra\nLabel: Philips\n\n1972\n\nHasta La Victoria\nLabel: Philips\n\n1972\n\nCantata Sudamericana\nLabel: Philips\n\n1973\n\nTraigo Un Pueblo En Mi Voz\nLabel: Philips\n\n1975\n\nA Que Florezca Mi Pueblo\nLabel: Philips\n\n1976\n\nEn Dirección Del Viento\nLabel: Philips\n\n1977\n\nMercedes Sosa Interpreta A Atahualpa Yupanqui\nLabel: Philips\n\n1979\n\nSerenata Para La Tierra De Uno\nLabel: Philips\n\n1981\n\nA Quien Doy / Cuando Me Acuerdo de Mi País\nLabel: Philips\n\n1982\n\nComo Un Pájaro Libre\nLabel: Philips\n\n1983\n\nMercedes Sosa\nLabel: Philips\n\n1984\n\n¿Será Posible El Sur?\nLabel: Philips\n\n1985\n\nVengo A Ofrecer Mi Corazón\nLabel: Philips\n\n1986\n\nMercedes Sosa '86\nLabel: Philips\n\n1987\n\nMercedes Sosa '87\nLabel: Philips\n\n1993\n\nSino\nLabel: Philips/Polygram\n\n1994\n\nGestos De Amor\nLabel: Polydor\n\n1996\n\nEscondido En Mi País\nLabel: Polydor\n\n1997\n\nAlta Fidelidad (w/Charly García)\nLabel: Mercury\n\n1998\n\nAl Despertar\nLabel: Mercury\n\n1999\n\nMisa Criolla\nLabel: Mercury\n\n2005\n\nCorazón Libre\nLabel: Edge\n\n2009\n\nCantora 1 (w/various artists)\nLabel: RCA\n\n2009\n\nCantora 2 (w/various artists)\nLabel: RCA\n\n2011\n\nCensurada\nLabel: Philips\n\n2015\n\nLucerito\nLabel: RCA\n\nEPs[edit]\n\nYear\n\nEP details\n\n1975\n\nNiño De Mañana\nLabel: Philips\n\nLive albums[edit]\n\nYear\n\nAlbum details\n\n1973\n\nSi Se Calla El Cantor (with Gloria Martin)\nLabel: Philips\n\n1980\n\nGravado Ao Vivo No Brasil\nLabel: Philips\n\n1982\n\nMercedes Sosa en Argentina\nLabel: Phonogram/Philips\n\n1985\n\nCorazón Americano (with Milton Nascimento León Gieco)\nLabel: Philips\n\n1989\n\nLive in Europe\nLabel: Tropical Music/Polygram Argentina\n\n1991\n\nDe Mí\nLabel: Philips\n\n2002\n\nAcústico En Vivo\nLabel: Sony Music Argentina\n\n2003\n\nArgentina Quiere Cantar (with Víctor Heredia León Gieco)\nLabel: Odeon/EMI\n\n2010\n\nDeja La Vida Volar (En Gira)\nLabel: RCA\n\n2014\n\nAngel\nLabel: Universal Music\n\n2024\n\nEn vivo en el Gran Rex 2006\nLabel: INAMU Discos\n\nMercedes Sosa en Nueva York, 1974\nLabel: Sony Music Argentina\n\nCompilation albums[edit]\n\nYear\n\nAlbum details\n\n1975\n\nDisco De Oro\nLabel: Philips\n\n1983\n\nRecital\nLabel: Philips\n\n1988\n\nAmigos Míos\nLabel: Philips\n\n1993\n\n30 Años\nLabel: Polygram Argentina\n\n1995\n\nOro\nLabel: Polygram\n\n1997\n\nThe Best Of Mercedes Sosa\nLabel: Mercury\n\n2013\n\nSiempre En Ti\nLabel: Universal Music\n\nFilmography[edit]\nGüemes, la tierra en armas (1971)\nArgentinísima (1972)\nEsta es mi Argentina (1974)\nMercedes Sosa, como un pájaro libre (1983)\nSerá possible el sur: Mercedes Sosa (1985)\nHistorias de Argentina en vivo (2001)\nFurther reading[edit]\n\nChristensen, Anette (2019).","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


created_at: 2025-06-10 20:16:37
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{"url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","chroma:document":"Mercedes Sosa - The Voice of Hope. Denmark: Tribute2life Publishing. ISBN 978-87-998216-5-5.\nChristensen, Anette (2019). Mercedes Sosa - More Than a Song. Denmark: Tribute2life Publishing. ISBN 978-87-998216-7-9. (Abridged version of Mercedes Sosa - The Voice of Hope)\nBraceli, Rodolfo (2010). Mercedes Sosa. La Negra (in Spanish). Italy: Perrone. ISBN 978-88-6004-347-4.\nMatus, Fabián (2016). Mercedes Sosa. La Mami (in Spanish). Argentina: Planeta. ISBN 978-950-49-5247-3.\n\nReferences[edit]\n\n^ Mercedes Sosa at BrainyHistory.com\n\n^ \"Singer Mercedes Sosa: The voice of the 'voiceless ones' outlasts South American dictatorships\".\n\n^ a b c Heckman, Don (29 October 1995). \"POP MUSIC : The Voice Heard Round the World : Mercedes Sosa, a compelling figure in world music and a social activist, will make a rare L.A. appearance\". Los Angeles Times. Retrieved 5 December 2023.\n\n^ a b c d e f g h \"Legendary folk singer Mercedes Sosa dies at 74\". France 24. 4 October 2009. Retrieved 5 October 2009.\n\n^ a b c d Bernstein, Adam (5 October 2009). \"Argentine folk singer who championed social justice\". Los Angeles Times. Retrieved 8 March 2025.\n\n^ Mercedes Sosa: The Voice of Latin America. Dir. Rodrigo H. Villa. First Run Features, 2013. Web.\n\n^ a b c d e f g h \"Mercedes Sosa: Obituary\". The Daily Telegraph. 4 October 2009. Retrieved 5 October 2009.\n\n^ The presentation by Jorge Cafrune and the song Mercedes Sosa sang on YouTube. Retrieved 3 March 2010.\n\n^ a b c d e f g h \"Latin artist Mercedes Sosa dies\". BBC. 4 October 2009. Retrieved 5 October 2009.\n\n^ Karush, Matthew (2017). Musicians in Transit: Argentina and the Globalization of Popular Music. Duke. p. 168. ISBN 978-0-8223-7377-3.\n\n^ a b Associated Press[dead link]\n\n^ a b \"Biografía\". Fundación Mercedes Sosa (in Spanish). Retrieved 8 March 2025.\n\n^ Argentina, Cadena 3. \"El folclore argentino llora la muerte de Daniel Toro - Notas - Viva la Radio\". Cadena 3 Argentina (in Spanish). Retrieved 14 March 2025.{{cite web}}: CS1 maint: numeric names: authors list (link)\n\n^ Nilsson, Leopoldo Torre (7 April 1971), Güemes - la tierra en armas (Drama, History), Alfredo Alcón, Norma Aleandro, Gabriela Gili, Producciones Cinematográficas Cerrillos, retrieved 8 March 2025\n\n^ Rodrigo (10 September 2020).","title":"Mercedes Sosa - Wikipedia"}


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{"title":"Mercedes Sosa - Wikipedia","chroma:document":"\"Patricio Manns: Cuando me acuerdo de mi país (1983) | PERRERAC: La canción, un arma de la revolución\" (in Spanish). Retrieved 14 March 2025.\n\n^ a b Lopez, Vicente F. (18 January 1983). \"ARTISTAS EXILIADOS HAN REGRESADO A ARGENTINA\". El Nuevo Herald. p. 8. Retrieved 7 March 2025.\n\n^ Drosdoff, Daniel (30 October 1983). \"ARGENTINIAN VOTE TO END DICTATORSHIP PERONIST AND RADICAL IN LEAD FOR PRESIDENCY\". Miami Herald. pp. 16A. Retrieved 7 March 2025.\n\n^ Interview with Mercedes Sosa Archived 16 October 2009 at the Wayback Machine, Magazin Berliner Zeitung, 25 October 2003. (in German)\n\n^ Mercedes Sosa in concert Archived 4 January 2008 at the Wayback Machine\n\n^ Meyer, Bill (7 October 2009). \"A U.S. musician pays tribute to Mercedes Sosa\". People's World. Retrieved 5 December 2023.\n\n^ \"In Profile: Mercedes Sosa\". soundsandcolours.com. 26 August 2010. Retrieved 27 March 2018.\n\n^ Balderrama by Mercedes Sosa on YouTube – a tribute to Che Guevara\n\n^ \"Latin Grammys: Ganadores – Años Anteriores (2000)\". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.\n\n^ \"Latin Grammys: Ganadores – Años Anteriores (2003)\". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.\n\n^ \"Latin Grammys: Ganadores – Años Anteriores (2006)\". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.\n\n^ \"Latin Grammys: Ganadores – Años Anteriores (2009)\". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.\n\n^ \"Latin Grammys: Ganadores – Años Anteriores (2011)\". Latin Grammys (in Spanish). The Latin Recording Academy. Retrieved 7 July 2021.\n\n^ \"Premios Konex 1995: Música Popular\". Fundación Konex (in Spanish). Retrieved 7 July 2021.\n\n^ \"\"En ningún momento sufrió\", dijo el hijo de Mercedes Sosa\" (in Spanish). October 2009. Archived from the original on 4 October 2009. Retrieved 1 October 2009.\n\n^ a b c Javier Doberti (4 October 2009). \"Argentine singer Mercedes Sosa, 'voice of Latin America,' dies at 74\". CNN. Retrieved 5 October 2009.\n\n^ \"Argentine folk legend Mercedes Sosa dead at 74\".","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


created_at: 2025-06-10 20:16:37
topic: persistent://default/default/e665d038-91c5-498b-ac4d-b7cc4092f287
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{"chroma:document":"Bangkok Post. 4 October 2009. Retrieved 5 October 2009.\n\n^ a b \"Argentine folk icon Sosa dies at 74\". Al Jazeera. 4 October 2009. Retrieved 5 October 2009.\n\n^ \"Continúa la procesión en el Congreso para despedir a Mercedes Sosa\".\n\n^ a b Helen Popper (4 October 2009). \"Argentine singer Mercedes Sosa dies at 74\". Reuters. Archived from the original on 11 October 2009. Retrieved 5 October 2009.\n\n^ \"Celebrating Mercedes Sosa\". Doodles Archive, Google. 31 January 2019.\n\n^ \"The 200 Greatest Singers of All Time\". Rolling Stone. 1 January 2023. Retrieved 9 March 2023.\n\nExternal links[edit]\n\nWikiquote has quotations related to Mercedes Sosa.\n\nWikimedia Commons has media related to Mercedes Sosa.\n\nTribute to Mercedes Sosa (in Portuguese BR)\nMercedes Sosa's website (in Spanish)\nMercedes Sosa's News (in Spanish)\nMercedes Sosa at IMDb\nMercedes Sosa's Discography on Discogs.com\n\nOrder of Cultural Merit (Brazil)19951996199719981999\nAbraham Koogan\nAlmir Gabriel\nAloysio Faria\nAna Maria Diniz\nAngel Vianna\nAntônio Houaiss\nBeatriz Pimenta Camargo\nEcyla Brandão\nEnrique Iglesias\nEsther Bertoletti\nHélio Jaguaribe\nHermínio Bello de Carvalho\nJ. Borges\nJoão Antunes\nMãe Stella de Oxóssi\nMaria Cecília Geyer\nMaria Delith Balaban\nMário Covas\nPaixão Côrtes\nPaulo Fontainha Geyer\nRomero Magalhães\nWashington Novaes\n2000\nAna Maria Machado\nAngela Gutierrez\nDom Geraldo\nDalal Achcar\nEdino Krieger\nElizabeth D'Angelo Serra\nFirmino Ferreira Sampaio Neto\nSiron Franco\nGianfrancesco Guarnieri\nGilberto Gil\nJosé Alves Antunes Filho\nLuiz Henrique da Silveira\nLuiz Sponchiato\nMaria João Bustorff\nMário Miguel Nicola Garófalo\nMartinho da Vila\nNelson José Pinto Freire\nPaulo Tarso Flecha de Lima\nPlínio Pacheco\nRodrigo Pederneiras Barbosa\nRuth Escobar\nSabine Lovatelli\nSérgio Paulo Rouanet\nSérgio Amaral\nThomaz Farkas\nTizuka Yamasaki\nZezé Motta\n2001\nArthur Moreira Lima\nCatherine Tasca\nCélia Procópio de Araújo Carvalho\nEuclides Menezes Ferreira\nDona Zica\nFernando Faro\nG.R.E.S. Império Serrano\n G.R.E.S. Portela\nG.R.E.S. Vila Isabel\nG.R.E.S. Mangueira\nHaroldo Costa\nHermínio Bello de Carvalho\nHenri Philippe Reichstul\nHildmar Diniz\nIvo Abrahão Nesralla\nJamelão\nJoão Câmara Filho\nLuciana Stegagno Picchio\nLuís Antônio Viana\nLygia Fagundes Telles\nManuel Salustiano Soares\nMilton Gonçalves\nMilton Nascimento\nPaulinho da Viola\nPilar del Castillo\nPurificación Carpinteyro Calderón\nSari Bermúdez\nSheila Copps\nSynésio Scofano Fernandes\nThiago de Mello\nYvonne Lara da Costa\n2002\nAlberto Alves da Silva\nAna Botafogo\nCandace Slater\nCarlos Roberto Faccina\nCentro Cultural Pró-Música\nDalva Lazaroni\nDominguinhos\nDona Lucinha\nEDUSP\nEduardo Baptista Vianna\nFrances Marinho\nGeorge Savalla Gomes\nGuillermo O'Donnell\nG.","title":"Mercedes Sosa - Wikipedia","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


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{"url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","title":"Mercedes Sosa - Wikipedia","chroma:document":"R.E.S. Camisa Verde e Branco\nG.R.E.S. Vai Vai\nHenry Sobel\nJack Leon Terpins\nJoão Filgueiras\nJon M. 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created_at: 2025-06-10 20:16:37
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{"chroma:document":"wikipedia.org/w/index.php?title=Mercedes_Sosa oldid=1294833034\"\nCategories: 1935 births2009 deathsLatin Grammy Award winners20th-century Argentine women singersArgentine activistsArgentine women activistsArgentine people of French descentArgentine people of Diaguita descentArgentine people of Quechua descentDeaths from kidney failure in ArgentinaPeople from San Miguel de TucumánNueva canción musiciansBombo legüero playersLatin Grammy Lifetime Achievement Award winnersRecipients of the Order of Cultural Merit (Brazil)20th-century drummersWomen in Latin musicHidden categories: All articles with dead external linksArticles with dead external links from June 2024CS1 Spanish-language sources (es)CS1 maint: numeric names: authors listWebarchive template wayback linksArticles with German-language sources (de)Articles with short descriptionShort description is different from WikidataWikipedia indefinitely move-protected pagesUse dmy dates from July 2023Articles with hCardsPages with Latin American Spanish IPAAll articles with unsourced statementsArticles with unsourced statements from December 2023Commons category link is on Wikidata\n\nMercedes Sosa\"POP MUSIC : The Voice Heard Round the World : Mercedes Sosa, a compelling figure in world music and a social activist, will make a rare L.A. appearance\"\"Argentine folk singer who championed social justice\"The presentation by Jorge Cafrune and the song Mercedes Sosa sangAssociated Press\"El folclore argentino llora la muerte de Daniel Toro - Notas - Viva la Radio\"\"Patricio Manns: Cuando me acuerdo de mi país (1983) | PERRERAC: La canción, un arma de la revolución\"\"ARGENTINIAN VOTE TO END DICTATORSHIP PERONIST AND RADICAL IN LEAD FOR PRESIDENCY\"ArchivedArchived\"In Profile: Mercedes Sosa\"\"Latin Grammys: Ganadores – Años Anteriores (2000)\"\"Latin Grammys: Ganadores – Años Anteriores (2006)\"\"Latin Grammys: Ganadores – Años Anteriores (2011)\"\"\"En ningún momento sufrió\", dijo el hijo de Mercedes Sosa\"\"Argentine singer Mercedes Sosa, 'voice of Latin America,' dies at 74\"\"Argentine folk","title":"Mercedes Sosa - Wikipedia","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa"}


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{"title":"Mercedes Sosa - Wikipedia","url":"https://en.wikipedia.org/wiki/Mercedes_Sosa","chroma:document":"icon Sosa dies at 74\"\"Argentine singer Mercedes Sosa dies at 74\"\"Celebrating Mercedes Sosa\"Tribute to Mercedes SosaMercedes Sosa's NewsMercedes Sosa's Discography"}


created_at: 2025-06-10 20:17:45
topic: persistent://default/default/e665d038-91c5-498b-ac4d-b7cc4092f287
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{"chroma:document":"Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | BrightlyMastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | BrightlyIn the landscape of asset performance and planning, a trio of terms continually crops up. The driving metrics of capacity planning are overall equipment effectiveness, mean time between failures, and mean time to repair. These terms represent critical KPIs (key performance indicators) that several types of manufacturers rely on to assess their operation’s capacity, their equipment's reliability, and turnaround times. Let’s take a dive deeper into these fundamental metrics and unveil their impact.Overall Equipment Effectiveness (OEE)What is OEE?Overall equipment effectiveness is the gold standard for measuring manufacturing efficiency. It assesses how efficiently a manufacturing unit performs relative to its designed capacity during its operational periods. It is also used as an effective capacity planning metric. Yes, in a perfect world, we can achieve 85% or higher OEE (world-class) but it is not realistic for most. OEE allows you to understand historical performance when manufacturing a type of product, therefore rather than hoping we get this order to client in time, we can understand realistic production output and delivery window.Why is it important?OEE is calculated by multiplying A-P-Q (explained in-depth below). OEE, by asset or by line, allows you to focus attention on the least effective asset. Then from there understand the lagging output metric leading to poor performance. In short, it shows you where your inefficiencies are.In-depth lookOEE comprises three pivotal factors: Availability (actual operating time versus planned production time), Performance (actual run rate versus designed run rate), and Quality (good units produced versus total units started). The comprehensive OEE formula is:OEE = Availability × Performance × QualityThough a 100% OEE is idyllic, scores around 85% are heralded as world-class in both process and discrete manufacturing.","title":"Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | Brightly","url":"https://www.brightlysoftware.com/learning-center/mastering-mtbf-mttr-and-oee"}


created_at: 2025-06-10 20:17:45
topic: persistent://default/default/e665d038-91c5-498b-ac4d-b7cc4092f287
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{"title":"Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | Brightly","url":"https://www.brightlysoftware.com/learning-center/mastering-mtbf-mttr-and-oee","chroma:document":"Mean Time Between Failures (MTBF)What is MTBF?Mean time between failures represents the average time interval between equipment failures. Think of it as the equipment's reliability barometer, signaling how frequently it's expected to fail during its lifespan. MTBF is one part of the Reliability equation. The inverse of MTBF is the failure rate.Why is it important?Imagine if you predictably got sick every two months (MTBF = 60 days) what would you do with that information? Get a checkup, implement some preventive medicine practices, routinely or at least prior to that 60-day mark. Ahh, same goes with how you schedule, maintain, and operate your assets with the use of MTBF.In-depth lookIt's worth noting that MTBF is relevant mainly for assets that can be repaired after a malfunction, rather than those run-to-failure, then replaced. The formula for MTBF is:MTBF = Number of operational hours ÷ Number of failures For a more in-depth read, check out the comprehensive overview of MTBF in the Learning Center. Mean Time to Repair (MTTR)What is MTTR?Mean time to repair measures the average time required to diagnose and repair an asset, returning it to operational status and base-operating condition.Why is it important?Imagine a critical machine in a manufacturing plant breaking down. The swifter the repair, the quicker the resumption of production, minimizing losses.In-depth lookMTTR underscores the maintenance efficiency and/or the equipment's inherent ease of Maintainability.. How invasive is it to remedy the issue? The underlying objective is to keep MTTR minimal. Monitoring this metric can help in future design planning of replacement assets. Like Reliability, buyers can require design features that increase their assets' maintainability. The formula for MTTR is: MTTR = Total downtime x Number of failuresMTTR = Number of failures x Total downtime​The Interconnection and the Balancing ActStriving for a high OEE might overburden assets, reducing MTBF. Likewise, extensive MTBF, if paired with a high MTTR, might not promise satisfactory reliability."}


created_at: 2025-06-10 20:17:45
topic: persistent://default/default/e665d038-91c5-498b-ac4d-b7cc4092f287
id: acbd5f2811270c40376721767c490f60e2d1e57efcde91929c3ce5b9a3f444a8
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{"chroma:document":"Hence, understanding and balancing these metrics is vital.From a capacity planning perspective, think of it from OEE to MTBF to MTTR, or vice versa. When the asset is running, what is my expected output? Factor into that plan, how often it needs proactive attention (MTBF), and lastly, when it goes down, what is the average turnaround time (MTTR)? This will help production and maintenance balance realistic expectations of asset performance versus operational needs.How does a CMMS fit into OEE/MTBF/MTTR? CMMS’ play a pivotal role influencing these metrics. Here is how:Availability: CMMS is a tool used to track both repair and maintenance activities for an asset. The more proactive we become, the more downtime we are mitigating. What is the right ratio of preventive versus reactive maintenance for you? World-class, like OEE, is more than 85% proactive work. That is not economically feasible for every industry. Find the right balance for you and optimize it. The key here is mitigating downtime factors through proactive and condition monitoring techniques, and you will increase the availability of your assets.Sensors: Modern CMMSs, like Asset Essentials™, can consume existing process data (PLC, SCADA, MES) using our Smart Assets application, or retrofitting with new sensors, allowing maintenance teams to ease the burden of now being able to be everywhere and see everything, all the time. Monitor critical assets, set thresholds, and act on those alerts to minimize functional failure damage to equipment — which will extend your MTBF significantly.Optimized Asset Lifecycle: With insights from these KPIs, CMMSs play a huge role in determining remaining useful life (RUI) and report on asset performance through maintenance work order history data. That includes top 10 problems, causes, as well as material cost and labor hours invested. If all these indicators are trending in the wrong direction, we need to have a repair versus replace conversation sooner rather than later. Your CMMS should help you tell this story.In essence, OEE, MTBF, and MTTR form the cornerstone of informed capacity planning.","title":"Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | Brightly","url":"https://www.brightlysoftware.com/learning-center/mastering-mtbf-mttr-and-oee"}


created_at: 2025-06-10 20:17:45
topic: persistent://default/default/e665d038-91c5-498b-ac4d-b7cc4092f287
id: bdfea1a9bb759f377e92cfe18b62b189e508c36d3f57a3eecd056f5e6d1d7833
encoding: FLOAT32
metadata:
{"chroma:document":"As industries strive for efficiency, reliability, and quality, understanding and optimizing these metrics becomes a competitive advantage. Partnering with the right CMMS provider can be the game-changer, transforming these metrics from mere numbers to actionable insights driving business success.","url":"https://www.brightlysoftware.com/learning-center/mastering-mtbf-mttr-and-oee","title":"Mastering MTBF, MTTR, and OEE: The Triple Crown of Asset Capacity Planning | Brightly"}


