The palace measures 108 metres (354 ft) by 120 metres (390 ft), is 24 metres (79 ft) high and contains over 77,000 m2 (830,000 sq ft) of floorspace. The floor area is smaller than the Royal Palace of Madrid, the Papal Palace in Rome, the Louvre in Paris, the Hofburg Palace in Vienna, or the Forbidden City. There are 775 rooms, including 19 state rooms, 52 principal bedrooms, 188 staff bedrooms, 92 offices, and 78 bathrooms. The principal rooms are contained on the piano nobile behind the west-facing garden façade at the rear of the palace. The centre of this ornate suite of state rooms is the Music Room, its large bow the dominant feature of the façade. Flanking the Music Room are the Blue and the White Drawing Rooms. At the centre of the suite, serving as a corridor to link the state rooms, is the Picture Gallery, which is top-lit and 55 yards (50 m) long. The Gallery is hung with numerous works including some by Rembrandt, van Dyck, Rubens and Vermeer; other rooms leading from the Picture Gallery are the Throne Room and the Green Drawing Room. The Green Drawing Room serves as a huge anteroom to the Throne Room, and is part of the ceremonial route to the throne from the Guard Room at the top of the Grand Staircase. The Guard Room contains white marble statues of Queen Victoria and Prince Albert, in Roman costume, set in a tribune lined with tapestries. These very formal rooms are used only for ceremonial and official entertaining, but are open to the public every summer.


Directly underneath the State Apartments is a suite of slightly less grand rooms known as the semi-state apartments. Opening from the Marble Hall, these rooms are used for less formal entertaining, such as luncheon parties and private audiences. Some of the rooms are named and decorated for particular visitors, such as the 1844 Room, decorated in that year for the State visit of Tsar Nicholas I of Russia, and, on the other side of the Bow Room, the 1855 Room, in honour of the visit of Emperor Napoleon III of France. At the centre of this suite is the Bow Room, through which thousands of guests pass annually to the Queen's Garden Parties in the Gardens. The Queen and Prince Philip use a smaller suite of rooms in the north wing.


Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result, many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton Banqueting and Music Rooms with a large oriental chimney piece sculpted by Richard Westmacott. The Yellow Drawing Room has wallpaper supplied in 1817 for the Brighton Saloon, and a chimney piece which is a European vision of how the Chinese chimney piece may appear. It has nodding mandarins in niches and fearsome winged dragons, designed by Robert Jones.


At the centre of this wing is the famous balcony with the Centre Room behind its glass doors. This is a Chinese-style saloon enhanced by Queen Mary, who, working with the designer Sir Charles Allom, created a more "binding" Chinese theme in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is the great gallery, modestly known as the Principal Corridor, which runs the length of the eastern side of the quadrangle. It has mirrored doors, and mirrored cross walls reflecting porcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre.


When paying a state visit to Britain, foreign heads of state are usually entertained by the Queen at Buckingham Palace. They are allocated a large suite of rooms known as the Belgian Suite, situated at the foot of the Minister's Staircase, on the ground floor of the north-facing Garden Wing. The rooms of the suite are linked by narrow corridors, one of them is given extra height and perspective by saucer domes designed by Nash in the style of Soane. A second corridor in the suite has Gothic influenced cross over vaulting. The Belgian Rooms themselves were decorated in their present style and named after Prince Albert's uncle Léopold I, first King of the Belgians. In 1936, the suite briefly became the private apartments of the palace when they were occupied by King Edward VIII.


Thus, Buckingham Palace is a symbol and home of the British monarchy, an art gallery and a tourist attraction. Behind the gilded railings and gates which were completed by the Bromsgrove Guild in 1911 and Webb's famous façade, which has been described in a book published by the Royal Collection as looking "like everybody's idea of a palace", is not only a weekday home of the Queen and Prince Philip but also the London residence of the Duke of York and the Earl and Countess of Wessex. The palace also houses the offices of the Queen, Prince Philip, Duke of York, Earl and Countess of Wessex, Princess Royal, and Princess Alexandra, and is the workplace of more than 800 people.


The palace, like Windsor Castle, is owned by the Crown Estate. It is not the monarch's personal property, unlike Sandringham House and Balmoral Castle. Many of the contents from Buckingham Palace, Windsor Castle, Kensington Palace, and St James's Palace are part of the Royal Collection, held in trust by the Sovereign; they can, on occasion, be viewed by the public at the Queen's Gallery, near the Royal Mews. Unlike the palace and the castle, the purpose-built gallery is open continually and displays a changing selection of items from the collection. It occupies the site of the chapel destroyed by an air raid in World War II. The palace's state rooms have been open to the public during August and September and on selected dates throughout the year since 1993. The money raised in entry fees was originally put towards the rebuilding of Windsor Castle after the 1992 fire devastated many of its state rooms. 476,000 people visited the palace in the 2014–15 financial year.


Formerly, men not wearing military uniform wore knee breeches of an 18th-century design. Women's evening dress included obligatory trains and tiaras or feathers in their hair (or both). The dress code governing formal court uniform and dress has progressively relaxed. After World War I, when Queen Mary wished to follow fashion by raising her skirts a few inches from the ground, she requested a lady-in-waiting to shorten her own skirt first to gauge the king's reaction. King George V was horrified, so the queen kept her hemline unfashionably low. Following their accession in 1936, King George VI and his consort, Queen Elizabeth, allowed the hemline of daytime skirts to rise. Today, there is no official dress code. Most men invited to Buckingham Palace in the daytime choose to wear service uniform or lounge suits; a minority wear morning coats, and in the evening, depending on the formality of the occasion, black tie or white tie.


Court presentations of aristocratic young ladies to the monarch took place at the palace from the reign of Edward VII. These young women were known as débutantes, and the occasion—termed their "coming out"—represented their first entrée into society. Débutantes wore full court dress, with three tall ostrich feathers in their hair. They entered, curtsied, and performed a choreographed backwards walk and a further curtsy, while manoeuvring a dress train of prescribed length. (The ceremony, known as an evening court, corresponded to the "court drawing rooms" of Victoria's reign.) After World War II, the ceremony was replaced by less formal afternoon receptions, usually without choreographed curtsies and court dress.


Investitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Ballroom, built in 1854. At 36.6 m (120 ft) long, 18 m (59 ft) wide and 13.5 m (44 ft) high, it is the largest room in the palace. It has replaced the throne room in importance and use. During investitures, the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachin, that was used at the Delhi Durbar in 1911. A military band plays in the musicians' gallery as award recipients approach the Queen and receive their honours, watched by their families and friends.


State banquets also take place in the Ballroom; these formal dinners are held on the first evening of a state visit by a foreign head of state. On these occasions, for up to 170 guests in formal "white tie and decorations", including tiaras, the dining table is laid with the Grand Service, a collection of silver-gilt plate made in 1811 for the Prince of Wales, later George IV. The largest and most formal reception at Buckingham Palace takes place every November when the Queen entertains members of the diplomatic corps. On this grand occasion, all the state rooms are in use, as the royal family proceed through them, beginning at the great north doors of the Picture Gallery. As Nash had envisaged, all the large, double-mirrored doors stand open, reflecting the numerous crystal chandeliers and sconces, creating a deliberate optical illusion of space and light.


Adjacent to the palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococo gilt coach, designed by Sir William Chambers in 1760, has painted panels by G. B. Cipriani. It was first used for the State Opening of Parliament by George III in 1762 and has been used by the monarch for every coronation since George IV. It was last used for the Golden Jubilee of Elizabeth II. Also housed in the mews are the coach horses used at royal ceremonial processions.


In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


During World War II, the palace was bombed nine times, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:


On 15 September 1940, known as the Battle of Britain Day, an RAF pilot, Ray Holmes of No. 504 Squadron RAF rammed a German bomber he believed was going to bomb the Palace. Holmes had run out of ammunition and made the quick decision to ram it. Holmes bailed out. Both aircraft crashed. In fact the Dornier Do 17 bomber was empty. It had already been damaged, two of its crew had been killed and the remainder bailed out. Its pilot, Feldwebel Robert Zehbe, landed, only to die later of wounds suffered during the attack. During the Dornier's descent, it somehow unloaded its bombs, one of which hit the Palace. It then crashed into the forecourt of London Victoria station. The bomber's engine was later exhibited at the Imperial War Museum in London. The British pilot became a King's Messenger after the war, and died at the age of 90 in 2005.


An incandescent light bulb, incandescent lamp or incandescent light globe is an electric light with a wire filament heated to a high temperature, by passing an electric current through it, until it glows with visible light (incandescence). The hot filament is protected from oxidation with a glass or quartz bulb that is filled with inert gas or evacuated. In a halogen lamp, filament evaporation is prevented by a chemical process that redeposits metal vapor onto the filament, extending its life. The light bulb is supplied with electric current by feed-through terminals or wires embedded in the glass. Most bulbs are used in a socket which provides mechanical support and electrical connections.


Incandescent bulbs are much less efficient than most other types of electric lighting; incandescent bulbs convert less than 5% of the energy they use into visible light, with standard light bulbs averaging about 2.2%. The remaining energy is converted into heat. The luminous efficacy of a typical incandescent bulb is 16 lumens per watt, compared with 60 lm/W for a compact fluorescent bulb or 150 lm/W for some white LED lamps. Some applications of the incandescent bulb deliberately use the heat generated by the filament. Such applications include incubators, brooding boxes for poultry, heat lights for reptile tanks, infrared heating for industrial heating and drying processes, lava lamps, and the Easy-Bake Oven toy. Incandescent bulbs typically have short lifetimes compared with other types of lighting; around 1,000 hours for home light bulbs versus typically 10,000 hours for compact fluorescents and 30,000 hours for lighting LEDs.


Incandescent bulbs have been replaced in many applications by other types of electric light, such as fluorescent lamps, compact fluorescent lamps (CFL), cold cathode fluorescent lamps (CCFL), high-intensity discharge lamps, and light-emitting diode lamps (LED). Some jurisdictions, such as the European Union, China, Canada and United States, are in the process of phasing out the use of incandescent light bulbs while others, including Colombia, Mexico, Cuba, Argentina, Brazil and Australia, have prohibited them already.


In 1872, Russian Alexander Lodygin invented an incandescent light bulb and obtained a Russian patent in 1874. He used as a burner two carbon rods of diminished section in a glass receiver, hermetically sealed, and filled with nitrogen, electrically arranged so that the current could be passed to the second carbon when the first had been consumed. Later he lived in the USA, changed his name to Alexander de Lodyguine and applied and obtained patents for incandescent lamps having chromium, iridium, rhodium, ruthenium, osmium, molybdenum and tungsten filaments, and a bulb using a molybdenum filament was demonstrated at the world fair of 1900 in Paris.


With the help of Charles Stearn, an expert on vacuum pumps, in 1878, Swan developed a method of processing that avoided the early bulb blackening. This received a British Patent in 1880.[dubious – discuss] On 18 December 1878, a lamp using a slender carbon rod was shown at a meeting of the Newcastle Chemical Society, and Swan gave a working demonstration at their meeting on 17 January 1879. It was also shown to 700 who attended a meeting of the Literary and Philosophical Society of Newcastle upon Tyne on 3 February 1879. These lamps used a carbon rod from an arc lamp rather than a slender filament. Thus they had low resistance and required very large conductors to supply the necessary current, so they were not commercially practical, although they did furnish a demonstration of the possibilities of incandescent lighting with relatively high vacuum, a carbon conductor, and platinum lead-in wires. Besides requiring too much current for a central station electric system to be practical, they had a very short lifetime. Swan turned his attention to producing a better carbon filament and the means of attaching its ends. He devised a method of treating cotton to produce 'parchmentised thread' and obtained British Patent 4933 in 1880. From this year he began installing light bulbs in homes and landmarks in England. His house was the first in the world to be lit by a lightbulb and also the first house in the world to be lit by hydroelectric power. In 1878 the home of Lord Armstrong at Cragside was also among the first houses to be lit by electricity. In the early 1880s he had started his company. In 1881, the Savoy Theatre in the City of Westminster, London was lit by Swan incandescent lightbulbs, which was the first theatre, and the first public building in the world, to be lit entirely by electricity.


Thomas Edison began serious research into developing a practical incandescent lamp in 1878. Edison filed his first patent application for "Improvement In Electric Lights" on 14 October 1878. After many experiments, first with carbon in the early 1880s and then with platinum and other metals, in the end Edison returned to a carbon filament. The first successful test was on 22 October 1879, and lasted 13.5 hours. Edison continued to improve this design and by 4 November 1879, filed for a US patent for an electric lamp using "a carbon filament or strip coiled and connected ... to platina contact wires." Although the patent described several ways of creating the carbon filament including using "cotton and linen thread, wood splints, papers coiled in various ways," Edison and his team later discovered that a carbonized bamboo filament could last more than 1200 hours. In 1880, the Oregon Railroad and Navigation Company steamer, Columbia, became the first application for Edison's incandescent electric lamps (it was also the first ship to execute use of a dynamo).


Albon Man, a New York lawyer, started Electro-Dynamic Light Company in 1878 to exploit his patents and those of William Sawyer. Weeks later the United States Electric Lighting Company was organized. This company didn't made their first commercial installation of incandescent lamps until the fall of 1880 at the Mercantile Safe Deposit Company in New York City, about six months after the Edison incandescent lamps had been installed on the Columbia. Hiram S. Maxim was the chief engineer at the United States Electric Lighting Company.


Lewis Latimer, employed at the time by Edison, developed an improved method of heat-treating carbon filaments which reduced breakage and allowed them to be molded into novel shapes, such as the characteristic "M" shape of Maxim filaments. On 17 January 1882, Latimer received a patent for the "Process of Manufacturing Carbons", an improved method for the production of light bulb filaments, which was purchased by the United States Electric Light Company. Latimer patented other improvements such as a better way of attaching filaments to their wire supports.


On 13 December 1904, Hungarian Sándor Just and Croatian Franjo Hanaman were granted a Hungarian patent (No. 34541) for a tungsten filament lamp that lasted longer and gave brighter light than the carbon filament. Tungsten filament lamps were first marketed by the Hungarian company Tungsram in 1904. This type is often called Tungsram-bulbs in many European countries. Filling a bulb with an inert gas such as argon or nitrogen retards the evaporation of the tungsten filament compared to operating it in a vacuum. This allows for greater temperatures and therefore greater efficacy with less reduction in filament life.


Luminous efficacy of a light source may be defined in two ways. The radiant luminous efficacy (LER) is the ratio of the visible light flux emitted (the luminous flux) to the total power radiated over all wavelengths. The source luminous efficacy (LES) is the ratio of the visible light flux emitted (the luminous flux) to the total power input to the source, such as a lamp. Visible light is measured in lumens, a unit which is defined in part by the differing sensitivity of the human eye to different wavelengths of light. Not all wavelengths of visible electromagnetic energy are equally effective at stimulating the human eye; the luminous efficacy of radiant energy (LER) is a measure of how well the distribution of energy matches the perception of the eye. The units of luminous efficacy are "lumens per watt" (lpw). The maximum LER possible is 683 lm/W for monochromatic green light at 555 nanometers wavelength, the peak sensitivity of the human eye.


The spectrum emitted by a blackbody radiator at temperatures of incandescent bulbs does not match the sensitivity characteristics of the human eye; the light emitted does not appear white, and most is not in the range of wavelengths at which the eye is most sensitive. Tungsten filaments radiate mostly infrared radiation at temperatures where they remain solid – below 3,695 K (3,422 °C; 6,191 °F). Donald L. Klipstein explains it this way: "An ideal thermal radiator produces visible light most efficiently at temperatures around 6,300 °C (6,600 K; 11,400 °F). Even at this high temperature, a lot of the radiation is either infrared or ultraviolet, and the theoretical luminous efficacy (LER) is 95 lumens per watt." No known material can be used as a filament at this ideal temperature, which is hotter than the sun's surface. An upper limit for incandescent lamp luminous efficacy (LER) is around 52 lumens per watt, the theoretical value emitted by tungsten at its melting point.


Although inefficient, incandescent light bulbs have an advantage in applications where accurate color reproduction is important, since the continuous blackbody spectrum emitted from an incandescent light-bulb filament yields near-perfect color rendition, with a color rendering index of 100 (the best possible). White-balancing is still required to avoid too "warm" or "cool" colors, but this is a simple process that requires only the color temperature in Kelvin as input for modern, digital visual reproduction equipment such as video or still cameras unless it is completely automated. The color-rendering performance of incandescent lights cannot be matched by LEDs or fluorescent lights, although they can offer satisfactory performance for non-critical applications such as home lighting. White-balancing such lights is therefore more complicated, requiring additional adjustments to reduce for example green-magenta color casts, and even when properly white-balanced, the color reproduction will not be perfect.


There are many non-incandescent light sources, such as the fluorescent lamp, high-intensity discharge lamps and LED lamps, which have higher luminous efficiency, and some have been designed to be retrofitted in fixtures for incandescent lights. These devices produce light by luminescence. These lamps produce discrete spectral lines and do not have the broad "tail" of invisible infrared emissions. By careful selection of which electron energy level transitions are used, and fluorescent coatings which modify the spectral distribution, the spectrum emitted can be tuned to mimic the appearance of incandescent sources, or other different color temperatures of white light. Due to the discrete spectral lines rather than a continuous spectrum, the light is not ideal for applications such as photography and cinematography.


The initial cost of an incandescent bulb is small compared to the cost of the energy it uses over its lifetime. Incandescent bulbs have a shorter life than most other lighting, an important factor if replacement is inconvenient or expensive. Some types of lamp, including incandescent and fluorescent, emit less light as they age; this may be an inconvenience, or may reduce effective lifetime due to lamp replacement before total failure. A comparison of incandescent lamp operating cost with other light sources must include illumination requirements, cost of the lamp and labor cost to replace lamps (taking into account effective lamp lifetime), cost of electricity used, effect of lamp operation on heating and air conditioning systems. When used for lighting in houses and commercial buildings, the energy lost to heat can significantly increase the energy required by a building's air conditioning system. During the heating season heat produced by the bulbs is not wasted, although in most cases it is more cost effective to obtain heat from the heating system. Regardless, over the course of a year a more efficient lighting system saves energy in nearly all climates.


Since incandescent light bulbs use more energy than alternatives such as CFLs and LED lamps, many governments have introduced measures to ban their use, by setting minimum efficacy standards higher than can be achieved by incandescent lamps. Measures to ban light bulbs have been implemented in the European Union, the United States, Russia, Brazil, Argentina, Canada and Australia, among others. In the Europe the EC has calculated that the ban contributes 5 to 10 billion euros to the economy and saves 40 TWh of electricity every year, translating in CO2 emission reductions of 15 million tonnes.


Objections to banning the use of incandescent light bulbs include the higher initial cost of alternatives and lower quality of light of fluorescent lamps. Some people have concerns about the health effects of fluorescent lamps. However, even though they contain mercury, the environmental performance of CFLs is much better than that of light bulbs, mostly because they consume much less energy and therefore strongly reduce the environmental impact of power production. LED lamps are even more efficient, and are free of mercury. They are regarded as the best solution in terms of cost effectiveness and robustness.


Prompted by legislation in various countries mandating increased bulb efficiency, new "hybrid" incandescent bulbs have been introduced by Philips. The "Halogena Energy Saver" incandescents can produce about 23 lm/W; about 30 percent more efficient than traditional incandescents, by using a reflective capsule to reflect formerly wasted infrared radiation back to the filament from which it can be re-emitted as visible light. This concept was pioneered by Duro-Test in 1980 with a commercial product that produced 29.8 lm/W. More advanced reflectors based on interference filters or photonic crystals can theoretically result in higher efficiency, up to a limit of about 270 lm/W (40% of the maximum efficacy possible). Laboratory proof-of-concept experiments have produced as much as 45 lm/W, approaching the efficacy of compact fluorescent bulbs.


Incandescent light bulbs consist of an air-tight glass enclosure (the envelope, or bulb) with a filament of tungsten wire inside the bulb, through which an electric current is passed. Contact wires and a base with two (or more) conductors provide electrical connections to the filament. Incandescent light bulbs usually contain a stem or glass mount anchored to the bulb's base that allows the electrical contacts to run through the envelope without air or gas leaks. Small wires embedded in the stem in turn support the filament and its lead wires.


Most light bulbs have either clear or coated glass. The coated glass bulbs have a white powdery substance on the inside called kaolin. Kaolin, or kaolinite, is a white, chalky clay in a very fine powder form, that is blown in and electrostatically deposited on the interior of the bulb. It diffuses the light emitted from the filament, producing a more gentle and evenly distributed light. Manufacturers may add pigments to the kaolin to adjust the characteristics of the final light emitted from the bulb. Kaolin diffused bulbs are used extensively in interior lighting because of their comparatively gentle light. Other kinds of colored bulbs are also made, including the various colors used for "party bulbs", Christmas tree lights and other decorative lighting. These are created by coloring the glass with a dopant; which is often a metal like cobalt (blue) or chromium (green). Neodymium-containing glass is sometimes used to provide a more natural-appearing light.


Many arrangements of electrical contacts are used. Large lamps may have a screw base (one or more contacts at the tip, one at the shell) or a bayonet base (one or more contacts on the base, shell used as a contact or used only as a mechanical support). Some tubular lamps have an electrical contact at either end. Miniature lamps may have a wedge base and wire contacts, and some automotive and special purpose lamps have screw terminals for connection to wires. Contacts in the lamp socket allow the electric current to pass through the base to the filament. Power ratings for incandescent light bulbs range from about 0.1 watt to about 10,000 watts.


The role of the gas is to prevent evaporation of the filament, without introducing significant heat losses. For these properties, chemical inertness and high atomic or molecular weight is desirable. The presence of gas molecules knocks the liberated tungsten atoms back to the filament, reducing its evaporation and allowing it to be operated at higher temperature without reducing its life (or, for operating at the same temperature, prolongs the filament life). It however introduces heat losses (and therefore efficiency loss) from the filament, by heat conduction and heat convection.


In manufacturing the glass bulb, a type of "ribbon machine" is used. A continuous ribbon of glass is passed along a conveyor belt, heated in a furnace, and then blown by precisely aligned air nozzles through holes in the conveyor belt into molds. Thus the glass bulbs are created. After the bulbs are blown, and cooled, they are cut off the ribbon machine; a typical machine of this sort produces 50,000 bulbs per hour. The filament and its supports are assembled on a glass stem, which is fused to the bulb. The air is pumped out of the bulb, and the evacuation tube in the stem press is sealed by a flame. The bulb is then inserted into the lamp base, and the whole assembly tested.


The first successful light bulb filaments were made of carbon (from carbonized paper or bamboo). Early carbon filaments had a negative temperature coefficient of resistance — as they got hotter, their electrical resistance decreased. This made the lamp sensitive to fluctuations in the power supply, since a small increase of voltage would cause the filament to heat up, reducing its resistance and causing it to draw even more power and heat even further. In the "flashing" process, carbon filaments were heated by current passing through them while in an evacuated vessel containing hydrocarbon vapor (usually gasoline). The carbon deposited on the filament by this treatment improved the uniformity and strength of filaments as well as their efficiency. A metallized or "graphitized" filament was first heated in a high-temperature oven before flashing and lamp assembly. This transformed the carbon into graphite which further strengthened and smoothed the filament. This also changed the filament to have a positive temperature coefficient, like a metallic conductor, and helped stabilize the lamp's power consumption, temperature and light output against minor variations in supply voltage.


In 1902, the Siemens company developed a tantalum lamp filament. These lamps were more efficient than even graphitized carbon filaments and could operate at higher temperatures. Since tantalum metal has a lower resistivity than carbon, the tantalum lamp filament was quite long and required multiple internal supports. The metal filament had the property of gradually shortening in use; the filaments were installed with large loops that tightened in use. This made lamps in use for several hundred hours quite fragile. Metal filaments had the property of breaking and re-welding, though this would usually decrease resistance and shorten the life of the filament. General Electric bought the rights to use tantalum filaments and produced them in the US until 1913.


In 1906, the tungsten filament was introduced. Tungsten metal was initially not available in a form that allowed it to be drawn into fine wires. Filaments made from sintered tungsten powder were quite fragile. By 1910, a process was developed by William D. Coolidge at General Electric for production of a ductile form of tungsten. The process required pressing tungsten powder into bars, then several steps of sintering, swaging, and then wire drawing. It was found that very pure tungsten formed filaments that sagged in use, and that a very small "doping" treatment with potassium, silicon, and aluminium oxides at the level of a few hundred parts per million greatly improved the life and durability of the tungsten filaments.


To improve the efficiency of the lamp, the filament usually consists of multiple coils of coiled fine wire, also known as a 'coiled coil'. For a 60-watt 120-volt lamp, the uncoiled length of the tungsten filament is usually 22.8 inches (580 mm), and the filament diameter is 0.0018 inches (0.046 mm). The advantage of the coiled coil is that evaporation of the tungsten filament is at the rate of a tungsten cylinder having a diameter equal to that of the coiled coil. The coiled-coil filament evaporates more slowly than a straight filament of the same surface area and light-emitting power. As a result, the filament can then run hotter, which results in a more efficient light source, while reducing the evaporation so that the filament will last longer than a straight filament at the same temperature.


One of the problems of the standard electric light bulb is filament notching due to evaporation of the filament. Small variations in resistivity along the filament cause "hot spots" to form at points of higher resistivity; a variation of diameter of only 1% will cause a 25% reduction in service life. These hot spots evaporate faster than the rest of the filament, which increases the resistance at that point—this creates a positive feedback that ends in the familiar tiny gap in an otherwise healthy-looking filament. Irving Langmuir found that an inert gas, instead of vacuum, would retard evaporation. General service incandescent light bulbs over about 25 watts in rating are now filled with a mixture of mostly argon and some nitrogen, or sometimes krypton. Lamps operated on direct current develop random stairstep irregularities on the filament surface which may cut lifespan in half compared to AC operation; different alloys of tungsten and rhenium can be used to counteract the effect.


While inert gas reduces filament evaporation, it also conducts heat from the filament, thereby cooling the filament and reducing efficiency. At constant pressure and temperature, the thermal conductivity of a gas depends upon the molecular weight of the gas and the cross sectional area of the gas molecules. Higher molecular weight gasses have lower thermal conductivity, because both the molecular weight is higher and also the cross sectional area is higher. Xenon gas improves efficiency because of its high molecular weight, but is also more expensive, so its use is limited to smaller lamps.


During ordinary operation, the tungsten of the filament evaporates; hotter, more-efficient filaments evaporate faster. Because of this, the lifetime of a filament lamp is a trade-off between efficiency and longevity. The trade-off is typically set to provide a lifetime of several hundred to 2,000 hours for lamps used for general illumination. Theatrical, photographic, and projection lamps may have a useful life of only a few hours, trading life expectancy for high output in a compact form. Long-life general service lamps have lower efficiency but are used where the cost of changing the lamp is high compared to the value of energy used.


In a conventional lamp, the evaporated tungsten eventually condenses on the inner surface of the glass envelope, darkening it. For bulbs that contain a vacuum, the darkening is uniform across the entire surface of the envelope. When a filling of inert gas is used, the evaporated tungsten is carried in the thermal convection currents of the gas, depositing preferentially on the uppermost part of the envelope and blackening just that portion of the envelope. An incandescent lamp that gives 93% or less of its initial light output at 75% of its rated life is regarded as unsatisfactory, when tested according to IEC Publication 60064. Light loss is due to filament evaporation and bulb blackening. Study of the problem of bulb blackening led to the discovery of the Edison effect, thermionic emission and invention of the vacuum tube.


A very small amount of water vapor inside a light bulb can significantly affect lamp darkening. Water vapor dissociates into hydrogen and oxygen at the hot filament. The oxygen attacks the tungsten metal, and the resulting tungsten oxide particles travel to cooler parts of the lamp. Hydrogen from water vapor reduces the oxide, reforming water vapor and continuing this water cycle. The equivalent of a drop of water distributed over 500,000 lamps will significantly increase darkening. Small amounts of substances such as zirconium are placed within the lamp as a getter to react with any oxygen that may bake out of the lamp components during operation.


The halogen lamp reduces uneven evaporation of the filament and eliminates darkening of the envelope by filling the lamp with a halogen gas at low pressure, rather than an inert gas. The halogen cycle increases the lifetime of the bulb and prevents its darkening by redepositing tungsten from the inside of the bulb back onto the filament. The halogen lamp can operate its filament at a higher temperature than a standard gas filled lamp of similar power without loss of operating life. Such bulbs are much smaller than normal incandescent bulbs, and are widely used where intense illumination is needed in a limited space. Fiber-optic lamps for optical microscopy is one typical application.


A variation of the incandescent lamp did not use a hot wire filament, but instead used an arc struck on a spherical bead electrode to produce heat. The electrode then became incandescent, with the arc contributing little to the light produced. Such lamps were used for projection or illumination for scientific instruments such as microscopes. These arc lamps ran on relatively low voltages and incorporated tungsten filaments to start ionization within the envelope. They provided the intense concentrated light of an arc lamp but were easier to operate. Developed around 1915, these lamps were displaced by mercury and xenon arc lamps.


Incandescent lamps are nearly pure resistive loads with a power factor of 1. This means the actual power consumed (in watts) and the apparent power (in volt-amperes) are equal. Incandescent light bulbs are usually marketed according to the electrical power consumed. This is measured in watts and depends mainly on the resistance of the filament, which in turn depends mainly on the filament's length, thickness, and material. For two bulbs of the same voltage, type, color, and clarity, the higher-powered bulb gives more light.


The actual resistance of the filament is temperature dependent. The cold resistance of tungsten-filament lamps is about 1/15 the hot-filament resistance when the lamp is operating. For example, a 100-watt, 120-volt lamp has a resistance of 144 ohms when lit, but the cold resistance is much lower (about 9.5 ohms). Since incandescent lamps are resistive loads, simple phase-control TRIAC dimmers can be used to control brightness. Electrical contacts may carry a "T" rating symbol indicating that they are designed to control circuits with the high inrush current characteristic of tungsten lamps. For a 100-watt, 120-volt general-service lamp, the current stabilizes in about 0.10 seconds, and the lamp reaches 90% of its full brightness after about 0.13 seconds.


Incandescent light bulbs come in a range of shapes and sizes. The names of the shapes may be slightly different in some regions. Many of these shapes have a designation consisting of one or more letters followed by one or more numbers, e.g. A55 or PAR38. The letters represent the shape of the bulb. The numbers represent the maximum diameter, either in 1⁄8 of an inch, or in millimeters, depending on the shape and the region. For example, 63 mm reflectors are designated R63, but in the US, they are known as R20 (2.5 in). However, in both regions, a PAR38 reflector is known as PAR38.


Very small lamps may have the filament support wires extended through the base of the lamp, and can be directly soldered to a printed circuit board for connections. Some reflector-type lamps include screw terminals for connection of wires. Most lamps have metal bases that fit in a socket to support the lamp and conduct current to the filament wires. In the late 19th century, manufacturers introduced a multitude of incompatible lamp bases. General Electric introduced standard base sizes for tungsten incandescent lamps under the Mazda trademark in 1909. This standard was soon adopted across the US, and the Mazda name was used by many manufacturers under license through 1945. Today most incandescent lamps for general lighting service use an Edison screw in candelabra, intermediate, or standard or mogul sizes, or double contact bayonet base. Technical standards for lamp bases include ANSI standard C81.67 and IEC standard 60061-1 for common commercial lamp sizes, to ensure interchangeablitity between different manufacturer's products. Bayonet base lamps are frequently used in automotive lamps to resist loosening due to vibration. A bipin base is often used for halogen or reflector lamps.


This means that a 5% reduction in operating voltage will more than double the life of the bulb, at the expense of reducing its light output by about 16%. This may be a very acceptable trade off for a light bulb that is in a difficult-to-access location (for example, traffic lights or fixtures hung from high ceilings). Long-life bulbs take advantage of this trade-off. Since the value of the electric power they consume is much more than the value of the lamp, general service lamps emphasize efficiency over long operating life. The objective is to minimize the cost of light, not the cost of lamps. Early bulbs had a life of up to 2500 hours, but in 1924 a cartel agreed to limit life to 1000 hours. When this was exposed in 1953, General Electric and other leading American manufacturers were banned from limiting the life.


The relationships above are valid for only a few percent change of voltage around rated conditions, but they do indicate that a lamp operated at much lower than rated voltage could last for hundreds of times longer than at rated conditions, albeit with greatly reduced light output. The "Centennial Light" is a light bulb that is accepted by the Guinness Book of World Records as having been burning almost continuously at a fire station in Livermore, California, since 1901. However, the bulb emits the equivalent light of a four watt bulb. A similar story can be told of a 40-watt bulb in Texas that has been illuminated since 21 September 1908. It once resided in an opera house where notable celebrities stopped to take in its glow, and was moved to an area museum in 1977.


In flood lamps used for photographic lighting, the tradeoff is made in the other direction. Compared to general-service bulbs, for the same power, these bulbs produce far more light, and (more importantly) light at a higher color temperature, at the expense of greatly reduced life (which may be as short as two hours for a type P1 lamp). The upper temperature limit for the filament is the melting point of the metal. Tungsten is the metal with the highest melting point, 3,695 K (6,191 °F). A 50-hour-life projection bulb, for instance, is designed to operate only 50 °C (122 °F) below that melting point. Such a lamp may achieve up to 22 lumens per watt, compared with 17.5 for a 750-hour general service lamp.


Lamps designed for different voltages have different luminous efficacy. For example, a 100-watt, 120-volt lamp will produce about 17.1 lumens per watt. A lamp with the same rated lifetime but designed for 230 V would produce only around 12.8 lumens per watt, and a similar lamp designed for 30 volts (train lighting) would produce as much as 19.8 lumens per watt. Lower voltage lamps have a thicker filament, for the same power rating. They can run hotter for the same lifetime before the filament evaporates.


In addressing the question of who invented the incandescent lamp, historians Robert Friedel and Paul Israel list 22 inventors of incandescent lamps prior to Joseph Swan and Thomas Edison. They conclude that Edison's version was able to outstrip the others because of a combination of three factors: an effective incandescent material, a higher vacuum than others were able to achieve (by use of the Sprengel pump) and a high resistance that made power distribution from a centralized source economically viable.


Arsenal was the first club from the south of England to join The Football League, in 1893. They entered the First Division in 1904, and have since accumulated the second most points. Relegated only once, in 1913, they continue the longest streak in the top division. In the 1930s, Arsenal won five League Championships and two FA Cups, and another FA Cup and two Championships after the war. In 1970–71, they won their first League and FA Cup Double. Between 1988 and 2005, they won five League titles and five FA Cups, including two more Doubles. They completed the 20th century with the highest average league position.


In 1886, Woolwich munitions workers founded the club as Dial Square. In 1913, the club crossed the city to Arsenal Stadium in Highbury. They became Tottenham Hotspur's nearest club, commencing the North London derby. In 2006, they moved to the Emirates Stadium in nearby Holloway. Arsenal earned €435.5m in 2014–15, with the Emirates Stadium generating the highest revenue in world football. Based on social media activity from 2014–15, Arsenal's fanbase is the fifth largest in the world. Forbes estimates the club was worth $1.3 billion in 2015.


Arsenal Football Club was formed as Dial Square in 1886 by workers at the Royal Arsenal in Woolwich, south-east London, and were renamed Royal Arsenal shortly afterwards. The club was renamed again to Woolwich Arsenal after becoming a limited company in 1893. The club became the first southern member of the Football League in 1893, starting out in the Second Division, and won promotion to the First Division in 1904. The club's relative geographic isolation resulted in lower attendances than those of other clubs, which led to the club becoming mired in financial problems and effectively bankrupt by 1910, when they were taken over by businessmen Henry Norris and William Hall. Norris sought to move the club elsewhere, and in 1913, soon after relegation back to the Second Division, Arsenal moved to the new Arsenal Stadium in Highbury, north London; they dropped "Woolwich" from their name the following year. Arsenal only finished in fifth place in the second division during the last pre-war competitive season of 1914–15, but were nevertheless elected to rejoin the First Division when competitive football resumed in 1919–20, at the expense of local rivals Tottenham Hotspur. Some books have reported that this election to division 1 was achieved by dubious means.


Arsenal appointed Herbert Chapman as manager in 1925. Having already won the league twice with Huddersfield Town in 1923–24 and 1924–25 (see Seasons in English football), Chapman brought Arsenal their first period of major success. His revolutionary tactics and training, along with the signings of star players such as Alex James and Cliff Bastin, laid the foundations of the club's domination of English football in the 1930s. Under his guidance Arsenal won their first major trophies – victory in the 1930 FA Cup Final preceded two League Championships, in 1930–31 and 1932–33. In addition, Chapman was behind the 1932 renaming of the local London Underground station from "Gillespie Road" to "Arsenal", making it the only Tube station to be named specifically after a football club.


Arsenal began winning silverware again with the surprise appointment of club physiotherapist Bertie Mee as manager in 1966. After losing two League Cup finals, they won their first European trophy, the 1969–70 Inter-Cities Fairs Cup. This was followed by an even greater triumph: their first League and FA Cup double in 1970–71. This marked a premature high point of the decade; the Double-winning side was soon broken up and the following decade was characterised by a series of near misses, starting with Arsenal finishing as FA Cup runners up in 1972, and First Division runners-up in 1972–73.


Terry Neill was recruited by the Arsenal board to replace Bertie Mee on 9 July 1976 and at the age of 34 he became the youngest Arsenal manager to date. With new signings like Malcolm Macdonald and Pat Jennings, and a crop of talent in the side such as Liam Brady and Frank Stapleton, the club enjoyed their best form since the 1971 double, reaching a trio of FA Cup finals (1978, 1979 and 1980), and losing the 1980 European Cup Winners' Cup Final on penalties. The club's only success during this time was a last-minute 3–2 victory over Manchester United in the 1979 FA Cup Final, widely regarded as a classic.


The return of former player George Graham as manager in 1986 brought a third period of glory. Arsenal won the League Cup in 1987, Graham's first season in charge. This was followed by a League title win in 1988–89, won with a last-minute goal in the final game of the season against fellow title challengers Liverpool. Graham's Arsenal won another title in 1990–91, losing only one match, won the FA Cup and League Cup double in 1993, and a second European trophy, the European Cup Winners' Cup, in 1994. Graham's reputation was tarnished when he was found to have taken kickbacks from agent Rune Hauge for signing certain players, and he was dismissed in 1995. His replacement, Bruce Rioch, lasted for only one season, leaving the club after a dispute with the board of directors.


The club's success in the late 1990s and first decade of the 21st century owed a great deal to the 1996 appointment of Arsène Wenger as manager. Wenger brought new tactics, a new training regime and several foreign players who complemented the existing English talent. Arsenal won a second League and Cup double in 1997–98 and a third in 2001–02. In addition, the club reached the final of the 1999–2000 UEFA Cup (losing on penalties to Galatasaray), were victorious in the 2003 and 2005 FA Cups, and won the Premier League in 2003–04 without losing a single match, an achievement which earned the side the nickname "The Invincibles". The feat came within a run of 49 league matches unbeaten from 7 May 2003 to 24 October 2004, a national record.


Arsenal finished in either first or second place in the league in eight of Wenger's first eleven seasons at the club, although on no occasion were they able to retain the title. As of July 2013, they were one of only five teams, the others being Manchester United, Blackburn Rovers, Chelsea, and Manchester City, to have won the Premier League since its formation in 1992. Arsenal had never progressed beyond the quarter-finals of the Champions League until 2005–06; in that season they became the first club from London in the competition's fifty-year history to reach the final, in which they were beaten 2–1 by Barcelona. In July 2006, they moved into the Emirates Stadium, after 93 years at Highbury.


Arsenal reached the final of the 2007 and 2011 League Cups, losing 2–1 to Chelsea and Birmingham City respectively. The club had not gained a major trophy since the 2005 FA Cup until 17 May 2014, when Arsenal beat Hull City in the 2014 FA Cup Final, coming back from a 2–0 deficit to win the match 3–2. This qualified them for the 2014 FA Community Shield where they would play Premier League champions Manchester City. They recorded a resounding 3–0 win in the game, winning their second trophy in three months. Nine months after their Community Shield triumph, Arsenal appeared in the FA Cup final for the second year in a row, thrashing Aston Villa 4–0 in the final and becoming the most successful club in the tournament's history with 12 titles. On 2 August 2015, Arsenal beat Chelsea 1–0 at Wembley Stadium to retain the Community Shield and earn their 14th Community Shield title.


Unveiled in 1888, Royal Arsenal's first crest featured three cannon viewed from above, pointing northwards, similar to the coat of arms of the Metropolitan Borough of Woolwich (nowadays transferred to the coat of arms of the Royal Borough of Greenwich). These can sometimes be mistaken for chimneys, but the presence of a carved lion's head and a cascabel on each are clear indicators that they are cannon. This was dropped after the move to Highbury in 1913, only to be reinstated in 1922, when the club adopted a crest featuring a single cannon, pointing eastwards, with the club's nickname, The Gunners, inscribed alongside it; this crest only lasted until 1925, when the cannon was reversed to point westward and its barrel slimmed down.


In 1949, the club unveiled a modernised crest featuring the same style of cannon below the club's name, set in blackletter, and above the coat of arms of the Metropolitan Borough of Islington and a scroll inscribed with the club's newly adopted Latin motto, Victoria Concordia Crescit "victory comes from harmony", coined by the club's programme editor Harry Homer. For the first time, the crest was rendered in colour, which varied slightly over the crest's lifespan, finally becoming red, gold and green. Because of the numerous revisions of the crest, Arsenal were unable to copyright it. Although the club had managed to register the crest as a trademark, and had fought (and eventually won) a long legal battle with a local street trader who sold "unofficial" Arsenal merchandise, Arsenal eventually sought a more comprehensive legal protection. Therefore, in 2002 they introduced a new crest featuring more modern curved lines and a simplified style, which was copyrightable. The cannon once again faces east and the club's name is written in a sans-serif typeface above the cannon. Green was replaced by dark blue. The new crest was criticised by some supporters; the Arsenal Independent Supporters' Association claimed that the club had ignored much of Arsenal's history and tradition with such a radical modern design, and that fans had not been properly consulted on the issue.


The monogram theme was developed into an Art Deco-style badge on which the letters A and C framed a football rather than the letter F, the whole set within a hexagonal border. This early example of a corporate logo, introduced as part of Herbert Chapman's rebranding of the club in the 1930s, was used not only on Cup Final shirts but as a design feature throughout Highbury Stadium, including above the main entrance and inlaid in the floors. From 1967, a white cannon was regularly worn on the shirts, until replaced by the club crest, sometimes with the addition of the nickname "The Gunners", in the 1990s.


In the 2011–12 season, Arsenal celebrated their 125th year anniversary. The celebrations included a modified version of the current crest worn on their jerseys for the season. The crest was all white, surrounded by 15 oak leaves to the right and 15 laurel leaves to the left. The oak leaves represent the 15 founding members of the club who met at the Royal Oak pub. The 15 laurel leaves represent the design detail on the six pence pieces paid by the founding fathers to establish the club. The laurel leaves also represent strength. To complete the crest, 1886 and 2011 are shown on either sides of the motto "Forward" at the bottom of the crest.


For much of Arsenal's history, their home colours have been bright red shirts with white sleeves and white shorts, though this has not always been the case. The choice of red is in recognition of a charitable donation from Nottingham Forest, soon after Arsenal's foundation in 1886. Two of Dial Square's founding members, Fred Beardsley and Morris Bates, were former Forest players who had moved to Woolwich for work. As they put together the first team in the area, no kit could be found, so Beardsley and Bates wrote home for help and received a set of kit and a ball. The shirt was redcurrant, a dark shade of red, and was worn with white shorts and socks with blue and white hoops.


In 1933, Herbert Chapman, wanting his players to be more distinctly dressed, updated the kit, adding white sleeves and changing the shade to a brighter pillar box red. Two possibilities have been suggested for the origin of the white sleeves. One story reports that Chapman noticed a supporter in the stands wearing a red sleeveless sweater over a white shirt; another was that he was inspired by a similar outfit worn by the cartoonist Tom Webster, with whom Chapman played golf. Regardless of which story is true, the red and white shirts have come to define Arsenal and the team have worn the combination ever since, aside from two seasons. The first was 1966–67, when Arsenal wore all-red shirts; this proved unpopular and the white sleeves returned the following season. The second was 2005–06, the last season that Arsenal played at Highbury, when the team wore commemorative redcurrant shirts similar to those worn in 1913, their first season in the stadium; the club reverted to their normal colours at the start of the next season. In the 2008–09 season, Arsenal replaced the traditional all-white sleeves with red sleeves with a broad white stripe.


Arsenal's home colours have been the inspiration for at least three other clubs. In 1909, Sparta Prague adopted a dark red kit like the one Arsenal wore at the time; in 1938, Hibernian adopted the design of the Arsenal shirt sleeves in their own green and white strip. In 1920, Sporting Clube de Braga's manager returned from a game at Highbury and changed his team's green kit to a duplicate of Arsenal's red with white sleeves and shorts, giving rise to the team's nickname of Os Arsenalistas. These teams still wear those designs to this day.


For many years Arsenal's away colours were white shirts and either black or white shorts. In the 1969–70 season, Arsenal introduced an away kit of yellow shirts with blue shorts. This kit was worn in the 1971 FA Cup Final as Arsenal beat Liverpool to secure the double for the first time in their history. Arsenal reached the FA Cup final again the following year wearing the red and white home strip and were beaten by Leeds United. Arsenal then competed in three consecutive FA Cup finals between 1978 and 1980 wearing their "lucky" yellow and blue strip, which remained the club's away strip until the release of a green and navy away kit in 1982–83. The following season, Arsenal returned to the yellow and blue scheme, albeit with a darker shade of blue than before.


When Nike took over from Adidas as Arsenal's kit provider in 1994, Arsenal's away colours were again changed to two-tone blue shirts and shorts. Since the advent of the lucrative replica kit market, the away kits have been changed regularly, with Arsenal usually releasing both away and third choice kits. During this period the designs have been either all blue designs, or variations on the traditional yellow and blue, such as the metallic gold and navy strip used in the 2001–02 season, the yellow and dark grey used from 2005 to 2007, and the yellow and maroon of 2010 to 2013. As of 2009, the away kit is changed every season, and the outgoing away kit becomes the third-choice kit if a new home kit is being introduced in the same year.


Widely referred to as Highbury, Arsenal Stadium was the club's home from September 1913 until May 2006. The original stadium was designed by the renowned football architect Archibald Leitch, and had a design common to many football grounds in the UK at the time, with a single covered stand and three open-air banks of terracing. The entire stadium was given a massive overhaul in the 1930s: new Art Deco West and East stands were constructed, opening in 1932 and 1936 respectively, and a roof was added to the North Bank terrace, which was bombed during the Second World War and not restored until 1954.


Highbury could hold more than 60,000 spectators at its peak, and had a capacity of 57,000 until the early 1990s. The Taylor Report and Premier League regulations obliged Arsenal to convert Highbury to an all-seater stadium in time for the 1993–94 season, thus reducing the capacity to 38,419 seated spectators. This capacity had to be reduced further during Champions League matches to accommodate additional advertising boards, so much so that for two seasons, from 1998 to 2000, Arsenal played Champions League home matches at Wembley, which could house more than 70,000 spectators.


Expansion of Highbury was restricted because the East Stand had been designated as a Grade II listed building and the other three stands were close to residential properties. These limitations prevented the club from maximising matchday revenue during the 1990s and first decade of the 21st century, putting them in danger of being left behind in the football boom of that time. After considering various options, in 2000 Arsenal proposed building a new 60,361-capacity stadium at Ashburton Grove, since named the Emirates Stadium, about 500 metres south-west of Highbury. The project was initially delayed by red tape and rising costs, and construction was completed in July 2006, in time for the start of the 2006–07 season. The stadium was named after its sponsors, the airline company Emirates, with whom the club signed the largest sponsorship deal in English football history, worth around £100 million; some fans referred to the ground as Ashburton Grove, or the Grove, as they did not agree with corporate sponsorship of stadium names. The stadium will be officially known as Emirates Stadium until at least 2028, and the airline will be the club's shirt sponsor until the end of the 2018–19 season. From the start of the 2010–11 season on, the stands of the stadium have been officially known as North Bank, East Stand, West Stand and Clock end.


Arsenal fans often refer to themselves as "Gooners", the name derived from the team's nickname, "The Gunners". The fanbase is large and generally loyal, and virtually all home matches sell out; in 2007–08 Arsenal had the second-highest average League attendance for an English club (60,070, which was 99.5% of available capacity), and, as of 2015, the third-highest all-time average attendance. Arsenal have the seventh highest average attendance of European football clubs only behind Borussia Dortmund, FC Barcelona, Manchester United, Real Madrid, Bayern Munich, and Schalke. The club's location, adjoining wealthy areas such as Canonbury and Barnsbury, mixed areas such as Islington, Holloway, Highbury, and the adjacent London Borough of Camden, and largely working-class areas such as Finsbury Park and Stoke Newington, has meant that Arsenal's supporters have come from a variety of social classes.


Like all major English football clubs, Arsenal have a number of domestic supporters' clubs, including the Arsenal Football Supporters' Club, which works closely with the club, and the Arsenal Independent Supporters' Association, which maintains a more independent line. The Arsenal Supporters' Trust promotes greater participation in ownership of the club by fans. The club's supporters also publish fanzines such as The Gooner, Gunflash and the satirical Up The Arse!. In addition to the usual English football chants, supporters sing "One-Nil to the Arsenal" (to the tune of "Go West").


There have always been Arsenal supporters outside London, and since the advent of satellite television, a supporter's attachment to a football club has become less dependent on geography. Consequently, Arsenal have a significant number of fans from beyond London and all over the world; in 2007, 24 UK, 37 Irish and 49 other overseas supporters clubs were affiliated with the club. A 2011 report by SPORT+MARKT estimated Arsenal's global fanbase at 113 million. The club's social media activity was the fifth highest in world football during the 2014–15 season.


Arsenal's longest-running and deepest rivalry is with their nearest major neighbours, Tottenham Hotspur; matches between the two are referred to as North London derbies. Other rivalries within London include those with Chelsea, Fulham and West Ham United. In addition, Arsenal and Manchester United developed a strong on-pitch rivalry in the late 1980s, which intensified in recent years when both clubs were competing for the Premier League title – so much so that a 2003 online poll by the Football Fans Census listed Manchester United as Arsenal's biggest rivals, followed by Tottenham and Chelsea. A 2008 poll listed the Tottenham rivalry as more important.


The largest shareholder on the Arsenal board is American sports tycoon Stan Kroenke. Kroenke first launched a bid for the club in April 2007, and faced competition for shares from Red and White Securities, which acquired its first shares off David Dein in August 2007. Red & White Securities was co-owned by Russian billionaire Alisher Usmanov and Iranian London-based financier Farhad Moshiri, though Usmanov bought Moshiri's stake in 2016. Kroenke came close to the 30% takeover threshold in November 2009, when he increased his holding to 18,594 shares (29.9%). In April 2011, Kroenke achieved a full takeover by purchasing the shareholdings of Nina Bracewell-Smith and Danny Fiszman, taking his shareholding to 62.89%. As of June 2015, Kroenke owns 41,698 shares (67.02%) and Red & White Securities own 18,695 shares (30.04%). Ivan Gazidis has been the club's Chief Executive since 2009.


Arsenal's parent company, Arsenal Holdings plc, operates as a non-quoted public limited company, whose ownership is considerably different from that of other football clubs. Only 62,217 shares in Arsenal have been issued, and they are not traded on a public exchange such as the FTSE or AIM; instead, they are traded relatively infrequently on the ICAP Securities and Derivatives Exchange, a specialist market. On 10 March 2016, a single share in Arsenal had a mid price of £15,670, which sets the club's market capitalisation value at approximately £975m. Most football clubs aren't listed on an exchange, which makes direct comparisons of their values difficult. Business magazine Forbes valued Arsenal as a whole at $1.3 billion in 2015. Consultants Brand Finance valued the club's brand and intangible assets at $703m in 2015, and consider Arsenal an AAA global brand. Research by the Henley Business School modelled the club's value at £1.118 billion in 2015, the second highest in the Premier League.


Arsenal's financial results for the 2014–15 season show group revenue of £344.5m, with a profit before tax of £24.7m. The footballing core of the business showed a revenue of £329.3m. The Deloitte Football Money League is a publication that homogenizes and compares clubs' annual revenue. They put Arsenal's footballing revenue at £331.3m (€435.5m), ranking Arsenal seventh among world football clubs. Arsenal and Deloitte both list the match day revenue generated by the Emirates Stadium as £100.4m, more than any other football stadium in the world.


Arsenal have appeared in a number of media "firsts". On 22 January 1927, their match at Highbury against Sheffield United was the first English League match to be broadcast live on radio. A decade later, on 16 September 1937, an exhibition match between Arsenal's first team and the reserves was the first football match in the world to be televised live. Arsenal also featured in the first edition of the BBC's Match of the Day, which screened highlights of their match against Liverpool at Anfield on 22 August 1964. BSkyB's coverage of Arsenal's January 2010 match against Manchester United was the first live public broadcast of a sports event on 3D television.


As one of the most successful teams in the country, Arsenal have often featured when football is depicted in the arts in Britain. They formed the backdrop to one of the earliest football-related films, The Arsenal Stadium Mystery (1939). The film centres on a friendly match between Arsenal and an amateur side, one of whose players is poisoned while playing. Many Arsenal players appeared as themselves and manager George Allison was given a speaking part. More recently, the book Fever Pitch by Nick Hornby was an autobiographical account of Hornby's life and relationship with football and Arsenal in particular. Published in 1992, it formed part of the revival and rehabilitation of football in British society during the 1990s. The book was twice adapted for the cinema – the 1997 British film focuses on Arsenal's 1988–89 title win, and a 2005 American version features a fan of baseball's Boston Red Sox.


Arsenal have often been stereotyped as a defensive and "boring" side, especially during the 1970s and 1980s; many comedians, such as Eric Morecambe, made jokes about this at the team's expense. The theme was repeated in the 1997 film The Full Monty, in a scene where the lead actors move in a line and raise their hands, deliberately mimicking the Arsenal defence's offside trap, in an attempt to co-ordinate their striptease routine. Another film reference to the club's defence comes in the film Plunkett & Macleane, in which two characters are named Dixon and Winterburn after Arsenal's long-serving full backs – the right-sided Lee Dixon and the left-sided Nigel Winterburn.


Arsenal's tally of 13 League Championships is the third highest in English football, after Manchester United (20) and Liverpool (18), and they were the first club to reach 8 League Championships. They hold the highest number of FA Cup trophies, 12. The club is one of only six clubs to have won the FA Cup twice in succession, in 2002 and 2003, and 2014 and 2015. Arsenal have achieved three League and FA Cup "Doubles" (in 1971, 1998 and 2002), a feat only previously achieved by Manchester United (in 1994, 1996 and 1999). They were the first side in English football to complete the FA Cup and League Cup double, in 1993. Arsenal were also the first London club to reach the final of the UEFA Champions League, in 2006, losing the final 2–1 to Barcelona.


Arsenal Ladies are the women's football club affiliated to Arsenal. Founded in 1987, they turned semi-professional in 2002 and are managed by Clare Wheatley. Arsenal Ladies are the most successful team in English women's football. In the 2008–09 season, they won all three major English trophies – the FA Women's Premier League, FA Women's Cup and FA Women's Premier League Cup, and, as of 2009, were the only English side to have won the UEFA Women's Cup, having done so in the 2006–07 season as part of a unique quadruple. The men's and women's clubs are formally separate entities but have quite close ties; Arsenal Ladies are entitled to play once a season at the Emirates Stadium, though they usually play their home matches at Boreham Wood.


Physically, clothing serves many purposes: it can serve as protection from the elements, and can enhance safety during hazardous activities such as hiking and cooking. It protects the wearer from rough surfaces, rash-causing plants, insect bites, splinters, thorns and prickles by providing a barrier between the skin and the environment. Clothes can insulate against cold or hot conditions. Further, they can provide a hygienic barrier, keeping infectious and toxic materials away from the body. Clothing also provides protection from harmful UV radiation.


There is no easy way to determine when clothing was first developed, but some information has been inferred by studying lice. The body louse specifically lives in clothing, and diverge from head lice about 107,000 years ago, suggesting that clothing existed at that time. Another theory is that modern humans are the only survivors of several species of primates who may have worn clothes and that clothing may have been used as long ago as 650 thousand years ago. Other louse-based estimates put the introduction of clothing at around 42,000–72,000 BP.


The most obvious function of clothing is to improve the comfort of the wearer, by protecting the wearer from the elements. In hot climates, clothing provides protection from sunburn or wind damage, while in cold climates its thermal insulation properties are generally more important. Shelter usually reduces the functional need for clothing. For example, coats, hats, gloves, and other superficial layers are normally removed when entering a warm home, particularly if one is residing or sleeping there. Similarly, clothing has seasonal and regional aspects, so that thinner materials and fewer layers of clothing are generally worn in warmer seasons and regions than in colder ones.


Clothing can and has in history been made from a very wide variety of materials. Materials have ranged from leather and furs, to woven materials, to elaborate and exotic natural and synthetic fabrics. Not all body coverings are regarded as clothing. Articles carried rather than worn (such as purses), worn on a single part of the body and easily removed (scarves), worn purely for adornment (jewelry), or those that serve a function other than protection (eyeglasses), are normally considered accessories rather than clothing, as are footwear and hats.


Clothing protects against many things that might injure the uncovered human body. Clothes protect people from the elements, including rain, snow, wind, and other weather, as well as from the sun. However, clothing that is too sheer, thin, small, tight, etc., offers less protection. Clothes also reduce risk during activities such as work or sport. Some clothing protects from specific environmental hazards, such as insects, noxious chemicals, weather, weapons, and contact with abrasive substances. Conversely, clothing may protect the environment from the clothing wearer, as with doctors wearing medical scrubs.


Humans have shown extreme inventiveness in devising clothing solutions to environmental hazards. Examples include: space suits, air conditioned clothing, armor, diving suits, swimsuits, bee-keeper gear, motorcycle leathers, high-visibility clothing, and other pieces of protective clothing. Meanwhile, the distinction between clothing and protective equipment is not always clear-cut—since clothes designed to be fashionable often have protective value and clothes designed for function often consider fashion in their design. Wearing clothes also has social implications. They cover parts of the body that social norms require to be covered, act as a form of adornment, and serve other social purposes.


Although dissertations on clothing and its function appear from the 19th century as colonising countries dealt with new environments, concerted scientific research into psycho-social, physiological and other functions of clothing (e.g. protective, cartage) occurred in the first half of the 20th century, with publications such as J. C. Flügel's Psychology of Clothes in 1930, and Newburgh's seminal Physiology of Heat Regulation and The Science of Clothing in 1949. By 1968, the field of environmental physiology had advanced and expanded significantly, but the science of clothing in relation to environmental physiology had changed little. While considerable research has since occurred and the knowledge-base has grown significantly, the main concepts remain unchanged, and indeed Newburgh's book is still cited by contemporary authors, including those attempting to develop thermoregulatory models of clothing development.


In Western societies, skirts, dresses and high-heeled shoes are usually seen as women's clothing, while neckties are usually seen as men's clothing. Trousers were once seen as exclusively male clothing, but are nowadays worn by both genders. Male clothes are often more practical (that is, they can function well under a wide variety of situations), but a wider range of clothing styles are available for females. Males are typically allowed to bare their chests in a greater variety of public places. It is generally acceptable for a woman to wear traditionally male clothing, while the converse is unusual.


In some societies, clothing may be used to indicate rank or status. In ancient Rome, for example, only senators could wear garments dyed with Tyrian purple. In traditional Hawaiian society, only high-ranking chiefs could wear feather cloaks and palaoa, or carved whale teeth. Under the Travancore Kingdom of Kerala, (India), lower caste women had to pay a tax for the right to cover their upper body. In China, before establishment of the republic, only the emperor could wear yellow. History provides many examples of elaborate sumptuary laws that regulated what people could wear. In societies without such laws, which includes most modern societies, social status is instead signaled by the purchase of rare or luxury items that are limited by cost to those with wealth or status. In addition, peer pressure influences clothing choice.


According to archaeologists and anthropologists, the earliest clothing likely consisted of fur, leather, leaves, or grass that were draped, wrapped, or tied around the body. Knowledge of such clothing remains inferential, since clothing materials deteriorate quickly compared to stone, bone, shell and metal artifacts. Archeologists have identified very early sewing needles of bone and ivory from about 30,000 BC, found near Kostenki, Russia in 1988. Dyed flax fibers that could have been used in clothing have been found in a prehistoric cave in the Republic of Georgia that date back to 36,000 BP.


Scientists are still debating when people started wearing clothes. Ralf Kittler, Manfred Kayser and Mark Stoneking, anthropologists at the Max Planck Institute for Evolutionary Anthropology, have conducted a genetic analysis of human body lice that suggests clothing originated quite recently, around 170,000 years ago. Body lice is an indicator of clothes-wearing, since most humans have sparse body hair, and lice thus require human clothing to survive. Their research suggests the invention of clothing may have coincided with the northward migration of modern Homo sapiens away from the warm climate of Africa, thought to have begun between 50,000 and 100,000 years ago. However, a second group of researchers using similar genetic methods estimate that clothing originated around 540,000 years ago (Reed et al. 2004. PLoS Biology 2(11): e340). For now, the date of the origin of clothing remains unresolved.[citation needed]


Different cultures have evolved various ways of creating clothes out of cloth. One approach simply involves draping the cloth. Many people wore, and still wear, garments consisting of rectangles of cloth wrapped to fit – for example, the dhoti for men and the sari for women in the Indian subcontinent, the Scottish kilt or the Javanese sarong. The clothes may simply be tied up, as is the case of the first two garments; or pins or belts hold the garments in place, as in the case of the latter two. The precious cloth remains uncut, and people of various sizes or the same person at different sizes can wear the garment.


By the early years of the 21st century, western clothing styles had, to some extent, become international styles. This process began hundreds of years earlier, during the periods of European colonialism. The process of cultural dissemination has perpetuated over the centuries as Western media corporations have penetrated markets throughout the world, spreading Western culture and styles. Fast fashion clothing has also become a global phenomenon. These garments are less expensive, mass-produced Western clothing. Donated used clothing from Western countries are also delivered to people in poor countries by charity organizations.


Most sports and physical activities are practiced wearing special clothing, for practical, comfort or safety reasons. Common sportswear garments include shorts, T-shirts, tennis shirts, leotards, tracksuits, and trainers. Specialized garments include wet suits (for swimming, diving or surfing), salopettes (for skiing) and leotards (for gymnastics). Also, spandex materials are often used as base layers to soak up sweat. Spandex is also preferable for active sports that require form fitting garments, such as volleyball, wrestling, track & field, dance, gymnastics and swimming.


The world of clothing is always changing, as new cultural influences meet technological innovations. Researchers in scientific labs have been developing prototypes for fabrics that can serve functional purposes well beyond their traditional roles, for example, clothes that can automatically adjust their temperature, repel bullets, project images, and generate electricity. Some practical advances already available to consumers are bullet-resistant garments made with kevlar and stain-resistant fabrics that are coated with chemical mixtures that reduce the absorption of liquids.


Though mechanization transformed most aspects of human industry by the mid-20th century, garment workers have continued to labor under challenging conditions that demand repetitive manual labor. Mass-produced clothing is often made in what are considered by some to be sweatshops, typified by long work hours, lack of benefits, and lack of worker representation. While most examples of such conditions are found in developing countries, clothes made in industrialized nations may also be manufactured similarly, often staffed by undocumented immigrants.[citation needed]


Outsourcing production to low wage countries like Bangladesh, China, India and Sri Lanka became possible when the Multi Fibre Agreement (MFA) was abolished. The MFA, which placed quotas on textiles imports, was deemed a protectionist measure.[citation needed] Globalization is often quoted as the single most contributing factor to the poor working conditions of garment workers. Although many countries recognize treaties like the International Labor Organization, which attempt to set standards for worker safety and rights, many countries have made exceptions to certain parts of the treaties or failed to thoroughly enforce them. India for example has not ratified sections 87 and 92 of the treaty.[citation needed]


The use of animal fur in clothing dates to prehistoric times. It is currently associated in developed countries with expensive, designer clothing, although fur is still used by indigenous people in arctic zones and higher elevations for its warmth and protection. Once uncontroversial, it has recently been the focus of campaigns on the grounds that campaigners consider it cruel and unnecessary. PETA, along with other animal rights and animal liberation groups have called attention to fur farming and other practices they consider cruel.


Many kinds of clothing are designed to be ironed before they are worn to remove wrinkles. Most modern formal and semi-formal clothing is in this category (for example, dress shirts and suits). Ironed clothes are believed to look clean, fresh, and neat. Much contemporary casual clothing is made of knit materials that do not readily wrinkle, and do not require ironing. Some clothing is permanent press, having been treated with a coating (such as polytetrafluoroethylene) that suppresses wrinkles and creates a smooth appearance without ironing.


A resin used for making non-wrinkle shirts releases formaldehyde, which could cause contact dermatitis for some people; no disclosure requirements exist, and in 2008 the U.S. Government Accountability Office tested formaldehyde in clothing and found that generally the highest levels were in non-wrinkle shirts and pants. In 1999, a study of the effect of washing on the formaldehyde levels found that after 6 months after washing, 7 of 27 shirts had levels in excess of 75 ppm, which is a safe limit for direct skin exposure.


In past times, mending was an art. A meticulous tailor or seamstress could mend rips with thread raveled from hems and seam edges so skillfully that the tear was practically invisible. When the raw material – cloth – was worth more than labor, it made sense to expend labor in saving it. Today clothing is considered a consumable item. Mass-manufactured clothing is less expensive than the labor required to repair it. Many people buy a new piece of clothing rather than spend time mending. The thrifty still replace zippers and buttons and sew up ripped hems.


The Chicago Cubs are an American professional baseball team located on the North Side of Chicago, Illinois. The Cubs compete in Major League Baseball (MLB) as a members of the National League (NL) Central division; the team plays its home baseball games at Wrigley Field. The Cubs are also one of two active major league teams based in Chicago; the other is the Chicago White Sox, who are a member of the American League (AL) Central division. The team is currently owned by Thomas S. Ricketts, son of TD Ameritrade founder Joe Ricketts.


The team played its first games in 1876 as a founding member of the National League (NL), eventually becoming known officially as the Chicago Cubs for the 1903 season. Officially, the Cubs are tied for the distinction of being the oldest currently active U.S. professional sports club, along with the Atlanta Braves, which also began play in the NL in 1876 as the Boston Red Stockings (Major League Baseball does not officially recognize the National Association of Professional Base Ball Players as a major league.)


In 1906, the franchise recorded a Major League record 116 wins (tied by the 2001 Seattle Mariners) and posted a modern-era record winning percentage of .763, which still stands today. They appeared in their first World Series the same year, falling to their crosstown rivals, the Chicago White Sox, four games to two. The Cubs won back-to-back World Series championships in 1907 and 1908, becoming the first Major League team to play in three consecutive Fall Classics, and the first to win it twice. The team has appeared in seven World Series following their 1908 title, most recently in 1945. The Cubs have not won the World Series in 107 years, the longest championship drought of any major North American professional sports team, and are often referred to as the "Lovable Losers" because of this distinction. They are also known as "The North Siders" because Wrigley Field, their home park since 1916, is located in Chicago's North Side Lake View community at 1060 West Addison Street. The Cubs have a major rivalry with the St. Louis Cardinals.


The Cubs began play as the Chicago White Stockings, joining the National League (NL) as a charter member. Owner William Hulbert signed multiple star players, such as pitcher Albert Spalding and infielders Ross Barnes, Deacon White, and Adrian "Cap" Anson, to join the team prior to the N.L.'s first season. The White Stockings played their home games at West Side Grounds,against the bloods and quickly established themselves as one of the new league's top teams. Spalding won forty-seven games and Barnes led the league in hitting at .429 as Chicago won the first ever National League pennant, which at the time was the game's top prize.


After back-to-back pennants in 1880 and 1881, Hulbert died, and Spalding, who had retired to start Spalding sporting goods, assumed ownership of the club. The White Stockings, with Anson acting as player/manager, captured their third consecutive pennant in 1882, and Anson established himself as the game's first true superstar. In 1885 and '86, after winning N.L. pennants, the White Stockings met the short-lived American Association champion in that era's version of a World Series. Both seasons resulted in match ups with the St. Louis Brown Stockings, with the clubs tying in 1885 and with St. Louis winning in 1886. This was the genesis of what would eventually become one of the greatest rivalries in sports. In all, the Anson-led Chicago Base Ball Club won six National League pennants between 1876 and 1886. As a result, Chicago's club nickname transitioned, and by 1890 they had become known as the Chicago Colts, or sometimes "Anson's Colts", referring to Cap's influence within the club. Anson was the first player in history credited with collecting 3,000 career hits. After a disappointing record of 59-73 and a 9th-place finish in 1897, Anson was released by the Cubs as both a player and manager. Due to Anson's absence from the club after 22 years, local newspaper reporters started to refer to the Cubs as the "Orphans".


In 1902, Spalding, who by this time had revamped the roster to boast what would soon be one of the best teams of the early century, sold the club to Jim Hart. The franchise was nicknamed the Cubs by the Chicago Daily News in 1902, although not officially becoming the Chicago Cubs until the 1907 season. During this period, which has become known as baseball's dead-ball era, Cub infielders Joe Tinker, Johnny Evers, and Frank Chance were made famous as a double-play combination by Franklin P. Adams' poem Baseball's Sad Lexicon. The poem first appeared in the July 18, 1910 edition of the New York Evening Mail. Mordecai "Three-Finger" Brown, Jack Taylor, Ed Reulbach, Jack Pfiester, and Orval Overall were several key pitchers for the Cubs during this time period. With Chance acting as player-manager from 1905 to 1912, the Cubs won four pennants and two World Series titles over a five-year span. Although they fell to the "Hitless Wonders" White Sox in the 1906 World Series, the Cubs recorded a record 116 victories and the best winning percentage (.763) in Major League history. With mostly the same roster, Chicago won back-to-back World Series championships in 1907 and 1908, becoming the first Major League club to play three times in the Fall Classic and the first to win it twice. However, the Cubs have not won a World Series since; this remains the longest championship drought in North American professional sports.


In 1914, advertising executive Albert Lasker obtained a large block of the club's shares and before the 1916 season assumed majority ownership of the franchise. Lasker brought in a wealthy partner, Charles Weeghman, the proprietor of a popular chain of lunch counters who had previously owned the Chicago Whales of the short-lived Federal League. As principal owners, the pair moved the club from the West Side Grounds to the much newer Weeghman Park, which had been constructed for the Whales only two years earlier, where they remain to this day. The Cubs responded by winning a pennant in the war-shortened season of 1918, where they played a part in another team's curse: the Boston Red Sox defeated Grover Cleveland Alexander's Cubs four games to two in the 1918 World Series, Boston's last Series championship until 2004.


Near the end of the first decade of the double-Bills' guidance, the Cubs won the NL pennant in 1929 and then achieved the unusual feat of winning a pennant every three years, following up the 1929 flag with league titles in 1932, 1935, and 1938. Unfortunately, their success did not extend to the Fall Classic, as they fell to their AL rivals each time. The '32 series against the Yankees featured Babe Ruth's "called shot" at Wrigley Field in Game 3. There were some historic moments for the Cubs as well; In 1930, Hack Wilson, one of the top home run hitters in the game, had one of the most impressive seasons in MLB history, hitting 56 home runs and establishing the current runs-batted-in record of 191. That 1930 club, which boasted six eventual Hall of Famers (Wilson, Gabby Hartnett, Rogers Hornsby, George "High Pockets" Kelly, Kiki Cuyler and manager Joe McCarthy) established the current team batting average record of .309. In 1935 the Cubs claimed the pennant in thrilling fashion, winning a record 21 games in a row in September. The '38 club saw Dizzy Dean lead the team's pitching staff and provided a historic moment when they won a crucial late-season game at Wrigley Field over the Pittsburgh Pirates with a walk-off home run by Gabby Hartnett, which became known in baseball lore as "The Homer in the Gloamin'".


The Cubs enjoyed one more pennant at the close of World War II, finishing 98–56. Due to the wartime travel restrictions, the first three games of the 1945 World Series were played in Detroit, where the Cubs won two games, including a one-hitter by Claude Passeau, and the final four were played at Wrigley. In Game 4 of the Series, the Curse of the Billy Goat was allegedly laid upon the Cubs when P.K. Wrigley ejected Billy Sianis, who had come to Game 4 with two box seat tickets, one for him and one for his goat. They paraded around for a few innings, but Wrigley demanded the goat leave the park due to its unpleasant odor. Upon his ejection, Mr. Sianis uttered, "The Cubs, they ain't gonna win no more." The Cubs lost Game 4, lost the Series, and have not been back since. It has also been said by many that Sianis put a "curse" on the Cubs, apparently preventing the team from playing in the World Series. After losing the 1945 World Series to the Detroit Tigers, the Cubs finished with winning seasons the next two years, but those teams did not enter post-season play.


In the following two decades after Sianis' ill will, the Cubs played mostly forgettable baseball, finishing among the worst teams in the National League on an almost annual basis. Longtime infielder/manager Phil Cavarretta, who had been a key player during the '45 season, was fired during spring training in 1954 after admitting the team was unlikely to finish above fifth place. Although shortstop Ernie Banks would become one of the star players in the league during the next decade, finding help for him proved a difficult task, as quality players such as Hank Sauer were few and far between. This, combined with poor ownership decisions such as the College of Coaches, and the ill-fated trade of future Hall of Famer Lou Brock to the Cardinals for pitcher Ernie Broglio (who won only 7 games over the next three seasons), hampered on-field performance.


In 1969 the Cubs, managed by Leo Durocher, built a substantial lead in the newly created National League Eastern Division by mid-August. Ken Holtzman pitched a no-hitter on August 19, and the division lead grew to 8 1⁄2 games over the St. Louis Cardinals and by 9 1⁄2 games over the New York Mets. After the game of September 2, the Cubs record was 84-52 with the Mets in second place at 77-55. But then a losing streak began just as a Mets winning streak was beginning. The Cubs lost the final game of a series at Cincinnati, then came home to play the resurgent Pittsburgh Pirates (who would finish in third place). After losing the first two games by scores of 9-2 and 13-4, the Cubs led going into the ninth inning. A win would be a positive springboard since the Cubs were to play a crucial series with the Mets the very next day. But Willie Stargell drilled a 2-out, 2-strike pitch from the Cubs' ace reliever, Phil Regan, onto Sheffield Avenue to tie the score in the top of the ninth. The Cubs would lose 7-5 in extra innings. Burdened by a four-game losing streak, the Cubs traveled to Shea Stadium for a short two-game set. The Mets won both games, and the Cubs left New York with a record of 84-58 just 1⁄2 game in front. Disaster followed in Philadelphia, as a 99 loss Phillies team nonetheless defeated the Cubs twice, to extend Chicago's losing streak to eight games. In a key play in the second game, on September 11, Cubs starter Dick Selma threw a surprise pickoff attempt to third baseman Ron Santo, who was nowhere near the bag or the ball. Selma's throwing error opened the gates to a Phillies rally. After that second Philly loss, the Cubs were 84-60 and the Mets had pulled ahead at 85-57. The Mets would not look back. The Cubs' eight-game losing streak finally ended the next day in St. Louis, but the Mets were in the midst of a ten-game winning streak, and the Cubs, wilting from team fatigue, generally deteriorated in all phases of the game. The Mets (who had lost a record 120 games 7 years earlier), would go on to win the World Series. The Cubs, despite a respectable 92-70 record, would be remembered for having lost a remarkable 17½ games in the standings to the Mets in the last quarter of the season.