The Embargo Act of 1807, adopted during the Napoleonic Wars, and the War of 1812 significantly curtailed Boston's harbor activity. Although foreign trade returned after these hostilities, Boston's merchants had found alternatives for their capital investments in the interim. Manufacturing became an important component of the city's economy, and by the mid-19th century, the city's industrial manufacturing overtook international trade in economic importance. Until the early 20th century, Boston remained one of the nation's largest manufacturing centers and was notable for its garment production and leather-goods industries. A network of small rivers bordering the city and connecting it to the surrounding region facilitated shipment of goods and led to a proliferation of mills and factories. Later, a dense network of railroads furthered the region's industry and commerce.


During this period Boston flourished culturally as well, admired for its rarefied literary life and generous artistic patronage, with members of old Boston families—eventually dubbed Boston Brahmins—coming to be regarded as the nation's social and cultural elites.


Boston was an early port of the Atlantic triangular slave trade in the New England colonies, but was soon overtaken by Salem, Massachusetts and Newport, Rhode Island. Eventually Boston became a center of the abolitionist movement. The city reacted strongly to the Fugitive Slave Law of 1850, contributing to President Franklin Pierce's attempt to make an example of Boston after the Anthony Burns Fugitive Slave Case.


In 1822, the citizens of Boston voted to change the official name from "the Town of Boston" to "the City of Boston", and on March 4, 1822, the people of Boston accepted the charter incorporating the City. At the time Boston was chartered as a city, the population was about 46,226, while the area of the city was only 4.7 square miles (12 km2).


In the 1820s, Boston's population grew rapidly, and the city's ethnic composition changed dramatically with the first wave of European immigrants. Irish immigrants dominated the first wave of newcomers during this period, especially following the Irish Potato Famine; by 1850, about 35,000 Irish lived in Boston. In the latter half of the 19th century, the city saw increasing numbers of Irish, Germans, Lebanese, Syrians, French Canadians, and Russian and Polish Jews settled in the city. By the end of the 19th century, Boston's core neighborhoods had become enclaves of ethnically distinct immigrants—Italians inhabited the North End, Irish dominated South Boston and Charlestown, and Russian Jews lived in the West End. Irish and Italian immigrants brought with them Roman Catholicism. Currently, Catholics make up Boston's largest religious community, and since the early 20th century, the Irish have played a major role in Boston politics—prominent figures include the Kennedys, Tip O'Neill, and John F. Fitzgerald.


Between 1631 and 1890, the city tripled its area through land reclamation by filling in marshes, mud flats, and gaps between wharves along the waterfront. The largest reclamation efforts took place during the 19th century; beginning in 1807, the crown of Beacon Hill was used to fill in a 50-acre (20 ha) mill pond that later became the Haymarket Square area. The present-day State House sits atop this lowered Beacon Hill. Reclamation projects in the middle of the century created significant parts of the South End, the West End, the Financial District, and Chinatown. After The Great Boston Fire of 1872, workers used building rubble as landfill along the downtown waterfront. During the mid-to-late 19th century, workers filled almost 600 acres (2.4 km2) of brackish Charles River marshlands west of Boston Common with gravel brought by rail from the hills of Needham Heights. The city annexed the adjacent towns of South Boston (1804), East Boston (1836), Roxbury (1868), Dorchester (including present day Mattapan and a portion of South Boston) (1870), Brighton (including present day Allston) (1874), West Roxbury (including present day Jamaica Plain and Roslindale) (1874), Charlestown (1874), and Hyde Park (1912). Other proposals, for the annexation of Brookline, Cambridge, and Chelsea, were unsuccessful.


By the early and mid-20th century, the city was in decline as factories became old and obsolete, and businesses moved out of the region for cheaper labor elsewhere. Boston responded by initiating various urban renewal projects under the direction of the Boston Redevelopment Authority (BRA), which was established in 1957. In 1958, BRA initiated a project to improve the historic West End neighborhood. Extensive demolition was met with vociferous public opposition.


The BRA subsequently reevaluated its approach to urban renewal in its future projects, including the construction of Government Center. In 1965, the first Community Health Center in the United States opened, the Columbia Point Health Center, in the Dorchester neighborhood. It mostly served the massive Columbia Point public housing complex adjoining it, which was built in 1953. The health center is still in operation and was rededicated in 1990 as the Geiger-Gibson Community Health Center. The Columbia Point complex itself was redeveloped and revitalized into a mixed-income community called Harbor Point Apartments from 1984 to 1990. By the 1970s, the city's economy boomed after 30 years of economic downturn. A large number of high rises were constructed in the Financial District and in Boston's Back Bay during this time period. This boom continued into the mid-1980s and later began again. Hospitals such as Massachusetts General Hospital, Beth Israel Deaconess Medical Center, and Brigham and Women's Hospital lead the nation in medical innovation and patient care. Schools such as Boston College, Boston University, the Harvard Medical School, Northeastern University, Wentworth Institute of Technology, Berklee College of Music and Boston Conservatory attract students to the area. Nevertheless, the city experienced conflict starting in 1974 over desegregation busing, which resulted in unrest and violence around public schools throughout the mid-1970s.


Boston is an intellectual, technological, and political center but has lost some important regional institutions, including the acquisition of The Boston Globe by The New York Times, and the loss to mergers and acquisitions of local financial institutions such as FleetBoston Financial, which was acquired by Charlotte-based Bank of America in 2004. Boston-based department stores Jordan Marsh and Filene's have both been merged into the Cincinnati–based Macy's. Boston has experienced gentrification in the latter half of the 20th century, with housing prices increasing sharply since the 1990s. Living expenses have risen, and Boston has one of the highest costs of living in the United States, and was ranked the 129th most expensive major city in the world in a 2011 survey of 214 cities. Despite cost of living issues, Boston ranks high on livability ratings, ranking 36th worldwide in quality of living in 2011 in a survey of 221 major cities.


On April 15, 2013, two Chechen Islamist brothers exploded two bombs near the finish line of the Boston Marathon, killing three people and injuring roughly 264.


Boston has an area of 89.6 square miles (232.1 km2)—48.4 square miles (125.4 km2) (54.0%) of land and 41.2 square miles (106.7 km2) (46.0%) of water. The city's official elevation, as measured at Logan International Airport, is 19 ft (5.8 m) above sea level. The highest point in Boston is Bellevue Hill at 330 feet (100 m) above sea level, and the lowest point is at sea level. Situated onshore of the Atlantic Ocean, Boston is the only state capital in the contiguous United States with an oceanic coastline.


Boston is surrounded by the "Greater Boston" region and is contiguously bordered by the cities and towns of Winthrop, Revere, Chelsea, Everett, Somerville, Cambridge, Newton, Brookline, Needham, Dedham, Canton, Milton, and Quincy. The Charles River separates Boston from Watertown and the majority of Cambridge, and the mass of Boston from its own Charlestown neighborhood. To the east lie Boston Harbor and the Boston Harbor Islands National Recreation Area (which includes part of the city's territory, specifically Calf Island, Gallops Island, Great Brewster Island, Green Island, Little Brewster Island, Little Calf Island, Long Island, Lovells Island, Middle Brewster Island, Nixes Mate, Outer Brewster Island, Rainsford Island, Shag Rocks, Spectacle Island, The Graves, and Thompson Island). The Neponset River forms the boundary between Boston's southern neighborhoods and the city of Quincy and the town of Milton. The Mystic River separates Charlestown from Chelsea and Everett, and Chelsea Creek and Boston Harbor separate East Boston from Boston proper.


Boston is sometimes called a "city of neighborhoods" because of the profusion of diverse subsections; the city government's Office of Neighborhood Services has officially designated 23 neighborhoods.


More than two-thirds of inner Boston's modern land area did not exist when the city was founded, but was created via the gradual filling in of the surrounding tidal areas over the centuries, notably with earth from the leveling or lowering of Boston's three original hills (the "Trimountain", after which Tremont Street is named), and with gravel brought by train from Needham to fill the Back Bay. Downtown and its immediate surroundings consists largely of low-rise (often Federal style and Greek Revival) masonry buildings, interspersed with modern highrises, notably in the Financial District, Government Center, and South Boston. Back Bay includes many prominent landmarks, such as the Boston Public Library, Christian Science Center, Copley Square, Newbury Street, and New England's two tallest buildings—the John Hancock Tower and the Prudential Center. Near the John Hancock Tower is the old John Hancock Building with its prominent illuminated beacon, the color of which forecasts the weather. Smaller commercial areas are interspersed among areas of single-family homes and wooden/brick multi-family row houses. The South End Historic District is the largest surviving contiguous Victorian-era neighborhood in the US. The geography of downtown and South Boston was particularly impacted by the Central Artery/Tunnel Project (known unofficially as the "Big Dig"), which allowed for the removal of the unsightly elevated Central Artery and the incorporation of new green spaces and open areas.


Boston has a continental climate with some maritime influence, and using the −3 °C (27 °F) coldest month (January) isotherm, the city lies within the transition zone from a humid subtropical climate (Köppen Cfa) to a humid continental climate (Köppen Dfa), although the suburbs north and west of the city are significantly colder in winter and solidly fall under the latter categorization; the city lies at the transition between USDA plant hardiness zones 6b (most of the city) and 7a (Downtown, South Boston, and East Boston neighborhoods). Summers are typically warm to hot, rainy, and humid, while winters oscillate between periods of cold rain and snow, with cold temperatures. Spring and fall are usually mild, with varying conditions dependent on wind direction and jet stream positioning. Prevailing wind patterns that blow offshore minimize the influence of the Atlantic Ocean. The hottest month is July, with a mean temperature of 73.4 °F (23.0 °C). The coldest month is January, with a mean of 29.0 °F (−1.7 °C). Periods exceeding 90 °F (32 °C) in summer and below freezing in winter are not uncommon but rarely extended, with about 13 and 25 days per year seeing each, respectively. The most recent sub-0 °F (−18 °C) reading occurring on February 14, 2016 when the temperature dipped down to −9 °F (−23 °C), the coldest reading since 1957. In addition, several decades may pass between 100 °F (38 °C) readings, with the most recent such occurrence on July 22, 2011 when the temperature reached 103 °F (39 °C). The city's average window for freezing temperatures is November 9 through April 5.[c] Official temperature records have ranged from −18 °F (−28 °C) on February 9, 1934, up to 104 °F (40 °C) on July 4, 1911; the record cold daily maximum is 2 °F (−17 °C) on December 30, 1917, while, conversely, the record warm daily minimum is 83 °F (28 °C) on August 2, 1975.


Boston's coastal location on the North Atlantic moderates its temperature, but makes the city very prone to Nor'easter weather systems that can produce much snow and rain. The city averages 43.8 inches (1,110 mm) of precipitation a year, with 43.8 inches (111 cm) of snowfall per season. Snowfall increases dramatically as one goes inland away from the city (especially north and west of the city)—away from the moderating influence of the ocean. Most snowfall occurs from December through March, as most years see no measurable snow in April and November, and snow is rare in May and October. There is also high year-to-year variability in snowfall; for instance, the winter of 2011–12 saw only 9.3 in (23.6 cm) of accumulating snow, but the previous winter, the corresponding figure was 81.0 in (2.06 m).[d]


Fog is fairly common, particularly in spring and early summer, and the occasional tropical storm or hurricane can threaten the region, especially in late summer and early autumn. Due to its situation along the North Atlantic, the city often receives sea breezes, especially in the late spring, when water temperatures are still quite cold and temperatures at the coast can be more than 20 °F (11 °C) colder than a few miles inland, sometimes dropping by that amount near midday. Thunderstorms occur from May to September, that are occasionally severe with large hail, damaging winds and heavy downpours. Although downtown Boston has never been struck by a violent tornado, the city itself has experienced many tornado warnings. Damaging storms are more common to areas north, west, and northwest of the city. Boston has a relatively sunny climate for a coastal city at its latitude, averaging over 2,600 hours of sunshine per annum.


In 2010, Boston was estimated to have 617,594 residents (a density of 12,200 persons/sq mile, or 4,700/km2) living in 272,481 housing units— a 5% population increase over 2000. The city is the third most densely populated large U.S. city of over half a million residents. Some 1.2 million persons may be within Boston's boundaries during work hours, and as many as 2 million during special events. This fluctuation of people is caused by hundreds of thousands of suburban residents who travel to the city for work, education, health care, and special events.


In the city, the population was spread out with 21.9% at age 19 and under, 14.3% from 20 to 24, 33.2% from 25 to 44, 20.4% from 45 to 64, and 10.1% who were 65 years of age or older. The median age was 30.8 years. For every 100 females, there were 92.0 males. For every 100 females age 18 and over, there were 89.9 males. There were 252,699 households, of which 20.4% had children under the age of 18 living in them, 25.5% were married couples living together, 16.3% had a female householder with no husband present, and 54.0% were non-families. 37.1% of all households were made up of individuals and 9.0% had someone living alone who was 65 years of age or older. The average household size was 2.26 and the average family size was 3.08.


The median household income in Boston was $51,739, while the median income for a family was $61,035. Full-time year-round male workers had a median income of $52,544 versus $46,540 for full-time year-round female workers. The per capita income for the city was $33,158. 21.4% of the population and 16.0% of families are below the poverty line. Of the total population, 28.8% of those under the age of 18 and 20.4% of those 65 and older were living below the poverty line.


In 1950, whites represented 94.7% of Boston's population. From the 1950s to the end of the 20th century, the proportion of non-Hispanic whites in the city declined; in 2000, non-Hispanic whites made up 49.5% of the city's population, making the city majority-minority for the first time. However, in recent years the city has experienced significant gentrification, in which affluent whites have moved into formerly non-white areas. In 2006, the US Census Bureau estimated that non-Hispanic whites again formed a slight majority. But as of 2010, in part due to the housing crash, as well as increased efforts to make more affordable housing more available, the minority population has rebounded. This may also have to do with an increased Latino population and more clarity surrounding US Census statistics, which indicate a Non-Hispanic White population of 47 percent (some reports give slightly lower figures).


People of Irish descent form the largest single ethnic group in the city, making up 15.8% of the population, followed by Italians, accounting for 8.3% of the population. People of West Indian and Caribbean ancestry are another sizable group, at 6.0%, about half of whom are of Haitian ancestry. Over 27,000 Chinese Americans made their home in Boston city proper in 2013, and the city hosts a growing Chinatown accommodating heavily traveled Chinese-owned bus lines to and from Chinatown, Manhattan. Some neighborhoods, such as Dorchester, have received an influx of people of Vietnamese ancestry in recent decades. Neighborhoods such as Jamaica Plain and Roslindale have experienced a growing number of Dominican Americans. The city and greater area also has a growing immigrant population of South Asians, including the tenth-largest Indian community in the country.


The city has a sizable Jewish population with an estimated 25,000 Jews within the city and 227,000 within the Boston metro area; the number of congregations in Boston is estimated at 22. The adjacent communities of Brookline and Newton are both approximately one-third Jewish.


The city, especially the East Boston neighborhood, has a significant Hispanic community. Hispanics in Boston are mostly of Puerto Rican (30,506 or 4.9% of total city population), Dominican (25,648 or 4.2% of total city population), Salvadoran (10,850 or 1.8% of city population), Colombian (6,649 or 1.1% of total city population), Mexican (5,961 or 1.0% of total city population), and Guatemalan (4,451 or 0.7% of total city population) ethnic origin. When including all Hispanic national origins, they number 107,917. In Greater Boston, these numbers grow significantly with Puerto Ricans numbering 175,000+, Dominicans 95,000+, Salvadorans 40,000+, Guatemalans 31,000+, Mexicans 25,000+, and Colombians numbering 22,000+.


According to a 2014 study by the Pew Research Center, 57% of the population of the city identified themselves as Christians, with 25% professing attendance at a variety of churches that could be considered Protestant, and 29% professing Roman Catholic beliefs. while 33% claim no religious affiliation. The same study says that other religions (including Judaism, Buddhism, Islam, and Hinduism) collectively make up about 10% of the population.


As of 2010 the Catholic Church had the highest number of adherents as a single denomination in the Boston-Cambridge-Newton Metro area, with more than two million members and 339 churches, followed by the Episcopal Church with 58,000 adherents in 160 churches. The United Church of Christ had 55,000 members and 213 churches. The UCC is the successor of the city's Puritan religious traditions. Old South Church in Boston is one of the oldest congregations in the United States. It was organized in 1669 by dissenters from the First Church in Boston (1630). Notable past members include Samuel Adams, William Dawes, Benjamin Franklin, Samuel Sewall, and Phillis Wheatley. In 1773, Adams gave the signals from the Old South Meeting House that started the Boston Tea Party.


A global city, Boston is placed among the top 30 most economically powerful cities in the world. Encompassing $363 billion, the Greater Boston metropolitan area has the sixth-largest economy in the country and 12th-largest in the world.


Boston's colleges and universities have a significant effect on the regional economy. Boston attracts more than 350,000 college students from around the world, who contribute more than $4.8 billion annually to the city's economy. The area's schools are major employers and attract industries to the city and surrounding region. The city is home to a number of technology companies and is a hub for biotechnology, with the Milken Institute rating Boston as the top life sciences cluster in the country. Boston receives the highest absolute amount of annual funding from the National Institutes of Health of all cities in the United States.


The city is considered highly innovative for a variety of reasons, including the presence of academia, access to venture capital, and the presence of many high-tech companies. The Route 128 corridor and Greater Boston continue to be a major center for venture capital investment, and high technology remains an important sector.


Tourism also composes a large part of Boston's economy, with 21.2 million domestic and international visitors spending $8.3 billion in 2011; excluding visitors from Canada and Mexico, over 1.4 million international tourists visited Boston in 2014, with those from China and the United Kingdom leading the list. Boston's status as a state capital as well as the regional home of federal agencies has rendered law and government to be another major component of the city's economy. The city is a major seaport along the United States' East Coast and the oldest continuously operated industrial and fishing port in the Western Hemisphere.


Other important industries are financial services, especially mutual funds and insurance. Boston-based Fidelity Investments helped popularize the mutual fund in the 1980s and has made Boston one of the top financial cities in the United States. The city is home to the headquarters of Santander Bank, and Boston is a center for venture capital firms. State Street Corporation, which specializes in asset management and custody services, is based in the city. Boston is a printing and publishing center — Houghton Mifflin Harcourt is headquartered within the city, along with Bedford-St. Martin's Press and Beacon Press. Pearson PLC publishing units also employ several hundred people in Boston. The city is home to three major convention centers—the Hynes Convention Center in the Back Bay, and the Seaport World Trade Center and Boston Convention and Exhibition Center on the South Boston waterfront. The General Electric Corporation announced in January 2016 its decision to move the company's global headquarters to the Seaport District in Boston, from Fairfield, Connecticut, citing factors including Boston's preeminence in the realm of higher education.


The Boston Public Schools enrolls 57,000 students attending 145 schools, including the renowned Boston Latin Academy, John D. O'Bryant School of Math & Science, and Boston Latin School. The Boston Latin School, established 1635, is the oldest public high school in the US; Boston also operates the United States' second oldest public high school, and its oldest public elementary school. The system's students are 40% Hispanic or Latino, 35% Black or African American, 13% White, and 9% Asian. There are private, parochial, and charter schools as well, and approximately 3,300 minority students attend participating suburban schools through the Metropolitan Educational Opportunity Council.


Some of the most renowned and highly ranked universities in the world are located in the Boston area. Four members of the Association of American Universities are in Greater Boston (more than any other metropolitan area): Harvard University, the Massachusetts Institute of Technology, Boston University, and Brandeis University. Hospitals, universities, and research institutions in Greater Boston received more than $1.77 billion in National Institutes of Health grants in 2013, more money than any other American metropolitan area. Greater Boston has more than 100 colleges and universities, with 250,000 students enrolled in Boston and Cambridge alone. Its largest private universities include Boston University (the city's fourth-largest employer) with its main campus along Commonwealth Avenue and a medical campus in the South End; Northeastern University in the Fenway area; Suffolk University near Beacon Hill, which includes law school and business school; and Boston College, which straddles the Boston (Brighton)–Newton border. Boston's only public university is the University of Massachusetts Boston, on Columbia Point in Dorchester. Roxbury Community College and Bunker Hill Community College are the city's two public community colleges. Altogether, Boston's colleges and universities employ over 42,600 people, accounting for nearly 7 percent of the city's workforce.


Smaller private schools include Babson College, Bentley University, Boston Architectural College, Emmanuel College, Fisher College, MGH Institute of Health Professions, Massachusetts College of Pharmacy and Health Sciences, Simmons College, Wellesley College, Wheelock College, Wentworth Institute of Technology, New England School of Law (originally established as America's first all female law school), and Emerson College.


Metropolitan Boston is home to several conservatories and art schools, including Lesley University College of Art and Design, Massachusetts College of Art, the School of the Museum of Fine Arts, New England Institute of Art, New England School of Art and Design (Suffolk University), Longy School of Music of Bard College, and the New England Conservatory (the oldest independent conservatory in the United States). Other conservatories include the Boston Conservatory and Berklee College of Music, which has made Boston an important city for jazz music.


Several universities located outside Boston have a major presence in the city. Harvard University, the nation's oldest institute of higher education, is centered across the Charles River in Cambridge but has the majority of its land holdings and a substantial amount of its educational activities in Boston. Its business, medical, dental, and public health schools are located in Boston's Allston and Longwood neighborhoods. Harvard has plans for additional expansion into Allston. The Massachusetts Institute of Technology (MIT), which originated in Boston and was long known as "Boston Tech", moved across the river to Cambridge in 1916. Tufts University, whose main campus is north of the city in Somerville and Medford, locates its medical and dental school in Boston's Chinatown at Tufts Medical Center, a 451-bed academic medical institution that is home to both a full-service hospital for adults and the Floating Hospital for Children.


Like many major American cities, Boston has seen a great reduction in violent crime since the early 1990s. Boston's low crime rate since the 1990s has been credited to the Boston Police Department's collaboration with neighborhood groups and church parishes to prevent youths from joining gangs, as well as involvement from the United States Attorney and District Attorney's offices. This helped lead in part to what has been touted as the "Boston Miracle". Murders in the city dropped from 152 in 1990 (for a murder rate of 26.5 per 100,000 people) to just 31—not one of them a juvenile—in 1999 (for a murder rate of 5.26 per 100,000).


In 2008, there were 62 reported homicides. Through December 20 each of 2014 and 2015, the Boston Police Department reported 52 and 39 homicides, respectively.


Boston shares many cultural roots with greater New England, including a dialect of the non-rhotic Eastern New England accent known as Boston English, and a regional cuisine with a large emphasis on seafood, salt, and dairy products. Irish Americans are a major influence on Boston's politics and religious institutions. Boston also has its own collection of neologisms known as Boston slang.


Boston has been called the "Athens of America" for its literary culture, earning a reputation as "the intellectual capital of the United States." In the nineteenth century, Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, Margaret Fuller, James Russell Lowell, and Henry Wadsworth Longfellow wrote in Boston. Some consider the Old Corner Bookstore, where these writers met and where The Atlantic Monthly was first published, to be "cradle of American literature. In 1852, the Boston Public Library was founded as the first free library in the United States. Boston's literary culture continues today thanks to the city's many universities and the Boston Book Festival.


Music is cherished in Boston. The Boston Symphony Orchestra is one of the "Big Five," a group of the greatest American orchestras, and the classical music magazine Gramophone called it one of the "world's best" orchestras. Symphony Hall (located west of Back Bay) is home to the Boston Symphony Orchestra, (and the related Boston Youth Symphony Orchestra, which is the largest youth orchestra in the nation) and the Boston Pops Orchestra. The British newspaper The Guardian called Boston Symphony Hall "one of the top venues for classical music in the world," adding that "Symphony Hall in Boston was where science became an essential part of concert hall design." Other concerts are held at the New England Conservatory's Jordan Hall. The Boston Ballet performs at the Boston Opera House. Other performing-arts organizations located in the city include the Boston Lyric Opera Company, Opera Boston, Boston Baroque (the first permanent Baroque orchestra in the US), and the Handel and Haydn Society (one of the oldest choral companies in the United States). The city is a center for contemporary classical music with a number of performing groups, several of which are associated with the city's conservatories and universities. These include the Boston Modern Orchestra Project and Boston Musica Viva. Several theaters are located in or near the Theater District south of Boston Common, including the Cutler Majestic Theatre, Citi Performing Arts Center, the Colonial Theater, and the Orpheum Theatre.


There are several major annual events such as First Night, which occurs on New Year's Eve, the Boston Early Music Festival, the annual Boston Arts Festival at Christopher Columbus Waterfront Park, and Italian summer feasts in the North End honoring Catholic saints. The city is the site of several events during the Fourth of July period. They include the week-long Harborfest festivities and a Boston Pops concert accompanied by fireworks on the banks of the Charles River.


Because of the city's prominent role in the American Revolution, several historic sites relating to that period are preserved as part of the Boston National Historical Park. Many are found along the Freedom Trail, which is marked by a red line of bricks embedded in the ground. The city is also home to several art museums, including the Museum of Fine Arts and the Isabella Stewart Gardner Museum. The Institute of Contemporary Art is housed in a contemporary building designed by Diller Scofidio + Renfro in the Seaport District. The University of Massachusetts Boston campus on Columbia Point houses the John F. Kennedy Library. The Boston Athenaeum (one of the oldest independent libraries in the United States), Boston Children's Museum, Bull & Finch Pub (whose building is known from the television show Cheers), Museum of Science, and the New England Aquarium are within the city.


Boston has been a noted religious center from its earliest days. The Roman Catholic Archdiocese of Boston serves nearly 300 parishes and is based in the Cathedral of the Holy Cross (1875) in the South End, while the Episcopal Diocese of Massachusetts, with the Cathedral Church of St. Paul (1819) as its episcopal seat, serves just under 200 congregations. Unitarian Universalism has its headquarters on Beacon Hill. The Christian Scientists are headquartered in Back Bay at the Mother Church (1894). The oldest church in Boston is First Church in Boston, founded in 1630. King's Chapel, the city's first Anglican church, was founded in 1686 and converted to Unitarianism in 1785. Other churches include Christ Church (better known as Old North Church, 1723), the oldest church building in the city, Trinity Church (1733), Park Street Church (1809), Old South Church (1874), Jubilee Christian Church and Basilica and Shrine of Our Lady of Perpetual Help on Mission Hill (1878).


Air quality in Boston is generally very good: during the ten-year period 2004–2013, there were only 4 days in which the air was unhealthy for the general public, according to the EPA.


Some of the cleaner energy facilities in Boston include the Allston green district, with three ecologically compatible housing facilities. Boston is also breaking ground on multiple green affordable housing facilities to help reduce the carbon footprint of the city while simultaneously making these initiatives financially available to a greater population. Boston's climate plan is updated every three years and was most recently modified in 2013. This legislature includes the Building Energy Reporting and Disclosure Ordinance, which requires the city's larger buildings to disclose their yearly energy and water use statistics and partake in an energy assessment every five years. These statistics are made public by the city, thereby increasing incentives for buildings to be more environmentally conscious.


Another initiative, presented by the late Mayor Thomas Menino, is the Renew Boston Whole Building Incentive, which reduces the cost of living in buildings that are deemed energy efficient. This, much like the green housing developments, gives people of low socioeconomic status an opportunity to find housing in communities that support the environment. The ultimate goal of this initiative is to enlist 500 Bostonians to participate in a free, in-home energy assessment.


Many older buildings in certain areas of Boston are supported by wooden piles driven into the area's fill; these piles remain sound if submerged in water, but are subject to dry rot if exposed to air for long periods. Groundwater levels have been dropping, to varying degrees, in many areas of the city, due in part to an increase in the amount of rainwater discharged directly into sewers rather than absorbed by the ground. A city agency, the Boston Groundwater Trust, coordinates monitoring of groundwater levels throughout the city via a network of public and private monitoring wells. However, Boston's drinking water supply, from the Quabbin and Wachusett Reservoirs to the west, is one of the very few in the country so pure as to satisfy federal water quality standards without filtration.


Boston has teams in the four major North American professional sports leagues plus Major League Soccer, and has won 36 championships in these leagues, As of 2014[update]. It is one of six cities (along with Chicago, Detroit, Los Angeles, New York and Philadelphia) to have won championships in all four major sports. It has been suggested that Boston is the new "TitleTown, USA", as the city's professional sports teams have won nine championships since 2001: Patriots (2001, 2003, 2004, and 2014), Red Sox (2004, 2007, and 2013), Celtics (2008), and Bruins (2011). This love of sports has made Boston the United States Olympic Committee's choice to bid to hold the 2024 Summer Olympic Games, but the city cited financial concerns when it withdrew its bid on July 27, 2015.


The Boston Red Sox, a founding member of the American League of Major League Baseball in 1901, play their home games at Fenway Park, near Kenmore Square in the city's Fenway section. Built in 1912, it is the oldest sports arena or stadium in active use in the United States among the four major professional American sports leagues, encompassing Major League Baseball, the National Football League, National Basketball Association, and the National Hockey League. Boston was the site of the first game of the first modern World Series, in 1903. The series was played between the AL Champion Boston Americans and the NL champion Pittsburgh Pirates. Persistent reports that the team was known in 1903 as the "Boston Pilgrims" appear to be unfounded. Boston's first professional baseball team was the Red Stockings, one of the charter members of the National Association in 1871, and of the National League in 1876. The team played under that name until 1883, under the name Beaneaters until 1911, and under the name Braves from 1912 until they moved to Milwaukee after the 1952 season. Since 1966 they have played in Atlanta as the Atlanta Braves.


The TD Garden, formerly called the FleetCenter and built to replace the old, since-demolished Boston Garden, is adjoined to North Station and is the home of two major league teams: the Boston Bruins of the National Hockey League and the Boston Celtics of the National Basketball Association. The arena seats 18,624 for basketball games and 17,565 for ice hockey games. The Bruins were the first American member of the National Hockey League and an Original Six franchise. The Boston Celtics were founding members of the Basketball Association of America, one of the two leagues that merged to form the NBA. The Celtics have the distinction of having won more championships than any other NBA team, with seventeen.


While they have played in suburban Foxborough since 1971, the New England Patriots of the National Football League were founded in 1960 as the Boston Patriots, changing their name after relocating. The team won the Super Bowl after the 2001, 2003, 2004, and 2014 seasons. They share Gillette Stadium with the New England Revolution of Major League Soccer. The Boston Breakers of Women's Professional Soccer, which formed in 2009, play their home games at Dilboy Stadium in Somerville.


The area's many colleges and universities are active in college athletics. Four NCAA Division I members play in the city—Boston College, Boston University, Harvard University, and Northeastern University. Of the four, only Boston College participates in college football at the highest level, the Football Bowl Subdivision. Harvard participates in the second-highest level, the Football Championship Subdivision.


One of the best known sporting events in the city is the Boston Marathon, the 26.2-mile (42.2 km) race which is the world's oldest annual marathon, run on Patriots' Day in April. On April 15, 2013, two explosions killed three people and injured hundreds at the marathon. Another major annual event is the Head of the Charles Regatta, held in October.


Boston Common, located near the Financial District and Beacon Hill, is the oldest public park in the United States. Along with the adjacent Boston Public Garden, it is part of the Emerald Necklace, a string of parks designed by Frederick Law Olmsted to encircle the city. The Emerald Necklace includes Jamaica Pond, Boston's largest body of freshwater, and Franklin Park, the city's largest park and home of the Franklin Park Zoo. Another major park is the Esplanade, located along the banks of the Charles River. The Hatch Shell, an outdoor concert venue, is located adjacent to the Charles River Esplanade. Other parks are scattered throughout the city, with the major parks and beaches located near Castle Island; in Charlestown; and along the Dorchester, South Boston, and East Boston shorelines.


Boston's park system is well-reputed nationally. In its 2013 ParkScore ranking, The Trust for Public Land reported that Boston was tied with Sacramento and San Francisco for having the third-best park system among the 50 most populous US cities. ParkScore ranks city park systems by a formula that analyzes the city's median park size, park acres as percent of city area, the percent of residents within a half-mile of a park, spending of park services per resident, and the number of playgrounds per 10,000 residents.


Boston has a strong mayor – council government system in which the mayor (elected every fourth year) has extensive executive power. Marty Walsh became Mayor in January 2014, his predecessor Thomas Menino's twenty-year tenure having been the longest in the city's history. The Boston City Council is elected every two years; there are nine district seats, and four citywide "at-large" seats. The School Committee, which oversees the Boston Public Schools, is appointed by the mayor.


In addition to city government, numerous commissions and state authorities—including the Massachusetts Department of Conservation and Recreation, the Boston Public Health Commission, the Massachusetts Water Resources Authority (MWRA), and the Massachusetts Port Authority (Massport)—play a role in the life of Bostonians. As the capital of Massachusetts, Boston plays a major role in state politics.


The city has several federal facilities, including the John F. Kennedy Federal Office Building, the Thomas P. O'Neill Federal Building, the United States Court of Appeals for the First Circuit, the United States District Court for the District of Massachusetts, and the Federal Reserve Bank of Boston.


Federally, Boston is split between two congressional districts. The northern three-fourths of the city is in the 7th district, represented by Mike Capuano since 1998. The southern fourth is in the 8th district, represented by Stephen Lynch. Both are Democrats; a Republican has not represented a significant portion of Boston in over a century. The state's senior member of the United States Senate is Democrat Elizabeth Warren, first elected in 2012. The state's junior member of the United States Senate is Democrat Ed Markey, who was elected in 2013 to succeed John Kerry after Kerry's appointment and confirmation as the United States Secretary of State.


The Boston Globe and the Boston Herald are two of the city's major daily newspapers. The city is also served by other publications such as Boston magazine, The Improper Bostonian, DigBoston, and the Boston edition of Metro. The Christian Science Monitor, headquartered in Boston, was formerly a worldwide daily newspaper but ended publication of daily print editions in 2009, switching to continuous online and weekly magazine format publications. The Boston Globe also releases a teen publication to the city's public high schools, called Teens in Print or T.i.P., which is written by the city's teens and delivered quarterly within the school year.


The city's growing Latino population has given rise to a number of local and regional Spanish-language newspapers. These include El Planeta (owned by the former publisher of The Boston Phoenix), El Mundo, and La Semana. Siglo21, with its main offices in nearby Lawrence, is also widely distributed.


Various LGBT publications serve the city's large LGBT (lesbian, gay, bisexual and transgender) community such as The Rainbow Times, the only minority and lesbian-owned LGBT newsmagazine. Founded in 2006, The Rainbow Times is now based out of Boston, but serves all of New England.


Boston is the largest broadcasting market in New England, with the radio market being the 11th largest in the United States. Several major AM stations include talk radio WRKO, sports/talk station WEEI, and CBS Radio WBZ. WBZ (AM) broadcasts a news radio format. A variety of commercial FM radio formats serve the area, as do NPR stations WBUR and WGBH. College and university radio stations include WERS (Emerson), WHRB (Harvard), WUMB (UMass Boston), WMBR (MIT), WZBC (Boston College), WMFO (Tufts University), WBRS (Brandeis University), WTBU (Boston University, campus and web only), WRBB (Northeastern University) and WMLN-FM (Curry College).


The Boston television DMA, which also includes Manchester, New Hampshire, is the 8th largest in the United States. The city is served by stations representing every major American network, including WBZ-TV and its sister station WSBK-TV (the former a CBS O&O, the latter an MyNetwork TV affiliate), WCVB-TV (ABC), WHDH (NBC), WFXT (Fox), and WLVI (The CW). The city is also home to PBS station WGBH-TV, a major producer of PBS programs, which also operates WGBX. Spanish-language television networks, including MundoFox (WFXZ-CD), Univision (WUNI), Telemundo (WNEU), and Telefutura (WUTF-DT), have a presence in the region, with WNEU and WUTF serving as network owned-and-operated stations. Most of the area's television stations have their transmitters in nearby Needham and Newton along the Route 128 corridor. Six Boston television stations are carried by Canadian satellite television provider Bell TV and by cable television providers in Canada.


The Longwood Medical and Academic Area, adjacent to the Fenway district, is home to a large number of medical and research facilities, including Beth Israel Deaconess Medical Center, Brigham and Women's Hospital, Children's Hospital Boston, Dana-Farber Cancer Institute, Harvard Medical School, Joslin Diabetes Center, and the Massachusetts College of Pharmacy and Health Sciences. Prominent medical facilities, including Massachusetts General Hospital, Massachusetts Eye and Ear Infirmary and Spaulding Rehabilitation Hospital are located in the Beacon Hill area. St. Elizabeth's Medical Center is in Brighton Center of the city's Brighton neighborhood. New England Baptist Hospital is in Mission Hill. The city has Veterans Affairs medical centers in the Jamaica Plain and West Roxbury neighborhoods. The Boston Public Health Commission, an agency of the Massachusetts government, oversees health concerns for city residents. Boston EMS provides pre-hospital emergency medical services to residents and visitors.


Many of Boston's medical facilities are associated with universities. The facilities in the Longwood Medical and Academic Area and in Massachusetts General Hospital are affiliated with Harvard Medical School. Tufts Medical Center (formerly Tufts-New England Medical Center), located in the southern portion of the Chinatown neighborhood, is affiliated with Tufts University School of Medicine. Boston Medical Center, located in the South End neighborhood, is the primary teaching facility for the Boston University School of Medicine as well as the largest trauma center in the Boston area; it was formed by the merger of Boston University Hospital and Boston City Hospital, which was the first municipal hospital in the United States.


Logan Airport, located in East Boston and operated by the Massachusetts Port Authority (Massport), is Boston's principal airport. Nearby general aviation airports are Beverly Municipal Airport to the north, Hanscom Field to the west, and Norwood Memorial Airport to the south. Massport also operates several major facilities within the Port of Boston, including a cruise ship terminal and facilities to handle bulk and container cargo in South Boston, and other facilities in Charlestown and East Boston.


Downtown Boston's streets grew organically, so they do not form a planned grid, unlike those in later-developed Back Bay, East Boston, the South End, and South Boston. Boston is the eastern terminus of I-90, which in Massachusetts runs along the Massachusetts Turnpike. The elevated portion of the Central Artery, which carried most of the through traffic in downtown Boston, was replaced with the O'Neill Tunnel during the Big Dig, substantially completed in early 2006.


With nearly a third of Bostonians using public transit for their commute to work, Boston has the fifth-highest rate of public transit usage in the country. Boston's subway system, the Massachusetts Bay Transportation Authority (MBTA—known as the "T") operates the oldest underground rapid transit system in the Americas, and is the fourth-busiest rapid transit system in the country, with 65.5 miles (105 km) of track on four lines. The MBTA also operates busy bus and commuter rail networks, and water shuttles.


Amtrak's Northeast Corridor and Chicago lines originate at South Station, which serves as a major intermodal transportation hub, and stop at Back Bay. Fast Northeast Corridor trains, which serve New York City, Washington, D.C., and points in between, also stop at Route 128 Station in the southwestern suburbs of Boston. Meanwhile, Amtrak's Downeaster service to Maine originates at North Station, despite the current lack of a dedicated passenger rail link between the two railhubs, other than the "T" subway lines.


Nicknamed "The Walking City", Boston hosts more pedestrian commuters than do other comparably populated cities. Owing to factors such as the compactness of the city and large student population, 13 percent of the population commutes by foot, making it the highest percentage of pedestrian commuters in the country out of the major American cities. In 2011, Walk Score ranked Boston the third most walkable city in the United States. As of 2015[update], Walk Score still ranks Boston as the third most walkable US city, with a Walk Score of 80, a Transit Score of 75, and a Bike Score of 70.


Between 1999 and 2006, Bicycling magazine named Boston three times as one of the worst cities in the US for cycling; regardless, it has one of the highest rates of bicycle commuting. In 2008, as a consequence of improvements made to bicycling conditions within the city, the same magazine put Boston on its "Five for the Future" list as a "Future Best City" for biking, and Boston's bicycle commuting percentage increased from 1% in 2000 to 2.1% in 2009. The bikeshare program called Hubway launched in late July 2011, logging more than 140,000 rides before the close of its first season. The neighboring municipalities of Cambridge, Somerville, and Brookline joined the Hubway program in summer 2012.


Universal Studios Inc. (also known as Universal Pictures) is an American film studio, owned by Comcast through its wholly owned subsidiary NBCUniversal, and is one of Hollywood's "Big Six" film studios. Its production studios are at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are in New York City. Universal Studios is a member of the Motion Picture Association of America (MPAA). Universal was founded in 1912 by the German Carl Laemmle (pronounced "LEM-lee"), Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour.


It is the world's fourth oldest major film studio, after the renowned French studios Gaumont Film Company and Pathé, and the Danish Nordisk Film company.


Universal Studios was founded by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane[a] and Jules Brulatour. One story has Laemmle watching a box office for hours, counting patrons and calculating the day's takings. Within weeks of his Chicago trip, Laemmle gave up dry goods to buy the first several nickelodeons. For Laemmle and other such entrepreneurs, the creation in 1908 of the Edison-backed Motion Picture Trust meant that exhibitors were expected to pay fees for Trust-produced films they showed. Based on the Latham Loop used in cameras and projectors, along with other patents, the Trust collected fees on all aspects of movie production and exhibition, and attempted to enforce a monopoly on distribution.


Soon, Laemmle and other disgruntled nickelodeon owners decided to avoid paying Edison by producing their own pictures. In June 1909, Laemmle started the Yankee Film Company with partners Abe Stern and Julius Stern. That company quickly evolved into the Independent Moving Pictures Company (IMP), with studios in Fort Lee, New Jersey, where many early films in America's first motion picture industry were produced in the early 20th century. Laemmle broke with Edison's custom of refusing to give billing and screen credits to performers. By naming the movie stars, he attracted many of the leading players of the time, contributing to the creation of the star system. In 1910, he promoted Florence Lawrence, formerly known as "The Biograph Girl", and actor King Baggot, in what may be the first instance of a studio using stars in its marketing.


The Universal Film Manufacturing Company was incorporated in New York on April 30, 1912. Laemmle, who emerged as president in July 1912, was the primary figure in the partnership with Dintenfass, Baumann, Kessel, Powers, Swanson, Horsley, and Brulatour. Eventually all would be bought out by Laemmle. The new Universal studio was a vertically integrated company, with movie production, distribution and exhibition venues all linked in the same corporate entity, the central element of the Studio system era.


On March 15, 1915,:8 Laemmle opened the world's largest motion picture production facility, Universal City Studios, on a 230-acre (0.9-km²) converted farm just over the Cahuenga Pass from Hollywood. Studio management became the third facet of Universal's operations, with the studio incorporated as a distinct subsidiary organization. Unlike other movie moguls, Laemmle opened his studio to tourists. Universal became the largest studio in Hollywood, and remained so for a decade. However, it sought an audience mostly in small towns, producing mostly inexpensive melodramas, westerns and serials.


In its early years Universal released three brands of feature films — Red Feather, low-budget programmers; Bluebird, more ambitious productions; and Jewel, their prestige motion pictures. Directors included Jack Conway, John Ford, Rex Ingram, Robert Z. Leonard, George Marshall and Lois Weber, one of the few women directing films in Hollywood.:13


Despite Laemmle's role as an innovator, he was an extremely cautious studio chief. Unlike rivals Adolph Zukor, William Fox, and Marcus Loew, Laemmle chose not to develop a theater chain. He also financed all of his own films, refusing to take on debt. This policy nearly bankrupted the studio when actor-director Erich von Stroheim insisted on excessively lavish production values for his films Blind Husbands (1919) and Foolish Wives (1922), but Universal shrewdly gained a return on some of the expenditure by launching a sensational ad campaign that attracted moviegoers. Character actor Lon Chaney became a drawing card for Universal in the 1920s, appearing steadily in dramas. His two biggest hits for Universal were The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). During this period Laemmle entrusted most of the production policy decisions to Irving Thalberg. Thalberg had been Laemmle's personal secretary, and Laemmle was impressed by his cogent observations of how efficiently the studio could be operated. Promoted to studio chief, Thalberg was giving Universal's product a touch of class, but MGM's head of production Louis B. Mayer lured Thalberg away from Universal with a promise of better pay. Without his guidance Universal became a second-tier studio, and would remain so for several decades.


In 1926, Universal opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak. This unit produced three to four films per year until 1936, migrating to Hungary and then Austria in the face of Hitler's increasing domination of central Europe. With the advent of sound, these productions were made in the German language or, occasionally, Hungarian or Polish. In the U.S., Universal Pictures did not distribute any of this subsidiary's films, but at least some of them were exhibited through other, independent, foreign-language film distributors based in New York, without benefit of English subtitles. Nazi persecution and a change in ownership for the parent Universal Pictures organization resulted in the dissolution of this subsidiary.


In the early years, Universal had a "clean picture" policy. However, by April 1927, Carl Laemmle considered this to be a mistake as "unclean pictures" from other studios were generating more profit while Universal was losing money.


Universal owned the rights to the "Oswald the Lucky Rabbit" character, although Walt Disney and Ub Iwerks had created Oswald, and their films had enjoyed a successful theatrical run. After Charles Mintz had unsuccessfully demanded that Disney accept a lower fee for producing the property, Mintz produced the films with his own group of animators. Instead, Disney and Iwerks created Mickey Mouse who in 1928 stared in the first "sync" sound animated short, Steamboat Willie. This moment effectively launched Walt Disney Studios' foothold, while Universal became a minor player in film animation. Universal subsequently severed its link to Mintz and formed its own in-house animation studio to produce Oswald cartoons headed by Walter Lantz.


In 2006, after almost 80 years, NBC Universal sold all Walt Disney-produced Oswald cartoons, along with the rights to the character himself, back to Disney. In return, Disney released ABC sportscaster Al Michaels from his contract so he could work on NBC's Sunday night NFL football package. However, Universal retained ownership of Oswald cartoons produced for them by Walter Lantz from 1929 to 1943.


In 1928, Laemmle, Sr. made his son, Carl, Jr. head of Universal Pictures as a 21st birthday present. Universal already had a reputation for nepotism—at one time, 70 of Carl, Sr.'s relatives were supposedly on the payroll. Many of them were nephews, resulting in Carl, Sr. being known around the studios as "Uncle Carl." Ogden Nash famously quipped in rhyme, "Uncle Carl Laemmle/Has a very large faemmle." Among these relatives was future Academy Award winning director/producer William Wyler.


"Junior" Laemmle persuaded his father to bring Universal up to date. He bought and built theaters, converted the studio to sound production, and made several forays into high-quality production. His early efforts included the critically mauled part-talkie version of Edna Ferber's novel Show Boat (1929), the lavish musical Broadway (1929) which included Technicolor sequences; and the first all-color musical feature (for Universal), King of Jazz (1930). The more serious All Quiet on the Western Front (1930), won its year's Best Picture Oscar.


Laemmle, Jr. created a niche for the studio, beginning a series of horror films which extended into the 1940s, affectionately dubbed Universal Horror. Among them are Frankenstein (1931), Dracula ( also in 1931), The Mummy (1932) and The Invisible Man (1933). Other Laemmle productions of this period include Imitation of Life (1934) and My Man Godfrey (1936).


Universal's forays into high-quality production spelled the end of the Laemmle era at the studio. Taking on the task of modernizing and upgrading a film conglomerate in the depths of the depression was risky, and for a time Universal slipped into receivership. The theater chain was scrapped, but Carl, Jr. held fast to distribution, studio and production operations.


The end for the Laemmles came with a lavish version of Show Boat (1936), a remake of its earlier 1929 part-talkie production, and produced as a high-quality, big-budget film rather than as a B-picture. The new film featured several stars from the Broadway stage version, which began production in late 1935, and unlike the 1929 film was based on the Broadway musical rather than the novel. Carl, Jr.'s spending habits alarmed company stockholders. They would not allow production to start on Show Boat unless the Laemmles obtained a loan. Universal was forced to seek a $750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral. It was the first time Universal had borrowed money for a production in its 26-year history. The production went $300,000 over budget; Standard called in the loan, cash-strapped Universal could not pay, Standard foreclosed and seized control of the studio on April 2, 1936.


Universal's 1936 Show Boat (released a little over a month later) became a critical and financial success, it was not enough to save the Laemmles' involvement with the studio. They were unceremoniously removed from the company they had founded. Because the Laemmles personally oversaw production, Show Boat was released (despite the takeover) with Carl Laemmle and Carl Laemmle Jr.'s names on the credits and in the advertising campaign of the film. Standard Capital's J. Cheever Cowdin had taken over as president and chairman of the board of directors, and instituted severe cuts in production budgets. Gone were the big ambitions, and though Universal had a few big names under contract, those it had been cultivating, like William Wyler and Margaret Sullavan, left.


Meanwhile, producer Joe Pasternak, who had been successfully producing light musicals with young sopranos for Universal's German subsidiary, repeated his formula in America. Teenage singer Deanna Durbin starred in Pasternak's first American film, Three Smart Girls (1936). The film was a box-office hit and reputedly restored the studio's solvency. The success of the film led Universal to offer her a contract, which for the first five years of her career produced her most successful pictures.


When Pasternak stopped producing Durbin's pictures, and she outgrew her screen persona and pursued more dramatic roles, the studio signed 13-year-old Gloria Jean for her own series of Pasternak musicals from 1939; she went on to star with Bing Crosby, W. C. Fields, and Donald O'Connor. A popular Universal film of the late 1930s was Destry Rides Again (1939), starring James Stewart as Destry and Marlene Dietrich in her comeback role after leaving Paramount Studios.


By the early 1940s, the company was concentrating on lower-budget productions that were the company's main staple: westerns, melodramas, serials and sequels to the studio's horror pictures, the latter now solely B pictures. The studio fostered many series: The Dead End Kids and Little Tough Guys action features and serials (1938–43); the comic adventures of infant Baby Sandy (1938–41); comedies with Hugh Herbert (1938–42) and The Ritz Brothers (1940–43); musicals with Robert Paige, Jane Frazee, The Andrews Sisters, and The Merry Macs (1938–45); and westerns with Tom Mix (1932–33), Buck Jones (1933–36), Bob Baker (1938–39), Johnny Mack Brown (1938–43); Rod Cameron (1944–45), and Kirby Grant (1946–47).


Universal could seldom afford its own stable of stars, and often borrowed talent from other studios, or hired freelance actors. In addition to Stewart and Dietrich, Margaret Sullavan, and Bing Crosby were two of the major names that made a couple of pictures for Universal during this period. Some stars came from radio, including Edgar Bergen, W. C. Fields, and the comedy team of Abbott and Costello (Bud Abbott and Lou Costello). Abbott and Costello's military comedy Buck Privates (1941) gave the former burlesque comedians a national and international profile.


During the war years Universal did have a co-production arrangement with producer Walter Wanger and his partner, director Fritz Lang, lending the studio some amount of prestige productions. Universal's core audience base was still found in the neighborhood movie theaters, and the studio continued to please the public with low- to medium-budget films. Basil Rathbone and Nigel Bruce in new Sherlock Holmes mysteries (1942–46), teenage musicals with Gloria Jean, Donald O'Connor, and Peggy Ryan (1942–43), and screen adaptations of radio's Inner Sanctum Mysteries with Lon Chaney, Jr. (1943–45). Alfred Hitchcock was also borrowed for two films from Selznick International Pictures: Saboteur (1942) and Shadow of a Doubt (1943).


As Universal's main product had always been low-budget film, it was one of the last major studios to have a contract with Technicolor. The studio did not make use of the three-strip Technicolor process until Arabian Nights (1942), starring Jon Hall and Maria Montez. The following year, Technicolor was also used in Universal's remake of their 1925 horror melodrama, Phantom of the Opera with Claude Rains and Nelson Eddy. With the success of their first two pictures, a regular schedule of high-budget, Technicolor films followed.


In 1945, the British entrepreneur J. Arthur Rank, hoping to expand his American presence, bought into a four-way merger with Universal, the independent company International Pictures, and producer Kenneth Young. The new combine, United World Pictures, was a failure and was dissolved within one year. Rank and International remained interested in Universal, however, culminating in the studio's reorganization as Universal-International. William Goetz, a founder of International, was made head of production at the renamed Universal-International Pictures Inc., which also served as an import-export subsidiary, and copyright holder for the production arm's films. Goetz, a son-in-law of Louis B. Mayer decided to bring "prestige" to the new company. He stopped the studio's low-budget production of B movies, serials and curtailed Universal's horror and "Arabian Nights" cycles. Distribution and copyright control remained under the name of Universal Pictures Company Inc.


Goetz set out an ambitious schedule. Universal-International became responsible for the American distribution of Rank's British productions, including such classics as David Lean's Great Expectations (1946) and Laurence Olivier's Hamlet (1948). Broadening its scope further, Universal-International branched out into the lucrative non-theatrical field, buying a majority stake in home-movie dealer Castle Films in 1947, and taking the company over entirely in 1951. For three decades, Castle would offer "highlights" reels from the Universal film library to home-movie enthusiasts and collectors. Goetz licensed Universal's pre–Universal-International film library to Jack Broeder's Realart Pictures for cinema re-release but Realart was not allowed to show the films on television.


The production arm of the studio still struggled. While there were to be a few hits like The Killers (1946) and The Naked City (1948), Universal-International's new theatrical films often met with disappointing response at the box office. By the late 1940s, Goetz was out, and the studio returned to low-budget films. The inexpensive Francis (1950), the first film of a series about a talking mule and Ma and Pa Kettle (1949), part of a series, became mainstays of the company. Once again, the films of Abbott and Costello, including Abbott and Costello Meet Frankenstein (1948), were among the studio's top-grossing productions. But at this point Rank lost interest and sold his shares to the investor Milton Rackmil, whose Decca Records would take full control of Universal in 1952. Besides Abbott and Costello, the studio retained the Walter Lantz cartoon studio, whose product was released with Universal-International's films.


In the 1950s, Universal-International resumed their series of Arabian Nights films, many starring Tony Curtis. The studio also had a success with monster and science fiction films produced by William Alland, with many directed by Jack Arnold. Other successes were the melodramas directed by Douglas Sirk and produced by Ross Hunter, although for film critics they were not so well thought of on first release as they have since become. Among Universal-International's stable of stars were Rock Hudson, Tony Curtis, Jeff Chandler, Audie Murphy, and John Gavin.


Though Decca would continue to keep picture budgets lean, it was favored by changing circumstances in the film business, as other studios let their contract actors go in the wake of the 1948 U.S. vs. Paramount Pictures, et al. decision. Leading actors were increasingly free to work where and when they chose, and in 1950 MCA agent Lew Wasserman made a deal with Universal for his client James Stewart that would change the rules of the business. Wasserman's deal gave Stewart a share in the profits of three pictures in lieu of a large salary. When one of those films, Winchester '73, proved to be a hit, the arrangement would become the rule for many future productions at Universal, and eventually at other studios as well.


By the late 1950s, the motion picture business was again changing. The combination of the studio/theater-chain break-up and the rise of television saw the reduced audience size for cinema productions. The Music Corporation of America (MCA), then predominately a talent agency, had also become a powerful television producer, renting space at Republic Studios for its Revue Productions subsidiary. After a period of complete shutdown, a moribund Universal agreed to sell its 360-acre (1.5 km²) studio lot to MCA in 1958, for $11 million, renamed Revue Studios. MCA owned the studio lot, but not Universal Pictures, yet was increasingly influential on Universal's product. The studio lot was upgraded and modernized, while MCA clients like Doris Day, Lana Turner, Cary Grant, and director Alfred Hitchcock were signed to Universal Pictures contracts.


The long-awaited takeover of Universal Pictures by MCA, Inc. happened in mid-1962 as part of the MCA-Decca Records merger. The company reverted in name to Universal Pictures. As a final gesture before leaving the talent agency business, virtually every MCA client was signed to a Universal contract. In 1964 MCA formed Universal City Studios, Inc., merging the motion pictures and television arms of Universal Pictures Company and Revue Productions (officially renamed as Universal Television in 1966). And so, with MCA in charge, Universal became a full-blown, A-film movie studio, with leading actors and directors under contract; offering slick, commercial films; and a studio tour subsidiary launched in 1964. Television production made up much of the studio's output, with Universal heavily committed, in particular, to deals with NBC (which later merged with Universal to form NBC Universal; see below) providing up to half of all prime time shows for several seasons. An innovation during this period championed by Universal was the made-for-television movie.


At this time, Hal B. Wallis, who had latterly worked as a major producer at Paramount, moved over to Universal, where he produced several films, among them a lavish version of Maxwell Anderson's Anne of the Thousand Days (1969), and the equally lavish Mary, Queen of Scots (1971). Though neither could claim to be a big financial hit, both films received Academy Award nominations, and Anne was nominated for Best Picture, Best Actor (Richard Burton), Best Actress (Geneviève Bujold), and Best Supporting Actor (Anthony Quayle). Wallis retired from Universal after making the film Rooster Cogburn (1975), a sequel to True Grit (1969), which Wallis had produced at Paramount. Rooster Cogburn co-starred John Wayne, reprising his Oscar-winning role from the earlier film, and Katharine Hepburn, their only film together. The film was only a moderate success.


In the early 1970s, Universal teamed up with Paramount Pictures to form Cinema International Corporation, which distributed films by Paramount and Universal worldwide. Though Universal did produce occasional hits, among them Airport (1970), The Sting (1973), American Graffiti (also 1973), Earthquake (1974), and a big box-office success which restored the company's fortunes: Jaws (1975), Universal during the decade was primarily a television studio. When Metro-Goldwyn-Mayer purchased United Artists in 1981, MGM could not drop out of the CIC venture to merge with United Artists overseas operations. However, with future film productions from both names being released through the MGM/UA Entertainment plate, CIC decided to merge UA's international units with MGM and reformed as United International Pictures. There would be other film hits like E.T. the Extra-Terrestrial (1982), Back to the Future (1985), Field of Dreams (1989), and Jurassic Park (1993), but the film business was financially unpredictable. UIP began distributing films by start-up studio DreamWorks in 1997, due to connections the founders have with Paramount, Universal, and Amblin Entertainment. In 2001, MGM dropped out of the UIP venture, and went with 20th Century Fox's international arm to handle distribution of their titles to this day.


Anxious to expand the company's broadcast and cable presence, longtime MCA head Lew Wasserman sought a rich partner. He located Japanese electronics manufacturer Matsushita Electric (now known as Panasonic), which agreed to acquire MCA for $6.6 billion in 1990. Meanwhile, around this time, the production subsidiary was renamed Universal Studios Inc., and (in 1990) MCA created MCA/Universal Home Video Inc. for the VHS video cassette (later DVD) sales industry.


Matsushita provided a cash infusion, but the clash of cultures was too great to overcome, and five years later Matsushita sold an 80% stake in MCA/Universal to Canadian drinks distributor Seagram for $5.7 billion. Seagram sold off its stake in DuPont to fund this expansion into the entertainment industry. Hoping to build an entertainment empire around Universal, Seagram bought PolyGram in 1999 and other entertainment properties, but the fluctuating profits characteristic of Hollywood were no substitute for the reliable income stream gained from the previously held shares in DuPont.


To raise money, Seagram head Edgar Bronfman Jr. sold Universal's television holdings, including cable network USA, to Barry Diller (these same properties would be bought back later at greatly inflated prices). In June 2000, Seagram was sold to French water utility and media company Vivendi, which owned StudioCanal; the conglomerate then became known as Vivendi Universal. Afterward, Universal Pictures acquired the United States distribution rights of several of StudioCanal's films, such as Mulholland Drive (which received an Oscar nomination) and Brotherhood of the Wolf (which became the second-highest-grossing French-language film in the United States since 1980). Universal Pictures and StudioCanal also co-produced several films, such as Love Actually (an $40 million-budgeted film that eventually grossed $246 million worldwide). In late 2000, the New York Film Academy was permitted to use the Universal Studios backlot for student film projects in an unofficial partnership.


Burdened with debt, in 2004 Vivendi Universal sold 80% of Vivendi Universal Entertainment (including the studio and theme parks) to General Electric, parent of NBC. The resulting media super-conglomerate was renamed NBCUniversal, while Universal Studios Inc. remained the name of the production subsidiary. After that deal, GE owned 80% of NBC Universal; Vivendi held the remaining 20%, with an option to sell its share in 2006. GE purchased Vivendi's share in NBCU in 2011 and in turn sold 51% of the company to cable provider Comcast. Comcast merged the former GE subsidiary with its own cable-television programming assets, creating the current NBCUniversal. Following Federal Communications Commission (FCC) approval, the Comcast-GE deal was closed on Jan 29, 2011. In March 2013, Comcast bought the remaining 49% of NBCUniversal for $16.7 billion.


In late 2005, Viacom's Paramount Pictures acquired DreamWorks SKG after acquisition talks between GE and DreamWorks stalled. Universal's long time chairperson, Stacey Snider, left the company in early 2006 to head up DreamWorks. Snider was replaced by then-Vice Chairman Marc Shmuger and Focus Features head David Linde. On October 5, 2009, Marc Shmuger and David Linde were ousted and their co-chairperson jobs consolidated under former president of worldwide marketing and distribution Adam Fogelson becoming the single chairperson. Donna Langley was also upped to co-chairperson. In 2009, Stephanie Sperber founded Universal Partnerships & Licensing within Universal to license consumer products for Universal. In September 2013, Adam Fogelson was ousted as co-chairman of Universal Pictures, promoting Donna Langley to sole-chairman. In addition, NBCUniversal International Chairman, Jeff Shell, would be appointed as Chairman of the newly created Filmed Entertainment Group. Longtime studio head Ron Meyer would give up oversight of the film studio and appointed Vice Chairman of NBCUniversal, providing consultation to CEO Steve Burke on all of the company's operations. Meyers still retains oversight of Universal Parks and Resorts.


Universal's multi-year film financing deal with Elliott Management expired in 2013. In July 2013, Universal made an agreement with Legendary Pictures to market, co-finance, and distribute Legendary's films for five years starting in 2014, the year that Legendary's similar agreement with Warner Bros. expires.


In June 2014, Universal Partnerships took over licensing consumer products for NBC and Sprout with expectation that all licensing would eventually be centralized within NBCUniversal. In May 2015, Gramercy Pictures was revived by Focus Features as a genre label, that concentrated on action, sci-fi, and horror films.


As of 2015, Universal is the only studio to have released three billion-dollar films in one year; this distinction was achieved in 2015 with Furious 7, Jurassic World and Minions.


In the early 1950s, Universal set up its own distribution company in France, and in the late 1960s, the company also started a production company in Paris, Universal Productions France S.A., although sometimes credited by the name of the distribution company, Universal Pictures France. Except for the two first films it produced, Claude Chabrol's Le scandale (English title The Champagne Murders) and Romain Gary's Les oiseaux vont mourir au Pérou (English title Birds in Peru), it was only involved in French or other European co-productions, the most noticeable ones being Louis Malle's Lacombe, Lucien, Bertrand Blier's Les Valseuses (English title Going Places), and Fred Zinnemann's The Day of the Jackal. It was only involved in approximately 20 French film productions. In the early 1970s, the unit was incorporated into the French Cinema International Corporation arm.


Estonian (eesti keel [ˈeːsti ˈkeːl] ( listen)) is the official language of Estonia, spoken natively by about 1.1 million people in Estonia and tens of thousands in various migrant communities. It belongs to the Finnic branch of the Uralic language family.


One distinctive feature that has caused a great amount of interest among linguists is what is traditionally seen as three degrees of phonemic length: short, long, and "overlong", such that /sɑdɑ/, /sɑˑdɑ/ and /sɑːdɑ/ are distinct. In actuality, the distinction is not purely in the phonemic length, and the underlying phonological mechanism is still disputed.[citation needed]


Estonian belongs to the Finnic branch of the Uralic languages, along with Finnish, Karelian, and other nearby languages. The Uralic languages do not belong to the Indo-European languages. Estonian is distantly related to Hungarian and to the Sami languages.


Estonian has been influenced by Swedish, German (initially Middle Low German, which was the lingua franca of the Hanseatic League and spoken natively in the territories of what is today known as Estonia by a sizeable burgher community of Baltic Germans, later Estonian was also influenced by standard German), and Russian, though it is not related to them genetically.


Like Finnish and Hungarian, Estonian is a somewhat agglutinative language, but unlike them, it has lost vowel harmony, the front vowels occurring exclusively on the first or stressed syllable, although in older texts the vowel harmony can still be recognized. Furthermore, the apocope of word-final sounds is extensive and has contributed to a shift from a purely agglutinative to a fusional language.[citation needed] The basic word order is subject–verb–object.


The two different historical Estonian languages (sometimes considered dialects), the North and South Estonian languages, are based on the ancestors of modern Estonians' migration into the territory of Estonia in at least two different waves, both groups speaking considerably different Finnic vernaculars. Modern standard Estonian has evolved on the basis of the dialects of Northern Estonia.


The domination of Estonia after the Northern Crusades, from the 13th century to 1918 by Denmark, Germany, Sweden, and Russia delayed indigenous literacy in Estonia.[citation needed]


The oldest written records of the Finnic languages of Estonia date from the 13th century. Originates Livoniae in Chronicle of Henry of Livonia contains Estonian place names, words and fragments of sentences.


The earliest extant samples of connected (north) Estonian are the so-called Kullamaa prayers dating from 1524 and 1528. In 1525 the first book published in the Estonian language was printed. The book was a Lutheran manuscript, which never reached the reader and was destroyed immediately after publication.


The first extant Estonian book is a bilingual German-Estonian translation of the Lutheran catechism by S. Wanradt and J. Koell dating to 1535, during the Protestant Reformation period. An Estonian grammar book to be used by priests was printed in German in 1637. The New Testament was translated into southern Estonian in 1686 (northern Estonian, 1715). The two languages were united based on northern Estonian by Anton thor Helle.


The birth of native Estonian literature was in 1810 to 1820 when the patriotic and philosophical poems by Kristjan Jaak Peterson were published. Peterson, who was the first student at the then German-language University of Dorpat to acknowledge his Estonian origin, is commonly regarded as a herald of Estonian national literature and considered the founder of modern Estonian poetry. His birthday on March 14 is celebrated in Estonia as the Mother Tongue Day. A fragment from Peterson's poem "Kuu" expresses the claim reestablishing the birthright of the Estonian language:


From 1525 to 1917 14,503 titles were published in Estonian, as opposed to the 23,868 titles which were published between 1918 and 1940.[citation needed]


Writings in Estonian became significant only in the 19th century with the spread of the ideas of the Age of Enlightenment, during the Estophile Enlightenment Period (1750–1840). Although Baltic Germans at large regarded the future of Estonians as being a fusion with themselves, the Estophile educated class admired the ancient culture of the Estonians and their era of freedom before the conquests by Danes and Germans in the 13th century.


After the Estonian War of Independence in 1919, the Estonian language became the state language of the newly independent country. In 1945, 97.3% of Estonia considered itself ethnic Estonian and spoke the language.


When Estonia was invaded and occupied by the Soviet Union in World War II, the status of the Estonian language changed to the first of two official languages (Russian being the other one). As with Latvia many immigrants entered Estonia under Soviet encouragement. In the second half of the 1970s, the pressure of bilingualism (for Estonians) intensified, resulting in widespread knowledge of Russian throughout the country. The Russian language was termed as ‘the language of friendship of nations’ and was taught to Estonian children, sometimes as early as in kindergarten. Although teaching Estonian to non-Estonians in schools was compulsory, in practice learning the language was often considered unnecessary.


During the Perestroika era, The Law on the Status of the Estonian Language was adopted in January 1989. The collapse of the Soviet Union led to the restoration of Republic of Estonia's independence. Estonian went back to being the only state language in Estonia which in practice meant that use of Estonian was promoted while the use of Russian was discouraged.


The return of Soviet immigrants to their countries of origin has brought the proportion of Estonians in Estonia back above 70%. And again as in Latvia, today many of the remnant non-Estonians in Estonia have adopted the Estonian language; about 40% at the 2000 census.


The Estonian dialects are divided into two groups – the northern and southern dialects, historically associated with the cities of Tallinn in the north and Tartu in the south, in addition to a distinct kirderanniku dialect, that of the northeastern coast of Estonia.


The northern group consists of the keskmurre or central dialect that is also the basis for the standard language, the läänemurre or western dialect, roughly corresponding to Läänemaa and Pärnumaa, the saarte murre (islands') dialect of Saaremaa and Hiiumaa and the idamurre or eastern dialect on the northwestern shore of Lake Peipsi.


The southern group (South Estonian language) consists of the Tartu, Mulgi, Võru (Võro) and Setu (Seto) dialects. These are sometimes considered either variants of a South Estonian language, or separate languages altogether. Also, Seto and Võro distinguish themselves from each other less by language and more by their culture and their respective Christian confession.


Like Finnish, Estonian employs the Latin script as the basis for its alphabet, which adds the letters ä, ö, ü, and õ, plus the later additions š and ž. The letters c, q, w, x and y are limited to proper names of foreign origin, and f, z, š, and ž appear in loanwords and foreign names only. Ö and ü are pronounced similarly to their equivalents in Swedish and German. Unlike in standard German but like Finnish and Swedish (when followed by 'r'), Ä is pronounced [æ], as in English mat. The vowels Ä, Ö and Ü are clearly separate phonemes and inherent in Estonian, although the letter shapes come from German. The letter õ denotes /ɤ/, unrounded /o/, or a close-mid back unrounded vowel. It is almost identical to the Bulgarian ъ /ɤ̞/ and the Vietnamese ơ, and is used to transcribe the Russian ы.


Although the Estonian orthography is generally guided by phonemic principles, with each grapheme corresponding to one phoneme, there are some historical and morphological deviations from this: for example preservation of the morpheme in declension of the word (writing b, g, d in places where p, k, t is pronounced) and in the use of 'i' and 'j'.[clarification needed] Where it is very impractical or impossible to type š and ž, they are substituted with sh and zh in some written texts, although this is considered incorrect. Otherwise, the h in sh represents a voiceless glottal fricative, as in Pasha (pas-ha); this also applies to some foreign names.


Modern Estonian orthography is based on the Newer Orthography created by Eduard Ahrens in the second half of the 19th century based on Finnish orthography. The Older Orthography it replaced was created in the 17th century by Bengt Gottfried Forselius and Johann Hornung based on standard German orthography. Earlier writing in Estonian had by and large used an ad hoc orthography based on Latin and Middle Low German orthography. Some influences of the standard German orthography — for example, writing 'W'/'w' instead of 'V'/'v' persisted well into the 1930s.


It should be noted that Estonian words and names quoted in international publications from Soviet sources are often back-transliterations from the Russian transliteration. Examples are the use of "ya" for "ä" (e.g. Pyarnu instead of Pärnu), "y" instead of "õ" (e.g., Pylva instead of Põlva) and "yu" instead of "ü" (e.g., Pyussi instead of Püssi). Even in the Encyclopædia Britannica one can find "ostrov Khiuma", where "ostrov" means "island" in Russian and "Khiuma" is back-transliteration from Russian instead of "Hiiumaa" (Hiiumaa > Хийума(а) > Khiuma).


Typologically, Estonian represents a transitional form from an agglutinating language to a fusional language. The canonical word order is SVO (subject–verb–object).


In Estonian, nouns and pronouns do not have grammatical gender, but nouns and adjectives decline in fourteen cases: nominative, genitive, partitive, illative, inessive, elative, allative, adessive, ablative, translative, terminative, essive, abessive, and comitative, with the case and number of the adjective(s) always agreeing with that of the noun (except in the terminative, essive, abessive and comitative, where there is agreement only for the number, the adjective being in the genitive form). Thus the illative for kollane maja ("a yellow house") is kollasesse majja ("into a yellow house"), but the terminative is kollase majani ("as far as a yellow house"). With respect to the Proto-Finnic language, elision has occurred; thus, the actual case marker may be absent, but the stem is changed, cf. maja – majja and the Pohjanmaa dialect of Finnish maja – majahan.


The direct object of the verb appears either in the accusative (for total objects) or in the partitive (for partial objects). The accusative coincides with the genitive in the singular and with nominative in the plural. Accusative vs. partitive case opposition of the object used with transitive verbs creates a telicity contrast, just as in Finnish. This is a rough equivalent of the perfective vs. imperfective aspect opposition.


The verbal system lacks a distinctive future tense (the present tense serves here) and features special forms to express an action performed by an undetermined subject (the "impersonal").


Although the Estonian and Germanic languages are of very different origins, one can identify many similar words in Estonian and English, for example. This is primarily because the Estonian language has borrowed nearly one third of its vocabulary from Germanic languages, mainly from Low Saxon (Middle Low German) during the period of German rule, and High German (including standard German). The percentage of Low Saxon and High German loanwords can be estimated at 22–25 percent, with Low Saxon making up about 15 percent.[citation needed]


Often 'b' & 'p' are interchangeable, for example 'baggage' becomes 'pagas', 'lob' (to throw) becomes 'loopima'. The initial letter 's' is often dropped, for example 'skool' becomes 'kool', 'stool' becomes 'tool'.


Estonian language planners such as Ado Grenzstein (a journalist active in Estonia in the 1870s–90s) tried to use formation ex nihilo, Urschöpfung; i.e. they created new words out of nothing.


The most famous reformer of Estonian, Johannes Aavik (1880–1973), used creations ex nihilo (cf. ‘free constructions’, Tauli 1977), along with other sources of lexical enrichment such as derivations, compositions and loanwords (often from Finnish; cf. Saareste and Raun 1965: 76). In Aavik’s dictionary (1921), which lists approximately 4000 words, there are many words which were (allegedly) created ex nihilo, many of which are in common use today. Examples are


Many of the coinages that have been considered (often by Aavik himself) as words concocted ex nihilo could well have been influenced by foreign lexical items, for example words from Russian, German, French, Finnish, English and Swedish. Aavik had a broad classical education and knew Ancient Greek, Latin and French. Consider roim ‘crime’ versus English crime or taunima ‘to condemn, disapprove’ versus Finnish tuomita ‘to condemn, to judge’ (these Aavikisms appear in Aavik’s 1921 dictionary). These words might be better regarded as a peculiar manifestation of morpho-phonemic adaptation of a foreign lexical item.


Paper is a thin material produced by pressing together moist fibres of cellulose pulp derived from wood, rags or grasses, and drying them into flexible sheets. It is a versatile material with many uses, including writing, printing, packaging, cleaning, and a number of industrial and construction processes.


The pulp papermaking process is said to have been developed in China during the early 2nd century AD, possibly as early as the year 105 A.D., by the Han court eunuch Cai Lun, although the earliest archaeological fragments of paper derive from the 2nd century BC in China. The modern pulp and paper industry is global, with China leading its production and the United States right behind it.


The oldest known archaeological fragments of the immediate precursor to modern paper, date to the 2nd century BC in China. The pulp papermaking process is ascribed to Cai Lun, a 2nd-century AD Han court eunuch. With paper as an effective substitute for silk in many applications, China could export silk in greater quantity, contributing to a Golden Age.


Its knowledge and uses spread from China through the Middle East to medieval Europe in the 13th century, where the first water powered paper mills were built. Because of paper's introduction to the West through the city of Baghdad, it was first called bagdatikos. In the 19th century, industrial manufacture greatly lowered its cost, enabling mass exchange of information and contributing to significant cultural shifts. In 1844, the Canadian inventor Charles Fenerty and the German F. G. Keller independently developed processes for pulping wood fibres.


The word "paper" is etymologically derived from Latin papyrus, which comes from the Greek πάπυρος (papuros), the word for the Cyperus papyrus plant. Papyrus is a thick, paper-like material produced from the pith of the Cyperus papyrus plant, which was used in ancient Egypt and other Mediterranean cultures for writing before the introduction of paper into the Middle East and Europe. Although the word paper is etymologically derived from papyrus, the two are produced very differently and the development of the first is distinct from the development of the second. Papyrus is a lamination of natural plant fibres, while paper is manufactured from fibres whose properties have been changed by maceration.


To make pulp from wood, a chemical pulping process separates lignin from cellulose fibres. This is accomplished by dissolving lignin in a cooking liquor, so that it may be washed from the cellulose; this preserves the length of the cellulose fibres. Paper made from chemical pulps are also known as wood-free papers–not to be confused with tree-free paper; this is because they do not contain lignin, which deteriorates over time. The pulp can also be bleached to produce white paper, but this consumes 5% of the fibres; chemical pulping processes are not used to make paper made from cotton, which is already 90% cellulose.


There are three main chemical pulping processes: the sulfite process dates back to the 1840s and it was the dominant method extent before the second world war. The kraft process, invented in the 1870s and first used in the 1890s, is now the most commonly practiced strategy, one of its advantages is the chemical reaction with lignin, that produces heat, which can be used to run a generator. Most pulping operations using the kraft process are net contributors to the electricity grid or use the electricity to run an adjacent paper mill. Another advantage is that this process recovers and reuses all inorganic chemical reagents. Soda pulping is another specialty process used to pulp straws, bagasse and hardwoods with high silicate content.


There are two major mechanical pulps, the thermomechanical one (TMP) and groundwood pulp (GW). In the TMP process, wood is chipped and then fed into large steam heated refiners, where the chips are squeezed and converted to fibres between two steel discs. In the groundwood process, debarked logs are fed into grinders where they are pressed against rotating stones to be made into fibres. Mechanical pulping does not remove the lignin, so the yield is very high, >95%, however it causes the paper thus produced to turn yellow and become brittle over time. Mechanical pulps have rather short fibres, thus producing weak paper. Although large amounts of electrical energy are required to produce mechanical pulp, it costs less than the chemical kind.


Recycled papers can be made from 100% recycled materials or blended with virgin pulp, although they are (generally) not as strong nor as bright as papers made from the latter.


Besides the fibres, pulps may contain fillers such as chalk or china clay, which improve its characteristics for printing or writing. Additives for sizing purposes may be mixed with it and/or applied to the paper web later in the manufacturing process; the purpose of such sizing is to establish the correct level of surface absorbency to suit ink or paint.


Pressing the sheet removes the water by force; once the water is forced from the sheet, a special kind of felt, which is not to be confused with the traditional one, is used to collect the water; whereas when making paper by hand, a blotter sheet is used instead.


Drying involves using air and/or heat to remove water from the paper sheets; in the earliest days of paper making this was done by hanging the sheets like laundry; in more modern times various forms of heated drying mechanisms are used. On the paper machine the most common is the steam heated can dryer. These can reach temperatures above 200 °F (93 °C) and are used in long sequences of more than 40 cans; where the heat produced by these can easily dry the paper to less than 6% moisture.


Paper at this point is uncoated. Coated paper has a thin layer of material such as calcium carbonate or china clay applied to one or both sides in order to create a surface more suitable for high-resolution halftone screens. (Uncoated papers are rarely suitable for screens above 150 lpi.) Coated or uncoated papers may have their surfaces polished by calendering. Coated papers are divided into matte, semi-matte or silk, and gloss. Gloss papers give the highest optical density in the printed image.


The paper is then fed onto reels if it is to be used on web printing presses, or cut into sheets for other printing processes or other purposes. The fibres in the paper basically run in the machine direction. Sheets are usually cut "long-grain", i.e. with the grain parallel to the longer dimension of the sheet.


All paper produced by paper machines as the Fourdrinier Machine are wove paper, i.e. the wire mesh that transports the web leaves a pattern that has the same density along the paper grain and across the grain. Textured finishes, watermarks and wire patterns imitating hand-made laid paper can be created by the use of appropriate rollers in the later stages of the machine.


Wove paper does not exhibit "laidlines", which are small regular lines left behind on paper when it was handmade in a mould made from rows of metal wires or bamboo. Laidlines are very close together. They run perpendicular to the "chainlines", which are further apart. Handmade paper similarly exhibits "deckle edges", or rough and feathery borders.


The thickness of paper is often measured by caliper, which is typically given in thousandths of an inch in the United States and in thousandths of a mm in the rest of the world. Paper may be between 0.07 and 0.18 millimetres (0.0028 and 0.0071 in) thick.


Paper is often characterized by weight. In the United States, the weight assigned to a paper is the weight of a ream, 500 sheets, of varying "basic sizes", before the paper is cut into the size it is sold to end customers. For example, a ream of 20 lb, 8.5 in × 11 in (216 mm × 279 mm) paper weighs 5 pounds, because it has been cut from a larger sheet into four pieces. In the United States, printing paper is generally 20 lb, 24 lb, or 32 lb at most. Cover stock is generally 68 lb, and 110 lb or more is considered card stock.