 the content between the start date and end date in mongodb
<issue_comment>username_1: Please refer to the mongodb docs for this. It is possible with Easy Search to rewrite the mongodb selector by providing a `selector` method to the engine configuration.It's not always a complete failure of imagination to see a movie while on vacation in a foreign land, but sometimes it can feel that way, especially if you wind up seeing something that is a wide release also playing back home. Still, there's not much you can do sometimes - Blenheim, New Zealand, near the end of the summer is a quiet darn place, as evidenced by the complete lack of transit from the ferry in Picton, the 4.4km I had to walk to the aviation center, the way that even on a Saturday, things just seemed to shut down, and the screwy air route I took to Christchurch the next day. By 6pm, if Bloodshot was the thing at the local theater I hadn't seen, Bloodshot was what I was doing that night.
I didn't get pictures of the theater, because there were just enough other people there that it would have been weird, but it was a nice-enough little place - four screens in the back, a smaller "lounge" screen with more boutique fare in the front, a well-stocked concession stand and bar on one side and not quite enough lightboxes for posters on the other. From what I can tell, the Event Cinemas chain bought out the old Top Town theater in the past few years, and it looks it, with bits of both everywhere you look from the outside - where it looks like a neighborhood theater in that it's seamlessly part of the buildings around it - in.
I did wind up ignoring the seating assignment put on my ticket, because they didn't ask and I'm not going to take seat J-11 when nobody is near B-10. There were maybe a half-dozen of us there on a Saturday night, and I'm curious as to how much of that was "seasonal town emptying out now that the wine people aren't coming" and how much was Kiwis starting to social distance because of the pandemic (and how much was "Bloodshot? Eh, whatever."). It's certainly been a strange last few days, as it doesn't seem like the places I am in NZ are starting to hunker down yet, although I don't exactly know what they look like on busy/dead days. Hopefully I haven't been out of line.
Anyway, this is probably my last theatrical film for a while, what with everyplace closing up back home and self-isolating being the obvious sensible thing to do there. I guess it's time to start plowing through those piles of discs.
Valiant Comics has, at points in its various incarnations, sometimes been the third-most popular shared universe in the medium, and that's a rough place to be - who needs to keep up with more of those after Marvel and DC, even when they do land some decent talent? But everyone wants a piece of what Marvel's got, so more of them are springing up despite the fact that will take years to build up the same sort of catalog, and Sony figures they might as well try making a couple films from one of the lesser-known lines, which has its fans and, who knows, may just be fun enough to connect when it's not being swamped with similar, more-established competition on a given week.
They start with Bloodshot, which is a film built for those who no longer need to be eased into a superhero universe or find such things particularly extraordinary: When Ray Garrison (Vin Diesel) is revived after a seemingly-fatal gunshot wound with a bloodstream full of reconstructive nanotechnology, he's surrounded by others with advanced prostheses right away, and it not only doesn't take long before he finds that these nanites somehow give him not just the stamina to push through injury, but enhanced strength and an always-on internet connection because of all the nanites in his brain, but everyone rolls with it without much question. It's kind of odd that nobody either references that this sort of larger-than-life thing happens all the time or acts surprised, but by now audiences have been seeing these things long enough to easily skp over the preliminaries and catch when the filmmakers throw a wink in their direction.
Even if that attitude lets things move smoothly, it does rather make the film feel like the plot is something of an obligation. Even without the previews laying out more of the film than seems typical - and credit writers Jeff Wadlow & Eric Heisserer and director Dave Wilson for making a movie with enough with and snappy pacing that its opening half can survive a bunch of its reversals and revelations being spoiled by the ad campaign - there are relatively few surprises here, and sometimes a lot of corners cut. The group Ray finds himself winds up choosing sides in fairly arbitrary manner as the film heads to its conclusion, and while the big confrontation at the climax has him yelling "you don't know anything about people like me", it's hard to avoid the fact that the audience doesn't either. It's the sort of movie that has so much misdirection to keep the viewer guessing that it doesn't have room for the bits that would give that sort of moment a solid foundation.cancer research uk, charity, donation, london, night walk, shine, walk
This weekend London will be full of walkers: not the type in The Walking Dead, walkers raising money for Cancer Research UK.
Good luck to everyone taking part! I’ve made a donation because I’m too lazy to walk and so can you!
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Installations où les employés ont travaillé collectivement plus de 20 000 heures Exploitation de puitsThe last thing that those who support a comprehensive new personal conduct policy around the NFL wanted was a spat between the league and the players association over recent off-field issues.
But that appears to be case right now, especially regarding the league’s refusal to reinstate Minnesota Vikings running back Adrian Peterson, who seemed destined to come of the commissioner’s exempt list after his legal matters were settled earlier this month.
With a hearing set for Monday between Peterson and the NFL, it appears that the NFLPA is using his case to push back against the league as it relates to the personal conduct policy discussions the two sides have been having recently.
The NFLPA sent a memo to all players on Thursday, which pretty much put the league on blast (via Pro Football Talk).
This union is always disappointed with player misconduct, but from our conversations with our sponsors and licensees, it is clear that the current crisis of confidence is a direct result of the NFL’s mismanagement of those incidents,” the memo states. “The process for players under the personal conduct policy has to be transparent, fair and firm.
Instead, in the span of less than 60 days, we have witnessed panic and inconsistency by the NFL and Clubs on how players are treated. We have experienced a refusal by the NFL to honor an agreement for Adrian Peterson and an introduction of a new process for Adrian that is inconsistent with the existing policies already in place. If a full and fair hearing before a neutral arbitrator is good enough for Ray Rice, it should be good enough for every NFL player.
Player leadership will not accept imposed superficial changes to the adjudication process for the personal conduct policy that fail to address the fundamental deficiencies of due diligence and due process that led to the recent egregious public exposures of systemic failures.
We remain committed to discussing these issues with the League and the NFL owners and will continue to call on them to recognize collective bargaining as the best and only solution to the issues of prevention, education, due process and discipline.
The issues are widespread here. On one hand, the league views personal conduct as a subject that can be covered without