 FilterGroupEnum enumeration [ADO]
ms.assetid: b22e725e-84bd-4286-a070-290c278c3783
caps.latest.revision: 11
author: MightyPen
ms.author: genemi
manager: craigg
ms.openlocfilehash: 4452dceb121993655b216112a356f05c4267b1b3
ms.sourcegitcommit: 1740f3090b168c0e809611a7aa6fd514075616bf
ms.translationtype: MT
ms.contentlocale: es-ES
ms.lasthandoff: 05/03/2018
---
# <a name="filtergroupenum"></a>FilterGroupEnum
Especifica el grupo de registros que se deben filtrar en un [conjunto de registros](../../../ado/reference/ado-api/recordset-object-ado.md).  
  
|Constante|Value|Description|  
|--------------|-----------|-----------------|  
|**adFilterAffectedRecords**|2|Filtros para ver solo los registros afectados por la última [eliminar](../../../ado/reference/ado-api/delete-method-ado-recordset.md), [Resync](../../../ado/reference/ado-api/resync-method.md), [UpdateBatch](../../../ado/reference/ado-api/updatebatch-method.md), o [CancelBatch](../../../ado/reference/ado-api/cancelbatch-method-ado.md) llamar.|  
|**adFilterConflictingRecords**|5|Filtros para ver los registros que no se pudo la última actualización por lotes.|  
|**adFilterFetchedRecords**|3|Filtros para ver los registros en la memoria caché actual, es decir, los resultados de la última llamada para recuperar registros de la base de datos.|  
|**adFilterNone**|0|Quita el filtro actual y restaura todos los registros para su visualización.|  
|**adFilterPendingRecords**|1|Filtros para ver solo los registros que han cambiado pero no se han enviado todavía al servidor. Se aplica solo a modo de actualización por lotes.|  
  
## <a name="adowfc-equivalent"></a>Equivalente ADO/WFC  
 Paquete: **com.ms.wfc.data**  
  
|Constante|  
|--------------|  
|AdoEnums.FilterGroup.AFFECTEDRECORDS|  
|AdoEnums.FilterGroup.CONFLICTINGRECORDS|  
|AdoEnums.FilterGroup.FETCHEDRECORDS|  
|AdoEnums.FilterGroup.NONE|  
|AdoEnums.FilterGroup.PENDINGRECORDS|  
  
## <a name="applies-to"></a>Se aplica a  
 [Propiedad Filter](../../../ado/reference/ado-api/filter-property.md)
Made form hypoallergenic silicone, the extremely soft ear cushions ensure a comfortable listening experience even during extended use. Scosche includes a thermoform case, leather pouch, tapLINE clothing clip, PC adapter for gaming and VoIP, and small, medium and large single and dual flanged ear cushions, which reduce ambient noise up to 35dB.
The reference grade in-ear monitors are Made for iPod, iPhone and iPad certified and feature Scosche's tapLINE III control surface and mic, allowing users to answer and end calls, skip tracks and control volume without taking out their phone.Blu-ray Review: The Telephone Book
The Telephone Book is the greatest X-Rated Comedy in the history of humanity. Granted the genre is rather limited. But the simple fact is that the movie is an amazing comedy and still deserves to be given an X-rating. This movie goes to joyful extremes and yet still has heart among all the debauchery. After a history of horrible distribution deals, a complete lack of airings on HBO and no legit videotape release, The Telephone Book is finally getting a proper release over 40 years later.
Don’t feel too embarrassed if you have no clue about The Telephone Book. There are plenty of cinephiles who have no idea this film from 1971 exists. My knowledge of the film was non-existent until Adam Hulin and Matt Pennachi programmed it as part of Cinema Overdrive series. They said to trust them about the film. I did and haven’t regretted that ticket bought in pure faith. I walked out of the theater amazed that such an outrageously inventive and hilarious film could remain so obscure. This was the kind of twisted comedy that should be mentioned when filmmakers think they’re pushing the envelope.
The Telephone Book is about how Alice (Rowan & Martin’s Laugh-In‘s Sarah Kennedy) fell in love with the world’s greatest obscene phone caller. She’s a sexually liberated gal living in New York City. Her apartment is wallpapered with photos from X-rated movies. While lounging around in bed, the phone rings. She answers it and her life changes. She does not know the stranger on the other end, but his voice moves her along with his naughty words. She wants to meet him in person. The obscene phone caller tells her that he’s in the telephone book. She just merely has to contact every John Smith in the Big Apple. She’s up for the challenge.
She runs off to meet a man she thinks is her her John Smith. He turns out to be an adult actor getting ready for his grand return to the erotic business. He goes by professional name Har Poon. You might know him better as Barry Morse. The man who once chased The Fugitive and flew off with the moon in Space: 1999 gets covered in naked starlet bodies. He even goes all the way naked by losing his toupee in the heat of the action. Can Alice escape the pile of people on the mattress to fine her John Smith? Alice encounters a pervert on the subway train that’s Roger C. Carmel (Star Trek‘s Harry Mudd). He gets her to tell a story about William Hickey (Prizzi’s Honor) in exchange for dimes. She plans on using them in the pay phone to find her obscene phone caller. Will she ever find the man connected to the voice? Not to completely spoil the film, but the duo do meet and have an intense evening in which he explains what drives his fetish. There’s an erotic animated sequence that is not Disney-approved.
What makes The Telephone Book such a subversive film is that the obscene phone caller is Norman Rose. His name might not mean anything to you, but his voice should. At the time the movie was being made, Rose was the voice of Ma Bell. The obscene phone caller is the man who tried to get you to dial long distance more often. What a brilliant piece of casting. The role eventually cost Rose his phone company gig, but his career was far from over. He was Star Wars toys. He even had a radio hit with National Lampoon’s “Deteriorata.”
The Telephone Book is such a delight since it merges so many genres in a tight space. It plays like a mix of an Andy Warhol flick, a stag movie, a screwball romance and a gritty New York comedy. Imagine how the world of movie comedies would been altered if The Telephone Book hadn’t been obscured. Woody Allen would have started his cinematic career being compared to Nelson Lyon. Lena Dunham’s Girls would be reviewed through the prism of Alice’s time in the city. It’s probably good for a lot of comedy directors that they not be stuck up against the measuring stick of The Telephone Book. Could Judd Apatow survive such a comparison? There are a few outdated jokes and the appearances of Warhol superstars might have to be explained. But at it’s core, the passion between Alice and her caller is immortal and twisted. What’s great about home video is that over 40 years later, The Telephone Book will finally have a chance to gain the cult audience it deserves. This is the cinematic resurrection of the year.
The video is 1.78:1 anamorphic. The transfer doesn’t clean up the grain of the black and white film. There’s a fine gritty feeling to the movie when they’re out on the streets of New York City. Most impressive is how they restored the color in the final section of the movie. The 35mm print they used had red shifted, but you couldn’t tell from their restoration work. They did Robert Harris-esque work on making The Telephone Book look brand new. The audio is Dolby Digital mono. You’ll be able to absorb the smoothness of Norman Rose’s voice.
The Blu-ray comes with a DVD that features everything that’s on the Blu-ray with a lesser resolution.
Audio Commentary with producer Merv Bloch really gets into the film. Merv has so many stories about making the film and what the heck went wrong with the distribution. He lets us know that Barry Morris