 them in charge and restored to their former position as the elite.
In our culture of a Judeo-Christian based Democratic Republic, equality of both opportunity and access, is the standard, not the exception.
We absolutely need to grasp and understand that this is the main driving force behind people like the Pelosi, Reid, the Obamas, Clintons, and the Castro’s of this world (All which are multi millionaires, Castro being a multi billionaire).
We need to identify these people, understand their motivation, isolate them, and divorce ourselves from them; even if it takes states seceding from the union in order to at least partially restore the republic, or to keep it alive somewhere on these sacred blood drenched grounds.
We need to first understand that their suicide is merely an attempt to destroy the rest of us and elevate themselves.
The time to act in our own national behalf is now; and I would say, now, or never, before it is too late.Start your journey of discovery in this beautiful monumental building. Go back in time with us, and let your curiosity bring you to new ideas. In this old German Bank building, in the heart of Amsterdam, everything is luxurious. Walk on the marble floors, touch de golden walls, and stare at the shiny chandeliers.
Open your laptop and run the business you are good at. We are good at facilitating great coffee and your perfect workspace.
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Our tightly knit community empowers you in your daily endeavours and long-term ambitions.Placed on waivers today.
Seriously MB??? We're putting him on waivers and keeping Byron?
Horribly bad move.
Jeez... Surprised. Although I shouldn't be. Why are we keeping Flynn again?
"Build through the draft" he said...
Cleared waivers, thankfully. Likely headed to St. John's now.
Glad to see he cleared waivers, but if he can't find his game and score again it really won't matter much. He has definitely plateaued. Maybe some time in the AHl will help, but he's been here a while now and is getting passed on the depth chart by quite a few of our younger players.
I'm glad we were able to keep this asset. I think he will be important in case injuries strike any of our top six. He may not have a long term future in the organization, but I expect we'll see him again this season.
He could be a serviceable 3rd line winger or a replacement in the top 6 for a short period for injury (unlike Flynn or Byron who fill neither of those roles well). BUT Ghetto will have a tough time fitting into the line-up with his size and the fact we have so many other smaller players already. In a lot of ways, he reminds me of a player like Matt D'Agostini... not the most skilled guy but can be a secondary scoring guy and play in the NHL with the right fit. I don't think he'll ever be a 20-goal man but he is a better NHLer than some of the scrubs we have on the roster.
Named AHL player of the week with 3G and 3A in 3 games.
And yet the Habs were willing to risk giving him up for free in order to retain the services of Brian Flynn.
Recalled to replace the injured Lehkonen. Not really that surprising a move, although it's another slap in the face of Charles Hudon, who has done everything right, leads the AHL in goals, and still isn't given a shot over a player the Habs were willing to waive and risk losing a couple of weeks ago.
You'd think that MT/MB would want another Francophone on the team.
I guess Therrien just doesn't like him.
Agreed... but was it NHL experience that dictated the choice of Ghetto?
Hard to say. Yes, Ghetto has the experience, but will Hudon ever get any if he never gets called up? The Habs were clearly willing to risk losing Ghetto for nothing, so they can't value him all that highly. Why not give a guy like Hudon, who has been gold in the AHL for several years, a shot?
In any case, it sounds like the team plans to use Danault on the 1st line (why not, says Michel?) and play Carr on line 4 and keep Ghetto in the press box, so who knows what the plan is... you have a 3rd/4th liner on the 1st line, a 4th liner on the 3rd, a 3rd liner on the 4th, a potential 2nd/3rd liner in the pressbox, and another potential top 9 player who can't get a call-up out of Hamilton. Coupled with the bizarre decision to recall Hanley over Barberio, I wonder who's making the recall decisions. Is it Lefebvre? Is it MB? Is it MT? If NHL-ready was most important thing, why not have Barberio with the team? If it's who's most deserving based on recent performance, then Hudon and Terry would usurp Andrighetto... not much consistency here.
Recalled but unused??? Waste of his time.
Sent back down. Really unimpressive stint with the Habs and frankly, it looks like he might have been passed on the depth chart by not only Carr but Terry and Hudon as well. And Scherbak and McCarron aren't far behind. Thinking this kid is done here.
This really surprises me after what we saw last year. Its like he's suddenly lost all his vision.
I agree, i think he is going to be a dud.
we really should try to find a smaller player to call up................
The current position of BLUENOTE is at West Australia (coordinates 32.06705 S / 115.74785 E) reported 33 days ago by AIS.
The vessel BLUENOTE ( MMSI 503017810) is a Sailing vessel and currently sailing under the flag of Australia.
It has been eight years since Nicolas Eschbach left the corporate comfort of French commercial broadcasting giant TF1, where he was head of sales and acquisitions, to launch independent company Indie Sales in May 2013. “We announced the company in Cannes and spent the festival working on acquisitions for our first slate. Then we headed to Toronto with Moomins On The Riviera and Jean-Pierre Améris’ Marie’s Story,” recounts Eschbach.
This year, the company has arrived with one of its strongest Cannes line‑ups to date. Eschbach and his team — led by sales and marketing executive Florencia Gil and Simon Gabriele, who oversees acquisitions and works on sales — are handling sales on six Cannes titles.
In official selection, it has Bruno Dumont’s Competition film France, starring Léa Seydoux as a celebrity reporter who tries to withdraw from the public eye; buzzed-about debut feature Playground by Laura Wandel, which world premiered in Un Certain Regard; and Flore Vasseur’s environmental documentary Bigger Than Us, executive produced by Marion Cotillard. In the parallel sections, it represents Directors’ Fortnight title Magnetic Beats and Critics’ Week opener Robust, starring Gérard Depardieu and Déborah Lukumuena, as well as true-crime drama Bruno Reidal: Confession Of A Murderer.
Robust, for example, arrived on the slate via Isabelle Madelaine at Dharamsala, for whom Indie Sales previously handled Claire Burger’s Party Girl, while France is lead produced by longtime contacts Jean Bréhat and Rachid Bouchareb at 3B Productions. Denis Carot, who is one of the producers on Bigger Than Us alongside director Vasseur and Cotillard, produced Marie’s Story.
Indie Sales’ high-profile Cannes comes at the end of a challenging two years for the company. Before the pandemic hit in early 2020, it was rocked by the sudden death of co-founder and producer Eric Névé at the age of 57. Névé, who oversaw Indie Sales production and co-production activities under the banner of sister company Indie Prod, had been a driving force alongside Eschbach at the company.
Key productions over the years have included Stefano Sollima’s organised-crime thriller Suburra with Riccardo Tozzi and Marco Chimenz at Rome-based Cattleya, and Netflix-acquired drama The Ruthless with Angelo Barbagallo at Bibi Film. “I knew Riccardo and Marco from my TF1 days where I handled Romanzo Criminale, while Eric had strong ties with Barbagallo,” explains Eschbach on the firm’s Italian connection.
More recent co-productions include Bosnian director Jasmila Zbanic’s Quo Vadis, Aida?, which the company also sold. The Oscar-nominated drama, revisiting the events leading up to the Srebrenica massacre, involved producers from nine territories spanning Bosnia & Herzegovina, Austria, Germany, France, the Netherlands, Norway, Poland, Romania and Turkey. “That was a fantastic adventure, which continues because the film is still set to come out in a number of countries in the coming months,” says Eschbach.
It was just one highlight of a fruitful 2020 for Indie Sales in spite of the pandemic. “Of course, it was a tough