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Complete the form below and we can set up and introductory call to talk about your needs.Meta-cognitive is defined simply as cognition about cognition. Through our daily experiences, we notice that we did as higher level some activities than usual cognition. On the other hands, management of university hospital nursing pointed out difficulties of instruction for self-regulated learning in hospital. One reason is considered that teaching method for meta-cognitive skill has not yet been established enough when compared with cognitive skill. We have held workshops in university hospital nursing department since 2010. We organized a learning model which promotes reflective learning of the case-method for medical service education. As an implementation of the learning model, we established a learning environment that supports learners to reflect on their thinking process in their experiences by a learning strategy which consists of three case-writing phases: the description phase, the cognitive conflict phase, and the knowledge building phase. In this paper, we describe an analysis of learners' errors in the workshop and design of error detection system to assist a tutor’s reviewing.
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The company was incorporated in March of 2006 with the main objective of offering the market a higher level of excellence in manufacturing. With over 15 Years of Experience in manufacturing, CNC programming, fixture design, manufacturing control systems and CAD design, its organizers felt that there was a need for a qualified CNC machine shop that would be able to provide a manufacturing environment with experienced and quality conscious personnel that would be able to offer its customers quality and reliability. From inception to the present day, Jeda continues to specialize and excel in the CNC Machining of very close tolerance high precision components. Our singular focus on meeting the needs of an ever changing manufacturing industry has lead us to expand our services to include: anodizing and laser etching.
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quality components and an ethical, professional organization second to none.The new single by Spokane’s Cathedral Pearls – Karli Ingersoll, Caleb Ingersoll and Max Harnishfeger – is titled “Speaking in Code.” (Courtesy )
The trio Cathedral Pearls has been making music locally for more than 11 years, during which time its work has become increasingly atmospheric and shoegaze-y without leaving behind the sensibilities of classic rock and singer-songwriting. Bringing the pedal-heavy sound of groups like Beach House or Slowdive into contact with a traditional rock-and-roll melodic construction has lately yielded stunning results, including the group’s newest single, “Speaking in Code.”
The song is built on the interplay of bass and guitar, which Max Harnishfeger, one of the band’s three members, described as “not stepping on each other’s toes, but playing off each other. Once we locked those in, it felt really good.” The bass brings a lively, straight-and-great line into contact with the more lethargic, distant and ethereal guitar sounds.
The tones are deep, wide and dark, held together by the crisp, consistent drums. By contrast, Harnishfeger’s vocals are light and spacey, drifting above the rest of the song. Occasionally, the guitars will follow his voice up into these higher spaces, but the bass keeps the song firmly rooted.
“Speaking in Code,” which moves in the direction of a distorted wall of sound, is unusually lyrical for its genre. Where atmospheric music tends to de-emphasize the words, “Speaking in Code” brings the sensational power of sound without compromise on the lyric front.
This balance is “rooted in a kind of traditional rock and pop,” Harnishfeger said. But it’s still “a little dreamier.” Both Harnishfeger and bandmate Karli Ingersoll, who plays bass and does vocals on the track and is owner of Lucky You Lounge, come from singer-songwriter backgrounds, and their experience with more personal, lyric-driven tracks has informed their work with Cathedral Pearls over the years.
For this song in particular, the lyrics criticize the coded, indirect speech of politicians and people alike, the tendency to “just try to appeal to the masses or appeal to a group of people. I want to be able to be a person who speaks directly,” Harnishfeger said. In his lyrics, he says similarly: “You’re a slave to blowing smoke / so let the truth come and set you free.”
The song culminates in a true boom, exploding the bounds of its relaxed early minutes with ringing drums, guitar and bass. “We want this wall of sound to hit people,” Harnishfeger said. “We tend to build things up to a climax, so when the bridge kicks in, it’s epic and loud.” Ingersoll and Harnishfeger hit the vocals together, just cracking through the melodic noise for a beautiful harmony.
That sound, Harnishfeger was keen to note, is in large part due to the work of the band’s drummer, engineer, producer and husband to Karli, Caleb Ingersoll. He has “a huge hand in making it sound the way it sounds at the end of the day.”
What the song makes clear, in all its complexities, is that Cathedral Pearls is a dynamic trio capable of incredible synergies. In 11 years, “our relationship has grown, and we’ve become better friends, more comfortable with each other. We’re constantly trying to do more to unify and make (our sound) cohesive.”
“Speaking in Code” makes good on that goal: “I think the music that we’re making right now could only be achieved by people who are totally comfortable with each other,” Harnishfeger said.
Cathedral Pearls is the type of band, too, that demands to be seen live. Not just because the group’s music is best turned up to 11, but because it makes the most of the three members. A booming guitar setup, shaking bass and smashing drums, they’re a recipe for success