’s work, credit the photographer when possible. Please notice that Morguefile also offers links to websites where you have to pay for the use of photos!
Licenses
Standard model to set down understandings on publishing in an agreement. The License to Publish is a license with which an author gives his or her publisher the right to start publishing, but where the author retains the other rights him/herself. For instance the right to insert the article in the institution's repository or on the personal website or to reuse it in teaching. Available in Dutch, English, Spanish, French and Danish.
With a Creative Commons license you retain all your rights, but you give others permission to distribute your work, to share with others or in some licenses to also process it. It offers authors, artists, scientists and lecturers the freedom to deal with their copyrights in a flexible way. Retain your copyrights but give others the possibility to use your work, in a way you choose yourself.
Copyright Toolbox is a resource to make agreements on publishing a scientific work. The agreements between creator of a work and its user are set down in a license. An author simply formulates a new publishing agreement with the toolbox.
Overview publishers
The SHERPA / RoMEO database lists journals' and publishers' copyright agreements related to repositories and Open Access archiving. More than 1800 publishers are included. The RoMEO Project conducted research on copyrights issues around self-archiving of scientific publications. Self-archiving is making publications full-text available via a repository or personal webpage.SHERPA / RoMEO - 'blue' publishers
Information on publishers allowing self-archiving of a postprint version. This is the last version before the final version with the publisher's layout.
Open Access
DOAJ (Directory of Open Access Journals)
The DOAJ gives the most complete survey of Open Access journals, including hybrid journals, with quality control (peer review or editorial review) in all scientific areas. It contains over 10,300 journal titles (March 2015)
The SHERPA / JULIET database reflects the policy of research funders with regard to Open Access archiving. You can use this database to see whether a specific financer has an OA archiving requirement. It indicates whether you need to archive, what you need to archive, when en where.
Contact persons
The Copyright Information Point is managed and maintained by the Academic Support department of Library and IT Services. If necessary, an appeal is made to the department Legal Affairs of the University Office.
If you have questions as a result of the information the Copyright Information Point offers, do not hesitate to contact Marijke van der Ploeg. Please contact the Legal Affairs department for specific legal questions.
- Manager Copyright Information Point
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Disclaimer
This Copyright Information Point aims at increasing copyright awareness. The message is: know your rights and know the rules!
The matter of the Copyright Information Point provides general information and is meant to support researchers, lecturers and students. The information will be continually extended and adjusted. Your comments and suggestions for this are highly appreciated!
The information on this website has been compiled with care. We have used sources that we consider to be reliable. However, no rights can be derived from the information.DaimlerChrysler’s Dodge auto brand sponsored a DVD sampler inserted in Paste Magazine’s August issue.
The DVD promotes the new 2007 Dodge Caliber car.
Called the “Dodge Caliber Music Tour of America,” it features live footage and videos from music artists like The Pixies, The Shins, Al Green, The Raconteurs and Calexico.
The DVD also includes content about the Dodge brand, commercials for the new Dodge Caliber and several short films called Awaken, Theodore, Flightless Birds and Tuffy Low-Low.
The issue hits newsstands Aug. 2.
Paste magazine is an independently published entertainment title. It features analysis on film, books and other aspects of popular and alternative culture.
Dodge is the best-selling brand of the Chrysler Group. In 2005 it sold 1.4 million vehicles.
Someone used my beat without a lease

Over a year ago a big youtuber (around 250k subs at the time, about 450k subs now) hit me up for a beat of mine. He said he was using it for non-profit and would buy a lease if he decided to make a music video. I never sent him anything but he ripped it off of youtube, which I was fine with. He posted the audio on youtube and it has 100k+ views, 3.5k+ likes, and 1k+ comments. I know he profited off of this and i didn’t get a cut. 

Now fast forward to today and I realize about a month ago he put out his first project on all platforms - apple music/spotify etc - and the song with my beat is included. What would be the best way to go about getting him to buy a lease and cut me a royalty percentage of the streams? I know the obvious answer is contact an entertainment lawyer but i’m trying to see if I can avoid that first. If i DM him saying he needs to buy a lease I know he’ll most likely leave me on seen. 

I know the numbers the song did on youtube won’t equal a bunch of money, but it would be nice to get whatever money i deserve and collect royalties on a song that will now be getting plays on streaming platforms instead of just youtube.WHEN: Sunday, 6/12/16, 6-9 pm, Monday, 6/13/16 8-10 pm. Callbacks, if necessary, on Tuesday 6/14/16 8-10 pm.
WHERE: Circle Playhouse, 416 Victoria Ave, Piscataway, NJ 08854.
PERFORMANCE DATES: Fri 9/23/16, Sat 9/24/16, Sat 10/1/16, Sun 10/2/16, Fri 10/7/16, Sat 10/8/16, Sun 10/9/16. Friday and Saturday performances are at 8 pm, Sunday performances are at 3 pm.
Sides for the auditions are available online at www.circleplayers.org under “Auditions,” with separate sides for men, women, and children who are auditioning.
Richard (mid to late 30’s): Not a villain, not a tyrant. Deeply intelligent, lightning-quick wit. Developed a nearly lethal curvature of his spine as a teenager and now bears himself accordingly. A brave warrior and leader. Everything is a struggle, everything is a fight. Deeply loves Anne; nurtures an obsessive yearning for Elizabeth, his sister-in-law. The actor will be on metal forearm-cuff crutches for the duration of the play.
Elizabeth (early to mid 30’s): Queen of England at start of the play. Middle-class, and married up. Pragmatic, sexual, brilliant and knows it. A loving mother and devoted wife. She knows about Richard’s obsession and uses it as a weapon when she can.
Anne (mid to late 20’s): Grew up with Richard, and has always been in love with him. Both her husband and father-in-law were killed by Richard. Calm, thoughtful, loving, forgiving.
Cecily (mid to late 60’s): Mother to Richard, Edward and Clarence. Edward is her golden boy, Clarence her favorite. Even before his scoliosis set in, Cecily has never known what to do with her youngest son, Richard. Once his spinal issues were fully blown, Cecily just ignores him. He is the spitting image of his father, a man who Cecily still loves and mourns.
Margaret (late 30’s to mid 40’s): Former Queen of England, before Richard, his brothers and father overthrew the government and claimed the throne through battle. She personally oversaw the death of Richard’s father and brother, Rutland. Brilliant and vicious, she is both a warrior and born leader. She has come back from exile to watch the Wheel of Fortune spin again. She and Richard are true equals – they would have made an excellent brother and sister, such is their love/hate relationship.
Hastings (late 50’s-early 60’s – doubles as Tyrrel and others): A father figure to Richard and his brothers. A man who stands by his convictions, even to his own detriment.
Edward (late 30’s – also plays Richmond): The York family’s Golden Boy. Handsome, a fighter and a leader. Loves the ladies, and they love him. The actor will also play Richmond, another Golden Boy and later Richard’s rival for the throne.
Catesby (early-late 30’s): Catesby will serve whichever side is the winning side. Pragmatic and loyal to a point. Endlessly resourceful, but ultimately a coward.
Buckingham (early-late 30’s): Becomes Richard’s right hand man until Richard’s methods become too much for him. Essentially a good, loyal man – he wants to see a solid leader on the throne of England.
Rivers (mid to late 30’s – doubles as Lord Mayor and others): Elizabeth’s brother, and intensely loyal to both her and her children. Constantly protective of their family and new, improved status.
Grey (early 20’s – doubles as Brakenbury and other Elizabeth’s son from her first marriage. Id