 just making your bed and cooking dinner). Aim for predictability. Slow down and stop to connect with your children as best you can."
"And of course, remember that nature is a great healer so get outside when you can. Above all, you have got this and remember, this too shall pass.
Such wise words from the always dependable Maggie Dent.
And now, I'm off for a walk outdoors and a big ol' SIGH. Please come join me.Is there a negative or positive tone to this product review? === Title: The DVD who shagged my wallet Review: This overrated comedy is a mediocre attempt to make a parody of a James Bond moovie the moovie is outright boring the story and the dialogs too childish. However the moovie merits from one of the best scores I've heard in moovies for a long while and the DVD edition especially is a showcase of this medium capabilities. This edition benefits from Dolby digital sound and extras like the video clips of three songs from the moovie's score, notable among them the super hit "Beautiful Stranger" by Madonna. Apart from that there is a documentary a feature length commentary and the cinema trailers. All in all if you are in for extras this DVD does it for you interactive menu and deleted scenes included but if your interest is more substantial, this moovie is really nothing to be remembered and you will barelly watch it more than once unless of course you are a Heather Graham fan! Answer:
NegativeMientras nuevas investigaciones evidencian una contaminación generalizada, industrias pro-carbón quieren debilitar la actual normativa federal y cederle a estados como Indiana, con una triste historia regulando desechos tóxicos, la capacidad de hacer sus propias leyes.
As new research reveals widespread contamination, pro-coal industries are pushing to weaken federal rules on coal ash and give regulatory authority back to states like Indiana, which has a dismal record on regulating this toxic waste.
Health, labor and environmental organizations represented by Earthjustice are asking the government via expedited records request to reveal where exactly it plans to detain migrant families slated to be housed in Texas military bases known to have toxic hazards.
Author: Wood, Rachael L.
Although the number of parents with learning disabilities is difficult to accurately assess, some researchers believe that the numbers of people becoming parents has increased in recent years, in part due to the effects of de-institutionalisation. However, the research literature in this area shows that the some parents with learning disabilities have been judged as having deficits in their parenting skills and that some parents are treated more harshly than non learning disabled parents by the child protection system and are more likely to have their children removed. Very little has been written about this experience from the perspective of the parents themselves. Although it is known that both consenting and non-consenting adoption has long lasting psychological effects, including feelings of loss and stigma on non-learning disabled birth parents. In particular parents who do not consent to the adoption of their children are thought to be a highly underepresented and disenfranchised group. This piece of research used an interpretative phenomenological analysis (IPA) to explore the experiences of parents with learning disabilities who have lost their children to fostering, adoption or other care arrangements. Six parents with learning disabilities were interviewed; this included five mothers and one father. From the (IPA) analysis of the interview data three super ordinate themes emerged. The first, 'issues related to identity and power' included the interview participants accounts of their how their learning disabled identity effected their access to power and knowledge and their relationship with others. The second 'being a parent' documented the participants' experience of parenthood, including parental self-concept and attacks on parenthood. The third theme 'losing the child' explored the participants' emotional reactions to their loss, their understanding of this event and how they accommodated to their changed circumstances. The parents generally did not appear to describe themselves as learning disabled, but their daily lives and experience of parenting were greatly affected by the power and control they felt others exerted over them. Parenthood gave them a valued identity outside of being learning disabled but this identity was subject to constant attack. This led to long term negative psychological consequences including feelings of loss, anger, guilt, self-blame and depression. It is hoped that this study will help services and professionals that assess and support parents with learning disabilities to understand the issues from the parents' perspective and provide them with support if their children are removed from their care.Watch the new video for KING GHOST
Steven Wilson releases a new track today (October 29th). KING GHOST is taken from Steven’s sixth album THE FUTURE BITES, due out on January 29th 2021 via Caroline International.
As you’d hope from a track of this title, KING GHOST is spectral and gloriously otherworldly, an almost impossibly beautiful piece that arrives on a low bass pulse and centres around a haunting vocal that slides under your skin and stays like an addiction. KING GHOST was the first track recorded for THE FUTURE BITES and is co-produced by David Kosten (Everything Everything. Bat for Lashes) and Steven Wilson.
The video for KING GHOST has been directed by Jess Cope who previously made films for Steven Wilson tracks The Raven That Refused To Sing, Routine and People Who Eat Darkness among others.
Steven Wilson: “King Ghost is one of my favourite tracks from the album and I think one of the most beautiful songs I’ve ever come up with, powerful in its apparent simplicity. Apart from the percussion overdubs (played by Jason Cooper from The Cure, and Michael Spearman from Everything Everything) the music is entirely electronic, mostly using analogue keyboards to create luminous and organic patterns and tones. Much like the song, the video Jess has created focuses more on rich colours and expressing thoughts and feelings though more abstract images, something that takes our collaboration into new territory. It’s stunning and I’m incredibly proud of the combination of the song and the video.”
Jess Cope: “Working with Steven is always challenging, in a good way. I am constantly amazed at his ability to push the boundaries of his music as he moves with the times. I was stunned by King Ghost the first time I heard it and it immediately inspired a certain imagery in my mind. This track encouraged me to explore vibrant colour, texture and pattern. I worked with the animator I originally used on ‘Routine’; together we explored the use of ‘drawn’ animation to produce some awesome and very tactile imagery for the character in the video. We are very proud of the way both music and video perfectly compliment each other.”Research on the application of CPS-SPWM technology in cascaded multilevel inverter

Take a cascaded multilevel inverter with four H-bridges in each phase leg for example, this paper studies the basic theories of two different carrier phase-shifted SPWM (CPS-SPWM) methods: Unipolar Dual-Frequency CPS-SPWM and Bipolar CPS-SPWM, and compares the advantages and disadvantages of these two algorithms. It also does some researches on the factors which may influence the output waveform quality obviously, such as the number of H-bridge, the amplitude modulation ratio and frequency modulation ratio, etc. The results of the simulation and analysis show that the CPS-SPWM technology has high equivalent work frequency, little switching loss and quick dynamic response speed, which means it is fit for the cascaded multilevel inverter. Meanwhile, the properties of the Unipolar Dual-Frequency CPS-SPWM method are better than those of the Bipolar CPS-SPWM method. At the same time, it needs to synthesize the detailed main circuit topology, proper amplitude modulation ratio and frequency modulation ratio to gain the optimum output waveform.OSHMYANY (Pol. Oszmiana), town in Grodno district, Belarus. Oshmyany, one of the oldest settlements in Lithuania, was granted municipal status in 1537. A Jewish community developed there at the beginning of the 18th century. In 1765 there were 376 Jewish poll-tax payers in Oshmyany and the surrounding villages. In 1831, after a battle against Polish rebels, Russian soldiers set fire to Oshmyany and killed many of the town's inhabitants, including many Jews. In 1847 the community numbered 1,460, and by 1897 the number had increased to 3,808 (about 53% of the population). Jews earned their livelihood from small trade and crafts, essentially from tanning, shoemaking, tailoring, and carpentry. At the beginning of the 20th century most of the Jewish workers organized themselves into a trade union. There were seven synagogues in the town, three of them belonging to the unions of the tanners, shoemakers, and tailors. Prominent rabbis served the community during the 19th and the beginning of the 20th centuries, among them R. Meir Michael Kahana (1883), R. Mordecai b. Menahem *Rosenblatt (author of Aleh Ḥavaẓẓelet, 1891–1906), and R. Judah Leib Fein 1906–14).
The Great Synagogue of Oshmyana was erected in 1902. In the battles between the Red Army and the Polish Army in 1920, many Jews fell victim to the fighting. Between the two world wars (under Polish rule) the office of vice mayor was held by a Jewish delegate. During this period branches of all the Jewish parties were active in the town. The leading educational and cultural institutions were the Tarbut and Yavneh Hebrew schools