 motor. The belt is another small component of your AC unit that can make the entire system fall apart, in case of a break-down.
These type of issues can be solved easily by hiring an AC repair technician who can help you to by checking the blower belt. If they find out that it is looking a bit worn out, they can replace it quickly and then the AC unit will start working as it should.
Poor maintenance of your AC unit will often leak the refrigerant. It’s not because there is a problem with the system, it’s because it is running for a long time without routine maintenance. When there is a leakage in the coolant of your AC unit, then the entire system may break down if it is not addressed.
The AC ducts are like the respiratory system of your home that distributes air and maintenance along with proper airflow to keep your room cool. So, if there is any leakage in the AC ducts, then the machine becomes unable to keep the air cool in your room. To repair these types of leakage, you can hire a well-trained AC repair technician.
First of all, you can ask your friend or family member for their recommendations. Furthermore, you can also search for the best Air-conditioners repair technician on the Internet. You can select the best one by following the customer reviews on the official website of the service provider.
After choosing the top-rated service provider, you can contact them. Share your problems with them and provide them your address. They will assign a well-trained technician for you and send him to your place.
After examining your AC unit, you will be given a budget by the technician. Once you complete the formality or paperwork, the problem will be solved shortly.
Read Also: How to check AC requires Services?
The brachialis is the muscle between the biceps and the triceps. It can be seen on the outer arm as well as the inner arm. However, on the inner arm there’s an additional muscle—the coracobrachialis—which starts at the armpit and tapers off to nothing as it wedges neatly between the biceps and triceps. Then, when it looks as if the coracobrachialis is extinct and gone forever, the brachialis appears, along the same path, to take over.Interesting piece in The Globe and Mail on this by Kelly McBride of the Poynter Institute, (a Florida-based organization that helps to improve American journalism):.
“There’s so much that’s been written about any given topic because writing now is mostly the continuation of a conversation already in play.”
I try to find stories people haven’t yet heard and/or to tell them in a way that’s fresh and new. Of course, some stories are bread-and-butter, straightforward assignments that pay my bills, with a very clear brief from my client or editor.Next month’s event celebrates jazz music with free concerts throughout the afternoon.
The 2015 Jazz Eureka Festival will be held Sept. 10 -13 and the lineup has finally been announced.
Beto and the Fairlanes will perform a free concert from 7 to 9 p.m. Friday, Sept. 11 in Basin Spring Park. The band hails from Austin, Texas and is dubbed a world-beat, Latin pop, jazz and salsa band. Thirty years ago, Beto and the Fairlanes opened the first Eureka Springs Jazz Festival. Jazz Eureka organizer, Ron Sumner, was at that event in 1985 at the Basin Park Hotel.
“They had everyone up and dancing with their mix of Jazz-flavored salsa, big band, and funk,” Sumner said.
On Saturday, Sept. 12, Basin Spring Park will be the host to free jazz concerts from noon until 6 p.m. with stellar acts from around the region. The first performance of the day is the Fayetteville Jazz Octet. With more than two centuries of combined jazz experience, this group has been thrilling audiences all around the four-state region of Northwest Arkansas.
At 2 p.m., trumpeter Rodney Block will take the stage in the band shell. Block is an Arkansas native and one of the state’s most in-demand artists, building a niche in the jazz and hip-hop genres. Block has shared the stage with Earth, Wind, and Fire, Kirk Whalum, Ellis Marsalis, and many others.
The headline show for the weekend features Joey DeFrancesco at 7:30 p.m. Saturday, Sept. 12. Held at the historic Eureka Springs Auditorium (36 S. Main St.), this Philadelphia organist will take the stage with his bit of humor, excellent musical taste, and an innate capacity to swing. DeFrancesco has previously worked in ensembles led by Miles Davis and guitarist John McLaughlin. Opening the show is the Joe Cartwright Quintet featuring Molly Hammer. Tickets for the show range from $20-$50 and available for purchase at http://www.theauditorium.org.
For more information on the event, please visit http://www.jazzeureka.org. View more photos at https://www.dropbox.com/sh/datj10hl9q4abe3/AABcBdh0d1RJ7JxwdkoULGs3a?dl=0.
From Tears to Robbery, a Hit Spanish Film Explores Some of Humanity’s Strangest Kinks
Paco León's 'Kiki: Love to Love' has taken Spain's box office by storm—an unlikely feat for a film that's all about explicit kinks and fetishes.
A still from the trailer for "Kiki: Love to Love"
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The opening credits of Kiki: Love to Love are an exercise in playful eroticism. A couple is having sex, and intercut with their lovemaking are suggestive and explicit images: a needle being threaded, monkeys getting it on, a juicy fruit being squeezed open. Even when we linger on the couple, the montage keeps things PG—the chiseled young man writhes naked on the bed, but his privates are censored by an image of a turning corkscrew.
It's a perfect introduction to Spanish director Paco León's third feature film, an anthology of five disconnected stories dealing with various kikis (Spanish slang for "what gets you off"), everything from polyamory and furry parties to harpaxophilia (arousal by robbery) and dacryphilia (arousal by tears).
The film has been a critical and box office success in Spain, where it's the 15th highest grossing film of the year (and only the third non-Hollywood film on the list.) It's been compared to early work from Spanish Oscar-winning director Pedro Almodóvar, and even managed to outgross Almodóvar's latest. Then again, as León admits, when you include a golden shower scene in your film, critics and audiences in Spain cannot help but think back to the infamous golden shower (NSFW) from Almodóvar's first film.
León spoke with VICE about the road to making Kiki, the lengths he went to make the film feel authentic, and the 1960s message he hopes it conveys.
VICE: What kind of research did you engage in ahead of working on the film? There are a lot of outré fetishes portrayed here; I'm sure you wanted to learn more about those, no?
Paco León: You could say there was definitely some field work. Talking to people and hearing anecdotes from all around was helpful. I'm very curious, and it was all part of the process, talking to friends about these things. And then when we were writing the script for the film, there was a party in Madrid that was about everything sexual—fetishes, bondage, swingers, it had everything you could think of. It was the kind of party I had in mind for one of the sequences in the film. And I really wanted to go! I kept saying, "I just have to go!" I wanted to see it for myself, not just to see those who attended it, but to listen in on people's conversations, get a sense for the dialogue and the ambience, even the music that's played.
But I'm a bit too famous here to just show up, so I went wearing a Mexican Lucha Libre mask, so I could enjoy the experience and see without being seen. It really was pretty great. The first thing I noticed was that people's conversations were very mundane. They were talking about homework and recipes and totally ordinary stuff. That was what was so endearing about it, and the most real. You can have this image of "perversion" in your mind, but these are just normal people who are into very specific things. And that's what I wanted to capture in the film, that mix of the lurid and the humane.
And so much of it relies on your cast, who get to do quite a bit on screen. Can you talk a bit about your work with your actors?
Well, I was personally involved in the casting process. These are people I know, or if I didn't know them, people I wanted to work with. I already had some people in mind while I wrote the script. And then my own approach to filmmaking, which I've come to rely on, is that there's not really a set script. They never had dialogue printed out to memorize—there was a "screenplay" in the sense that my