 Wildcats perfect season?
Bo started his basketball career as a point guard at Wilkes University in Pennsylvania. As his career ended as a player he discovered that he wanted to coach.
After graduating, Ryan was a graduate assistant at Villanova University. He left Villanova and started working at the Dominican College of Racine, then moved to Sun Valley High School. While at Sun Valley, he got noticed and offered a job to be the assistant head coach at the University of Wisconsin-Madison, under coaches Bill Cofield and Steve Yoder. After eight years of being an assistant, he accepted the head coaching position at the University of Wisconsin-Plattville where he stayed for 15 years, ending with a record of 352-76 (.820 win percentage). While at Plattville he won four Division III Championships and eight conference championships. Following his tenure at Plattville and a short stint at UW-Milwaukee where he was the first coach to have back to back winning seasons in over a decade, he moved on to Wisconsin.
2001-2002: Lost in the Second Round of the NCAA tournament, finishing the season 19-13.
2002-2003: Led the Badgers to Ryan’s first Sweet 16 appearance, finishing the season 24-8.
2003-2004: Lost in the Second Round of the NCAA tournament, finishing the season 25-7.
2004-2005: The Badgers made it to the Elite 8 for the first time under Ryan, finishing the season 25-9.
2005-2006: The Badgers lost in the first round of the NCAA tournament, finishing the season 19-12.
2007-2008: Lost in the Sweet 16, finishing the season 31-5.
2008-2009 & 2009-2010: The Badgers lost in the Second Round of the NCAA Tournament finishing the seasons 20-13 and 24-9.
2010-2011 & 2011-2012: The Badgers lost in the Sweet 16, finishing the seasons 25-9 and 26-10.
2013-2014: Led the Badgers to the Final Four, finishing the season 23-12.
2014-2015: The Badgers are back in the Final Four about to face undefeated Kentucky for the chance to play in the NCAA Championship.
He has also had five former players move on to assistant coaching positions.
Every year at Wisconsin, he has led his team to the NCAA Tournament.
In 1972, he started out as a high school basketball coach.
- April 29th, 2012Arts, Culture & Entertainment, Business & Economy
Six years ago, Deepak and Deepika Dorai moved to Bangalore from Chennai, where they had started a unique artistic movement called Bimba. They used to run their art hut out of an old home that was razed to the ground — you can almost hear the pain in his voice when Deepak talks about this. Yet, today, the Dorais have successfully recreated their dream project in Bangalore – a distinctive public space for art and performance that is teeming with activity and enterprise.
One of the most cheering aspects of Bimba the Art Ashram is perhaps the space where it’s run: a 100-year-old building on DVG Road in Basavanagudi that was falling into disrepair before the Dorais lovingly restored it. Belonging to an old Bangalore family that has given the Dorais the run of the place, the house, with its many traditional features, could act as a template for how old structures in the city, facing the threat of demolition, can be revived. “It is a house in which 42 children were born; you can say this is very fertile ground,” says Deepak.
To convert the house from a private residence to a public space, Deepika, whose creative energies have directed all the changes, first began by tearing down the boundary walls to create a more open feel. The original pillared entrance has been retained, and as you enter through it you can feel the temperature drop a few degrees, thanks to old-world construction features such as stone and red-oxide floors, high ceilings and hollow-brick walls.
Deepika uses the rooms within the main house to run her artifacts and furniture gallery, and this is also where she retails her clothing line. Deepika creates some unique hand-crafted furniture, ‘upscaling’ old and discarded tables, chairs and beds into one-of-a-kind items. “This is something people working in newspapers before the computer age would remember,” says Deepak pointing to a large metal tray sectioned into small squares – a linotype used in hot-metal typesetting. These ‘trays’ have been used by Deepika to make cupboards (they act as the doors) and a coffee table (mounted by glass).
Bimba also hosts live performances every Saturday, and these include shows such as one by a practitioner of the Karnataka rod puppetry tradition, a talk by a musicologist on the Jogis’ folk music or a classical vocal Carnatic performance. Along with these, what draws most people to Bimba on Saturdays is the Rasalok theatre – this is also what the ‘art hut’ has become most famous for in recent years. The Dorais call this ‘still theatre of miniature art’; at its essence these are vibrant storytelling performances using miniature figures and three-dimensional sets, again hand-crafted by Deepika. Most stories are mythological in nature, and two narrations take place in adjoining rooms done by Deepika and her mother Uma Nagraj. These performances form an essential part of Bimba’s activity calendar especially during Navratri, when day-long sessions are held.
EARTH-SENSITIVE ART
While promoting the ideas of earth-sensitive art, we also like to draw people into our performances and our miniature theatre, through which we tell stories that have their roots in mythology. This story-telling tradition has been in my family for generations; my grandmother MN Susheelamma evolved and finetuned the making of a 3-dimensional still scene on a mini-stage as part of her Navaratri festival offering. The key to the visual magic lay in her sense of aesthetics, period and proportions in the miniature space. This practice was continued and improvised upon by my mother Uma Nagraj, who now composes and narrates a magical moment every year. I’m trying to carry on this great artistic tradition.
Deepika Dorai, Founder, Bimba the Art Ashram
source: / Home> City> Bangalore / by Shrabonti Bagchi, TNN / April 29th, 2012
- April 29th, 2012Arts, Culture & Entertainment, Business & Economy. He advises aspiring restaurateurs to understand challenges, like food inflation and starting with low investments. Edited excerpts:
How did you start AST Foods and how many restaurants do you own in Koramangala?
We are three of us who started AST Foods. We all are passouts of the Institute of Hotel Management (IHM) and have an experience of 10-15 years. I used to do projects for The Leela and then I thought why don’t we open something on our own and that triggered the idea of AST Foods in 2006. We have three restaurants in Bangalore out of which Umerkot is in Koramangala, which was our first restaurant too.
What was the initial investment?
The three of us contributed Rs 3 lakh each and started Umerkot with a seed capital of Rs 9 lakh. Since, we had less capital we took a bank loan where we got 40 percent of the cost and had to repay it in five years. In order to get the restaurant running and spread its flavours, we availed services from our old contacts and goodwill in the industry.
What challenges did you face in this competitive business?
Umerkot was a challenge due to lack of capital. We took the place in Koramangala as it was cheap at that time. Our cuisine is niche – Akbari Gharana – mughlai but non-spicy food. People were skeptical about our restaurant. It became more challenging in the first six months, as the Shinivagalu Main Road where we are located was not well-constructed so nobody would come to our restaurant. I would say that the first year was challenging but then we took off with our niche fan following of people aged above 30 years.
What kind of growth have you seen since inception?
Apart from having loyal customers, the broken road got constructed which became a common road for many more localities in south Bangalore. This helped us to breakeven in two years, which is very difficult in this business. We paid our five-year bank loan in three years. In 2008, when slowdown shook the economy, we also got affected. Though our business dropped to 40 percent that year, we did not bleed since we have a conservative business model. Our business was at its peak in 2009-2010. In 2009, we saw maximum footfalls. We marked around 10 percent revenue increase per annum. We don’t target crazy profits. As I mentioned earlier, we follow a conservative business model. After 2010, profit has been growing at around 3-5 percent per annum.
What is driving the growth of restaurants in Koramangala?
Koramangala is the centre of attraction for south Bangalore. Just like villagers visit the city to hang out, south Bangalore flocks to Koramangala. This locality is an IT hub having maximum disposable income. These Kormangala techies enjoy fine dining and a relaxed ambience, which is driving the growth of restaurants in this tony locality. Moreover, in 2007-10, real estate in nearby areas had undergone development that attracted