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State-of-the-art technologies used by FWC put its cellars over to the top of the list. To give an example, tempered, extra-clear, triple glazing with inert gas filling and special interlayer filtering ultraviolet rays and solar radiation, instead of commonly used regular double glazing with weak technical features, absolutely avoids any condensation on glass facades and provides the highest insulation value and protection against harmful effects of light.Will Alfonso Cuaron Direct The Shining Prequel, The Overlook Hotel?
It’s been a busy week for Alfonso Cuaron. Mind you, it’s probably always a busy week for the chap who helmed last year’s critical and financial smash, Gravity. Raking in the cash and the critics clearly won favour with Warner Bros., as earlier this week, rumours began wafting about the web concerning his continued role in the Harry Potter universe. Apparently he’s in talks for J.K Rowling’s Fantastic Beasts And Where To Find Them; a New York-set magical fable. Now the lucky bugger has struck gold again, according to website Schmoes Know, who’ve heard that he’s been offered the chance to direct The Overlook Hotel.
Stick this one on a plate and sprinkle liberally with salt. It’s true, sometimes there are nuggets of truth to unconfirmed reports that later appear in official press releases, but more often than not it’s speculation. Either way, considering this would be a prequel to one of cinema’s greatest horror films, ever – colour us EXCITED! Prequels and sequels are dished out all too often to directors without experience, who on occasion, err, balls them up.
To create another entry into The Shining canon would be a huge risk… but also a gigantic win if approached with love, care and attention to detail. Lest we forget The Shining director Stanley Kubrick’s obsessive need for multiple takes. But hey, it worked. It still stands today as a crowning achievement in the genre. Cuaron could be just what one of the most tired divisions of cinema needs: fresh eyes.
From what IS confirmed, the crew assembled so far for the film are devout to the horror milieu. The Walking Dead showrunner, Glen Mazzara, is writing the script, with Laeta Kalogridis (the Scream series, Terminator: Genesis), Bradley Fischer (Black Swan), and James Vanderbilt (Zodiac) all tackling producer roles. Taking a look at their accumulated experience, they’ve all worked on unique, trendsetting chillers.
This bodes very well for The Overlook Hotel. Which, we know very little about in terms of plot. Stephen King’s original novel delved into the history of hotel at times through conversations, and who wouldn’t want to see original caretaker Delbert Grady lose his shit?! Or to have the mysterious final image (above) decoded? Of course, King never penned a prequel, instead venturing forward with the sequel, Doctor Sleep, published earlier this year. It’s an absolute must-read for fans, and will no doubt be on our screens in the next few years.
So, what do you make of today’s rumour? Excited for Cuaron to be considering it? Or just generally giddy at the prospect of a prequel to The Shining? Let us know what you reckon to The Overlook Hotel, in all of your eloquent glory below.DRIVING SOUTH OF SANTA FE into the Galisteo Basin on Highway 14, the horizon opens up. Fields of grass stretch into a cornflower blue sky in an almost Midwestern tableau. Cottonwoods rustle; junipers and pinon pines stand quietly. Horses wander nonchalantly in pastures, and dogs are friendly presences on ranches situated along dirt lanes that didn’t even have names in the 1990s. That's when Pearson bought 20 acres of land here in the San Marcos/Lone Butte area, a high llano or plateau that was centuries ago a center for farming and pottery-making in the upper Rio Grande area, but was abandoned after the 1680 Pueblo Revolt. Today it's mostly private homes, although if you survey the open range in the direction of the Sangre de Cristo Mountains, you may sight a stray antelope. And if driving near David Pearson's ranch, you may hear the bluesrock strains of Stevie Ray Vaughan.
Pearson first got familiar with the area while working with famed sculptor Allan Houser, who lived just two miles away ("I would see him sitting on his porch just in this total calmness and I thought, someday I'm going to live like this," he says). Then in 1995, one year after Houser's passing, he was hired to design and build a bronze foundry at Allan Houser Inc. for production of all remaining editions of Houser's work; that brought him back to the area. By this time he was married to his second wife, gallery owner Patricia Carlisle, who had just launched her own art gallery, Patricia Carlisle Fine Art, representing his sculptures among other art. "We saw this place, and we knew it was perfect. I could spend the rest of my life here," Pearson remembers.
Pearson thought a lot about Houser as he constructed his own studio just over the hill from Houser's: "Allan was the king, the man. He never faltered. He was a workhorse. He was a mule as far as artists go. He would work from sun up to sun down. I mean, he was always hitting it strong. And that's what I do. I hit it. I work. And I love what I do." His first studio here, finished in 1997, was a single room. Hot wax operations were along one wall, metal and patina areas in other parts of the open-ceilinged shop. But it was all his, and he could work from dawn to dusk on his own ethereal sculptures — lithe, elegant figurative pieces, sometimes with cubist elements. They flowed out of him. Bronze figures inspired by tales from Greek mythology, like that of rebellious Clytie — who angered the gods, so they transformed her into a sunflower. Narrow, elongated figures, sometimes wrapped in gauze to create a mummy effect. Arts writer Michael Koster wrote of them, "Stoic faces from another time evoke the stillness of the tomb, the dignity of an age long past."
In The Santa Fe New Mexican, Pearson explained, "I think of my work as being very strong in line, as being peaceful with a sense of presence to them. The style can express anything, from a person walking to someone just being lonely." He expounded, "It's a combination of form, feeling, and abstraction that reaches for an aesthetic beauty, rather than conveying a more complex expression." He experimented with male forms, androgynous figures, and one