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@endsection​Born in Tokyo, Japanese‐Russian pianist Yoshio Hamano has been a laureate of international piano competitions such as the Nordic Piano Competition in Malmö, Almaty International Piano Competition, International Russian Music Piano Competition in San Jose CA, and Minoru Nojima Yokosuka Piano Competition. The 1st prize at the 2011 Music Competition of Japan has aided Yoshio in achieving recognition as a prominent recital artist.
Yoshio Hamano has had the privilege to study with the distinguished artists of our times: Eliso Virsaladze, late Elena Ashkenazy, Dmitri Alexeev, Gerald Fauth, and Dr Nikita Fitenko. He completed his Master of Performance and Artist Diploma in 2015 at the Royal College of Music London and obtained the Bachelor of Arts degree in 2012 from Tokyo University of the Arts, where he studied with Dr Atsuko Okada.
With a dual Japanese-Russian background, Yoshio devotes his passion for music-making with facilitating dialogues between cultures through the arts. Recitals and collaborative projects have brought Yoshio to numerous venues across Japan and the United States, United Kingdom (Royal Festival Hall, Purcell Room, St Martin-in-the-Fields), Germany, Scandinavia, Russia, Central Asia, and the Middle East. Yoshio has performed extensively as soloist with orchestras and chamber ensembles, including the Japan Philharmonic at Suntory Hall (Tokyo), Tokyo Symphony, Central Aichi Symphony, Geidai Philharmonia, Lund City Orchestra, working with distinguished conductors Alexander Lazarev, David Geringas, Kazuki Yamada, Naoto Otomo and Masahiko Enkoji among others.
Yoshio Hamano currently teaches at Tokyo College of Music and Tokyo University of the Arts. In addition, he works as the artistic director of Renaissance Projects Worldwide Concert Series organised in partnership with pianist Toshihiro Kaneshige, as well as an independent concert producer: among his projects are regular outreach tours to north‐eastern region of Japan, worst affected by the March 2011 Higashi‐Nihon Earthquake and Tsunami. Yoshio Hamano is invited to serve as Associate Professor and jury member at the JMI Competition for Pianists in 2020.The catering equipment sector could be in a position to help hospitals in the fight against the coronavirus outbreak.
The government’s call for UK manufacturers to produce ventilators to cope with the coronavirus outbreak has raised the question of whether catering equipment and ventilation companies could be in a position to provide support.
One foodservice equipment manufacturer confirmed to Catering Insight’s sister title, Foodservice Equipment Journal, that it had already been contacted by the Government Business Support Line, asking if it would like more information on the matter.
Health secretary Matt Hancock said last week that the UK has around 5,000 ventilators but needed many times more than that.
Nick Baldwin, marketing manager at UK kitchen ventilation manufacturer Mansfield Pollard, said its operations team had not ruled out the possibility of being able to help in some way.
“Without seeing a detailed spec, we are obviously only hypothesising, but in theory, the skill sets we have here – design engineers, controls engineers and our in-house manufacturing capabilities – there shouldn’t be any reason why not.
Parry Catering Equipment, in the Midlands, also confirmed that it would be willing to help the effort in any way it could, but MD Mark Banton noted that such a specific type of manufacture was probably too far removed from its core activities to be beneficial. He suspected the majority of catering equipment manufacturers would be in a similar position.
“There are probably a good number of manufacturers in the UK who have operations and products which have parallels with the manufacture of ventilators. However, very few of these will be capable of turning on manufacture and supply of ventilators quickly and without substantial investment in time, management, training and cash.
Neil Richards, MD of Wales-based Metcalfe Catering Equipment, agreed that judging whether catering equipment manufacturers could play a part in the government’s call to arms was a difficult one.
He said: “I think that all manufacturers of catering equipment in the UK would have the skillset and facility to ‘assemble’ new ventilators if they were provided with the parts in a ‘kit’ format and Metcalfe would be no different. We would be glad to help if we could and produce ventilators instead of potato peelers for a while.
While Keith Warren, chief executive of the Foodservice Equipment Association (FEA), said: “The need to tool up to meet the need will be complex and not as straightforward as many suggest – tooling, component supply and the need for ‘medical’ manufacturing conditions mean that this may not be as easy as first presented.
Being Mr. “Wait, how isn’t that dude signed!?” is nice, but it can only last so long. While XV’s built a fiercely loyal fanbase around his innovative lyrical and creative style (see his last feature T.A.L.K.) so far the labels have yet to hop on the Vizzy bandwagon, largely I suspect because they’re not sure how to market him. Enter Gettin&apos; BiZzy, the new, radio-ready single cut from the young Kansas emcee. Featuring a club-ish-esque beat from constant production partner Seven, BiZzy is definitely not your average XV track, even if his flow is (thankfully) as swag-free and pop-culture reference heavy as always: what other rapper works John Locke and Lost references into his rhymes? While I’m frankly skeptical that this track can find a home on radio (the hook needs help), it should prove to labels that XV’s capable of making music that appeals to the masses, and that might prove to be just as valuable. BiZzy is the first leak of XV’s long-awaited new project Vizzy Zone, presented by LRG, which is finally set to drop in August. Get ‘em Vizzy.
Download Getting Bizzy at RefinedHype.com!The Hundred Years’ War is the name given to a series of conflicts that were the distant after-effects of William the Conqueror’s successful invasion of England in 1066. As well as being king of England, William and his successors retained possession of several areas of France, meaning that they were required to pay homage to the French king. Disagreements over this arrangement, as well as disputes over the rightful holder of both crowns, eventually led to fighting between the House of Plantagenet – on the English side – and, on the French side, the House of Valois, from 1337 to 1453.
The battle of Agincourt, on 25 October 1415, was a key English victory.
I don’t know why they didn’t approach a military historian for this project, other than the fact that the publishers knew I had previously written a book delving into my family’s history [Mad Dogs and Englishmen: An Expedition Round My Family] and spotted that I had French connections – although that book didn’t particularly focus on the period of the Hundred Years’ War.
So I did more research into my family links in the Hundred Years’ War, and was amazed by how many of my ancestors were to the fore on both the English and French sides. Some of them I found quite distasteful: for instance, there’s every indication that my forebear James Fiennes was corrupt. 
His brother Roger, on the other hand, was a very fine character. Along with three more of my kin – James Fiennes, John Cornwell and John Holland – he was one of the leaders at Agincourt under Henry V. They were sent on all the perilous missions, including the first landing to see where the French were.
I have connections on the French side, too. Robert Fiennes was in charge of the French army while his cousins were still living in England. So the reality of the battle of Agincourt is that the English Fiennes were largely responsible for wiping out their French cousins, and that’s rather sad.
What do you think the original cause of the Hundred Years’ War was?
Rather like the fact that you can isolate the key to the First World War as the student who shot that bloke at Sarajevo, the key to the Hundred Years’ War was William the Conqueror coming over to England in 1066.
My ancestors were involved in this episode, too. If you look at the Bayeaux Tapestry, it’s quite clear that the key moment was when the army commander, my forebear Eustace of Boulogne, said to William that the French forces should retreat because the English were winning. If William hadn’t recklessly given Eustace two fingers, and they had retreated to the ships while they still could, we wouldn’t have had the Hundred Years’ War. So the fact that my ancestor’s advice was ignored was the start of all of this.
