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Veteran coach Lionel Hollins will join Jason Kidd on Frank Vogel’s coaching staff.
The Los Angeles Lakers are bringing on veteran coach Lionel Hollins onto head coach Frank Vogel’s staff, according to Adrian Wojnarowski of ESPN. Hollins will join a bench that already includes Jason Kidd, the highest-paid assistant coach in the NBA.
Along with Kidd, Hollins is now the second candidate from the Lakers’ head coaching search to join the staff as an assistant. Unlike Kidd, Hollins did not actually interview for the head coaching job.
Can confirm the Lakers are expected to add Lionel Hollins to Frank Vogel’s staff, adding another former head coach to the group. Hollins never interviewed for the Lakers’ head coach position but he was under consideration.
However, in an earlier report from May, Wojnarowski said that Hollins was “a favorite” of team advisor Kurt Rambis, which may have given him the edge over other candidates.
Hollins’ last coaching job was with the Brooklyn Nets, where he served as head coach for 119 games from 2014 to 2016. During that time, the Nets went 48-71 and never finished a season with more than 38 wins. In Hollins’ defense, though, the rosters he was given in Brooklyn weren’t designed to win many games.
The height of Hollins’ coaching career came in 2013, when he coached Mike Conley, Tony Allen, Rudy Gay, Zach Randolph, Marc Gasol and the Memphis Grizzlies to their first and only Western Conference Finals appearance. The Grizzlies ended up getting swept by the San Antonio Spurs, leading to Hollins’ exit from the team, but it showed what he is capable of with a talented roster.
While Hollins’ grit-and-grind coaching style might be outdated in today’s NBA, there are some benefits to having a seasoned coach like him on the team’s bench. There’s also a chance he’s picked some things up from watching as an analyst over the last few years.
I have thus far resisted the urge to remark on the controversy over Yale Law Professor Amy Chua's book, Battle Hymn of the Tiger Mother and her recent Wall Street Journal op-ed. I'll leave for the seemingly millions of commenters the questions of whether what Chua calls the traditional "Chinese" mother's approach to child-rearing is cruel and/or effective, and if effective, at what. Here I want to examine the other side of the coin, what Chua characterizes as the contemporary "Western" approach to raising children, with its supposed emphasis on praising children for mediocrity and undue attention to their self-esteem.
Now, I happen to agree with Chua and others that some of the self-esteem business is rather silly and can be harmful in the long run. Here's one example among many that any American parent could certainly cite: Each of my two daughters received two gold medals per year--one for the "winter showcase" and one for the "summer showcase"--for as long as they took gymnastics; so did every one of the many other kids taking gymnastics. And because the first wave of children raised this way is now old enough to be showing up in the workplace (and in law school), one observes young workers who need to be praised and rewarded simply for showing up on time. I've noticed that in the nearly 20 years since I started teaching law school, I've become much gentler in my remarks on student papers and comments in class, as, over the years, I've seen students become (on average) less able to handle forthright criticism. And I continue to have a reputation for being somewhat tough; many of my colleagues are much gentler still.
But one need not invoke a Chinese or otherwise minority cultural pattern to find a reaction against the self-esteem-promoting permissive style of parenting. Writing in the Sunday NY Times magazine, Judith Warner correctly locates Chua's position as part of a largely home-grown parenting counter-revolution. And of course, Chua herself is Chinese-American.
At the same facility where my daughters received their semi-annual gold medals, a select few child gymnasts practice for hours upon hours daily, with the coaches heaping verbal abuse on them that makes some of what Chua describes in her op-ed look all warm and fuzzy.
You can see the counter-current in American culture more broadly. Consider the 2004 animated feature The Incredibles. In the course of the action, the film's hero repeatedly laments the mediocritization of American life, including the constant award of medals.
If that's too low-brow a cinematic example for you, consider Black Swan. Natalie Portman's "Nina" gradually cracks up under the pressure to perfect her role as the Swan Queen in Swan Lake. On the surface, Black Swan looks like a critique of the Chua method. In relatively brief screentime, Barbara Hershey, playing Nina's mother, makes clear that she was very much a "Chinese mother" to Nina as a child. Indeed, the continued obsessive control over, and resultant infantilization of, Nina appears to be a driver of Nina's madness, ultimately leading to her death at her own hand (albeit somewhat inadvertently: Nina hallucinates that she is stabbing her rival when really she is stabbing herself; think Edward Norton and Brad Pitt in Fight Club).
Thus, one could come away from Black Swan thinking that madness is the price of driving children to excel--much in the way that some wags have opined that Chua's pronouncements of success with her own children are premature: Perhaps she has inflicted long-term mental health costs, they accuse.
But I don't read critique as the only message in Black Swan. It is a tragedy, yes, but it has another meaning. In the final scene, Nina dies happy. She knows that it has cost her everything, even her life, but she doesn't care. She has finally lost herself in the part and thus has achieved perfection. Just so the message isn't lost on the audience, Nina actually says that.
The ending of Black Swan thus clearly evokes another film by the same director, Darren Aronofsky: 2008's The Wrestler. In the final climactic scene in that film, Mickey Rourke's "Randy the Ram" hurls his broken and dying body off of the turnbuckle and into flight, knowing that this will not only finish off his opponent in the match but will end his own life. He doesn't care. For him the moment is worth it. One last taste of glory is everything. Having seen Randy's inability to thrive outside the ring, the audience understands Randy's choice, even if not fully endorsing it.
I don't pretend that most Americans who went to see The Wrestler or Black Swan came away thinking "Yeah, that was definitely worth dying for." But I do think the message of each film resonates with a deep current in Western culture: That achievement of excellence or transcendence--in whatever field--is the ultimate satisfaction, that it can justify anything, even the sacrifice of life itself. From that viewpoint, Chua's values are hardly alien to Western culture.
1. Amy Chua appears to be something of, well, an opportunist. When globalization was hot she had a book on... globalization. Now that, well, you get the picture.
2. Every group thinks their own parenting style is better. I would personally, having mixed-race kids, prefer they be brought up Jewish. But that's primarily because I AM Jewish; there is no neutral way to evaluate a culture and we shouldn't even try.
3. Is it possible that the relative stagnation of the Yale Law School has something to do with its people writing books like this?
The spoiler alert also applies to "Fight Club," which I have still not seen. Thanks, Mike!
Also, I think it's left to the imagination whether Randy dies after the end of "The Wrestler." The audience is left with at least the possibility that he survives and ends up with Marisa Tomei.
By the way, I think I'm the only person who did not like "Black Swan." It's not easy for directors to guide people between fantasy and reality. (This is the big achievement of "Inception," which was otherwise quite uninteresting.) After awhile in "Black Swan," I just couldn't get excited about yet another bait-and-switch. Again, however, I know I'm alone in this reaction. Everyone whose opinion I respect seems to disagree.
Back in Capital City, Witnessing the End of Greatn...
Simulation games tuck themselves neatly into a small corner of the gaming world. With an eye towards the gamification of the mundane, these games have you complete banal tasks while seeking to add to your ever growing collection of stuff