(@admin_faq), :notice=> @controller_name +t(:message_success_create)}
        format.json { render json: @admin_faq, status: :created, location: @admin_faq }
      else
        format.html { render action: "new" }
        format.json { render json: @admin_faq.errors, status: :unprocessable_entity }
      end
    end
  end

  # PUT /admin/faqs/1
  # PUT /admin/faqs/1.json
  def update
    @admin_faq = Faq.find(params[:id])

    respond_to do |format|
      if @admin_faq.update_attributes(admin_faq_params)
        format.html { redirect_to admin_faq_path(@admin_faq), :notice=> @controller_name +t(:message_success_update)}
        format.json { head :ok }
      else
        format.html { render action: "edit" }
        format.json { render json: @admin_faq.errors, status: :unprocessable_entity }
      end
    end
  end

  # DELETE /admin/faqs/1
  # DELETE /admin/faqs/1.json
  def destroy
    @admin_faq.destroy

    respond_to do |format|
      format.html { redirect_to admin_faqs_path}
      format.json { head :ok }
    end
  end

  private
  # Use callbacks to share common setup or constraints between actions.
  def set_admin_faq
    @admin_faq = Faq.find(params[:id])
  end

  # Never trust parameters from the scary internet, only allow the white list through.
  def admin_faq_params
    params.require(:faq).permit(:id,:faq_category_id,:title, :enable, faq_content_attributes: [:id,:content])
  end
end
Since 1999, WriteMovies’ screenwriting contests guarantee to develop our winners’ projects at our own expense and pitch them to producers with the power to make them happen. Our contests are designed to show you exactly how well your script currently competes in the market, and a clear ladder to success.
Our results – with up to 50+ Quarter-Finalists, 25+ Semi-Finalists, 7+ Honorable Mentions and 3 winners – show you where your project currently sits in comparison to others, and our studio-quality tiers of script mentoring and script consultancy show you its potential and how to remove the obstacles to that success without compromising on the things that matter most to you about your script.
Because we’re serious about selling our winners’ scripts, and we can prove we have the contacts and meetings to put them in front of decision makers at the heart of the international entertainment industry, our contests are designed to give all writers a clear sense of where their script currently stands in the market – and the clear answers you need about all that your project could achieve and how to fulfil it.
Entries must have cover sheet with FULL contact info (title, name, address, and email address) in order to be considered. Please see website for complete rules and guidelines.
Cog and the Machine, by Harris Doran, has been named the winner of the lastest (WMC 35) WriteMovie Screenwriting Competition.
Finalists have been announced for the WriteMovies Screenwriting Competition.
Semifinalists have been announced for the WriteMovies Screenwriting Competition.
Louise's Trattoria in Los Angeles played host to the WriteMovies winners' luncheon on December 12, 2011. Hosted by WriteMovies' Freddie DeLaVega, contest winners from France, Tennessee, New York and Los Angeles were in attendance to meet with industry experts and discuss their future and winning scripts. Also in attendance were former Universal Executive and Producer Peter Saphier, Chris Lockhart, Story Editor at WME, and Creative Executive for Mutual Film Co., Greg Rodgers.
An interview with screenwriter Eddie Yaroch regarding the WriteMovies Writing Competition.
Q: What's the title of the script you entered in this contest, and what's it about?
A: "A Ghost Story Of Christmas"
I took "A Christmas Carol," modernized it with married professional ghost hunters and equipment, ala "The Conjuring," and added goblins from Dickens' "Pickwick Papers."
The twist is that Scrooge's former fiancee, Belle, is one of the ghost hunters. She and her husband run a carnival that is about to be taken away from them unless they and their spirit-seeing dog, Casper, help Scrooge with his ghost problems.
A: Write Movies Contest (WMC) has an excellent report card on your site. Plus, there were two categories: Monthly and WMC36. Ironically, I entered the Monthly contest by mistake and that's where I won Third Place!
I've entered over 15 other contests, including WMC36, and am awaiting the results.
Q: Were you satisfied with the administration of the contest? Did they meet their deadlines? Did you receive all the awards that were promised?
A: WMC was having all kinds of website issues while I was trying to enter. It took a week of efforts to finally get entered. That cost me missing the early deadline so my fee increased, but, like I said, the glitches may have led me to inadvertently enter the Monthly contest and end up placing Third. No complaints!
Q: How long did it take you to write the script? Did you write an outline beforehand? How many drafts did you write?
A: After writing an outline, it took about a month of evenings and weekends to write in longhand. There's only one draft, but that longhand version has scribbles, crossouts, arrows, footnotes and sweat stains galore. I don't tend to spit it all out and fix later. Crazy as it sounds, I fix as I go. Then it's tweaking and spellcheck and rephrasing.
Q: What kind of software did you use to write the script, if any? What other kinds of writing software do you use?
A: Movie Magic software. It does the trick and not that expensive.
Q: Do you write every day? How many hours per day?
A: No no no. I am actually a San Diego actor who writes occasionally when the muse strikes, which so far has been seven times for feature screenplays and a one-act play. Right now, the muse is telling me to adapt "A Ghost Story Of Christmas" into a madcap play with a handful of brilliant comic actors.
Q: Do you ever get writer's block? If so, how do you deal with that?
A: When I get stuck, I go for a long walk. Ideas seem to loosen themselves up and bubble to the surface. Hot showers are good, too. The water bill goes up when I'm writing, which is not good in southern CA.
Q: What's your background? Have you written any other screenplays or television scripts?
A: I have a BFA in Theatre from the University of MN-Duluth. The first thing I wrote (after my one-act about domestic violence) was a spec pilot script called "Up Down Under." It was at the height of "Crocodile Dundee" mania and my pilot was about an Australian foreign exchange student living with an American family like the Cosbys.
I then wrote a spec "Tales From The Crypt" that dealt with superstitions and a cursed town under the spell of a black cat.
Then it was six full-length screenplays over the years. One of them, "Class President," I produced and directed on 35MM in a small town in South Dakota for $137,000 (loans, maxed credit cards and investors).
A: Not if I can avoid it. San Diego is a nice distance and I can visit LA, if needed.
Q: What's next? Are you working on a new script?
A: The play version of AGSOC, just in time for Christmas!
without telling them, and then charging them £50 for 1GB of data.
Customers are only getting the bills now, and complaining!!
Xfox... Ive amended your thread due to it involving a word which CAG doesnt permit.
Could i please ask where you are getting the above from?
1. There is something wrong with the billing system, it says you've used data, when you haven't.
3. Some people never got any email. There was no postal letters, and no Txt messages. No alerts whatsoever once you go over the REMOVED data CAP.
MAybe they have had a system issue recently. This might be causing it. So why not talk to them?
What was the difference between your old and new tariff?
I never even used up all the data anyway. Billing systems is wrong. Already spoke to them, and it's with the ombudsman.
I want other people to be aware - hence the post. You'll probably see other people posting, next few weeks.
They deny any system issue. And want everyone to pay up.
I didn't get any email, or warning about the changes. Image above is from twitter.
Did you do a