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Lincoln Center Theater has been very supportive about showcasing new plays by emerging playwrights with its LCT3 programming. This handsome production, meticulously helmed by Kate Whoriskey (“Ruined”), is no exception.
Set designer Derek McLane’s contribution is the warmly inviting home in Vermont (quilts everywhere) where 17-year-old Caitlin (Naian Gonzalez Norvind) lives with her obsessively involved father, Dean (Peter Friedman), and her anxious mother, Allison (Mare Winningham). Other design elements, of equally high standards, include an impressive sound design (by Joshua Schmidt) for presenting finished sections of Caitlin’s requiem.
The first-rate cast also includes the eminent Joyce Van Patten as Caitlin’s grandmother and Robbie Collier Sublett as her music tutor, the only person she’ll allow into the bedroom where she’s composing her grand opus. Keilly McQuail infuses even more life into this unsettled household as the leader of a group of Goths (more than 30, at last count) who have taken up residence in the barn to await the birth of Caitlin’s morbid masterpiece.
But after introducing the characters and giving us some background on how everyone got here (Dean attracted the Goths through the blog he’s keeping about his daughter’s progress), the playwright seems at a loss. The question of whether Caitlin will ever finish her great work is never in serious doubt. Nor does anything come from the revelation that her tutor is also her lover. And since Gram makes no contribution whatsoever, we hardly miss her when she goes into a nursing home.
The only tension in the air is between Caitlin’s warring parents, who at least argue with intelligence and some eloquence. Dean is far too indulgent of his daughter, to the point of giving her permission to seclude herself in her room to work day and night. (He’s a loathesome character, and kudos to Friedman for refusing to hide it.) Winningham’s sweet-tempered Allison is far more likable as she worries herself sick about her daughter’s health. But as parents, they’re both a disgrace.
Which raises the question: could this play be an extended metaphor for a writer who might create an earth-shattering work of art if his/her aggravating parents would just leave him/her alone?
Production: A Lincoln Center Theater production of a play in one act by Greg Pierce.
Crew: Directed by Kate Whoriskey. Sets, Derek McLane; costumes, Jessica Pabst; lighting, Amith Chandrashaker; sound, Joshua Schmidt; production stage manager, Paul Smithyman.
Cast: Peter Friedman, Keilly McQuail, Naian Gonzalez Norvind, Robbie Collier Sublett, Joyce Van Patten, Mare Winningham.Gareth Pugh delivers dramatic aesthetics to kick off London Fashion Week. For this purpose, the future-gothic designer teamed up with the visionary photographer Nick Knight (SHOWstudio), the choreographer Wayne McGregor and the philosophical artist Olivier de Sagazan. Together they marked the beginning of London Fashion Week through the radical anti-fashion film for Pugh’s SS18 collection.
Rather than being a promotional material in lieu of a regular catwalk, the movie takes the viewer on a highly emotional and charismatic voyage. Characterized as Pugh’s most ambitious pièce du cinéma to date, the short film was screened on the largest screen in Europe (BFI IMAX Waterloo) and provided a visceral, vastly magnetic experience for the viewers.
Pugh’s film is a synergetic combination of shocking, intense and vivid depictions and is bizarrely unforgettable. The opening scenes are more akin to horror movies genre, than to alluring stylized images, even as the story develops there are only flashes of his SS 2018 collection, which puts the focus on feelings rather than on actual clothes.
If brewing is a new thing for you, just relax and be-leaf in yourself, you’ve got a perfect cup of tea in your future!
DO NOT boil the water: Oxygen is a critical part of making water taste good and well. Most of your tea is made of water! Start with the highest quality water you can find.
Modest is hottest: keep your tea covered while steeping. Keeping the tea covered stops beneficial properties from evaporating out of the tea, making for a stronger cup.
Caffeinated tea should not steep longer than 2-5 minutes. This is to avoid bitter stomach-irritating tannins that release with time. Herbal tea on the other hand should steep for much longer! I always say, “the longer, the stronger!” At least 10 minutes of steeping. Follow the guidelines below based on what you’re brewing.
With Caffeinated teas, when using a French press or a tea bag you never want to squeeze the leaves after steeping. This will leave you with less flavor and increase the bitterness. Don’t put any pressure on your leaves, they perform best in a relaxed environment. However, herbal teas are free for the squeezing!
Intuitively named, the teaspoon will be your best friend here. About 1 teaspoon per cup is all you need and if you don’t have a teaspoon at home, about half a normal spoonful should do the trick.Earth is a class that excels in one-on-one fights as well as skirmishes and siege battles, as a wizard he can summon many items that can turn the tide of a battle or cause massive damage to a group of enemies. He can call down large rocks and summon lodestones which teleport him above enemy lines and allow him to do greater damage to his enemies. He can also control the earth itself and cause eruptions of fire which will instantly burn any enemy caught in the center of it. This is also a spell that charges mana over time and can be used to make armor and shields, potions and items more powerful.
Earth is a medium range attack class but has a lot of utility and a unique passive that makes him become more durable as the amount of mana he has on the ground increases. His casting range is also enough to support an entire team and he will fill the gap left by any enemy caster.
Earth has a large set of spells to help him survive in one-on-one and group battles as well as sustain him with the mana consumed during casting. He can burn almost anything and get through many attacks without taking any damage. His shred ability allows him to shoot Earth spells out through the ground which can be used to attack many other enemies or push out obstacles, or for a second shred he can teleport any enemies who can get his feet on the ground into his own personal Hellscream which can deal 3 – 5 damage per second to anything he pushes through. His decoy ability and shield can allow the caster to become invisible for a short time or have the caster teleport out of the area of some incoming attacks.
Earth is a class that allows him to survive and dominate medium-to-long ranged battles, and a great choice for a mage that is looking to fill the gap left by other casters.
So, two of your spells “boulder”, which hurls an explosive projectile and “lodestone”, which allows you to teleport about the battlefield, are classed as “Utility” spells. What does this mean? It means that Utility spells are more like passive buffs or buffs that don’t require you to take any real action to cast, rather than being spells which allow you to directly attack your enemies.
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Early in the 2nd millennium, North America is being ravaged by a mighty invading army from a hidden land to the east of the continent. The kings of the land are powerless against these hungry invaders. As the invasion spreads, dark stories of the gods are being told. At the same time, a little boy grows up in a very different world.