 as part of the overall testing protocol given its association with hearing loss.
The evidence and studies supporting the link between brain health and hearing health continues to expand globally. Likewise, the use of hearing intervention as a strategy to mitigate cognitive decline is also expanding. That being said, we can say that the need and demand for an accurate and modern cognitive testing tool to be used in audiology practices is timely and relevant.
At Pinnacle Hearing, we want our clients to enjoy modern hearing health services to promote a better quality of life. We are proud to introduce Cognivue® Thrive – the first fully-computerized cognitive screening test that can be self-administered and produce results in five minutes.
Cognivue Thrive is based on traditional screening methods but without the associated bias and practical barriers typically linked to paper and pencil tests.
Cognivue enhances our scope of patient care by providing a more comprehensive scope of assessment, accurately pinpointing where the patient is today in terms of hearing and cognitive abilities. Cognivue also plays a big role in helping us map out hearing solutions or adjustments that can benefit overall wellness.
Our team will also be on standby during your Cognivue Thrive assessment so we can assist you or attend to your on-site queries and concerns.
At Pinnacle Hearing, we strive to offer our clients the latest and most advanced innovations in hearing health. With this, we offer Cognivue testing to align cognitive screening with auditory performance.The TJ conditioner has tea tree as the second largest component. Since you use it plus the tea tree shampoo weekly I wonder if it's drying out your hair? You could try a more moisturizing rinse-out conditioner. Maybe the frizz is dryness and not product buildup, since you're not applying a lot of product to your hair. Your curl pattern is stronger so it should generally take longer for things to build up. Unless it feels like there's a coating of product on your hair that you need to clarify weekly?

I also found a weekly deep conditioner has helped my hair's moisture in the long-term. Maybe try more conditioning products for a month and see if there's an improvement.Simsbury's Meghan Callahan is a freshman but already runs like a veteran.
Callahan won her first high school cross country invitational Saturday by defeating defending champion Shelley Brand of Manchester in the Girls Open race of the 45th Greater Hartford Meet.
Callahan won the 2.7-mile girls race at Stanley Quarter Park in 17 minutes, 13 seconds -- 3 seconds ahead of Brand.
Close to 500 runners from 25 schools competed. There were four varsity races: a Girls and Boys Championship race for charter member schools; and a Girls and Boys Open race. There were two junior varsity races.
From the start, the Girls Open was a two-way race between Callahan and Brand, a sophomore.
"If I was going to win, I knew I'd have to beat Shelley," Callahan said.
Brand opened a 4-second lead a little more than 1 mile into the race, but couldn't pull away from Callahan. For Callahan, the race was following the right course.
"I planned to stay with her as long as I could," Callahan said, "and if I got a chance, I would make my move to try to beat her."
That chance came with a little less than 1 mile left. Callahan sensed Brand was beginning to tire and passed her.
"When I caught her I could tell she wasn't running well," Callahan said. "She didn't have anything left."
When Callahan crossed the finish line, she threw up her arms in triumph. Then, she stopped in the chute and turned to hug and congratulate Brand.
"This victory really felt so good," Callahan said. "I really wanted to win an invitational."
Callahan had come close, finishing second in the Stratton Brook Invitational and in the Varsity III race at the Windham Invitational.
Brand's second-place finish Saturday helped Manchester win the Girls Open team title with 27 points. Manchester also won the Boys Open team title (61).
Weaver-Hartford won its first Girls Championship team title, defeating Hall-West Hartford, 55-68.
"It was a total team effort," Weaver coach Janice LaPenna said. "I'm very proud of the girls."
Weaver was led by Alesha Arscott, who finished fifth.
"I'm still in shock," Arscott said. "I didn't know what to expect. I didn't know if the course was grassy, or asphalt, I wasn't sure. When I started the race, I thought, `How come I'm up here already?' "
Wethersfield coach Brendan Reilly, whose team won the Girls Championship title last year, wasn't surprised with Weaver. Last week, Wethersfield barely defeated Weaver 28-29 using the sixth-runner tiebreaker.
"I was a little worried about them today," Reilly said. "They're a little underrated. They have a good team."
Alison Hanscom of East Hartford successfully defended her title in the Girls Championship race, winning in 18:32. Hanscom led the whole way and was never really challenged.
It was the same in the Boys Championship race. Hartford Public's Samson Yohannes also repeated, finishing the 3.1-mile boys course in 16:23.
Yohannes spent the past three days visiting the course, plotting his strategy. His goal was to break 16 minutes; but after the second mile, he realized it wasn't going to happen.
"I looked at the clock and saw I had run a slower second mile," Yohannes said. "So I just kept my pace."
Conard-West Hartford won the Boys Championship team title with 35 points. The Chieftains were favored, but coach Carl Palazzotto told his team not to be complacent.
"They just keep improving," Palazzotto said. "Next week at the Wickham Invitational race, they're going to run in the championship race. Last year, they ran in the unseeded race. That's how much they've improved."
Jaime Lyko finished second to Yohannes to lead Conard.
The toughest boys race was the Boys Open, won by Eric Brousseau of Stafford in 16:10. Glastonbury's Jeff McCarthy led most of the race, but in the final mile, Brousseau passed him.
Brousseau said he wasn't worried about McCarthy's lead.
"I'm better at hanging back in a race," Brousseau said, "and then sprinting to the finish. I have a good kick."
I'm a record producer/engineer/mixer, Tape Op Magazine founder and editor, Jackpot! Recording Studio owner, author at Linkedin Learning, and archivist for Elliott Smith. I currently do a lot of mixing projects as well as production, tracking, etc. I have probably mixed thousands of songs for artists from all over the world.
Mixing engineer, beat maker and music producer. I work mostly with solo artists helping them reach their Potential. I love a mixture of electronic, modern pop and hiphop. Big bass and punchy drums is whats its all about! I'll help to achieve I nice clear and punchy mix with a great vocal pop.
Thank you for your time. My Name is Sonchild Beats I am a Music Producer who works in the Hip-Hop, Pop, R&B,Soul, Neo-Soul, and Experimental genre. I have over 20 years experience working in and out of the studio, I help push artist the artist to get that hit song even if they are beginners! I am for hire!
Potvin, Gilles. "St-Denis Theatre/Théâtre St-Denis". The Canadian Encyclopedia, 16 December 2013, Historica Canada. https://www.thecanadianencyclopedia.ca/en/article/st-denis-theatretheatre-st-denis-emc. Accessed 25 January 2020.
This 2380-seat theatre was intended for use as a French-language cinema and a stage for popular plays and operettas. In 1920 it began to present such famous performers as the tenor Hipolito Lazaro and the violinist Jascha Heifetz, and in 1921 it offered appearances by the orchestra of Milan's La Scala under Toscanini, the Boston SO under Monteux with Vincent d'Indy as soloist, and the troupe of Antonio Scotti. In 1922 the San Carlo Opera Company presented five works including Wagner's Lohengrin, and for a month the Russian Grand Opera presented a repertoire that included Boris Godunov and Rubinstein's The Demon. Besides such celebrities as Emma Calvé, Alfred Cortot, Mischa Elman, Tita Ruffo, Jacques Thibaud, and Théodore Botrel, the bard from Brittany, the theatre welcomed in 1923 the Toronto Mendelssohn Choir and was the locale for the premiere of Couture's Jean Le Précurseur. Casals appeared there in 1925, and a grand benefit concert for Emma Albani was staged the same year. Maurice Ravel performed his own works there in 1928.
After several changes of ownership, the St-Denis Theatre was purchased in 1925 by Joseph Cardinal, who leased it in 1933 to the France-Film Company directed by Alexandre De Sève. At that time the hall was devoted almost entirely to the French cinema. World War