well,..." and biting your lip as you end the word.
hey, i have some lemons. you should draw me.
i stole them from the university dining hall. i smuggled them out in my pockets. along with a sugar dispenser (not pictured).
i made amaretto sours and got hells of drunk with my sister. yaaaaaaaaaay.

I love the fact that I look like George Michael.
I have surprising few non-boring pictures of me. A costume party picture is probably cheating.
And there was the picture with the brussel sprout plant I bought.
are you falling or hanging?
I am in fact hanging from the tree. It was great entertainment, never underestimate the fun factor of a tree.
THERE IS NO TREE! You are just hung like the jolly green giant.
 It's too great.
DAMMIT I have no interesting pictures.
How about me and my friend Kyle imitating the statue of Vulcan?
You need to start a webcomic, Gilead. I would bookmark it immediately.
imapiratearg and objects inside clouds are lucky they have such awesome hair to hi five over.
man. clobs does have awesome hair.
whos the above sketch?
There are so many femme fatales on this forum that I am genuinely surprised none of us have died yet.
I'm expecting AusCon to be a veritable bloodbath.Objectives: To analyse the role of growth factors (platelet derived growth factor, PDGF; basic fibroblast growth factor, bFGF; interleukin 1, IL-1) in the genesis of myointimal hyperplasia in arterial allografts. Materials: Two groups of experiments were performed: isografts and allografts. The isograft group consisted of 15 inbred Lewis rats in which a 1 cm long segment of aorta was inserted as an abdominal aortic interposition graft. The aortic segments were obtained from syngenic Lewis rats. The allograft group consisted of 15 inbred Lewis rats, in which a 1 cm long segment of aorta was interposed at the abdominal aorta level. The aortic segments were obtained from allogenic Brown-Norway rats. Chief outcome measures: The animals were killed 4 weeks after surgery and were analysed by morphometric analysis (n = 3 for each group). In addition, production of PDGF, bFGF and IL-1 by aortic segments (n = 12 for each group) in organ culture was assessed. Main results: Allografts had more myointimal hyperplasia, than isografts (p &lt; 0.05). PDGF and bFGF production, generally considered to be the cause of myointimal hyperplasia, was not increased in allografts. IL-1 production was higher in allografts (p &lt; 0.001). Main conclusions: Myointimal hyperplasia in aortic allografts is dependent on growth factors produced by the graft itself. These growth factors are different from PDGF and bFGF that generally have been implicated in the genesis of naturally occurring myointimal hyperplasia and atherosclerosis. IL-1 may have a principal role in the genesis of myointimal hyperplasia in arterial allografts.
Chilean filmmakers Cristian Jiménez and Alicia Scherson’s Family Life (Vida De Familia) won the Knight Competition Grand Jury Prize of the 34th annual Miami Dade College’s Miami Film Festival.
Miami Dade College’s (MDC) acclaimed Miami Film Festival will showcase a selection of films directed by women during its 2017 program.Q: White space at top of tableView embedded in a container view I have a viewController that has x 2 container views in it that hold x 2 different tableViews. I use a segmentControl at the top of the main view to switch between these two tableViews. It works just fine. 
On one of the tableViews I want to drill down to show yet another tableView. Problem is, when I do it leaves a blank white space at the top of the view where the segment used to be (at least I think that is what is causing the white space.)
How do I ensure the tableView sits snuggly under the navigation bar?
Here are some images for reference:
1. Is the main view containing a segment control.
2. Is the container view.

Selecting a segment brings up a view like the one below. Which is fine.

But when I drill down I get this:

I can scroll up, no problem, and manually place the image under the nav bar, so this tells me its not that the view is not big enough.
How do I remove that white space above the image?
Thanks in advance.

A: An alternative solution can be this as well. Uncheck the Adjust Scroll View Insets and your problem will be solved.


A: In your EventDetailVC add these line in viewDidLoad method
self.automaticallyAdjustsScrollViewInsets = false

If it not solve set translucent property of navigationBar to true
self.navigationController.navigationBar.translucent = true

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Posts tagged with 'Lady Gaga'alt Disney Records and Vevo today debuted the music video for ‘I’ll Get You What You Want (Cockatoo in Malibu)’ performed by songwriter and Oscar winner Bret McKenzie of Flight of the Conchords, from the original motion picture soundtrack now available from Amazon
and iTunes. In addition, the track is also being made available as a free bonus download when you purchase a ticket in advance for the film from Fandango.
In the film (and on the soundtrack), the song is performed by Constantine in an attempt to win over Miss Piggy by promising her virtually anything she dreams of.
WATCH: ‘Muppets Most Wanted’ Clip, ‘Meet the Manager’
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WATCH: ‘Muppets Most Wanted’ Clip, ‘The Evil Plan’
Walt Disney Studios and Muppets Studio have recently released a new clip from their upcoming film, Muppets Most Wanted (March 21, 2014), titled ‘The Evil Plan.’ In the clip, which you can find embedded below, Constantine /aka/ Number One /aka/ Der Evilen Froggen and Dominic Badguy /aka/ Number Two consult with each other on their evil plans to steal the Crown Jewels.
WATCH: ‘Muppets Most Wanted’ Clip, ‘Failed Attempts to Escape’
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WATCH: Ricky Gervais and Constantine Discuss ‘Muppets Most Wanted’ Threequel
>>IMAGE.
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‘Muppets Most Wanted’ Full List of Cameos and Roles (Minor Spoilers)
W.Who Is He in Yonder Stall? I love this song.We sing it at church at Christmastime. It's Jesus birth, life, death, resurrection, and ruler as king all in one song, and the chorus is beautiful as well.
Verse 1:
Who is He in yonder stall, at whose feet the shepherds fall?
Who is He in deep distress, fasting in the wilderness?
Verse 2:
Who is He the people bless for His words of gentleness?
Who is He to whom they bring all the sick and sorrowing?
Verse 3:
Who is He that stands and weeps at the grave where Lazarus sleeps?
Who is He the gathering throng greet with loud triumphant song?
Verse 4:
Lo at midnight, who is He who prays in dark Gethsemane?
Who is He on yonder tree dies in grief and agony?
Verse 5:
Who is He that from the grave comes to heal and help and save?
Who is He that from His throne rules through all the world alone?
Chorus:
Tis the Lord! O wondrous story!
Tis the Lord! The kind of glory!
At His feet we humbly fall
Crown Him! Crown Him, Lord of all!Despite their proud assertion of the "great renaissance of the Chinese nation" in a time of unprecedented prosperity, China's leaders are facing some existential crises.
Among these is fear of a rising tide of dissent across a wide swath of social and institutional life. This includes China's institutions of higher learning, many of which have partnerships with American universities.
President Xi Jinping's response has been to clamp down more firmly – dictating what cannot be discussed in college classrooms, reschooling teachers in the state ideology of Marxism-Leninism and Mao Zedong thought, and punishing teachers for expressing political views that do not conform.
Whether this repression is a fool's errand remains to be seen. By some accounts the strictures are ignored and even scorned. Yet some thought leaders are being punished as examples to others, and the power of self-censorship remains effective, especially in a nation where education is expected to serve the ambitions of the state. China's educated classes know well that ignoring the Chinese Communist Party is a calculated risk, even as they feel the urgency of debating such forbidden topics as constitutional rule and the virtues of an active civil society.
But what of their American colleagues? While some faculty members have spoken out in the wake of ill-treatment of Chinese academics, too many have maintained a timid silence. They, too, are