 and repairs to occupied or unoccupied premises, including domestic and commercial properties.
Building Extensions
As building contractors, we will undertake all aspects of maintenance and repairs to occupied or unoccupied premises, including domestic and commercial properties.
Loft Conversions
Converting an unused attic will increase the value of your house and create a stylish new living area without taking up valuable garden space.
Recent Testimonials
Massive thanks to Steve and the boys for the brilliant job they have done converting my loft in to two new bedrooms. I thought because of the age of the house that an extension wouldn't be possible but the team guided mte through the whole process and now I couldn't be happier! As well as doing it in next to no time they decorated and plastered the loft too. Its like I now have a new home!
Just wanted to say thanks again to the team for building the extension on my kitchen. I was very impressed with the speed and professionalism of steve and the team. There was minimal disruption and the place was left immaculate after the work was complete. We are delighted with our new kitchen and love entertaining friends and family now. Thanks again! Will definitely recommend to friends and family.
Thanks very much for soundproofing our spare room. Both of my kids are very musical and we were getting complaints from the neighbours for their practicing in the evenings. The team were very quick and efficient and the room looks great now! Even when me and the hubby are sat in the lounge we can't hear them practicing now!The space cinema was founded in 2009: today is the italian leading cinema multiplex chain. 21 invest entered the cinema market in 2009, simultaneously acquiring the two major industry players medusa and warner village cinema and creating the italian leading multiplex chain the space cinema. The space cinema 21 invest. founded in 2009 when 21 investimenti acquired the #2 and #3 italian players, the space cinema is italy's leading cinema multiplex chain, boasting multiplexes in prime locations across italy. in november 2014, the space cinema was sold to vue entertainment, the european leader in the multiplex industry. The movie theatre company will invest $4 million to refurbish the space celebration cinema used to be in, phoenix theatres and woodland mall owner preit announced during a press conference tuesday. 21 invest – italy 21 concordia – poland 21 invest – france the space cinema digital virgo ligier microcar gpp valbart. Spaced ventures raises $1.2m seed round. spaced ventures was built to address the funding gap for early stage space companies and to give space enthusiasts the ability to invest as little as $100.
Now you can invest in the company that is socializing the gaming industry pvp is creating a bridge between at home gaming, entertainment, and community. by stackcommerce july 19, 2021. Floor retail space and restaurants, and historic landmarks continues almost as far as washington circle. there are concentrations of retail space along connecticut avenue, and a cluster of global financial and banking institutions (including the world bank and international monetary fund) on the area’s western edge. 1600.6. Edward jones offers a personal approach to investing with 18,000 financial advisors ready to support your retirement, education savings and insurance needs.
I dont know what to do. I growing more angry and depressed again. i wanna cut. I think I am gonna relapse.  My mom will be so mad if I relapse she will send me away. I dont wanna relapse but i got such a strong urg to. i dont have sombody to talk too. i dont have a boyfriend no more. i told him everything. Nobody to talk to.
Just take a deep breath, and calm yourself down. Deep breaths, Stephanie. Let's take a step back, and get things into perspective, okay?
You don't need to hurt yourself. You know this. It's not going to help you in the slightest. Whatever you're feeling right now, will be a million times worse if you cut. You don't want to cut, so you're not going to, right? It won't make you feel better. It will just ruin things for you in so many ways.
You're better than that, Stephanie, you do not need Self Harm. You know this. You just have to distract yourself until the urge goes away. Because it will go away, urges always go away. You've been so strong holding out all this time, you don't need to relapse. You're not going to relapse, Stephanie, you're strong enough to resist. I know you are.
Have you seen our Alternatives thread? Check it out here. It will give you a billion and one things to distract yourself from the urge. You're going to get through this, and you're not going to hurt yourself. It'll be okay, Stephanie, just hang in there. We're all here for you, you are not alone.
Just take a step back and lets think about this. No matter what you may be going through right now cutting isnt going to make it better. The damage it causes isnt worth it. I have faith that you wont go back to cutting and if you need it I am really good at listening. When ever I feel the urge to cut again I just write my feelings down weather its in peom form or just a journal. Like I said earlier if you ever need any help let me know im always here.Robin Becker’s collections of poetry include The Black Bear Inside Me, Tiger Heron, Domain of Perfect Affection, The Horse Fair, All-American Girl and Giacometti’s Dog, all in the Pitt Poetry Series. Becker has received fellowships from the Radcliffe Institute for Advanced Study at Harvard, the Massachusetts Cultural Council, and the National Endowment for the Arts. Liberal Arts Research Professor of English Emeritus at Penn State, Becker served as the Penn State Laureate during the 2010-2011 academic year. Her poetry column, ‘Field Notes,’ appears in The Women’s Review of Books, where she serves as Poetry Editor. Becker reviews poetry for The Georgia Review. Recent poems have appeared in The American Poetry Review and The New Yorker.
The High Window is pleased to include three new poems by Robin Becker. But here she is first in conversation with Richard Hoffman who was himself our Featured American Poet in THW6: June 3, 2017.
RH: Let me get us started by noting that even when your poems are not strictly formal, Robin, there is always the shadow or echo of traditional form behind— either just behind or at a little more distance— your poems. I’ve been reading your work, and hearing you read from it now and again, for many years. I can remember hearing you read, a while back, “The Triumph of Charlotte Salamon” and wanting to see the poems in that sequence on the page to see if I’d guessed correctly that the lines were strictly metered. They were not. In fact the poem, in several sections, is lineated in an unconventional way reflective of its shifts and turns of phrase.
RB: Today, working on a new poem in three-line stanzas, I found myself counting syllables, mindful of where the blank verse line would end and trying to decide on the word (or syllable) on which I wanted the line to turn. Regularity versus surprise; musical pattern versus disruption; these issues ghost my poems. Why? Because in 7th grade (at an excellent girls’ Quaker school) Miss Bickley had us reading Wordsworth, where I heard the music of the iambic pentameter line before I had any idea what the words actually meant!
RH: In the first section of Tiger Heron, you write about losing beloved women, your mother, and, one gathers, your friend and mentor the poet Maxine Kumin. I know first hand the affection you had for Maxine. I could always hear it in the way you spoke about her, and I want to say that you have honored her well in the poem “Hospice,” her no nonsense approach to loving life, the way her poems are hard-edged but never bloodless or cold.
RB: Maxine Kumin had a tremendous influence on me as a woman and as a poet. In contrast to my actual teacher, Anne Sexton, Maxine represented a woman poet who loved her life. I needed that, and I ran towards Maxine and her work when I had the chance. Richard, you use the words “no nonsense approach to loving life” in describing Maxine’s way of being in the world—and I think you got it right.  She said on more than one occasion that “form” allowed her to handle subjects that she found too difficult otherwise, that the shaping properties of form “grounded” her. I’ve come to feel much the same way.
RH: Is there a poem of yours that still mystifies you? One that truly “came out of nowhere?” That arrived unbidden, maybe at an inopportune moment, but that would not be denied? The kind where you have to drop everything and serve it?
RB: I would call the poem “Sisters in Perpetual Motion,” published in The Horse Fair, an example of a poem that “came out of nowhere.” The poem concerns the conditions of my sister’s mental illness and eventual suicide. I wrote it in one day during the year I spent as a Bunting Fellow at The Radcliffe Institute of Advanced Study at Harvard. I had gone to a lecture by a “Sister-Fellow” (as we called one another in the days when the Institute admitted women, only) who, in her “regular life,” taught law. Shortly after her talk, I found myself absorbed in