 and tolerances are different Many choose a stimulantfree preworkout over a highstim high caffeine formulated product.And Qin Tianyin's gnc lose weight fast own, and she has shown amazing talent since she was a child, which is highly valued by Qin people Of Khloe weight loss diet to see Qin Tian return his fairy bones to You, so they wanted You to die.Among the military, Pure keto therapy weight loss pills occupy the majority The slaves Keto weight loss pill on shark tank about them, and some of them even favored the slaves.The alertness Medical weight loss jackson mi of the Jindan monks, but he did not slow down his offensive because of this At that time, the Bai Hulie Soul Talisman had already been taken out by him, and he wanted to stimulate its power at this time.With the cutthroat competition prevailing in the world of appetite suppressants, it is incredibly important to know which filters to use before subscribing to a brand When you embark upon buying an appetite suppressant, you need to tick certain checkboxes.He was not most effective diet pills 2021 various complicated Weight loss quickly seattle steps with a cold expression The lieutenant turned around, looked at him somewhat unexpectedly.
Keto weight loss pill on shark tank?
Medical weight loss conferences Best weight loss supplement for seniors Medical weight loss jersey city Healthy vegan weight loss plan Prescription weight loss pills fresno ca Causes of sudden weight loss in females Keto weight loss pill on shark tank Apple cider vinegar weight loss pills review Top weight loss pills 2022 Quick weight loss for special event.According to a recent report by the U.N. children's fund UNICEF, over 400,000 children in Yemen are in danger of starvation — a child dying of malnutrition and its effects every 10 minutes. Additionally, almost 2.2 million children in the country are in need of immediate care.
Based on current figures, 462,000 children in Yemen currently suffer from severe acute malnutrition, which has reached an unprecedented high in the country. These numbers have actually increased by nearly 200% since 2014.
According to the UNICEF website, "Children with severe acute malnutrition have very low weight for their height and severe muscle wasting." These children often become stunted — shorter than they should be at their age — which can affect their physical and mental health for years to come. Children who suffer from severe acute malnutrition need immediate treatment, and even if they survive, can experience a number of irrevocable effects.
In a statement reported by Al Jazeera, Meritxell Relano, UNICEF's acting representative, said, "The state of health of children in the Middle East's poorest country has never been as catastrophic as it is today."
Today, Yemen is the sight of national destruction and devastation due to a sectarian proxy war between Sunni Saudi Arabia and Shiite Iran, as Mic previously reported. Saudi Arabia backs the Yemeni government while Iran supports the Shiite Houthi rebels.
The war has taken an overwhelming toll on the country, as people have been driven from their homes by repeated airstrikes that have leveled buildings and killed more than 10,000 civilians, according to Al Jazeera. This has also led to the ruination of Yemen's health care system, which is on the brink of collapse.
UNICEF has tried time and again to help people understand the severity of the situation in Yemen through the eyes of its children. Earlier this year, for example, a 12-year-old boy named Abdullah took pictures of his home and the destruction that has occurred there, which UNICEF shared in order to help the world see the price all Yemenis, young and old, are paying for this war.Is it true that the biggest setback of this campaign is the lack of public support?
KUALA LUMPUR: As a fresh graduate with a passion for filmmaking, I'm tired of hearing the same things repeatedly: Is there a job for you?Does it pay? Isn’t it worse than labour, working odd hours?
It’s even sadder to hear that some people in the filmmaking industry just shrug the matter off as “that’s how it is”.
But my biggest pet peeve is when my peers exclaim, “Malaysian film sucks-lahhh” but no one seems to be doing anything to make it better.
And I’ve tried to explain that it’s not that Malaysia has no good directors or storytellers; there is so much more to the movie, the process involved from the script to the screen, and yet something somewhere falls short and it is unfair to say that all Malaysian films are mediocre.
It’s similar to when a salesperson is trying to sell you their product, but no one will listen, and it gets frustrating. What do we have to do to earn the respect like other professions?
So, when the Switch Off 2014 campaign came to the light of my knowledge (and it was only because I write on local arts and entertainment), I was delighted to know that there are still fighters in the film industry, whose intense passion burns bright to light the path to the betterment of the industry.
These are real people who have been in the industry for over two decades and have seen nothing but decline. They are also exhausted with constant lamenting on the situation of the industry and have had enough of round table discussions that amount to nothing. It is time to revamp our dying film and TV industry.
As I became interpellated deeper into the on-goings of Switch Off, I began to realise that despite the judicious demands, the rest of the campaign seems the total opposite: the sudden conception and rushed execution of the campaign, and the poor build-up to the November 11 solidarity event, the lack of action plan from the day of the press conference up until the handing of the memorandum, and the fact that there is no official website for anyone curious to refer to.
The 11 demands seemed to have originated out of thin air, suddenly slapped onto the film and TV industry. Discussions may have been made, but where are the minutes of meetings? Who exactly was involved in the making of the demands?
How exactly were the 11 demands decided? What was the process involved in coming up with the demands? In the press release, there are mentions of “issues” and how requests for meetings with the Ministry and FINAS have fallen on deaf ears, but what exactly are the issues?
An outsider will never know the oversimplification of issues in the film and TV industry, which brings the need to bring more light to the situation and the issues of the industry.
If I did not attend both the Switch Off rally and press conference, I would never have been aware that people have been paid the same amount for the past 20 years, or that a recent Deepavali advertisement (aired by a certain TV station) featured actors from India rather than our homeland, that major TV stations refuse to air local content because it doesn’t help with ratings, and that major TV stations gain billions of revenue per annum but the production budget never reflects their financial standing.
As someone who studied to be in the industry and not yet aware of all this, what does that speak for the public? The campaign becomes a very closed-off, niche battle for the workforce of the industry.
But for a change to happen, one as substantial as Switch Off’s 11 demands, the public should be the biggest stakeholder in the campaign. Revolution is not possible without the support of the public at large.
A film may not be made without the workforce of the industry, but what is an industry without the public to consume it? Thus, I feel the public deserves a right to know how our local filmmakers are unfairly treated in the system.
The public is oblivious to what happens behind the screen as they only see the glamorous film stars and are not aware of the tedious processes to make a film from scratch. Unlike the political Blackout 505, filmmaking and creative arts are only for the passionate, for people who love it. Malaysians seem to have lapsed into paralysis when it comes to fighting for the abstract. We don’t do anything unless we see something concrete. As filmmaking is a creative process, no one will care for the art if the output is not gratifying enough to garner support to defend the rights of the people who make the film.
Therefore, there is the pressing need to highlight more on the issues plaguing the industry rather than the campaign itself. Perhaps another one of the problems is transparency.
A decent dearth of data on the entertainment industry is extremely hard to come by because it involves private and confidential business figures, production costs, etc., and distribution of film or TV content are things pretty much left in the dark for anyone outside the industry.
There is no doubt that the aims and objectives of the campaign are a good cause, and there are points which I agree upon, for example: the need to have one coherent act to govern the workers of the creative content industry; the emphasis on the 70 per cent local content wajib siar to promote our films and TV dramas; to create Malaysian content so we could sell it as a cultural export rather than segregated into the three main languages; and to enforce a standard payment rate to prevent underpayment to workers.
The biggest setback for this campaign is the lack of public support.
Film is a mass media, so where are the masses? Perhaps it is too early in the campaign to tell, but it is essential that Switch Off engages public support and gathers enough momentum as soon as possible if the campaign is to be a success in achieving their goals in the long run.
Special Offer:
A signed hardback copy of The 2012 Story (2009), with the 3-CD program Un