 teams make the top 25 in the Coaches’ Poll and one other received votes. This harkens back to those loaded years for the Big Ten in 2013 and 2014. And right now, it looks like fans could be in for another huge season for the conference.Dans une entrevue pour WrestlingInc, Conrod Thompson – co-animateur du podcast Something to Wrestle With aux côtés de Bruce Prichard -, ce dernier – qui est à la fois directeur exécutif de RAW et de Smackdown – est à la fois stressé et fatigué à cause de cette double fonction.
Thompson, également un bon ami de Prichard, soutient que Prichard ne lui a pas spécifiquement confirmé la situation, mais qu’il a constaté lors de leurs récents appels que son état de santé n’est pas au sommet.
Selon Thompson, Prichard – qui remplace depuis quelques semaines Paul Heyman à la tête de RAW – doit faire face à plusieurs défis, dont la réécriture des scripts ainsi que plusieurs aspects logistiques.
La pandémie de COVID-19 qui perdure n’aide pas à la situation, ajoute-t-il.
“It’s not a little bit of stress, it’s a lot of stress. We don’t have specific conversations cause I don’t want him to ever think that I’m being the guy trying to dig for scoops, but yeah, every now and again, certainly I’ll get a call from Bruce and you can just hear it in his voice. He’s tired. He’s sleepy. He’s stressing. And I can only imagine the amount of curveballs that are coming his way, not just from running a show on FOX, which my goodness, what a huge undertaking that is. But now you’ve also got a show on USA, but as if that wasn’t enough, it’s also happening during a pandemic on a closed set.”
“It’s just remarkable when you think about all the particular challenges and how many times they must have to – and nobody’s told me this – but I just assume they’ve had to write and rewrite and write and rewrite because there’s so many moving parts. There’s so many variables with who can travel, who can’t, who has a fever, who doesn’t. These are things where maybe once upon a time it was just something you didn’t have to worry about.”
“Everybody’s here, everybody’s accounted for and everybody’s well. And if that’s not the case, I can only imagine that wreaks havoc on your plans. So, you have to adjust on the fly and again, I’m free-styling and all of that and nobody’s told me that, but I just can’t imagine. Cause in my day to day life, during the last three months, everything has not gone according to plan and I’m not writing five hours of TV every week. So, the idea that five hours of TV with hundreds of people comes off flawlessly and there’s no hiccups because of COVID? Yeah, that’s probably a little unrealistic.”
Conrad Thompson Details The Immense Pressure Bruce Prichard Is Under In WWE (Photo Credit: WWE)
— WrestlingINC.com (@WrestlingInc) July 12, 2020<issue_start><issue_comment>Title: Does not compile using c++ 17 on msvc
username_0: Tried compiling path tracer, and creating new project, both cases, only compile using cpp 14.
<issue_comment>username_1: I had this issue with MSVC and was able to solve it with this in `misc/platform.h`:
```
#if defined(_MSC_VER) &&!defined(__clang__)
#if!defined(_MSVC_LANG) || _MSVC_LANG < 201703L
__forceinline uint32_t __builtin_clz(uint32_t x) {
    unsigned long r = 0;
    _BitScanReverse(&r, x);
    return uint32_t(31 - r);
}
#endif
#endif
```

`__builtin_clz` appears to be defined for C++17 in MSVC, so this prevents it from being redefined.<issue_closed>
<issue_comment>username_3: Hi, sorry to comment on a closed issue, but I just changed my project from c++14 to c++17 for a test and I am getting '__builtin_clz' not found.
I am using VS2019 Community Edition.

I had to revert the changes made here so that it compiles. Not sure what to make of it to be honest, but from what I tested, __builtin_clz is nowhere to be found in MSVC17 or MSVC20.
<issue_comment>username_1: After a VS update I started seeing the same thing, but I've been unable to find anything in release notes to pin down what changed.
<issue_comment>username_3: I guess that it could have been a fluke in MSVC at the time or something with the use case at the time you tested.
Just to make sure, I tried on an empty project and still the same result. 
It might be good to revert this change and see if anyone gets an error in the future.Sony Corp. says it has developed a new kind of “augmented reality” technology that shows additional information when it captures images through cameras on such devices as smartphones.
The additional data, which will appear on the device’s screen, includes “virtual objects,” which are “images and text that cannot be identified by visual perception alone,” Sony said Thursday.
The technology, called “Smart AR,” employs a “markerless approach,” making it possible for it to be used without special markers such as barcodes.
Sony will carry out experiments with the aim of making the technology applicable to games and advertisements.
Honda is laying off 400 workers at a car factory in Brazil because of a lack of parts from Japan following the March 11 disaster.
A Honda spokesman in Sao Paulo said Thursday that the plant will also reduce its output from 600 vehicles a day to 300 starting June 6.After a lukewarm hybrid event — where part of the screenings were online — last year, the 47th annual Toronto International Film Festival was back to being a fully in-person event complete with exciting red carpet appearances and street parties. Not to mention showcasing more than 200 films from all over the world helmed by cinematic greats like Steven Spielberg and Sarah Polley among others.
The Canadian lineup was impressive and expectedly won both accolades and moviegoers’ hearts in equal measure. South Korea-born Anthony Shim’s Riceboy Sleeps, the story of an immigrant single mother from South Korea raising her son in 90s Canada won the prestigious Platform Prize, chosen by an international jury and awarded to a filmmaker with a “bold directorial vision”. Canadian-Italian filmmaker, Luis De Filippis won the Changemaker Award given to a film that tackles issues of social change for her feature, Something You Said Last Night, the story of a young trans woman trying to find her place in the world. Besides feature films, immigrant talent was at the forefront in the documentary section as well.
Fighting the system
Nothing had prepared celebrated filmmaker, Iran-born Babak Payami for the stab of emotion he would feel while shooting for his documentary, 752 is Not a Number. The story follows Dr. Hamed Esmaeilion, a dentist living a happy existence in Newmarket, Ontario, with his wife, Parisa, and nine-year-old daughter Reera, when tragedy strikes. Parisa and Reera were among the 176 victims aboard Ukrainian flight PS752 that crashed in 2020, six minutes after take-off from the Tehran International Airport after missile attacks by the Islamic Revolutionary Guards Corps of Iran. They had taken a quick trip for Parisa’s sister’s wedding.
Payami’s documentary follows Esmaeilion’s quest to uncover the truth behind the shocking incident. It was Payami’s most difficult shoot to date. “I broke the cardinal rule of not getting involved in the subject matter. And even in the film, gradually, I’d become party to the fight for justice with the families, especially with Hamed with whom I formed a deep friendship,’ he said days before the film premiered at TIFF. Payami broke down on camera while interviewing Hamed. “A part of my mission in this film was to put the audience in my shoes, and how I felt compelled to be involved in the story and in the fight for justice, that this was a story about ordinary people who were thrust into extraordinary circumstances without being prepared for it,” he says.
The film which was the second runner-up in the People’s Choice Documentary Award section shows Hamed — Payami calls him the orphaned wanderer who’s lost everything — battling against heavy odds. From getting the bodies of his family back to Canada to dealing with a negligent Iranian government which bulldozed the crash site effectively eliminating all evidence to relentlessly dealing with government officials in Canada, trying to find answers, Hamed is physically and emotionally depleted in many of the scenes in the film. But he carries on and just as it seems that some respite is in sight, the war in Ukraine breaks out leaving things up in the