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Twosome Movie Package! Go to the show for valentines and receive 2 general admissions, 2 medium drinks, 1 large popcorn, and 1 bagged candy treat. See below or look online for details.Amelia froze atop her steed.

For a moment, she looked at him. They continued on in a canter even as he spoke, Amelia’s tight grip on the reins impossibly growing even _more_ tight, where she felt the skin of her palm cry out from grinding against the loose leather. His words meant something to her, but most importantly, the last ones had her eyes wide, breathless – had he suggested she leave them, and get as far away from here as she could?

She looked back. King’s Landing was fading in the distance now and the Red Keep, still visible, shadowed the Tower of the Hand. For the life of her, she couldn’t imagine a year without Lorelei or Damon, no matter how they had betrayed her. For the life of her, she couldn’t imagine a life away, without the company of her kin.

It made her feel hypocritical.

“Where would I go?” Her voice sounded raw suddenly, her gaze transfixed on the road ahead. She saw two paths: One to home, and one that would lead far, far away from it.Well we know in the comics Frank looks up to Cap. I don’t think it’s too far of a stretch to say he does in the mcu, but I think making him join because he has a bloodlust makes him more gritty and less of a Boy Scout. There’s no reason for him not to idolize Cap, but at the same time I don’t think it should be anywhere near his reason for joining. Same thing with his past family members. Imo making the military aspect a generation thing takes away from that statement in s1. There’s no reason they can’t do it, but I think it wouldn’t connect with the Frank we know from the Netflix show. If they wanted to reinvent the character (which I think they shouldn’t), they could possibly go down that route you were talking about, but I feel like that’s a little too lighthearted for someone named The Punisher. Personally I can see them taking bits and pieces from what you said, but running with the entire thing doesn’t seem likely and/or fitting.Reservieren Sie jetzt Ihr Exemplar!
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Shane Burley’s new book Why We Fight: Essays on Fascism, Resistance, and Surviving the Apocalypse is out from AK Press.
Steven Monacelli: We’re big fans of your work here at Protean. We’ve published a handful of your essays, so our readers are likely to be at least a little familiar with you. But for those that aren’t, let’s start there. What should people know about you and your work before they read Why We Fight?
Shane Burley: I write mostly about the far right, fascism, antifascism, and social movements. This is my second book. It’s composed of different essays, some of which are new, some of which are old, and some of which are old but have been rewritten. What binds them together is the experience of the apocalypse—of the Trump years, of coronavirus, of forest fires, of police violence.
SM: You wrote in the introduction of your book that it was difficult to get anyone to publish work on fascism seven years ago. Since then, you’ve published two books that touch on or are specifically about the subject, and you’ve become a leading voice regarding the resurgence of fascist tendencies in the United States. Obviously a lot has happened since 2014. Do you think editors and publishers are more in tune with the burgeoning threat of the right in the United States?
SB: I think they generally get it. In the intro I wrote about how I pitched something in 2014 and had gotten a response letter that basically said: this isn’t really the most important thing, these people are never going to grow into being a real threat, and they’re certainly never going to make it into the government, so this seems like a distraction. I disagreed. Now, people are much more willing to talk about fascism in a serious way. I don’t know whether they’re more willing to use the word correctly, but that’s a longer battle.
That being said, subtopics can be difficult. For example, it can be difficult to get people to publish stuff that is more nuanced about where far-right ideas come from. It’s harder to get people to publish stuff about ecofascism. It certainly was before the various shootings that referenced ecofascism. But it is still difficult to get people to talk about those trends when they’re a bit more subtle. I think it’s on us, the people writing about it, to communicate the importance of these things. If we can’t explain it, and can’t write on it well, it won’t get picked up. There’s a challenge in explaining how things correlate with one another. Word choices and things like that.
For example, Andrew Sullivan recently was tweeting some stuff basically in defense of his work publishing segments from The Bell Curve in the 90s when he was the editor of The New Republic. He published these very famous racist passages about race and IQ. In response to people saying this was racist, he came back and said, “Are you saying that there’s no population difference in IQ?” Now, the term “population difference” is not a commonly accepted one outside of what is called the “human biodiversity” sphere, which is basically the new form of race science and eugenics. So it’s basically a dogwhistle for a really deeply ideologically driven scientific racism. It’s not a casual phrase. It’s a sign of something running a lot deeper. We’re talking about some really radical ideas being brought up in quote unquote left/liberal spheres. It’s hard to explain to people why a seemingly casual phrase in a tweet is a sign of something. It’s on us to draw those pictures for people so they can see how these ideas form as it’s happening, rather than having to wait for some spectacular act of violence to justify it being published.
SM: Right. To wait until fascism is here and in effect, committing violence in communities across the country, seems too late in the cycle. That’s an unfortunate reality you’re dealing with in some of your work.
SB: Yeah, Richard Spencer was saying back in 2014, as a sort of catchphrase he used to say at the beginning of his speeches, “something is happening.” He knew it. He was telling everyone it was happening. He was very clear about it in public speeches. But somehow people couldn’t hear that something was happening at the time. There’s a lot of old assumptions about how society works, about the rules, that are no longer true. So I think it’s pushing publications to follow suit. The other thing is just the reality of publishing is really complicated right