As in his drama works, in his novels he tends to use an objective style in the center of the story and a style that is full of fragments of events that are dense, intense in choice, and expressive language.
Sekadi ring pakardin dramanyane, ri sajeroning novel dane taler nganggen gaya objektif maka bantang satua lan akeh madaging punggelan-punggelan wicara, enteg ring ngimbayang, lan basannyane lengut.