James Rosenquist
Den James Rosenquist, gebuer den 29. November 1933 zu Grand Forks, North Dakota (USA) a gestuerwen den 31. Mäerz 2017 zu New York City, New York war en US-amerikanesche Pop-Art-Kënschtler.

Liewen a Wierk 
No engem Kurzzäitstipendium 1948 op der Minneapolis School of Art, huet den James Rosenquist vun 1952 bis 1954 Molerei op der University of Minnesota studéiert. 1955 ass hien dunn op New York City gaangen, wou hien eng Bourse fir e Studium op der Art Students League krut a wou hien 1956 de Robert Indiana, Jasper Johns, Ellsworth Kelly, Agnes Martin an de Robert Rauschenberg kenne geléiert huet.

Vun 1957 bis 1960 huet hie seng Sue mam Mole vu Reklammsschëlter verdéngt. Mam Opkomme vun der Pop Art gouf hie séier ee vun den Haaptleit. Hien huet d'Technike vun der Plakatemolerei op de grousse Biller applizéiert déi hie vun 1960 u gemaacht huet. An der New Yorker "Green Gallery" hat hien 1962 seng éischt Eenzelausstellung, duerch déi hie grouss Opmierksamkeet an der Ëffentlechkeet an an der Press krut. Wéi och schonn aner Pop-Art-Kënschtler, huet de Rosenquist d'Billersprooch vun de Reklammen a vun der Pop-Kultur an de Kontext vun de visuelle Kënscht iwwerholl. International Unerkennung krut hien 1965 mam monumentale Bild F-111. De Rosenquist huet de Bomber F-111 op véier risegen Deelbiller gemoolt, kombinéiert mat anere Sujeten, wéi Spaghetti mat Tomatenzooss, engem Fön, elektresche Biren an engem Atompilz. Den Tableau  ass ronn dräi Meter héich a 26 Meter breet.

Ausstellungen (Auswiel) 

 1966: Galerie Ileana Sonnabend, Paris
 1966: Leo Castelli Gallery, New York
 1966: F-111 Kunsthalle Bern, Bern
 1966: Louisiana Museum of Modern Art
 1966: Humlebaek
 1966: Staatliche Kunsthalle, Baden-Baden
 1966: Galleria Nationale d'Arte Moderna, Rom
 1967: F-111, Musée des Arts Decoratif, Paris
 1968: 4. documenta, Kassel
 1968: The National Gallery of Canada, Ottawa
 1968: Galerie Ileana Sonnabend, Paris
 1968: Galleria Gian Enzo Sperone, Turin
 1969: Horse Blinders. Leo Castelli Gallery, New York
 1970: Horizon Home Sweet Home. Leo Castelli Gallery, New York
 1970: Two Large Paintings. Leo Castelli Gallery, New York
 1970: Galerie Rolf Ricke, Köln
 1970: Recent Lithographs. Castelli Graphics, New York
 1971: Leo Castelli Gallery, New York
 1972: Gemälde-Räume-Graphik. Kunsthalle Köln, Wallraf-Richartz-Museums, Köln
 1972: Galerie Rolf Ricke, Köln
 1972: Whitney Museum of American Art, New York
 1972: Museum of Contemporary Art, Chicago, Illinois
 1973: Leo Castelli Gallery, New York
 1973: Stedelijk Museum, Amsterdam
 1973: Horse Blinders – Lithographs. Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln, Lincoln, Nebraska
 1974: Max Protetch Gallery, Washington, D.C.
 1974: Castelli Graphics, New York
 1974: Jared Sable Gallery, Toronto, Ontario, Kanada
 1974: Litografier. Norrköpings Museum, Norrköping
 1974: An Exhibition of Paintings, 1961–1973. The Mayor Gallery, London, England
 1974: Margo Leavin Gallery, Los Angeles, Kalifornien
 1975: Recent Work. The New Gallery, Cleveland, Ohio
 1975: Drawings. Leo Castelli Gallery, New York
 1975: Paintings. Margo Leavin Gallery, Los Angeles, Kalifornien
 1976: New Paintings. The Mayor Gallery, London, England
 1977: Documenta 6, Kassel
 1977: Sable-Castelli Gallery, Toronto, Ontario, Kanada
 1977: 9 Large Drawings. Institute of Modern Art, Brisbane, Australien
 1977: New Paintings. Leo Castelli Gallery, New York
 1978: Hand-colored Etchings, 1978. Multiples, Inc., New York
 1978: Recent Paintings. The Mayor Gallery, London, England
 1979: Graphics Retrospective. John and Mable Ringling Museum of Art, Sarasota, Florida
 1979: Ft. Lauderdale Museum of the Arts, Ft. Lauderdale, Florida
 1979: Recent Prints by James Rosenquist. Albright-Knox Gallery, Buffalo, New York
 1979: James Rosenquist: Seven Paintings. Plains Art Museum, Moorhead, Minnesota
 1980: New Paintings and Sculpture. Castelli-Feigen-Corcoran Gallery, New York
 1980: Texas Gallery, Houston, Texas
 1981: Thief. Leo Castelli Gallery, New York
 1981: Selected Prints. Castelli-Goodman-Solomon Gallery, East Hampton, New York
 1981: High Technology and Mysticism: A Meeting Point. The Dolly Fiterman Art Gallery, Inc., Minneapolis, Minnesota
 1982: House of Fire. Castelli-Feigen-Corcoran Gallery, New York
 1982: Paintings from the Sixties. The Mayor Gallery, London, England
 1982: James Rosenquist at Colorado State University. Colorado State University, Fort Collins, Colorado
 1982: Reflector-Deflector. Castelli-Feigen-Corcoran Gallery, New York
 1983: Center for the Fine Arts, Miami, Florida
 1983: Paintings & Works on Paper. Van Straaten Gallery, Chicago, Illinois
 1983: Thordén-Wetterling Galleries, Göteborg, Schweden
 1983: Leo Castelli Gallery, New York
 1984: New Paintings. Heland-Thordén-Wetterling Galleries, Stockholm
 1985: The Persistence of Electrical Nymphs in Space. Leo Castelli Gallery, New York
 1985: Paintings 1961–1985. Denver Art Museum, Denver, Colorado
 1985: Contemporary Arts Museum, Houston, Texas
 1985: Des Moines Art Center, Des Moines, Iowa
 1985: Albright-Knox Art Gallery, Buffalo, New York
 1985: Whitney Museum of American Art, New York, New York
 1985: National Museum of American Art, Washington, D.C.
 1986: Ladies of the Opera Terrace. Heland-Thordén-Wetterling Galleries, Stockholm, Sweden
 1987: One Painting and One Print. Heland-Thordén-Wetterling Galleries, Stockholm, Schweden
 1987: Galerie Daniel Templon, Paris
 1987: Paintings 1987. Heland-Thordén-Wetterling Galleries, Stockholm,
 1988: Through the Eye of the Needle to the Anvil. Leo Castelli Gallery, New York
 1988: Florida State University Gallery & Museum, Tallahassee, Florida
 1988: The University Gallery at Memphis State, Memphis, Tennessee
 1988: The Polk Museum of Art, Lakeland, Florida
 1988: New Work. Richard L. Feigen & Co., Chicago, Illinois
 1988: University Gallery at Memphis State, Memphis, Tennessee
 1989: Flashlife. Richard L. Feigen & Co., Chicago, Illinois
 1989: New Paintings. Richard L. Feigen & Co., London, England
 1989: Leo Castelli Gallery, New York
 1989: New Prints from Tyler Graphics. Heland-Wetterling Galleries, Stockholm
 1990: Never Mind, from Thoughts to Drawing. Universal Limited Art Éditions, New York
 1990: Welcome to the Water Planet. Museum of Modern Art, New York
 1990: Laguna Gloria Art Museum, Austin, Texas
 1990: University of Missouri, Kansas City, Missouri
 1990: University Art Museum, University of California, Santa Barbara, Kalifornien
 1990: Center for the Arts, Vero Beach, Florida
 1990: University of Kentucky Art Museum, Lexington, Kentucky
 1990: Leo Castelli Gallery, New York
 1991: Moscow 1961–1991. Tretyakov Gallery, Central Hall of Artists, Moskau
 1991: Rosenquist. IVAM, Centre Julio González, Valencia
 1992: The Early Pictures 1961–1964. Gagosian Gallery, New York
 1992: Paintings 1990–1992. Galeria Weber, Alexander y Cobo, Madrid
 1992: Recent Paintings. Galerie Thaddaeus Ropac, Paris
 1993: Time Dust, James Rosenquist, Complete Graphics: 1962–1992., Walker Art Center, Minneapolis, Minnesota
 1993: Honolulu Academy of Arts, Honolulu, Hawaii
 1993: Blaffer Gallery of Art, University of Texas, Houston, Texas
 1993: Harn Museum of Art, University of Florida, Gainesville
 1993: Montgomery Museum of Fine Arts, Montgomery, Alabama
 1993: Huntsville Museum of Art, Huntsville, Alabama
 1993: Elvehjem Museum of Art, Madison, Wisconsin
 1993: Joslyn Art Museum, Omaha, Nebraska
 1993: Neuberger Museum, State University of New York at Purchase
 1993: San Diego Museum of Art, San Diego, Kalifornien
 1993: University Art Museum, California State University, Long Beach, Kalifornien
 1993: Davenport Museum of Art, Davenport, Iowa
 1993: Leo Castelli Gallery, New York
 1993: Prints. Leo Castelli Gallery, New York
 1993: Recent Paintings. Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena
 1993: Recent Paintings. Galerie Thaddaeus Ropac, Salzburg
 1993: Akira Ikeda Gallery, Tokyo, Japan
 1993: Gift Wrapped Dolls or Serenade for the Doll after Claude Debussy. Feigen, Incorporated, Chicago, Illinois
 1994: Gift Wrapped Dolls. Richard L. Feigen and Co., London, England
 1994: The 30th Anniversary Exhibition. Leo Castelli Gallery, New York
 1994: James Rosenquist-Paintings. Wetterling Teo Gallery, Singapore, Singapore
 1995: Recent Work. The Portland Art Museum, Portland, Oregon
 1995: The Big Paintings. PYO Gallery, Seoul, South Korea
 1995: Paintings. Seattle Art Museum, Seattle, Washington
 1995: Gli anni novanta. Civico Museo Revoltella, Galleria d'Arte Moderna, Trieste
 1996: New Paintings and Constructions. Indigo Galleries, Inc., Boca Raton, Florida
 1996: A Retrospective of Prints Made at Graphicstudio 1971–1996. Graphicstudio, University of South Florida, Tampa, Florida
 1996: 4E77St 1970 Revisited (And New Paper Pieces from Gemini G.E.L.). Leo Castelli Gallery, New York
 1996: Target Practice. Galerie Thaddaeus Ropac, Paris
 1996: Galerie Thaddaeus Ropac, Salzburg, Austria
 1996: Target Practice. Feigen Incorporated, Chicago, Illinois
 1996: Painting and Prints from Leo Castelli, Castelli Graphics and the Artist. Brenau University, Gainesville, Georgia
 1996: New Paper Constructions. Gemini G.E.L., Los Angeles, Kalifornien
 1996: James Rosenquist: Singapore, Three Large Paintings. Galerie Thaddaeus Ropac, Paris
 1996: The Graphics of James Rosenquist. Center of Contemporary Graphic Art and Tyler Graphics Archive Collection, Sukagawa, Prefektur Fukushima, Japan
 1996: Leo Castelli Gallery, New York
 1996: New Works 1996. Wetterling Teo Gallery, Singapore, Singapore
 1998: The Swimmer in the Econo-mist. Deutsche Guggenheim Berlin
 1998: After Berlin: New Paintings. Feigen Contemporary, New York
 1999: Meteors: New Paintings. Baldwin Gallery, Aspen, Colorado
 2000: Paintings. Salvador Dalí Museum, St. Petersburg, Florida
 2001: The Stowaway Peers Out at the Speed of Light. Gagosian Gallery, New York
 2003: A Retrospective. Solomon R. Guggenheim Museum
 2003: The Menil Collection and The Museum of Fine Arts, Houston, Texas
 2003: James Rosenquist: Recent Paintings McClain Gallery, Houston, Texas
 2008 The Hole in the Center of Time, Jablonka Galerie, Berlin

Gielercher an Éierungen 
 1963: Selektioun als „Art In America Young Talent USA“ 
 1978: Ernennung op sechs Joer am „National Council of the Arts“
 1988: “Golden Plate Award” vun der American Academy of Achievement
 1998: Member vun der American Academy of Arts and Sciences
 2002: Attributioun vum järleche Konschtpräis vun der „Fundación Cristóbal Gabarrón“ als Unerkennung fir seng Kontributioun zur universeller Kultur

Kuckt och

Um Spaweck 

Gebuer 1933
Gestuerwen 2017
US-amerikanesch Moler