German art
The New Objectivity (German: Neue Sachlichkeit), was an art movement which started in Germany during the 1920s; It was in opposition (or against) expressionism. Grosz and Dix were at the front of the movement. They were on the "Verist" side of the movement  together with Beckmann and Christian Schad, Rudolf Schlichter, Georg Scholz (in his early work), Elfriede Lohse-Wächtler, and Karl Hubbuch. The other tendency is sometimes called Magic Realism, and included Anton Räderscheidt, Georg Schrimpf, Alexander Kanoldt, and Carl Grossberg. The movement was never a formal group.