Petrushka
Benois was unavailable for comment when Stravinsky offered his undeveloped idea about a ballet for a puppet to Diaghilev in 1910.  He had separated himself from the Ballets Russes after his libretto for Schéhérazade had been attributed to Léon Bakst in the ballet's theatre programmes. Diaghilev and Stravinsky tried to persuade Benois to return, but Benois refused. Time passed and Benois's pique softened. He rejoined his colleagues after learning the new ballet's subject was Petrushka.