Michael Gambon
This was to serve him in good stead in John Dexter's masterly staging of The Life of Galileo in 1980, the first Brecht to become a popular success. Hall called him ‘unsentimental, dangerous and immensely powerful’, even the Sunday Times’ curmudgeonly critic of the day called his performance ‘a decisive step in the direction of great tragedy...great acting’, while fellow actors paid him the rare compliment of applauding him in the dressing room on the first night.