Bassoon
To play the bassoon, it is very important to have lots of breathing support. Like with the oboe, fast passages can be played using double tonguing (single tonguing is like saying “tu-tu-tu-tu-tu”, double tonguing is like saying “te-ke-te-ke-te-ke”). In most music, the bassoon will spend a lot of time playing a bass line, perhaps the same notes as the cello or tuba. It can sometimes sound quite amusing when playing an “um-cha-um-cha” accompaniment like in the “Dance of the Cygnets” from Tchaikovsky’s Swan Lake. It can sound very tuneful and sad as in the second movement of Rimsky Korsakov’s Sheherazade. Listen to the opening of Stravinsky’s Rite of Spring where it plays some quite high notes to fool people that it is the Cor anglais or the English Horn. Even a famous composer, Saint Saëns, did not know what the instrument was. Prokofiev uses the bassoon for grandfather’s tune in Peter and the Wolf. Also, to play the bassoon, a player needs big hands because the bassoon's keys and holes are quite wide.