Febrero Amargo
Febrero Amargo focused on collecting testimony from academic historians, journalists who conducted historical research, political and union figures, as well as protagonists who lived through the period. The co-directors discarded the use of photography in order to use the historical video archive, applying Roland Barthes conception that film represents a "being there of things", as opposed to the "having been there" of photography. In other words, the aim was for the documentary to become a "time machine"..