Suprematism
Malevich's architectural projects were known after 1922 Arkhitektoniki. Designs emphasized the right angle, with similarities to De Stijl and Le Corbusier, and were justified with an ideological connection to communist governance and equality for all. Another part of the formalism was low regard for triangles which were dismissed as ancient, pagan, or Christian.<ref>Hanno-Walter Kruft, Elsie Callander, Ronald Taylor, and Antony Wood 2003. [https://books.google.com/books?id=OPTfVyHyVW4C&dq=suprematist+architecture&pg=PA416 A history of architectural theory]: from Vitruvius to the present. 4th ed, Princeton Architectural Press. , 9781568980102 p416</ref>