Samson and Delilah (opera)
Saint-Saëns was almost an atheist. He did not point out a moral in this opera but let the work speak for itself. He admired the operas of Verdi. He liked the oratorios of Handel and Mendelssohntwo composers whose influence is felt in the choruses of Samson. He framed the central seduction scene with the two outer acts. In contrast with Samson (strength) and the High Priest (power), Delilah is a character of seductive strength and power. She wants Samson on her sidenot for lovebut for her own vanity and sexual gratification. She puts everything she has into successfully seducing him because, if she fails, her head will be on the chopping  block.