Luther's hymns inspired composers to write music. Johann Sebastian Bach included several verses as chorales in his cantatas and based chorale cantatas entirely on them, namely Christ lag in Todes Banden, BWV 4, as early as possibly 1707, in his second annual cycle (1724 to 1725) Ach Gott, vom Himmel sieh darein, BWV 2, Christ unser Herr zum Jordan kam, BWV 7, Nun komm, der Heiden Heiland, BWV 62, Gelobet seist du, Jesu Christ, BWV 91, and Aus tiefer Not schrei ich zu dir, BWV 38, later Ein feste Burg ist unser Gott, BWV 80, and in 1735 Wär Gott nicht mit uns diese Zeit, BWV 14.
When was the last use by Bach of Luther's work?
1735 1735 Wär Gott nicht mit uns diese Zeit
Johann Sebastian Bach included several verses as chorales in his cantatas and based chorale cantatas entirely on them, namely Christ lag in Todes Banden, BWV 4, as early as possibly 1707, in his second annual cycle (1724 to 1725) Ach Gott, vom Himmel sieh darein, BWV 2, Christ unser Herr zum Jordan kam, BWV 7, Nun komm, der Heiden Heiland, BWV 62, Gelobet seist du, Jesu Christ, BWV 91, and Aus tiefer Not schrei ich zu dir, BWV 38, later Ein feste Burg ist unser Gott, BWV 80, and in 1735 Wär Gott nicht mit uns diese Zeit, BWV 14.
Johann Sebastian Bach included several verses as chorales in his cantatas and based chorale cantatas entirely on them, namely Christ lag in Todes Banden, BWV four, as early as possibly seventeen oh seven, in his second annual cycle (seventeen twenty-four to seventeen twenty-five) Ach Gott, vom Himmel sieh darein, BWV two, Christ unser Herr zum Jordan kam, BWV seven, Nun komm, der Heiden Heiland, BWV sixty-two, Gelobet seist du, Jesu Christ, BWV ninety-one, and Aus tiefer Not schrei ich zu dir, BWV thirty-eight, later Ein feste Burg ist unser Gott, BWV eighty, and in seventeen thirty-five War Gott nicht mit uns diese Zeit, BWV fourteen.
When was the last use by Bach of Luther's work?