**We see a room in semi-darkness. Like a scene from a dark film. A shiny porcelain figure in the shape of a kneeling man, like a realistic porcelain sculpture that looks like a cross between Steve Buscemi and William H. Macy. This porcelain figure stands in the middle of a run-down room and stands on the floor. The light sheen of the porcelain contrasts with the dark, dusty room with the old dark green wallpaper. The white porcelain surface has small ornaments. On the cheek of the porcelain figure's face, the porcelain has a hole from which black, viscous lacquer runs out. There is already a shiny pool of black glossy lacquer on the floor. The room of the abandoned house is in semi-darkness, Stake's backlight coming through the smudged dirty windows in the background. The mood is dystopian, gloomy, cinematic and very realistic. It is reminiscent of fantasy films. The look is reminiscent of Roger Deakins' camerawork on films like Blade Runner 2049 or films by David Fincher like Seven. The image looks like a film shot on the 65mm format. The image is whimsical and epic at the same time. The focal length is 1.4 which gives a shallow depth of field. The lens has 28mm --q 2** - <@1104125809091944538> (fast, stealth)