**The air is hazy, misty. It is night. The mild, cool light of the last dusk dominates the scenery. We see a broken-down car, a Dodge from the 80ties, standing in the tall grass, its lights shining. In forground in medium full shot a mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with a hi-top fade, haircut sit on the hood of a rundown, rickety car. She/He is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. She is wearing a chic but eccentric and futuristic dress combined with steetware. The car is parked on the outskirts of a large American city on a neglected and littered, undeveloped, overgrown demolition site, an old construction gap. Fences, broken and grassy streets, dilapidated abandoned houses. In the background we see lights of the big city of some distant skyscrapers in the fog. The composition of the image is reminiscent of photographer Harry Gruyaert. The image is cinematic and hyperrealistic and mystical. The style reminds of Gregory Crewdson and Todd Hido photography and films of David Ficher like "Fightclub" or "Seven" Like the film works of Roger Deakins. Focal length 25mm, filmcorn, aperture 1.2 , --ar 16:9 --q 2 --s 750 --style raw** - <@1104125809091944538> (fast, stealth)