**We see a room in semi-darkness from an rundown Trackhouse. Dirty windows in background, soft light coming into the room. It's reminiscent of a scene from a dark film. We only see a single shiny entirely pearlwhite porcelain figurine in the shape of a kneeling man, the realistic porcelain sculpture it comletely white and looks like a sculpture by Steve Buscemi mixed with William H. Macy. This porcelain figurine stands on the floor in the middle of a run-down room. The slight sheen of the porcelain contrasts with the dark, dusty room with the old dark green old wallpaper and aging dark armchairs in the background. The white porcelain surface has small ornaments. On the cheek of the porcelain figurine's face, the porcelain has a hole from which thick black lacquer is leaking. There is already a shiny puddle of black shiny lacquer on the floor. The room of the abandoned house is in semi-darkness, a pillar backlight comes in the background through the smeared dirty windows. The mood is dystopian, dark, cinematic and very realistic. It is reminiscent of fantasy films. The dramatic lighting mood is reminiscent of Roger Deakins' camera work in films such as Blade Runner 2049 or films by David Fincher such as Seven. Look like photos from Todd Hido and Gregory Crewdson. The image looks like a film filmed on the 65mm format. The image is whimsical and epic at the same time. The focal length is 1.4 which gives a shallow depth of field. The lens is 40 mm --q 2** - <@1104125809091944538> (fast, stealth)