**Basic mood light: low contrast as films from 70ties, a gray cloudy cold day, neon lights, neon signs. Colors washed out as from old photos of the 70s. Street photography. In front of a smudged shop window with big peeling shop letters and neons inside the store we see in front of the shop window the portrait of a mysterious, strong woman like Grace Jones and like Sanele Junior Xaba and a very androgynous man with hi-top bland haircut are in a small run-down store or small supermarket. She/He is an albino with strong freckles. An African payette mask over half of her face is decorated with fine ornaments. An African payette mask over half of her face is decorated with fine ornaments.She is wearing a stylish but eccentric and futuristic dress combined with steetware. It is a gray cold late afternoon in the big city, downtown Johannesburg. Streets are wet, lights are reflected. The image composition is like photographer Harry Gruyaert. Street photography meets fashion photography. Documentary and stylish. In the foreground we look through broken window panes. The observational perspective is reminiscent of Saul Leiter. The image looks like it's from a steet fashion series for Vogue or another fashion magazine, shot in the style of Renell Medrano or Vitali Gelwich. The subjects were photographed with a 21mm lens with a soft, diffuse top, and dirty greenish neon light.... The style corresponds to modern high-fashion photography as photographed on old faded Fujifilm emulsions with film grain. The aperture is 1.2 which gives a shallow depth of field. The colors are like from the 70s and already somewhat lent. Old expired Fujichrom emulsion with slight off-color and film grain, aperture 1.2, --ar 4:3 --q 2 --s 750 --style raw** - <@1104125809091944538> (fast, stealth)