Argument: Poetry is art, art is inseparable from education; art is what makes us human, and that which makes us human is certainly to be taught in schools.

It is fundamental that education teaches students about the human condition in order to enable an understanding of humanity. High school students must therefore gain awareness of not only human ideas but also an awareness of how humans choose to express these ideas, which means they must learn about art. One of the ways in which humans choose to express their emotions is through literature, language and speech- poetry. For example, many Victorian poets such as William Wordsworth and Sir Walter Scott, who spent much time in the Lake District, turned to writing nature poetry, such as Wordsworth's famous poem Daffodils, because they wanted to "see into the life of things",1 and the best way to both investigate and express this was through nature poetry. 1 Lefebure, Molly, The Illustrated Lake Poets, Windward, 1987, p. 144

Candidate 1: "An appreciation for the true horrors of war can be gained through factual reading. Factual books about the horrors of the First World War offer better understanding the true extent of the atrocities than poetry. Firstly, they are factual and not based upon opinion. Secondly, they are more modern and have been written in the aftermath of the First World War. Therefore, they tell its full story and provide a panoramic view of the Greta War. Thirdly, many of the men who wrote war poetry went mad with shellshock. Trying to find sense in the nonsensical lyrics of poetry by those poor men sent mad is an impossible task; knowledge of and research into shellshock is a relatively new development."
Candidate 2: "While great poetry may deal with adult experiences there is poetry that targets a younger audience and methods available to teach this type of poetry. Children’s poetry, for instance, is not complex or dark in subject matter and uses very regular rhythm and rhyme schemes, which young students will enjoy. If age-appropriate poetry is taught in schools then it gives young people the chance to develop an appreciation for poetry and its various techniques. This means that in later years young people will have the skills necessary to properly understand great poetry. Poems that require more mature minds to understand can, and should, be used to stretch students to teach about these contexts as well as about the kind of imagry and analogy used in the poems. Using more difficult poems to stretch puplils will ensure they keep improving."
Candidate 3: "In failing schools, it IS justifiable to separate art from education. When a high number of students are struggling with basic literacy and numeracy, this is what needs to be addressed. Artistic studies will simply have to take a backseat while teaching of the basics is improved. This is a temporary measure, once teaching and abilities in basic literacy and numeracy improve, schools which have previously been failing can expand back into artistic studies. If this is not the case, and art and poetry continue to have a high profile in failing schools, what will result is a mass of very cultured high school leavers (not necessarily graduates) unable to add up in their head and with poor vocabulary, able to quote Shakespeare effortlessly but no idea how to spell his name."
Candidate 4: "We must be realistic in education; we need to prepare our students for the difficulties of the real world. It is those subjects that are vocational in nature and/or life skills, home language (not literature), maths and science and modern languages, business studies, law that must take priority in schools. We must equip and train the new generation to successfully gain employment. Therefore, art subjects like poetry are no priority."
Candidate 5: "On the contrary, poetry is helpful to teaching English. Learning poetry involves chanting, exploration of syllables and vowel sounds. As the pupils chant the syllables, they read the letters that go into making that sound and so spelling will be improved. Reading poetry aloud improves reading ability because the student is vocalising the building blocks that form certain sounds to make words. Public speaking ability will also be improved from a vocal exploration of poetry."
Candidate 6: "Learning the basics of literature and language is not designed to be fun or enjoyable, it is an essential requirement. It is important that students can get to grips with the basics of their home language and a standard 'look, cover, write, check' method for learning spelling and expanding vocabulary is effective, for it requires the learner to write the words themselves. Simply reading them is not enough, especially not in the context of a poem- unconventional, even strange concepts typical of poetry may well be too demanding for the pupil, whose priority is to learn writing and reading. They can still learn reading through the cultural means of reading novels, in which the extended prose used by the author is far easier to follow."
Candidate 7: "It is unthinkable that a school pupil does not know who his/her national poet is. English school pupils should be familiar with William Shakespeare, Scottish school pupils with Robert Burns and Welsh pupils with Dylan Thomas, Irish ones with James Joyce. Familiarity with one's own national poet is a basic."
Candidate 8: "Musicians have for some time been awarded poet status. The artist and their personal lifestyle choices can and must be regarded equally. Bob Dylan was originally described thus; "He sounded like a lung cancer victim singing Woody Gutherie. Now he's a Rolling Stone singing Emmanuel Kant" (page 36, Uncut Legends [magazine] #1: Dylan, September 2003). In 1992, he was described as "as good as Keats" (Ibid). If Bob Dylan can graduate from folk to electric to poet status, modern day musicians must also be allowed to follow suite; to gain the recognition they deserve and become similarly promoted. The poet and their personal lifestyle choices is separable from the poetry they produce. Dylan Thomas, Wales' national poet who is greatly and proudly upheld was an adulterer and an alcoholic. However, this does not make his impressive poetry any less credible. We must not sanitise all the great artists, but accept that the great art they offer as artists forgives them their wrongdoing as people. If we applied the policy of disregarding the art of every artist who has ever done wrong, we would soon lose many canonised ones and several of those who are held in very high esteem."

In failing schools, it IS justifiable to separate art from education. When a high number of students are struggling with basic literacy and numeracy, this is what needs to be addressed. Artistic studies will simply have to take a backseat while teaching of the basics is improved. This is a temporary measure, once teaching and abilities in basic literacy and numeracy improve, schools which have previously been failing can expand back into artistic studies. If this is not the case, and art and poetry continue to have a high profile in failing schools, what will result is a mass of very cultured high school leavers (not necessarily graduates) unable to add up in their head and with poor vocabulary, able to quote Shakespeare effortlessly but no idea how to spell his name.
