Argument: If any art is to be taught in schools, it has to be Poetry, for poetry is the only artistic form of a core subject.

It is an enjoyable way to teach the core subject of home language and literature written therein; interesting and obscure concepts hold the learner's interest when studying their home language and its landmark literature, while simultaneously expanding vocabulary and improving spelling. Poetry offers a fun method of teaching subjects that can otherwise easily be exhaustive and repetitive For examples; Shirley Hughes' poems for young readers such as Best friends introduce young readers to the vowel sounds of their home language. The Charge of the Light Brigade by Alfred, Lord Tennyson teaches the reader about a great historical landmark. The war poetry of Wilfred Owen, Siegfried Sassoon et al teaches students about the First World War and the horrors thereof. Zoe's Earrings by Kit Wright teaches pre-GCSE students about accents.1 1 Wright, Kit, "Zoe's Earrings", BBC Learning Zone, accessed 1 September 2011

Candidate 1: "In failing schools, it IS justifiable to separate art from education. When a high number of students are struggling with basic literacy and numeracy, this is what needs to be addressed. Artistic studies will simply have to take a backseat while teaching of the basics is improved. This is a temporary measure, once teaching and abilities in basic literacy and numeracy improve, schools which have previously been failing can expand back into artistic studies. If this is not the case, and art and poetry continue to have a high profile in failing schools, what will result is a mass of very cultured high school leavers (not necessarily graduates) unable to add up in their head and with poor vocabulary, able to quote Shakespeare effortlessly but no idea how to spell his name."
Candidate 2: "Poetry is a notoriously difficult concept. It is a highly challenging subject to teach, for its identity as an art form is constantly changing and being debated

If top academics and those highly informed about the subject take issue with poetry, school pupils cannot be expected to fathom it. On December 7th, 2007, The Guardian, a British newspaper affiliated to the Left, noted that this ambiguous identity of poetry renders it very difficult to teach;"But until education theory asks itself what poetry itself is, and therefore what the teacher is trying to get across, poems will continue largely to figure as teaching aids, exercises and - for teenagers - increasingly tedious, somewhat arbitrary puzzles".1 The canonised poets and their poetry are concerned with adult life experiences, e.g. love, life, work, history and politics, solitude, loneliness, etc. For this reason, widely acclaimed poetry is deep and requires an adult mind and mature emotional depth to understand, or at least draw something from, this famous poetry. 1 Sampson, Fiona, "Poetry is not a tool for teaching other things", guardian.co.uk Books Blog, 7 December 2007, 1 September 2011"
Candidate 3: "An appreciation for the true horrors of war can be gained through factual reading. Factual books about the horrors of the First World War offer better understanding the true extent of the atrocities than poetry. Firstly, they are factual and not based upon opinion. Secondly, they are more modern and have been written in the aftermath of the First World War. Therefore, they tell its full story and provide a panoramic view of the Greta War. Thirdly, many of the men who wrote war poetry went mad with shellshock. Trying to find sense in the nonsensical lyrics of poetry by those poor men sent mad is an impossible task; knowledge of and research into shellshock is a relatively new development."
Candidate 4: "We must be realistic in education; we need to prepare our students for the difficulties of the real world. It is those subjects that are vocational in nature and/or life skills, home language (not literature), maths and science and modern languages, business studies, law that must take priority in schools. We must equip and train the new generation to successfully gain employment. Therefore, art subjects like poetry are no priority."
Candidate 5: "In countries where students are failing basic literacy, new measures to improve basic literacy skills in schools are required as a matter of urgency. In such cases, schools cannot justify wasting time by teaching poetry.

In the UK, The Labour Party introduced The Literacy Hour, a programme that meant schools were obliged to dedicate more time to basic literacy (and numeracy) upon their election in 1997. However, as the aforementioned statistics have shown, all that has increased is the number of pupils failing in this basic subject. There are 5 million illiterate people in Scotland alone. All we know is that more time does need to be spent learning the basic literacy and numeracy. Appreciating literature and poetry, the artistic side of the English language, cannot be addressed until learners have fully understood and grasped the tools of reading, writing and vowel sounds that allow for fiction and poetry to be produced. We need an educational programme that recognises reading and writing as a matter of urgency and literary and poetry appreciation as a luxury in order to reduce the number of illiterate pupils."
Candidate 6: "In schools where many pupils are failing the basics of English language, they cannot be expected to progress to a more complex level of English study like poetry before the basics have been mastered.

It is like asking a student who cannot count to solve a highly complex algebraic equation; completely impossible because the groundwork remains a nemesis. If the pupils cannot understand the basics of reading, writing and grammar, they will certainly struggle to with more complex concepts fundamental to the study of poetry such as similies, personifications, metaphors and extended metaphors. Let us take the UK as an example, for it is a country in which many students do not make progress in basic English. A report in 2011 voiced concern at the number of school children struggling with English and the published some horrifying statistics; "Hundreds of thousands of pupils are falling behind in the basics after starting secondary school, official figures suggest … three in 10 are not making enough progress in English, according to Department for Education data.160,000 did not make enough progress in English.”1

1Press Association, “Many secondary school pupils failing to meet expectations, report reveals”, guardian.co.uk, 9 June 2011, http://www.guardian.co.uk/education/2011/jun/09/secondary-school-pupils-... , accessed 1 September 2011"
Candidate 7: "Learning the basics of literature and language is not designed to be fun or enjoyable, it is an essential requirement. It is important that students can get to grips with the basics of their home language and a standard 'look, cover, write, check' method for learning spelling and expanding vocabulary is effective, for it requires the learner to write the words themselves. Simply reading them is not enough, especially not in the context of a poem- unconventional, even strange concepts typical of poetry may well be too demanding for the pupil, whose priority is to learn writing and reading. They can still learn reading through the cultural means of reading novels, in which the extended prose used by the author is far easier to follow."
Candidate 8: "The future of poetry teaching looks dismal. It is falling into disrepute by citing rappers as modern day poets.

Given that the highly respected Royal Holloway University of London is one such institution that supports this, the future of poetry education and even poetry itself does not look hopeful. Sir Andrew Motion, Professor of Creative writing at Royal Holloway, University of London, specified that; "Poetry is a house of many mansions. It does pupils a disservice only to tell them things they already know. Rap has its own challenges and opportunities - but so do many other kinds of poetry, many of which are neglected in schools".1 Eminem has caused much offence and controversy over the years with his homophobic lyrics. This is just one example of why rap is not to be encouraged at all, let alone awarded a label of (so-called) "poetry". Rappers like him must not be promoted as great artists in the classroom. It is unthinkable that rappers who promote gun crime, drugs and degrade women should be given a platform and even promoted in classrooms. These are simply not the values education can possibly support. 1 Edwards, Paul, "Why rap should be taught in schools", Royal Holloway University of London, 28 January 2010, accessed 1 September 2011"

Learning the basics of literature and language is not designed to be fun or enjoyable, it is an essential requirement. It is important that students can get to grips with the basics of their home language and a standard 'look, cover, write, check' method for learning spelling and expanding vocabulary is effective, for it requires the learner to write the words themselves. Simply reading them is not enough, especially not in the context of a poem- unconventional, even strange concepts typical of poetry may well be too demanding for the pupil, whose priority is to learn writing and reading. They can still learn reading through the cultural means of reading novels, in which the extended prose used by the author is far easier to follow.
