Argument: Banning the book would have simply increased its role as an iconic symbol.

Extreme parties frequently thrive when they are able to present themselves as being suppressed by a supposed elite. Their ability to portray themselves as being unfairly silenced by a capricious elite has long been used to attract support by parties on the far-right in Europe and elsewhere. For example the far right National Democratic Party went to court to get its newsletter delivered by the postal service. [i] Indeed, given the weakness of many of the arguments they make, silencing them has frequently been far more self-defeating than opening up their beliefs to scrutiny [ii] .

As long as Mein Kampf remained unavailable it acquired the inevitable allure of the unattainable. The book could be presented as having a status far beyond what it is – the ill thought-out and self-indulgent ramblings of a bad writer.

At the moment the book is not, per se, banned, it’s just that the owners of the copyright haven’t allowed publication until now. As a result, come 2016, there would have needed to be an intervention in the normal flow of events to prevent its subsequent publication; Munich’s Institute for Contemporary History had already said it would publish the book. [iii] This would have given the impression that mainstream German society was in some way afraid of the book or its contents and given credence to the suggestions of extremists that there is no effective response to their arguments. By publishing the book in this manner, the state removes both the allure of the hidden icon for devotees and any commercial interest for other publishers. Added to which, those prepared to plough through it (even Mussolini said that it was boring) will at least be rewarded with historical insights from leading scholars.

[i] Reuters, ‘German far right in legal battle over free speech’, Yahoo News, 29 June 2012, http://ca.news.yahoo.com/german-far-legal-battle-over-free-speech-161918096.html

[ii] Bavaria to publish ‘unattractive’ new edition of Mein Kampf. Tony Paterson. The Independent. 26 April 2012.

[iii] Relax News, ‘’Mein Kampf’ to see its first post-WWII publication in Germany’, The Independent, 6 February 2010, http://www.independent.co.uk/arts-entertainment/books/news/mein-kampf-to-see-its-first-postwwii-publication-in-germany-1891347.html

Candidate 1: "All of which goes to show how ridiculous bans are in practice as a political tool. When neo-Nazis arrive at rallies with an assortment of black geometric shapes on a white background surrounded by red, nobody stands around trying to figure out what the reference might be. In the same way banning publication of the book doesn’t expunge it from history, everyone still knows it was written, who write it, and broadly what it’s about. It is the symbolism behind the icon, rather than the artifact itself, that caries the significance. As a result banning the artifact achieves little."
Candidate 2: "It seems unlikely that it will become any less iconic after publication. Indeed the very fact that it has been published is likely to be hailed as a great victory. Neo-Nazis in Germany and elsewhere will not present this as the result of the elapse of copyright and a measured response by the state. As in any comparable situation, it will be presented as a victory. To take one example, when fascist leaders are interviewed on television or invited to speak in university debates, those actions are presented to their followers as proof of how seriously they are now being taken by the mainstream. None of those followers will be aware that their leader was roundly thrashed, because they didn’t watch the interview and didn’t attend the debate. Similarly the book will be waved, unopened at rallies to demonstrate to the faithful that progress is being made."
Candidate 3: "The point is that it isn’t being presented to a contemporary publisher by a contemporary author. As with all texts, it is of its time and forms its own part of the historical record. It’s entirely likely that if The Canterbury Tales were presented by a contemporary author, publishers wouldn’t be fighting over it. However, within its context it is one of the founding documents of world literature. Moreover as Stephan Kramer, the General Secretary of Germany's Central Council of Jews points out publishing "A historically critical edition… prevent[s] neo-Nazis profiting from it." [i]

[i] Paterson, Tony, ‘German Jews want ‘Mein Kampf’ reprinted’, The Independent, 10 August 2009, http://www.independent.co.uk/news/world/europe/german-jews-want-mein-kampf-reprinted-1769960.html"
Candidate 4: "There is no such thing as a ‘presumption in favour of publication’. Publishers don’t publish books all the time – and absolutely nobody cries free speech. Proposition have said it themselves, the arguments aren’t persuasive. However, having it published at all would have given the work a degree of credibility it doesn’t deserve, having it published with the authority of the state will redouble that. Many of the neo-Nazis who see it as iconic would, in all probability, never have got as far as actually reading the book – let alone any commentary – but they will see a book written by Hitler from the print of the state of Bavaria."
Candidate 5: "Presenting Mein Kampf as a text for critical discussion gives the impression, at least, that those who supported its arguments and those who decried them were somehow on an equal footing. Having the massed ranks of German academia comment on it is likely to add to its credibility rather than detracting from it as it will suggest that the ideas are worthy of analysis. Treating the text in such a way would be akin to teaching theories of a flat earth in Geography. No child is likely to get through their school career without some discussion of WWII, proposition has failed to demonstrate what, exactly, this would add to that situation."
Candidate 6: "If the publication of other versions is ‘inevitable’ then it makes sense for those versions to be framed within the narrative set by a version grounded in scholarship and critical discourse. Indeed the very process of allowing people to understand that different versions of the same text can fulfill radically different roles is welcome development in its own right. It is also likely that by the time copyright runs out, people’s curiosity will have been largely sated by the official version."

It seems unlikely that it will become any less iconic after publication. Indeed the very fact that it has been published is likely to be hailed as a great victory. Neo-Nazis in Germany and elsewhere will not present this as the result of the elapse of copyright and a measured response by the state. As in any comparable situation, it will be presented as a victory. To take one example, when fascist leaders are interviewed on television or invited to speak in university debates, those actions are presented to their followers as proof of how seriously they are now being taken by the mainstream. None of those followers will be aware that their leader was roundly thrashed, because they didn’t watch the interview and didn’t attend the debate. Similarly the book will be waved, unopened at rallies to demonstrate to the faithful that progress is being made.
