Joan Didion published a comprehensive criticism of Woodward in a lengthy September 1996 essay in "The New York Review of Books". Though "Woodward is a widely trusted reporter, even an American icon", she says that he assembles reams of often irrelevant detail, fails to draw conclusions, and make judgments. "Measurable cerebral activity is virtually absent" from his books after Watergate from 1979 to 1996, she said. She said the books are notable for "a scrupulous passivity, an agreement to cover the story not as it is occurring but as it is presented, which is to say as it is manufactured." She ridicules "fairness" as "a familiar newsroom piety, the excuse in practice for a good deal of autopilot reporting and lazy thinking." All this focus on what people said and thought—their "decent intentions"—circumscribes "possible discussion or speculation", resulting in what she called "political pornography".