Nelson's manager Mark Rye negotiated with Harvest to buy back some of the unreleased songs for Nelson to release under his own name on his own label, Cocteau Records, which Nelson and Rye had set up. Consequently, in July 1980, Nelson was able to release the single "Do You Dream in Colour?", which after airplay on BBC Radio 1 reached No. 52 in the UK Singles Chart. This debut release on the label persuaded Phonogram to acquire the remaining tracks for Cocteau in order to release "Quit Dreaming And Get on the Beam" as a Bill Nelson album on their subsidiary label Mercury Records in 1981. The release contained bonus disc "Sounding The Ritual Echo (Atmospheres for Dreaming)" featuring experimental, ambient instrumentals which Nelson had recorded privately at his home. Subsequent Mercury releases included "The Love That Whirls", which included a bonus disc of Nelson's soundtrack for The Yorkshire Actors' stage production of Jean Cocteau's 1946 film "La Belle et la Bête"/"Beauty and the Beast". Nelson had already contributed music (and released it under the title "Das Kabinet" on Cocteau) to the same company's similar adaptation of Robert Wiene's 1920 silent film classic "The Cabinet of Dr. Caligari".