As a favoured student of Gigout, Boëllmann moved in the best circles of the French musical world, and as a pleasing personality, he made friends of many artists and was able to give concerts both in Paris and the provinces. Boëllmann became known as "a dedicated teacher, trenchant critic, gifted composer and successful performer ... who coaxed pleasing sounds out of recalcitrant instruments". Boëllmann also wrote musical criticism for "L'Art musical" under the pseudonym "le Révérend Père Léon" and "un Garçon of the Salle Pleyel".