In 1937, just as Sartre was finishing "Nausea" and getting it to press, he wrote an essay, "The Transcendence of the Ego". He still agreed with Husserl that consciousness is "about" objects or, as they say, it "intends" them – rather than forming within itself a duplicate, an inner representation of an outward object. The material objects of consciousness (or "objects of intention") exist in their own right, independent and without any residue accumulating in them from our awareness of them. However, the new idea in this essay was that Sartre now differed in also believing that the person's ego itself is also "in the world," an object of consciousness to be discovered, rather than the totally known subject of consciousness. In the novel, not only Roquentin's consciousness but his own body also become objectified in his new, alarming perception.