The use of different camera speeds also appeared around 1900. Robert Paul's "On a Runaway Motor Car through Piccadilly Circus" (1899), had the camera turn so slowly that when the film was projected at the usual 16 frames per second, the scenery appeared to be passing at great speed. Cecil Hepworth used the opposite effect in "The Indian Chief and the Seidlitz powder" (1901), in which a naïve Red Indian eats a lot of the fizzy stomach medicine, causing his stomach to expand and then he then leaps around balloon-like. This was done by cranking the camera faster than the normal 16 frames per second giving the first "slow motion" effect.