Alfred Hitchcock fairly well patented the sound advance in his 1929 classic "Blackmail". A young woman (Anny Ondra) wandering the streets of London in shock after killing a man, comes upon a drunk lying on the pavement, his arm extended in the same manner as the artist just murdered by the woman in his studio apartment. The image of the arm seems to precipitate a scream from the young woman. A cut, however, reveals that the scream is coming from a landlady who has just discovered the dead artist's body in his apartment. The sound advance also has conceptual, satirical, and dramatic possibilities. In "Five Easy Pieces" (1970), the unexpected sound of a bowling ball rolling down a bowling lane is heard in the final seconds of a scene in a motel room where Jack Nicholson has taken a girlfriend. Just as the ball strikes the tenpin, a cut is made to a new scene where Nicholson is bowling with the woman. The combined sound advance and the cut transition together serve as a sexual metaphor.