The film is a complete departure from the then prevalent theatricality in acting, treatment and dialogue. Barua initiates a style of acting that is natural and unaffected. His method is to underplay, to convey emotion through the slightest tremor of the voice and use significant pauses in between the dialogue to maximum effect. This naturalness of tone spills over to the dialogue as well. Rather than dialogue in a florid style as was prevalent then, Barua who had been exposed to European naturalistic trends ensures the dialogue in the film is what one speaks in real life.