The second-level plot involves Celestina's attempts to reform the otherwise-unnamed Lord A from his perceived misogyny. Here again, the play departs from the standard pattern, in that the heroine of the second-level plot is presented as more admirable and morally serious than the female character on the first level. (Their contrasting names are clues to meaning: Celestina is "heavenly," while Aretina is a female form of Aretino, the Italian pornographer.) Celestina, is can be noted, is not an ascetic or a prig; she herself pursues pleasure, but in a moderate way that is in keeping with the mores of her society and class. Aretina is to be faulted, and needs to be reformed, because she goes too far.