Lewis was an early master of deconstruction to enhance comedy. From the first "Comedy Hour"s he exposed the artifice of on-stage performance by acknowledging the lens, sets, malfunctioning props, failed jokes, and tricks of production. As Jonathan Rosenbaum wrote: Lewis had "the impulse to deconstruct and even demolish the fictional "givens" of any particular sketch, including those that he might have dreamed up himself, a kind of perpetual auto-destruction that becomes an essential part of his filmmaking as he steadily gains more control over the writing and direction of his features." His self directed films abound in behind-the-scene reveals, demystifying movie-making. Daniel Fairfax writes in "Deconstructing Jerry: Lewis as a Director", "Lewis deconstructs the very functioning of the joke itself". ... quoting Chris Fujiwara, ""The Patsy" is a film so radical that it makes comedy out of the situation of a comedian who isn't funny." The final scene of "The Patsy" is famous for revealing to the audience the movie as a movie, and Lewis as actor/director. Lewis wrote in "The Total Filmmaker", his belief in breaking the fourth wall, actors looking directly into the camera, despite industry norms. More contemporary comedies such as "The Larry Sanders Show", "Curb Your Enthusiasm", and "The Office" continue this method.