He was the first musician to use the electric mandolin in Carnatic music: he modified the electric western instrument, using five single strings instead of the traditional four doubled strings to suit the Carnatic pitch, raga system, and especially gamakas, or nuanced oscillations. After initial reluctance, he found wide acceptance and critical acclaim in the following decades. Starting in 1982, he performed regularly during the December season of the prestigious Madras Music Academy, performing there every year except in 2002 - December 23 of each year was a reserved slot for U. Srinivas - the highest accolade. Srinivas stormed the world music scene at age thirteen at the Berlin Jazz Festival. Initially booked to play a half-hour concert after Miles Davis, Srinivas so enthralled the audience in Berlin that he won a standing ovation, and had to play for another hour. "He's got it in him. He's fantastic," raved the legendary Don Cherry at the time. Guitarist John McLaughlin first heard a tape of this concert by the thirteen-year-old prodigy, and was left very impressed. He played at the Olympic Arts Festival, Barcelona in 1992 and in 1995 recorded a successful fusion album with Michael Brook. When John McLaughlin revived his group Shakti, and renamed it Remember Shakti, in 1997, he asked Srinivas to join the group and tour the world with it, along with other celebrated Indian musicians Zakir Hussain, Shankar Mahadevan, and V. Selvaganesh. Srinivas, of course, was the undisputed superstar of the group. Srinivas toured extensively across the world, in his own right, as a prodigy and leading star from the classical Indian music firmament, receiving thunderous applause and appreciation wherever he performed - he played in Australia, Southeast Asia, Southwest Asia, and extensively and frequently across the United States and Canada. Soon, the mandolin became synonymous with Srinivas and he started being called Mandolin Srinivas. Thus, Srinivas stands as a trailblazer and pioneer, who introduced and adapted an unlikely western instrument, the mandolin, at age six, and made it suitable for performing in the rigorous Carnatic style of music, in the same manner that the violin had been introduced into Carnatic classical music some two hundred years before.