His large output of chamber music includes several quartets for strings with and without piano beginning with his piano quartet opus 1 in B minor, published by Haslinger of Vienna in the 1830s, and at least three string quartets, a string trio published posthumously as opus 207 in 1886 by Rieter-Biedermann of Leipzig, sonatas for solo piano (opus 47, published in 1852 by Schuberth of Hamburg and opus 59) and for piano with cello (at least two – opus 22, published by Simrock, and opus 174, published by Cranz), and a piano quintet (opus 156), among other works. The fourth of his piano trios has been recorded along with the early piano trio of Max Bruch.