After the success of this work, he was given the commission for the magnificent effigial monument for Henry VII and his queen, which still exists in the Henry VII Lady Chapel of Westminster Abbey. This appears to have been begun in 1512, but was not finished till 1517. The two effigies are well modelled, and there can be no doubt the head of the king is a fine posthumous portrait. John Pope-Hennessy called it "the finest Renaissance tomb north of the Alps".