For film studies scholar Jean Bruce, the ambiguity of the kiss is foreshadowed in an early scene revolving around a magic trick. On one hand, the magic trick produces a "pleasurable surprise", while, on the other, this mirrors the deception necessary, due to Trill norms, in the reacquaintance of the characters. At the same time, the juxtaposition of very different shots serves to "convey physical distance and the desire to bridge it", which mirrors the fact that the Trills' love for one another transcends gender, identity and death. Though the kiss is "informed by the fact that Dax was a man in her past life", once it occurs, it can "never be taken back", and remains the queer image of two women kissing.