In addition to the scale used, each "maqam" has different conventions governing which note of the scale predominates, which note a melody must end on and the characteristic melodic turns of phrase; thus there can be two or more maqamat using the same basic scale. Each maqam has a different flavor or mood, which is meant to provoke certain moods, thoughts, and emotions. Due to that fact and the myriad of possible combinations, there are over one hundred maqamat, each named after its supposed city or region of origin in the Middle East. (This may be compared with the geographical terms such as "Dorian" and "Phrygian" used for the modes in ancient Greek music.) Approximately ten of these "maqamat" are in widespread use in the Syrian Jewish community.