As their domestic popularity continued to decline, Terry wanted to focus on the hard rockers that had done so well for them overseas. Kenny disagreed, wanting a more conservative agenda. Kenny admitted in his book "Making It with Music," that he perhaps should not have complained about MGM's poor distribution on a radio show, but despite their mounting problems, New Zealand continued to consider the First Edition as superstars. The problem was that they had to go halfway around the world to benefit from their success, and travel expenses ate a big chunk out of their profits. As a thank you they put together an album called "I'm Not Making My Music for Money" especially for their New Zealand fans. An LP of this title was to have come out in the US but MGM rejected it. The US LP was basically going to be the same but with two new cuts replacing the two songs reused from "Monumental." Despite the retreads, the album did show continued development. A mix of new songs and remakes (possibly done because some songs were not available in New Zealand), "Love Woman" was now a hard rock jam featuring Jimmy on lead. This arrangement was borrowed from the band's stage performances of Bill Haley's "Rockin' Through the Rye". The ballads "Dirty Work" and "Daddy Was a Traveling Man" were a return to the more adult style of Terry's early work. "Making Music for Money" (another song remade for "The Gambler") is a song about art vs. commerce that Jimmy Buffett later covered. It was the band's ironic last single. It charted well, but again only in New Zealand.