In the 1950s, a recording of Helmut Walcha playing BWV 565 on organ was released. In that, and subsequent releases of Walcha's recordings of BWV 565 on Deutsche Grammophon (DG), there is an obvious evolution of the work from "one among many" organ compositions by Bach to a definite signature piece by the composer. In early Archiv Produktion releases, the list on the sleeve contained the organ compositions in the order they appeared on the recording without distinction, in the 1960s BWV 565 became listed first; but by the 1980s, the font size of BWV 565 was larger than that of the other compositions, and in the 1990s Walcha's 1963 recording of the piece became the only piece by Bach included in DG's "Classic Mania" CD set with popular tunes by various classical composers. Similarly, the album sleeves of Marie-Claire Alain's recordings of BWV 565 in the 1960s, listed the piece in the same font as the other recorded works, but by the 1980s, it was in a larger font. US record companies seemed faster in putting BWV 565 forward as Bach's best known organ piece. In 1955, E. Power Biggs recorded the Toccata 14 times, played on different European organs, and Columbia issued those recordings on a single album.