At other times, they provocatively, directly comment on contemporary events, such as their production of Tartuffe in which the title character was presented as an Islamic zealot at a time when there was a movement in France against foreign immigration. They have drawn inspiration from non-Western cultures, such as when they used bunraku-style puppetry in their production "Tambours sur la Digue." The company's emphasis on movement and physical theatre is in part due to Mnouchkine's study under Jacques Lecoq. Their performances also frequently feature direct contact between the actors and the audience members, whether through a dressing and makeup area that is open to the public's view or lunch for both actors and audience served at intermission.