Despite Housman’s appeal to male readers, some female composers have also set individual items as songs. They include Rebecca Clarke’s "Eight o’ clock" (1928); "Yonder see the morning blink" (1929) by Freda Mary Swain (1902–1985); and "The Deserter" included in Elisabeth Lutyens "6 Songs" (1934–1936). Post-war settings include "The night is freezing fast" (1958) by Margarita L. Merriman (b.1927); "We’ll to the woods no more" (1962) by Mayme Chanwai (b. Hong Kong, 1939); "The half moon westers low" (1965) by the American Susan Calvin; "The laws of God, the laws of man" by Joyce Howard Barrell; and "Her strong enchantments failing" (retitled as "The queen of air and darkness"), together with "Eight o’clock", by Elaine Hugh-Jones (2011).