Other roles in her repertoire included Olympia in Jacques Offenbach's "The Tales of Hoffmann", Philine in Ambroise Thomas's "Mignon", Amina in Vincenzo Bellini's "La sonnambula", Marie in Donizetti's "The Daughter of the Regiment", the title role in Delibes's "Lakmé", the Queen in Nikolai Rimsky-Korsakov's "Golden Cockerel", and the title role in Donizetti's "Linda di Chamounix", (a role she sang in the opera's Met premiere on March 1, 1934). The last major new role Pons performed (she learned the role during her first season at the Met) was Violetta in "La traviata", which she sang at the San Francisco Opera. Another role Pons learned, but decided not to sing, was Melisande in Debussy's opera "Pelléas et Melisande"; the reason, as she confided in a later interview, was twofold: first, because she felt soprano Bidu Sayão owned the role; and secondly, because the tessitura lay mainly in the middle register of the soprano voice rather than in the higher register. In her last performance at the Met, on December 14, 1960, she sang "Caro nome" from "Rigoletto" as part of a gala performance.