The gatefold's inner left panel, opposite the album's production credits, showed Harrison and his fellow musicians – Starr, Horn, Voormann, Hopkins, Keltner and Wright – at a long table, laden with food and wine. A deliberate parody of da Vinci's "The Last Supper", the picture was taken in California at the mock-Tudor home of entertainment lawyer Abe Somer, by Hollywood glamour photographer Ken Marcus. As with the US coinage used on the back cover, various details in the photo represent what Harrison termed the "gross" aspects of life in the material world. Clayson has speculated about the symbolism and hidden messages within the photo: whether the nurse with a pram, set back from and to the left of the table, was a reference to Boyd's inability to conceive a child; and the empty, distant wheelchair in memory of Harrison's late mother. Theologian Dale Allison observes the anti-Catholic sentiment within this inner-gatefold photo, following on from Harrison's lyrics to his 1970 song "Awaiting on You All". Harrison is dressed as a priest, all in black, sporting an Old West six-shooter – "a slam at the perceived materialism and violence of the Roman church", Allison writes.