The section also developed a unique approach to ballads. Davis and Harris doubled on the fluegelhorn, an instrument with roughly the same range as the trumpet but with a considerably softer, warmer timbre (the flugel was a favorite texture of many jazz trumpeters, notably Clark Terry, Art Farmer and Freddie Hubbard). The softer palette created by the blend of the two fluegels with Myrick's tenor sax and Satterfield's trombone allowed the section to still play interesting countermelodies and staccato jabs (listen to the post-chorus instrumental breaks of "Reasons" for a prime example) without being obtrusive or overbearing.