"What you do as a director is that you fall in love with the actor in the role. Note that I say, in the role. You've got to get yourself infatuated, to a degree that you find yourself besottedly adoring the actor while he is inside the role, as you feel it… If the actor moves outside role, what you do, consciously or unconsciously, is you dim the beams of your love, and the actor feels cold and they move back into your love. It is emotional blackmail, on a very good cause. before you can control an actor, the thing that you have to control is your self and your own feelings."