From the 17th century equestrian portraits, mostly of rulers, became another popular borrowing from the West. Another new type of image showed the Jharokha Darshan (literally "balcony view/worship"), or public display of the emperor to the court, or the public, which became a daily ceremonial under Akbar, Jahangir and Shah Jahan, before being stopped as un-Islamic by Aurangzeb. In these scenes, the emperor is shown at top on a balcony or at a window, with a crowd of courtiers below, sometimes including many portraits. Like the increasingly large halos these emperors were given in single portraits, the iconography reflects the aspiration of the later Mughals to project an image as the representative of Allah on earth, or even as having a quasi-divine status themselves. Other images show the enthroned emperor having meetings, receiving visitors, or in durbar, or formal council. These and royal portraits incorporated in hunting scenes became highly popular types in later Rajput painting and other post-Mughal styles.