Stylistically, Pramathesh adopted a refreshing economy throughout the film. "The film was a complete departure from the then-prevalent theatricality in acting, treatment and dialogue. Barua initiated a style of acting which was natural and unaffected; his method was to underplay, to convey emotion through the slightest tremor of the voice and use significant pauses between the dialogue to telling effect. The dialogue too, was simple, everyday speech, without dramatic flamboyance or literary flourish. The slow, soft and cleverly modulated dialogue became a hallmark not only of Barua’s but all of New Theatres’ films."