The initial criticisms of the Chicago production were generally harsh, e.g., "it left many of our best people dazed and wondering", "Russian jazz with Bolshevik trimmings" and "The work is intended, one learns, to poke fun. As far as I am able to discern, it pokes fun chiefly at those who paid money for it". The newspaperman and author Ben Hecht, however, gave it an enthusiastic review: "There is nothing difficult about this music – unless you are unfortunate enough to be a music critic. But to the untutored ear there is a charming capriciousness about the sounds from the orchestra".