Vasari intended the worldly representation in the "guardaroba" to be seen in relation to the larger cosmos, represented by a celestial sphere in the centre of the room and painted constellations on the ceiling. He also had grand visions of two large globes, a terrestrial and celestial hidden behind a false ceiling that could be lowered impressively via a pulley system into the room below. The room was also to display a copy of the 1484 clock made for Lorenzo de Medici by Lorenzo della Volpaia. An Antonio Santucci (b.? d.1613) armillary sphere that is now at the Florence Museum of the History of Science, was also displayed in the "guardaroba" along with a second, earlier armillary sphere that is now lost. It is the relationships between these objects and maps and the context for which they are shown that produces intended symbolic gestures; the clock, in relation to the maps, in relation to the celestial representations were an attempt to generate an effect of possessed knowledge over all space and time and in the case of the guardaroba, Cosimo I de Medici was to be seen as the possessor and purveyor of this knowledge, generating a narrative of his power.