By several accounts (Scorsese's included), Robert De Niro saved Scorsese's life when he persuaded him to kick his cocaine addiction to make his highly regarded film "Raging Bull". Writing for "The New Yorker" in March 2000, Mark Singer summarized Scorsese's condition stating: He (Scorsese) was more than mildly depressed. Drug abuse, and abuse of his body in general, culminated in a terrifying episode of internal bleeding. Robert De Niro came to see him in the hospital and asked, in so many words, whether he wanted to live or die. If you want to live, De Niro proposed, let's make this picture—referring to "Raging Bull", an as-told-to book by Jake La Motta, the former world middleweight boxing champion, that De Niro had given him to read years earlier. Convinced that he would never make another movie, he poured his energies into making this violent biopic of middleweight boxing champion Jake LaMotta, calling it a kamikaze method of film-making. The film is widely viewed as a masterpiece and was voted the greatest film of the 1980s by Britain's "Sight & Sound" magazine. It received eight Oscar nominations, including Best Picture, Best Actor for Robert De Niro and Scorsese's first for Best Director. De Niro won, as did Thelma Schoonmaker for editing, but Best Director went to Robert Redford for "Ordinary People". From this work onwards, Scorsese's films are always labeled as "A Martin Scorsese Picture" on promotional material. "Raging Bull", filmed in high contrast black and white, is where Scorsese's style reached its zenith: "Taxi Driver" and "New York, New York" had used elements of expressionism to replicate psychological points of view, but here the style was taken to new extremes, employing extensive slow-motion, complex tracking shots, and extravagant distortion of perspective (for example, the size of boxing rings would change from fight to fight). Thematically too, the concerns carried on from "Mean Streets" and "Taxi Driver": insecure males, violence, guilt, and redemption.