The west portal of Trogir cathedral is known as Radovan's portal after the master who carved his name in the Latin inscription dated 1240, although it was not fully completed until the 14th century. Covered with sculpture and reliefs with some one hundred figures, the portal covers the complex iconographic repertoire of Gothic cathedrals. A series of reliefs with scenes from Christ’s life, from the Annunciation to the Resurrection, occupy the semi‑circular tympanum and the concentric arches above it. The Original Sin is personified by the large sculptures of Adam and Eve borne on lions supported by plinths that flank the entrance. The symbolic significance of the design is the Redemption (Christ’s Nativity set in the tympanum) of the sin of Adam and Eve. The scene of the Last Judgement, which would normally occupy the tympanum of the main portal as a warning to believers, but here has been replaced by Radovan with the promise of Salvation: instead of the terrible punishment of the Father, the tender love of the Mother is represented. This change reflects the new humanist spirit of the Gothic age, in contrast with the rather severe theological dogma of the Romanesque.