Tom Peyer was, by 1990 editing (with Karen Berger) what would become the pillars of Vertigo: "Hellblazer", "Sandman" (taking over from Art Young), "Swamp Thing" and "Shade, the Changing Man". He soon left "Swamp Thing" to Stuart Moore, however with issue #100, and Moore would edit and co-edit the remaining 71 issues of that title, including the switch from DC to Vertigo. Peyer moved to "Doom Patrol" and "Animal Man", which he edited during the transition from DC to Vertigo, before moving to edit the initial issues of "Kid Eternity" and "Black Orchid" as well as two "Vertigo Visions" one-shots. Peyer left editing behind in 1994, returning to DC as a writer. Moore edited a wide range of Vertigo titles between 1993 and 2000, including the transitional issues of "Hellblazer" as well as "Swamp Thing", the first fifteen issues of "The Invisibles", the first seventeen issues of "Preacher" and the first thirty issues of "Transmetropolitan". In 1996, Moore won the Eisner Award for best editor, for his work on "Swamp Thing", "Invisibles" and "Preacher". He edited the first issues of "Books of Magic", and both "Books of Faerie" miniseries (with Cliff Chiang), and returned to the main "Books of Magic" title for a further 20+ issues with Chiang in 1998. He also edited several miniseries for both Vertigo and Vertigo's sister imprint Helix.