From fairly early the Mughal style made a strong feature of realistic portraiture, normally in profile, and influenced by Western prints, which were available at the Mughal court. This had never been a feature of either Persian miniature or earlier Indian painting. The pose, rarely varied in portraits, was to have the head in strict profile, but the rest of the body half turned towards the viewer. For a long time portraits were always of men, often accompanied by generalized female servants or concubines; but there is scholarly debate about the representation of female court members in portraiture. Some scholars claim there are no known extant likenesses of figures like Jahanara Begum and Mumtaz Mahal, and others attribute miniatures, for example from the Dara Shikoh album or the Freer Gallery of Art mirror portrait, to these famous noblewomen. The single idealized figure of the Riza Abbasi type was less popular, but fully painted scenes of lovers in a palace setting became popular later. Drawings of genre scenes, especially showing holy men, whether Muslim or Hindu, were also popular.