The pageantry following the statues and the introduction of Eros continued to portray scenes that showed the sequence of Greek civilisation through its art. The scenes started with the Minoan civilisation. The first float featured the iconic image of Minoan civilization: that of the fertility goddess clad in a bodice exposing her breasts and clutching serpents in both hands. The subsequent floats then featured scenes of bull-jumping, dolphins, and other elements that harkened back to the images in the frescoes of Phaestos. The scenes then proceeded to the more stark art of the Mycenean civilisation, followed by representations of the Classical period. A chariot carrying an actor portraying Alexander the Great introduced images from the Hellenistic period, which in turn were followed by representations of Byzantine art, the Greek War of Independence, and lastly of 20th century elements of Greek culture, such as the popular shadow-theatre figure Karagiozis, who is said to be a humorous and self-deprecating depiction (and parody) of Greek mentality.