In 1927, the British Monotype Corporation hired Beatrice Warde – quickly named the company's Publicity Manager – and has been credited with spreading Morison's typographic influences through her own writings. Morison and Warde helped edit Monotype's newsletter, the "Monotype Recorder", which promoted Monotype equipment and provided tips for users, showcased examples of high-quality printing and included articles on printing history, several by Morison's collaborator Alfred F. Johnson, a curator at the British Museum. Through Daniel Berkeley Updike, the leading figure in American printing of the time with whom he carried an extensive correspondence, he became aware of an obscure late-eighteenth century type known as Bell in the archives of Sheffield type foundry Stephenson Blake, and arranged for Monotype to license and recreate it. While not all his projects at Monotype were successful and his position was insecure at the start of his tenure, his commission of Gill Sans and even more so Times New Roman both proved extremely financially successful for Monotype. Both remain among the most-used typefaces of all time.