Duong's latest series of paintings, done over the past two years, shows the artist in a variety of poses, from provocatively trapped in the kitchen in couture underwear, to nakedly framed in a bathtub. But they all share the same arresting sense of the artist seeing herself for the first time, thus catching herself in a moment of profound psychological vulnerability. Stripped of her familiar, everyday persona, the paintings powerfully project dormant layers of Duong's inner self. "I feel like painting is a place where I can both hide, and I can show the most."