Producer David Merrick encouraged Jerry Herman to compose "Hello, Dolly!" specifically for Merman's vocal range, but when he offered her the role, she declined it. She finally joined the cast on March 28, 1970, six years after the production opened. On Merman's opening night, her performance was continually brought to a halt by prolonged standing ovations, and the critics unanimously heralded her return to the New York stage. Walter Kerr in "The New York Times" described her voice: "Exactly as trumpet-clean, exactly as penny whistle-piercing, exactly as Wurlitzer-wonderful as it always was." He wrote: "Her comic sense is every bit as authoritative, as high-handed, really, as her voice." The seventh actress to portray the scheming matchmaker in the original Broadway production, she remained with the musical for 210 performances until it closed on December 27, 1970. Merman received the Drama Desk Award for Outstanding Performance for what proved to be her last appearance on Broadway.