King expands on this thought of the 20th-century vampire in his essay for "Adeline Magazine", "On Becoming a Brand Name" (February 1980): "I began to turn the idea over in my mind, and it began to coalesce into a possible novel. I thought it would make a good one, if I could create a fictional town with enough prosaic reality about it to offset the comic-book menace of a bunch of vampires." Yet the inspirations for "'Salem's Lot" go back even farther. In "Danse Macabre", a non-fiction overview of the modern horror genre, King recalls a dream he had when he was eight years old. In the dream, he saw the body of a hanged man dangling from the arm of a scaffold on a hill. "The corpse bore a sign: ROBERT BURNS. But when the wind caused the corpse to turn in the air, I saw that it was my face - rotted and picked by birds, but obviously mine. And then the corpse opened its eyes and looked at me. I woke up screaming, sure that a dead face would be leaning over me in the dark. Sixteen years later, I was able to use the dream as one of the central images in my novel "'Salem's Lot". I just changed the name of the corpse to Hubie Marsten."