This recording is currently available on "The Northumbrian Smallpipes" (Topic TSCD487); "The Keel Row" may be listened to online on Soundcloud Tom Clough 1929, while "Elsie Marley" and "Holey Ha'penny" are at Tom Clough 1929 – re-mastered Ho'ley Ha'penny-Elsie Marley. The pieces, especially the variation sets, are played in a highly ornate style, and what is significant about the technique, apart from his great skill, is the total lack of open-fingered or slurred notes. The chanter is closed, and hence silent briefly, between any pair of notes. This forms a great contrast with the style of Billy Pigg, which was distinguished by his use of open-fingered ornamentation. Tom felt, on the other hand, that open fingering was "a grievous error in smallpipe playing". This "error" persists: Young Tom once commented "Nowadays they play with half their hand off the chanter." Chris Ormston, who knew "Young Tom" for a few months before his death, is a respected modern piper who consistently uses and advocates the "Clough" style.