Seventy percent of the film was shot at night. "Basically I just shot "Blow Out" straight", replied cinematographer Vilmos Zsigmond., "... By not diffusing and not flashing as much ... That doesn't mean I necessarily like that look but I think it was good for the picture. You see, I like a softer look, a more diffused look." During the editing process, two reels of footage from the Liberty Parade sequence were stolen and never recovered. The scenes were reshot with insurance money at a cost of $750,000. Because Zsigmond was no longer available, László Kovács lensed the reshot sequences.