Taylor then moved on to producing full-time, working with several successful UK bands throughout the 1990s. He produced the debut album "Back Street Symphony" by London rockers Thunder and their follow up "Laughing on Judgement Day". This was followed by the Almighty album "Soul Destruction", and then Mark Shaw's album "Almost". Taylor based himself in his now refurbished Trident Studios in London with then manager and partner Rob Hallett, until 1994 when he returned to Los Angeles in order to write and produce tracks for a second Power Station album and the 1995 Rod Stewart album "A Spanner in the Works".