For example, the unusual placement of the cadenza before the recapitulation is reflected in the violin concerto of Tchaikovsky (where the cadenza is similarly placed) and the violin concerto of Sibelius (where the cadenza serves to extend the development section). Moreover, following this concerto it was very rare for a composer to leave a cadenza unwritten for the soloist to improvise as in the days of Mozart and Beethoven. The linking of the three movements also influenced other concertos, such as Liszt's Second Piano Concerto.