The recording and mixing of "The Apple"'s score took place at The Music Centre, a studio in Wembley, and cost an "amazing budget" to complete, Recht said. Richard Goldblatt served as the audio engineer. The tracks were remixed to Dolby Stereo on a Neve console for the film by The Village Recorder, the only studio Recht could find that had a Neve. The studio charged $7,000 a day for remixing the tracks, and Golan sent a messenger to give the studio money. "The Apple"'s soundtrack features sounds and production techniques that were never heard on any other record before, such as the use of pink noise on the snare drums. The London Philharmonic Orchestra performed the orchestral arrangements for both the songs and non-song pieces of "The Apple". Clinton served as the conductor and was initially "scared shitless" as it was his first time conducting a full professional orchestra. Instead of a baton, he conducted the orchestra with chopsticks he received from a Chinese restaurant that was two buildings away from the studio where the soundtrack was recorded.