Conner's works are often metamedia in nature, offering commentary and critique on the media — especially television and its advertisements — and its effect on American culture and society. His film "Report" (1967) which features repetitive, found footage of the Kennedy assassination paired with a soundtrack of radio broadcasts of the event and consumerist and other imagery — including the film's final image of a close-up of a ""Sell"" button — may be the Conner film with the most visceral impact. Bruce Jenkins wrote that "Report" "perfectly captures Conner's anger over the commercialization of Kennedy's death" while also examining the media's mythic construction of JFK and Jackie — a hunger for images that "guaranteed that they would be transformed into idols, myths, Gods."