A well-known source for accentual verse from the post-Elizabethan period is "Mother Goose's Melody" (1765). Accentual verse experienced a revival in the 19th century with the development ("discovery") of sprung rhythm by Gerard Manley Hopkins. Although Hopkins' example was not widely adopted in literary circles, accentual verse did catch on, with some poets flirting with the form, and later poets more strictly following it. A modern codification was given by Robert Bridges in 1921, in his "Bridges' Prosody of Accentual Verse" section of "Milton's Prosody." Modern literary use includes W. H. Auden, and it has notably been advanced by Dana Gioia.