By the early 1930s, the term "crooner" had taken on a pejorative connotation. Cardinal William O'Connell of Boston and the New York Singing Teachers Association (NYSTA) both publicly denounced the vocal form, O'Connell calling it "base", "degenerate", "defiling" and un-American, with the NYSTA adding "corrupt". Even "The New York Times" predicted that crooning would be just a passing fad. The newspaper wrote, "They sing like that because they can't help it. Their style is begging to go out of fashion…. Crooners will soon go the way of tandem bicycles, mah jongg and midget golf." Voice range shifted from tenor (Vallée) to baritone (Russ Columbo, Bing Crosby). Still, a 1931 record by Dick Robertson, "Crosby, Columbo & Vallee", called upon men to fight "these public enemies" brought into homes via radio.