In Morris' book, "Continuous Project Altered Daily: The Writings of Robert Morris", the artist includes a collaborative project with the art critic G. Roger Denson in which he lampoons the criticism of his work published over the course of his career up to the early 1990s. The chapter, entitled "Robert Morris Replies to Roger Denson (Or Is That a Mouse in My Paragon?)", lists thirteen questions submitted by Denson, with each question representing the criticism of Morris' work written by a different unnamed critic responding to a specific exhibition, installation, or art work. Instead of answering the questions, Morris has written an elaborate, comically absurd, satirical narrative that in many ways epitomizes the "only possible response" to criticism that had become fashionable in the so-called "demise of criticism" that some writers of the 1980s and 1990s heralded following the "deconstruction of logocentrism" postulated by the post-structuralist theorist Jacques Derrida. As one commentator, Brian Winkenweder, wrote: