In Germany, as manga began outselling domestic comics in 2000, German publishers began supporting German creators of manga-styled comics. Jürgen Seebeck's "Bloody Circus" was not popular amongst German manga readers due to its European style, and other early German manga artists were affected by cancellations. After this, German publishers began focussing on female creators, due to the popularity of shōjo manga, leading to what Paul Malone describes as a "home-grown shōjo boom", and "more female German comics artists in print than ever before". However, genuinely manga-influenced stylistic conventions, such as sweatdrops, are employed to ensure "authenticity", original German works are flipped to read in a right-to-left style familiar to manga readers, author's afterwords and sidebars are common, and many German manga take place in Asia.