Although Robert Estienne was printing Bibles in Latin as early as 1528, he printed his first Greek New Testament in 1546. Despite its similarity to the works of Erasmus, Estienne did not credit Erasmus and rather claimed to be influenced by ancient codices. The first two are beautiful Greek texts, called "O mirifica". The third and most significant is known as the Editio Regia or the "Royal Edition", published in 1550 for King Henri II. It is significant because the Greek font made by Garamond became the most used Greek font for European printers and it combined over 15 Greek sources with annotations in the margins. The 1550 version became known as the "Textus Receptus", the standard text for many generations. The 1551 edition contains the Latin translation of Erasmus and the Vulgate. Scholars have qualified his editing of the Vulgate to be mediocre and lacking effort or depth. It was in this edition that the division of the New Testament into verses was for the first time introduced. After he finished the Vulgate, he began developing his style. He was interested in working on original texts rather than translations. Additionally, he was interested in writing commentaries to help an average reader understand the academic texts to the point of adding his own interpretation. Moreover, Estienne's commentary in the fourth edition of the Greek New Testament initiated the antagonism of the Sorbonne against Estienne.