Prominent uses in the years that followed the publication of James Joyce's "Ulysses" include Italo Svevo, "La coscienza di Zeno" (1923), Virginia Woolf, "Mrs Dalloway" (1925), "To the Lighthouse" (1927), and William Faulkner in "The Sound and the Fury" (1929). However, Randell Stevenson suggests that "interior monologue, rather than stream of consciousness, is the appropriate term for the style in which experience is recorded, both in "The Waves" and in Woolf's writing generally." Throughout "Mrs Dalloway", Woolf blurs the distinction between direct and indirect speech, freely alternating her mode of narration between omniscient description, indirect interior monologue, and soliloquy. Malcolm Lowry's novel "Under the Volcano" (1947) resembles "Ulysses", "both in its concentration almost entirely within a single day of protagonist Firmin's life ... and in the range of interior monologues and stream of consciousness employed to represent the minds of characters". Samuel Beckett, a friend of James Joyce, uses interior monologue in novels like "Molloy" (1951), "Malone meurt" (1951; "Malone Dies") and "L'innommable" (1953: "The Unnamable"). and the short story "From an Abandoned Work" (1957).