The song contains a "rolling" synth bassline and "truncated" percussion, that according to Zuel, comes across as both "alluring and ever-so-slightly sinister". It contains "slow breaks", that according to Jamil Ahmad of musicOMH, "wrap this record round you like walking into an exclusive club with a million dollar sound system – you know you are going to have one of those nights". The pace of the song changes with its chorus, which Mikey MiGo cited as being "a bit off setting".