The first post-Revolution Cuban dance music genre was the short-lived, but highly influential mozambique (1963). Neither the dance, nor the music caught on outside of Cuba. In spite of this, members of Eddie Palmieri's "Conjunto la Perfecta" did hear this new music over shortwave radio, inspiring them to create a similar rhythm which they also called mozambique. Although the two rhythms share no parts in common, the band received death threats because some right wing Cuban exiles thought Palmieri's band was playing contemporary Cuban music.