After returning to Moscow, Meyerhold founded his own theatre in 1920, which was known from 1923 as the Meyerhold Theatre until 1938. Meyerhold confronted the principles of theatrical academism, claiming that they are incapable of finding a common language with the new reality. Meyerhold's methods of scenic constructivism and circus-style effects were used in his most successful works of the time. Some of these works included Nikolai Erdman's "The Mandate", Mayakovsky's "Mystery-Bouffe", Fernand Crommelynck's "Le Cocu magnifique" ("The Magnanimous Cuckold") and Aleksandr Sukhovo-Kobylin's "Tarelkin's Death". Mayakovsky collaborated with Meyerhold several times, and was said to have written "The Bedbug" especially for him; Meyerhold continued to stage Mayakovsky's productions even after the latter's suicide.