In the 1990s, a new current of Cuban lyric rose that broke with the colloquialism of the generation before and explored traditional verse forms and free verse with its rhythmic and expressive possibilities, in accordance with the work of preceding authors such as José Kozer. The canon of new poetry appeared in the independent magazine Jácara, particularly the issue in 1995 that compiled an anthology of the generation. There were many young authors who participated in what amounted to a revolution of Cuban literature that distanced itself from political themes and created a clearer and more universal lyric. These poets included Luis Rafael, Jorge Enrique González Pacheco, Celio Luis Acosta, José Luis Fariñas, Ásley L. Mármol, Aymara Aymerich, David León, Arlén Regueiro, Liudmila Quincoses and Diusmel Machado.