In early 2005, Burridge and Richards were invited by James Lavelle to remix the single "Eye for an Eye" by his U.N.K.L.E. project. Later that year Burridge departed from London after nearly a decade and began an ambitious new project called 365. Following many years of global touring and one-off shows, Burridge developed the 365 project as a residency based tour where he would move to a city for a month or two at a time to play a series of parties allowing him time to learn both more about the city and its clubbing crowd. Beginning in New York, Burridge spent the next two years taking the 365 concept to Ibiza, Florence, Buenos Aires, Sydney, New York, San Francisco, Denver and Hong Kong. In each city, he worked with local promoters to build a series of four or more parties while also setting aside time to work with local producers. During the 365 project, Burridge kept a popular journal which was published online monthly by DJ Magazine describing the adventures he encountered and the humorous take he has on life on the road as a DJ. That year Burridge also joined Sander Kleinenberg to mix one half of This Is Everybody! On Tour, a more fan-friendly album than his previous endeavoursand he began what would become an annual mainstay party at the Winter Music Conference in Miami, Florida, in conjunction with MADE Events, the Burridge Barrage. In 2006, Burridge began another annual party at San Francisco's Love Parade called the LoveLee Party. He launched his own record label, Almost Anonymous, to release the music he produced with local artists he collaborated with during the 365 project.[5 The label released collaborations between Burridge and Andy Page, Steve Porter and Dan F, the latter of which, Treat 'Em Mean, Keep 'Em Keen, appeared on Ewan Pearson's Fabric 35 album. However, the label suffered the same fate as many others in 2007, going under when its distributor went into receivership.