He has contributed articles to numerous publications, including more than 40 articles for the "New Art Examiner" (where he was guest editor); articles for "American Visions", the "Washington Post", the USIA, the University of Chicago, and the Smithsonian Institution. He has written catalog essays for museums such as the Baltimore Museum of Art, the Corcoran Gallery of Art, the M.H. de Young Memorial Museum, the Getty Museum, the Alternative Museum, and Pomegranate Press; and Stephenson Press. He wrote the catalogue essay "Ceremony in Space Sound and Time", National Gallery of Jamaica; essays for the Brandywine Workshop, the University of Chicago and the catalogue essay "Magical Visions", University of Delaware Museums. His book, "Art in Washington and Its Afro-American Presence: 1940-1970" (Stephenson Press, 1885), and his article for the "New Art Examiner" (reprinted, Northern Illinois University Press/NEA, 2012), "Art Criticism: a Pan-African Point of View", are both widely considered seminal works in the field.