The key determining the Tansman’s artistic stance, was his constantly repeated efforts to create a new classical style. It did not mean sticking to neoclassicism in terms of the aesthetic and stylistic impact in the normative meaning. The discrepancy between Tansman’s composing practice and the basic principles of neoclassicism could be observed in the 1940s, although the signs of such an attitude were clearly present in his earlier works. Nevertheless, after World War II, Tansman implemented more radical techniques. He included some achievements of the contemporary avant-garde and was interested in purely qualitative characteristics of sounds. The coexistence of various constructing principles in one form led to the clash of different types of expression, which strengthened the drama, dynamics and power of presentation of his music. All this without breaking up with the ceaseless pursuit of his music: to find a new classical style.