The third appearance of the Barbarian and familiar (Metamorphosis, Pliocene) sees them old, decrepit, bed-bound and heading inevitably towards death. In each successive chapter the Barbarian's Scottish accent becomes less and less pronounced, another indication of how far Alex has gone from his Glaswegian roots. The Barbarian talks of his grief over his dead wife and his memories of their life together. While comparisons have been drawn between Sigmund Freud's structural theory of personality, this is the only point where the Barbarian, Familiar and another individual get together in a three-way arrangement. If the Barbarian's wife represents Andrea Cramond, it is another example of how deeply she has penetrated his being. In a move mirroring Alex's suicide drive and anticipating the end of the book, he is placed in a situation likely to kill him, but triumphs and emerges (literally) rejuvenated and reinvigorated. His Glasgow accent also returns.