Regarding other works, "Fragment/Frame/Text (#163)" (1984), Lawler photographed a museum wall label next to a landscape painting by Claude Lorrain; only a fragment of the landscape appears in the photo. In "Foreground" (1994), a gelatin silver print showing an open-plan living area in the Chicago apartment of art collector Stefan Edlis, Jeff Koons' "Rabbit" (1986) can be seen next to a refrigerator. By manipulating the focus and the view-finder of the camera, Lawler demonstrated how an artwork is determined by the paradigms of the art world: A label on the wall of an auction house would become the focus of an image, with only a small fraction of the work itself visible, and the idea of the artwork as a commercial entity would be brought to mind.