Filmmaking in Israel has undergone major developments since its inception in the 1950s. The first features produced and directed by Israelis, such as "Hill 24 Doesn't Answer" and "They Were Ten", tended, like Israeli literature of the period, to be cast in the heroic mold. Some recent films remain deeply rooted in the Israeli experience, dealing with such subjects as Holocaust survivors and their children (Gila Almagor's "The Summer of Aviya" and its sequel, "Under the Domim Tree") and the travails of new immigrants ("Sh'hur", directed by Hannah Azoulai and Shmuel Hasfari, "Late Marriage" directed by Dover Koshashvili).