Over the course of the 19th century, the story of Pandora was interpreted in radically different ways by four dramatic authors in four countries. In two of these she was presented as the bride of Epimetheus; in the two others she was the wife of Prometheus. The earliest of these works was the lyrical dramatic fragment by Johann Wolfgang von Goethe, written between 1807 and 1808. Though it bears the title "Pandora", what exists of the play revolves round Epimetheus’ longing for the return of the wife who has abandoned him and has yet to arrive. It is in fact a philosophical transformation of Goethe's passion in old age for a teenaged girl.