A somewhat diminished tradition of vernacular poetry survived into the 20th century in the work of poets such as Adam Lynn, author of the 1911 collection "Random Rhymes frae Cullybackey", John Stevenson (died 1932), writing as "Pat M'Carty", and John Clifford (1900–1983) from East Antrim. In the late 20th century the poetic tradition was revived, albeit often replacing the traditional Modern Scots orthographic practice with a series of contradictory idiolects. Among the significant writers is James Fenton, mostly using a blank verse form, but also occasionally the Habbie stanza. He employs an orthography that presents the reader with the difficult combination of eye dialect, dense Scots, and a greater variety of verse forms than employed hitherto. The poet Michael Longley (born 1939) has experimented with Ulster Scots for the translation of Classical verse, as in his 1995 collection "The Ghost Orchid". The writing of Philip Robinson (born 1946) has been described as verging on "post-modern kailyard". He has produced a trilogy of novels "Wake the Tribe o Dan" (1998), "The Back Streets o the Claw" (2000) and "The Man frae the Ministry" (2005), as well as story books for children "Esther, Quaen o tha Ulidian Pechts" and "Fergus an tha Stane o Destinie", and two volumes of poetry "Alang the Shore" (2005) and "Oul Licht, New Licht" (2009).