Taking breaks from his final work on the project, Tarika visits many buildings and public spaces of 60's and 70's Modernist origin, the architecture and design of which serves as inspiration for much of his work. At every turn, another one of these spaces is boarded up and bulldozed. This builds upon the predominant theme of Sleeping Pills, whereby the entities and images forming one's identity are crushed without remorse in favor of new and improved versions. These images serve as a metaphor for the ephemeral home, relationship, and sense of self that can be seen as a consequence of a Postmodern society.