In the High Middle Ages, Scotland adopted the Romanesque in the late twelfth century and retained and revived elements of its style after the Gothic style had become dominant from the thirteenth century. Much of the best Scottish artwork of the High and Late Middle Ages was either religious in nature or realised in metal and woodwork, and did not survive the effect of time and of the Reformation. However, examples of sculpture are extant as part of church architecture, including evidence of elaborate church interiors such as the sacrament houses at Deskford and Kinkell and the carvings of the seven deadly sins at Rosslyn Chapel. From the thirteenth century, there are relatively large numbers of monumental effigies such as the elaborate Douglas tombs in the town of Douglas. Native craftsmanship can be seen in items such as the Bute mazer and the Savernake Horn, and more widely in the large number of high quality seals that survive from the mid thirteenth century onwards. Visual illustration can be seen in the illumination of charters, and occasional survivals such as the fifteenth-century Doom painting at Guthrie. As in England, the monarchy may have had model portraits of royalty used for copies and reproductions, but the versions of native royal portraits that survive are generally crude by continental standards.