"The Huffington Post" ranked the song fifth on their list of "The 13 Most Underrated Madonna Songs"; author Pandora Boxx hailed it as "a great fusion of '90s pop and vintage '30s", but noted that "its 'scandalous' subject matter ruffled too many feathers to make it a big hit". Also from "The Huffington Post", Matthew Jacobs ranked it at number 55 on his list of "The Definitive Ranking of Madonna Singles", calling it "pure fun, '30s swing style [...] its lyrics are sillier than they ought to be, but the fabulous beat refuses to let your dancing shoes collect dust". Writing for "Gay Star News", Joe Morgan gave a mixed review, calling it "less sexual and feminist liberation and more corny and blatant [...] A forgettable number that sounds like track six of a musical theatre cast album". A negative review came from Royal S. Brown, author of "Film Musings: A Selected Anthology from Fanfare Magazine", who called it "ridiculous". Also negative was "The Guardian"s Jude Rogers, who wrote that "even creators of brilliant pop can go wrong", calling it "over farty" and "Madonna's nadir".