During the production of "Rhythm of Love", Minogue began to take more control over her workload. She came up with many visual ideas, and took inspiration from American singer Madonna and her fourth studio album "Like a Prayer" (1989). Before starting to work on "Rhythm of Love", Minogue asked to record some of the tracks with producers other than SAW, which they accepted. According to Waterman, Minogue "was going to clubs, seeing different people, hearing different things ... I knew the artist was going to want to get involved". In March 1990, she went to Los Angeles to enlist the help of other producers. Sessions with Keith Cohen, Michael Jay, and Madonna's longtime collaborator Stephen Bray produced the tracks "The World Still Turns", "One Boy Girl", "Count the Days", and "Rhythm of Love"—all of which credited Minogue as co-writer for the first time. Hutchence was with Minogue during the sessions; he listened to the rough tapes and gave her advice about songwriting. " really does help me and influence me a lot ... He encourages me to be myself and go for it", Minogue said of his input. In Los Angeles, the sessions took place at Trax Recording, Ultimo, Ground Control Studio, Scotland Yard, Larrabee Sound, and Saturn Sound.