Berlin proved an excellent base for Busoni's European tours. As in the previous two years in the US, the composer had to depend for his living on exhausting but remunerative tours as a piano virtuoso; in addition at this period he was remitting substantial amounts to his parents, who continued to depend on his income. Busoni's programming and style as a recitalist initially raised concerns in some of Europe's musical centres. His first concerts in London, in 1897, met with mixed comments. "The Musical Times" reported that he "commenced in a manner to irritate the genuine amateurs music-lovers by playing a ridiculous travesty of one of Bach's masterly Organ Preludes and Fugues, but he made amends by an interpretation of Chopin's Studies (Op. 25) which was of course unequal but, on the whole, interesting". In Paris, the critic Arthur Dandelot commented "this artist has certainly great qualities of technique and charm", but strongly objected to his addition of chromatic passages to parts of Liszt's "St. François de Paule marchant sur les flots."