However, it is important to mention first the absurd and existential tone of Virgilio Piñera, the Creole sense conveyed by Eliseo Diego and Fina García Murruz, the late but effective outcome of José Zacarías Tallet's book "La semilla estéril" (1951), the dialogue with the common man in the second part of "Faz" by Samuel Feijóo, the intertextuality reached by Nicolás Guillén in "Elegía a Jesús Menéndez", the aforementioned conversational emphasis of Florit in "Asonante final" and other poems (1955), and finally the then-closed intimacy of Dulce María Loynaz with her distinctive work "Últimos días de una casa" (1958). It is said that poetry began to "democratize" by exploring the "common dialogue" or that it tried to discover lyrical referents with epic notes.