When the men in the narrative attempt to regain masculine control, they are subverted by Margaret. As Deane argues, the wrapped and veiled Victorian mummy is extremely sexualized, "a woman…who, perfectly preserved in her youthful beauty, strongly attracts the libidinous attention of modern British men". In the final scene, the group of men publicly and voyeuristically unravel Tera's corpse, which, Hebblethwaite states, is a way to humiliate the female and revert her to submission. Tera's naked, youthful body is described in great detail as the men, even Malcolm, become "more and more excited". However, this attempt at reassertion is interrupted by Margaret, who demands Tera be covered and removes the body from the men's invasive gazes. Ultimately, the men are returned to the role of observer and must await Margaret's consent to continue, implying the uncontrollable nature of the New Woman.