Ravel's regard for his predecessors is heard in several of his piano works; "Menuet sur le nom de Haydn" (1909), "À la manière de Borodine" (1912), "À la manière de Chabrier" (1913) and "Le tombeau de Couperin" all incorporate elements of the named composers interpreted in a characteristically Ravellian manner. Clark comments that those piano works which Ravel later orchestrated are overshadowed by the revised versions: "Listen to "Le tombeau de Couperin" and the complete ballet music for "Ma mère L'Oye" in the classic recordings conducted by André Cluytens, and the piano versions never sound quite the same again."