I don’t often show my work in the public domain, rather in museums where people choose to go to see art. But since 1991 I always test a work that I’ve just finished in a supermarket. I just imagine a new work there and I check if it can survive where it doesn’t have the label of an artwork. It is just a thing that someone placed in a supermarket. Now I am sure that all of my works can stand in that environment.”" He often feels alien to the real world and its institutional art settings. He insists that his work stays the same throughout its exhibitions but gets re-contextualized each time it enters the "real world".