Her work is rooted in German expressionism and folk art and depicts the death camps as well as "idyllic" pictures of family life in their painted wagon before the Holocaust. A 2014 retrospective exhibition "We Were Ashamed" described her body of work as two cycles. The first, titled "Even Death is Afraid of Auschwitz," depicts her memories of concentration camps, and is composed primarily of black and white ink drawings and comparatively few oil paintings. The second "Bright Cycle" involves colorful oil paintings of nature, landscapes, Roma wagons, dance, and family.