Although the above shows knowledge of manuscript "Heldenbücher" among some before 1800, the majority of discussions of the "Heldenbuch" focused on the printed version with "Ornit", "Wolfdietrich", "Laurin", and the "Rosengarten zu Worms" before this point. The printed "Heldenbuch" continued to dominate discussions into the early nineteenth century. In 1796, Friedrich von Adelung published "Sieben Stücke aus dem Heldenbuch" ("Seven pieces from the Heldenbuch") in his "Nachrichten von altdeutschen Gedichten, welche aus der heidelbergischen Bibliothek in die vatikanische gekommen sind". This publication was responsible for increased attention paid to manuscript "Heldenbücher" rather than the printed version. Ludwig Tieck examined original manuscripts and prints, in 1793 transcribing a Heldenbuch of 1577. In 1807 he announced his own Heldenbuch edition, though it never came to fruition. In 1811 Friedrich Heinrich von der Hagen, with whom Tieck at one point had planned to collaborate, published "Der Helden Buch", with six works translated into Modern German, followed in 1820 and 1825 by the two-volume "Der Helden Buch in der Ursprache herausgegeben" ("The Heldenbuch published in the original language"), which includes the entire text of the Dresdener Heldenbuch. Von der Hagen attempted to expand the boundaries of the "Heldenbuch" to include all German heroic poetry besides the "Nibelungenlied" in his various editions. By the middle of the eighteenth century, most scholars limited the term to include the texts of the printed "Heldenbuch" and all the various poems in the cycle of Dietrich von Bern. This meaning of the term was then used by the editors of the "Deutsches Heldenbuch" (5 vols. 1866-1873).