New Quay, said Caitlin, was Thomas' kind of place, and he was happy there, as his letters reveal. His ten months at Majoda were the most fertile period of his adult life, a second flowering said his first biographer, Constantine FitzGibbon, “with a great outpouring of poems.” These Majoda poems, including making a start on Fern Hill, provided nearly half the poems of "Deaths and Entrances", published in 1946. There were four film scripts as well, and a radio script, "Quite Early One Morning," about a walk around New Quay. This radio script has been described as “a veritable storehouse of phrases, rhythms and details later resurrected or modified for "Under Milk Wood".” Not since his late teenage years had Thomas written so much. Not surprisingly, his second biographer, Paul Ferris, concluded that “on the grounds of output, the bungalow deserves a plaque of its own.”