The scale was extensively used by Rimsky-Korsakov's student Igor Stravinsky, particularly in his Russian-period works such as "Petrushka" (1911), "The Rite of Spring" (1913), up to the "Symphonies of Wind Instruments" (1920). Passages using this scale are unmistakable as early as the "Scherzo fantastique", "Fireworks" (both from 1908), and "The Firebird" (1910). It also appears in later works by Stravinsky, such as the "Symphony of Psalms" (1930), the "Symphony in Three Movements" (1945), most of the neoclassical works from the Octet (1923) to "Agon" (1957), and even in some of the later serial compositions such as the "Canticum Sacrum" (1955) and "Threni" (1958). In fact, "few if any composers have been known to employ relations available to the collection as extensively or in as varied a manner as Stravinsky" .