In the studio's competitive crucible produced by the Great Depression demanding profitable entertainment, LeRoy directed 36 pictures during the decade (Curtiz filmed an astounding 44 features during the same period). Baxter adds: "No genius could function without variation under such pressure." The social perspective of films favored at Warner Brothers was distinct from those of its chief rivals: Metro-Goldwyn-Mayer (M-G-M), uncontested for its "technical virtuosity" aimed to serve "middle-class tastes" and Paramount studios identified for its "sophisticated dialogue and baroque settings" that catered to European sensibilities. In contrast, Warner Brothers films carried themes appealing to the working classes.