Her next record "C'est toi que je veux", again with Whitaker, also failed to make an impact. With this string of recordings in the late 1960s, none of them an unmitigated success, and making the transition from teen-age to adult performer, Gall faced some challenges in this period through the early 1970s. Mason wrote,No longer a teenager, but without a new persona to redefine herself with, (and without the help of Gainsbourg, whose time was taken by his own albums and those of his wife Jane Birkin), Gall floundered both commercially and artistically. A label change from Philips to BASF in 1972 didn't help matters ..."