This sequence differs considerably from previous versions: it is incorporated into the film's narrative; it begins with Bond standing stationary (although he was walking toward the door before stopping and turning); it is not filmed against a blank white void and it includes the person whom Bond shoots. In keeping with the black-and-white theme of the pre-title sequence of the film, it is also the first to be presented in monochrome since "Diamonds Are Forever" (1971) and the first in which Bond is wearing neither a business suit nor a dinner suit, but is dressed casually. Like Dalton and Brosnan, Craig shoots one-handed.