While the socialist realism doctrine in Soviet cinema originated around the time of the Bolshevik Revolution (Eisenstein, Dovzhenko, Pudovkin) and reached its peak in the 1930s, it did not have sufficient time to develop in postwar Poland. Therefore, the cult of the communist party remained alien to the local film industry. Among the more creative Polish films loosely adhering to principles of socialist realism were "Celuloza" by Jerzy Kawalerowicz, "Pokolenie" by Andrzej Wajda and "Piątka z ulicy Barskiej" by Aleksander Ford. The ideological stereotype gave birth to some inferior productions as well, such as "Uczta Baltazara" by Jerzy Zarzycki and Jerzy Passendorfer.