Their second album, "Neu! 2", features some of the earliest examples of musical remixes. The duo, excited about recording another album, decided to expand their horizons by purchasing several new instruments. With the money they had left as an advance from the record company, they could only record half an album's worth of material. The company would not increase their advance because the first album did not sell well enough and the label did not see a reason to further finance what was most likely to become a flop. To rectify the lack of material, the band filled the second side with manipulated versions of their already-released single "Neuschnee"/"Super", playing back each song at different speeds and sometimes warbling the music by messing with the tape machine or placing the record off center on the turntable. The songs "Super 16" and "Super 78" (slowed down and sped up versions of the prototype punk song "Super," respectively) unwittingly became the theme songs to the 1976 martial arts cult classic "Master of the Flying Guillotine" by Jimmy Wang Yu. This film was later referenced by Quentin Tarantino in Kill Bill Volume 1 by also featuring the track "Super 16".