As Bob Bows observes in his review of the 2008 Germinal Stage Denver production, whereas at first " 'The Birthday Party' appears to be a straightforward story of a former working pianist now holed up in a decrepit boarding house," in this play as in his other plays, "behind the surface symbolism ... in the silence between the characters and their words, Pinter opens the door to another world, cogent and familiar: the part we hide from ourselves"; ultimately, "Whether we take Goldberg and McCann to be the devil and his agent or simply their earthly emissaries, the puppeteers of the church-state apparatus, or some variation thereof, Pinter's metaphor of a bizarre party bookended by birth and death is a compelling take on this blink-of-an-eye we call life."