Furthermore, "Fact" writer Robin Jahdi highlights the late 1990s noisecore of bands such as Botch, Kiss It Goodbye, the Dillinger Escape Plan and Coalesce, who merged brutal metallic hardcore with jazz into fast-and-complex compositions, as a fundamental influence on post-metal. Writing for "Bandcamp Daily", Jon Wiederhorn also noted the significance of Botch and Cave In, while Converge have been connected to post-metal through their longer songs since the closing track of their seminal 2001 album "Jane Doe". According to Jahdi, the genre emerged as "those young intellectuals decided to slow it down" and labels such as Relapse Records and Hydra Head Records began releasing "slower, more bass-heavy and abstract" music more akin to post-rock.