Stephen Holden of "The New York Times" called the film "simultaneously epic and precisely minuscule", writing that "it isn't until Badii meets the taxidermist that the film finds a lyrical voice to match its powerful visual imagery. His gorgeous, rough-hewn soliloquy about regaining his zest for life after trying to hang himself from a mulberry tree is a simple, eloquent parable of the senses opening to the refreshment of life's simple pleasures." According to Stanley Kauffman of "The New Republic", "As the film's design becomes clear to us, a quiet spaciousness begins to inhabit it."