Chytilová embodied a unique cinematographic language and style that does not rely on any literary or verbal conventions, but rather utilizes various forms of visual manipulations to create meaning within her films. Chytilová used observations of everyday life in accordance with allegories and surreal contexts to create a personalized film style that is greatly influenced by the French New Wave, and Italian neorealism. Chytilová actively used a filmic style that is similar to cinéma vérité in order to allow the audience to gain an outside perspective of the film. Her use of cinéma vérité is best illustrated in her 1966 film "Daises" in which these techniques create a “philosophical documentary, of diverting the spectator from the involvement, destroying psychology and accentuates the humor”. Through these manipulations Chytilová created a disjunctive viewing experience for her audience forcing them to question the meaning of her films.