Taiwanese filmmakers have attempted to cater to the Mainland Chinese market, and any films released on the mainland must comply with censorship that often involves downplaying or removing any indicators that Taiwan is a separate country from China. Such films include Hou Hsiao-hsien's "The Assassin" (2015), Yu Shan Chen's "Our Times" (2015), Gidden Ko's "You Are the Apple of My Eye" (2012), and "The Wonderful Wedding" (2015). All of these focus on cross-cultural themes marketable on the mainland and other parts of Asia, while purposefully avoiding use of the Taiwanese dialect and common symbols of Taiwanese nationality, like the flag. This is even the case in "The Wonderful Wedding", which relies on comedic misunderstandings between the families of a mainland Chinese groom and Taiwanese bride, but attributes them to cultural differences on the regional level not the national level, something that has been described as a 'political whitewash'. Despite this, the film was more successful in Taiwan due to the variety of Taiwanese dialect comedic puns on Mandarin Chinese words. Successful films that focus on Taiwan have therefore predominantly been independent, low-budget, and aimed at the local market, such as John Hsu's "Detention", which received five awards including Best Director at the 56th Golden Horse Awards.