"Exit the King" is unusual among Ionesco's works in that the plot is linear and focuses on depletion rather than accumulation. Often in Ionesco's plays, the stage is filled with more and more objects or characters; in "Rhinoceros", for example, there are gradually more and more rhinoceroses. In this play, however, the kingdom and all the characters slowly disappear. Likewise, the language is generally more straight forward and comprehensible, eschewing Ionesco's tendency toward abundant clichés and nonsense. Ionesco told Claude Bonnefoy in a 1966 interview that "Exit the King" did not "originate in a dream" as many of his plays did, but was "much more consciously composed. People immediately said: 'Oh! He’s given up the avant-garde, he’s turning classical!' It wasn’t a question of choosing between classicism and the avant-garde. I had quite simply written in a different style because I was on a different level of consciousness".