By the 1430s most chaperons had become simpler in the treatment of the cloth, and the cornette is long and plain, although the patte may still be elaborately treated with dagging. A perhaps overdressed courtier in a Van der Weyden workshop "Exhumation of St Hubert" (National Gallery, London NG 783) from this decade still has a very elaborately cut and dagged patte. A figure behind him is wearing his in church, which is unusual (both figures can be paralleled in the "Seven Sacraments Altarpiece"; see Gallery below).