In an evening of wayang, the pathet of the accompaniment in progresses in throughout the performance. In slendro, the sequence is from nem to sanga to manyura; in pelog, from lima to nem to barang. Very early wayang was in slendro only, but it is now common to combine slendro and pelog in wayang, dance, and klenengan (pure music) performances. The sections of the wayang are also associated with stages of life and a range of emotions; this influences the feeling, playing, and interpretation of pieces in each pathet.