Those observations were echoed by many reviewers. In "The New York Times", for example, Thomas Mallon praised the book's lyricism and reported that "MacLeod's world of Cape Breton – with its Scottish fishermen and their displaced heirs, the miners and young professionals it has mournfully sent to the rest of the nation – has become a permanent part of my own inner library." Mallon's main criticism was that parts of the novel came across as heavy handed, lacking the deftness of MacLeod's short fiction. He ended, however, by noting that MacLeod's entire body of work would soon be published in the U.S. granting American readers "a new land that their imaginations can seize like a manifest destiny."