There are numerous other examples of Korean sculpture or images influenced by Korean style in Japan. The Kanshoin pensive bodhisattva (image) has three traits that suggest it was an import from Korea or made by a Korean immigrant in Japan. The strong constriction of the upper body, the incised line chiseled into the eyebrow, and tassel on the front of the crown. Scholars currently debate whether Hōryū-ji Dedicated treasure no. 156 (image) is Korean in origin or made in Japan, influenced by Korean styles. An inscription on its base can be plausibly attributed to either a 606 or 666 date. An early date would suggest a Korean origin because of the still developing nature of Japanese sculpture at the time. By 666, plenty of indigenous Japanese sculpture can be found. Some Korean traits include the emaciated body, three-tiered crown and head knot, and the extreme stylization of the drapery over the base. Either way, the image is an important example of Korean traits in early Japanese art. The inscription mentions Gaya, a group of statelets that were annexed by Paekche and Silla in the 6th century, which may suggest that the image preserves the style prevalent in the Nakdong River valley.