Murphy and Mark Brydon ended their romantic relationship but were still contractually obligated to record another album, which became Moloko's 2003 album "Statues". When she finished touring, she found herself alone and had to re-evaluate the friendships she had built. During this time, she got to know Matthew Herbert, whom she had met when he remixed several of Moloko's songs. Murphy had wanted to work with him again, commenting that "it felt very natural [...] because Matthew makes things seem quicker and easier". During the first day of recording with Herbert, he had her bring an unspecified object so that they could hit it against a microphone and record the sound it made. Herbert's approach was that for Murphy to go solo, the album should revolve around her and the sounds that surround her. They wanted to carry out recording and audio mixing in one room, so Herbert invested in a studio. There, Herbert recorded Murphy's voice without accompaniment so that she could better hear how her voice naturally sounded. On occasion, the two added instruments to a track by having her hire an instrumentalist, sometimes to play an unusual instrument such as a hammered dulcimer.