A minor resurgence of interest in Garrigue's work occurred in the decade between 1982 and 1992. In 1982, the journal "Twentieth Century Literature" devoted the better part of an issue to a symposium on her work, featuring commentary by both poets and scholars. In 1991, Lee Upton's monograph appeared. In 1992, a "Selected Poems" (Univ. of Illinois Press) volume brought her work back into print for the first time since "Studies for an Actress" appeared in 1973, a year after her death. In between, a handful of essays on her work, primarily by poets, also appeared. Still, Garrigue continues to escape the notice of the traditional critical establishment, with its preference for a classical simplicity and clarity, and of the more recent feminist critics, to whom she makes no overt appeal.