The striking form of the New South Wales waratah became a popular motif in Australian art in the late nineteenth and early twentieth century and was incorporated in art nouveau designs of the time. Matchboxes, paperweights and especially tins have been decorated with the flower. Arnott's often used the waratah as an alternative to their parrot logo on biscuit and cake tins from the early 1900s. Shelleys soft drinks, established in 1893 in Broken Hill, also displayed it on their label. The French artist Lucien Henry, who had settled in Sydney in 1879, was a strong proponent of a definitive Australian art style incorporating local flora, particularly the waratah. His most famous surviving work is a triptych stained glass window of Oceania flanked by numerous waratahs overlooking the Centennial Hall in Sydney Town Hall.