For "Part 2", Steve Miner asked Carl Fullerton, the make-up effects supervisor, to stick to Savini's original design, but Fullerton only had one day to design and sculpt a new head. Fullerton drew a rough sketch of what he believed Jason should look like, and had it approved by Miner. Fullerton added long hair to the character. Gillette had to spend hours in a chair as they applied rubber forms all over his face, and had to keep one eye closed while the "droopy eye" application was in place. Gillette's eye was closed for twelve hours at a time while he was filming the final scenes of the film. False teeth created by a local dentist were used to distort Gillette's face. Much of the basic concept of Fullerton's design was eliminated for "Part 3". Miner wanted to use a combination of the designs from Tom Savini and Carl Fullerton, but as work progressed the design began to lean more and more toward Savini's concept. Stan Winston was hired to create a design for Jason's head, but the eyes were level and Doug White, the make-up artist for "Part 3", needed a droopy right eye. White did keep Winston's design for the back of the head, because the crew did not have the time to design an entirely new head for Jason. The process of creating Jason's look was hard work for White, who had to constantly make alterations to Richard Brooker's face, even up to the last day of filming.