Renaissance prints of the story are based on the Classical accounts. Agostino Veneziano depicts the slave Androcles being freed by the emperor in a work from 1516–17 now in the LACMA collection. There is also an early pen and wash drawing by Baldassare Peruzzi dating from the 1530s in the Hermitage Museum. Dependent on the account by Aulus Gellius, it depicts Androcles walking through a doorway with the lion on a lead at his heel. Other artists have preferred the scene of Androcles pulling the thorn from the lion's paw, as in Bernhard Rode's print of 1784. A later American example is Walter Inglis Anderson's block print scroll of 1950, which was based on his 1935 painting.