The apertured, superimposed, multiple canvases of Jane Frank in the 1960s and 1970s are a special case: while generally flat and rectangular, they are rendered sculptural by the presence of large, irregularly shaped holes in the forward canvas or canvases, through which one or more additional painted canvases can be seen. A student of Hans Hofmann, and sharing his concern for pictorial depth as well as his reverence for nature, she also favors colors, textures, and shapes that are complex, nuanced, and organic or earthen – giving her work a brooding or introspective quality that further sets it apart from that of many other shaped-canvas painters.