While the Marxist writers were more focused on historical movements and trends, Cobb's own vision was more tightly framed on individuals and their unique contributions. Even more importantly, those individuals who captured his attention were not the usual famous names – his favoured subjects were either Everyman figures or obscure persons of unique depth. Cobb had "an intense identification with the people who experience rather than make history." In his books and essays, Cobb wove compelling stories from raw data: "His approach is that of the novelist or Impressionist painter, communicating, always with compassion and a total absence of solemnity, what history did to ordinary people and how they managed to survive it."