Critic Vincent Leo praised Penn's performance, noting, "While Oldman gets the accolades for his energetic performance, it is really Penn's inner demons that provides the film with the right amount of conflict, always letting us be aware that fine lines are the difference between life and death, as well as right and wrong, out in the streets of New York. Is Penn doing the noble thing by taking down the criminals, or is he a rat bastard, disowning himself from the way of life and people who helped him along the way? It's the question that makes him sick to the pit of his stomach, and Penn shows it in his face with almost every scene."