The play, with plot elements drawn from romance and the ribald tale, depends on gender role conventions, both as expressed (Bertram) and challenged (Helena). With evolving conventions of gender roles, Victorian objections centred on the character of Helena, who was variously deemed predatory, immodest and both "really despicable" and a "doormat" by Ellen Terry, who also—and rather contradictorily—accused her of "hunt men down in the most undignified way". Terry's friend George Bernard Shaw greatly admired Helena's character, comparing her with the New Woman figures such as Nora in Henrik Ibsen's "A Doll's House". The editor of the Arden Shakespeare volume summed up 19th century repugnance: "everyone who reads this play is at first shocked and perplexed by the revolting idea that underlies the plot."