Dove and Torr were not able to wed immediately as Torr had not divorced her first husband. They did eventually marry in April 1932 in the New York City Hall with a brief service and using a dimestore ring. Dove identified himself as a "frame maker" on his marriage registry. The 1933 Gallery 291 exhibition was the only time Stieglitz allowed Torr and Dove to exhibit together. "Seven Americans" brought Dove back into the coverage of major newspapers and art magazines, as well as back into the public eye. His work influenced later abstract landscape painters, such as Julian Hatton and Georgia O'Keeffe, in having "an unbridled love of pure, hot color."