Many of The Haters later performances involved whole audiences being led by inside agitators to actually ruin or destroy entire venues. Proprietors were not always informed of the choreography in advance. These were what The Haters called celebrations of entropy. The audience that was as much a part of the actual performance as the performers were. Without any conditioning beforehand, entire audiences would halt their mayhem the very instant the soundtrack stopped. It made no difference if the attendance was 20 or 200. When the sound stopped, so did the action.