The 3 hour-plus event was shot on 16mm film with multiple cameras. Director Jopson prepared by studying the music from various live recordings, and then, consulting with producer Tammara Wells plus director of photography Martin Pitts and camera operators Ernest Dickerson, Paul Goldsmith and Don Lenser, determined the camera positions. During rehearsals Pitts and long-time associate Lou Tobin designed the lighting for show. The lighting team was joined by the crew from "Chorus Line" which had just closed on Broadway. The film is known for its intimate close-ups of the musicians, showing their subtle signals to each other and acknowledgment of well-played riffs. The recording was engineered by Mike Moran and David Hewitt with Remote Recording Service's Silver Truck.