Theodore Steinway of Steinway & Sons patented tunable aliquots in 1872. Short lengths of non-speaking wire were bridged by an aliquot throughout much of the upper range of the piano, always in locations that caused them to vibrate in conformity with their respective overtones—typically in doubled octaves and twelfths. This enhanced the power and sustain of the instrument's treble. Because it was time-consuming to correctly position each aliquot, Steinway abandoned individual aliquots for continuous cast-metal bars, each comprising an entire section of duplex bridge points. The company trusted that with an accurately templated bridge and carefully located duplex bar, the same result would be achieved with less fuss.