Adrian Gregory is highly critical of Ponsonby's account in "Falsehood in War-Time", arguing that the story, like many other anti-German atrocity tales, originated with ordinary soldiers and members of the public: “the process was bottom-up more than top-down,” and that in most of the false atrocity stories “the public were misleading the press”, rather than a sinister press propaganda machine deceiving an innocent public. Joachim Neander says that the process was more like a "feedback loop" in which plausible stories were picked up and used by propagandists such as Charteris: "Charteris and his office most probably did not have a part in creating the 'Corpse factory' story. It can, however, be safely assumed that they were actively involved in its spreading." Furthermore, the story would have remained little more than rumour and tittle-tattle if it had not been taken up by respectable newspapers such as "The Times" in 1917.