Ernő Lendvai analyzes Béla Bartók's works as being based on two opposing systems, that of the golden ratio and the acoustic scale, though other music scholars reject that analysis. French composer Erik Satie used the golden ratio in several of his pieces, including "Sonneries de la Rose+Croix". The golden ratio is also apparent in the organization of the sections in the music of Debussy's "Reflets dans l'eau (Reflections in Water)", from "Images" (1st series, 1905), in which "the sequence of keys is marked out by the intervals 34, 21, 13 and 8, and the main climax sits at the phi position".