As Gray had forecast, little favourable notice was taken at the time of poems so at odds with the Augustan spirit of the age, characterised as they were by strong emotional descriptions and the personal relationship to the subject allowed by the ode form. Another factor was dependence on the poetic example of Edmund Spenser and John Milton, where Collins' choice of evocative word and phrase, and his departures from prose order in his syntax, contributed to his reputation for artificiality. Warton was content to refuse later republication of the products of his youthful enthusiasm, but Collins was less resilient. Although he had many projects in his head in the years that followed, few came to fruition. Republication of his eclogues apart, his closest approach to success was when the composer William Hayes set "The Passions" as an oratorio that was received with some acclaim.