Another example of 6th-century sculpture is a triad now at the Gyeongju National Museum. Like contemporaneous examples from Goguryeo, the statue exhibits traits typical of the Northern Wei style, especially in the depiction of the robes. Some similarities with Goguryeo-specific traits include the fairly crude depiction of the flames in the mandorla, simplification being a common trait in extant early sculpture. The roundness of the face, the smile of the central Buddha as well as the harmonious proportions, static nature of the image, and a sense of warmth and humanity are features typically associated with the Southern Dynasties of China, and frequently occur in features of Baekje sculpture as well. The warm climate and fertile environment the kingdom was situated along with native sensibilities are credited as reasons for the Baekje style.