Ang Lee is perhaps the most well-known of the Second New Wave directors. His early films "Pushing Hands" (1991), "The Wedding Banquet" (1993), and "Eat Drink Man Woman" (1994) focus on the generational and cultural conflicts confronting many modern families. His "Crouching Tiger, Hidden Dragon" (2000) revived the wuxia genre successfully. Although not in the tradition of New Wave or Second New Wave, it is a commercial success which placed Asian films firmly in the international domain. The recent films "Eternal Summer" (2006), "Prince of Tears" (2009) and "Winds of September" (2009) have pushed the boundaries of Taiwanese film-making and broken the island's long-standing taboos about the depiction of controversial subject matter.