The cinematography influenced John Huston's "The Maltese Falcon". Cinematographer Arthur Edeson used a wider-angle lens than Toland and the film includes many long takes, low angles and shots of the ceiling, but it did not use deep focus shots on large sets to the extent that "Citizen Kane" did. Edeson and Toland are often credited together for revolutionizing cinematography in 1941. Toland's cinematography influenced his own work on "The Best Years of Our Lives". Other films influenced include "Gaslight", "Mildred Pierce" and "Jane Eyre". Cinematographer Kazuo Miyagawa said that his use of deep focus was influenced by "the camera work of Gregg Toland in "Citizen Kane"" and not by traditional Japanese art.