The song ends with a final coda that features repeating vocal rounds—a centuries-old technique that was highly unusual for pop music of the era— with triplet fills played on a drum kit. Wilson's 2016 memoir states, "I liked all those old songs that used rounds, like 'Row, Row, Row Your Boat' and 'Frère Jacques'. I liked rounds because they made it seem like a song was something eternal." At its conclusion, Lambert writes, "we hear A major chords that want to provide harmonic stability, but as before, the chords and vocal lines surrounding them make us want to think otherwise."