John J. O'Connor, writing for "The New York Times" in January 1993, noted that pre-release advertisements for "" offered "a new "Star Trek" era" and added, "Welcome to the Dark Side. The determinedly optimistic Mr. Roddenberry was partial to plots that made uplifting moral points. The new creators and executive producers, Rick Berman and Michael Piller, are shooting, so to speak, for something more ambivalent, less perfect." In September 1996, before the start of Season Four, O'Connor was not sure the series was tackling contemporary themes adequately. He wrote, "Inevitably, though, there is an element of exhaustion seeping through the concept. With the Cold War over, perhaps the Roddenberry optimism seems merely naive as headlines bring news of murderous divisions between Serbs and Muslims, Kurds and Turks, Israelis and Palestinians, Irish Catholics and Protestants, and so on across an increasingly depressing globe. "Star Trek" offered a vision that leapt 300 years into the future. For too many people today, three years would seem a stretch."