Jeanne leaves the crime scene and is killed in a car accident by the priest who had fired her from the charity she worked for. Sophie, for her part, walks away from the house after having wiped their fingerprints off the guns, making her way through the police squads at the accident. The end credits begin with the music of the opera that is being played back by a policeman on Melinda's tape-recorder, which Jeanne stole and put in her car. At the end of the credits, the gunshots can be heard on the tape and then the voices of Jeanne and Sophie, constituting evidence against them. Chabrol presents an ambiguous view of culture and class conflict in this film, which he jokingly called "the last Marxist film."