Concluding that picketing and boycotts would not work, FIGHT began to think of some "far-out tactics along the lines of our O'Hare shit in." This included a "fart-in" at the Rochester Philharmonic, Kodak's "cultural jewel." It was a proposal Alinsky considered "absurd rather than juvenile. But isn't much of life kind of a theater of the absurd?" No tactic that might work was "frivolous." In the end, and following a disruption of its annual stockholders' convention, assisted by Unitarians and others assigning FIGHT their proxies (Alinsky had called on them to "put your stock where your sermons are"), Kodak recognized FIGHT as a broad-based community organization and committed, through a recruitment and training program, to black employment.