Some saw "RoboCop" as a self-aware comic-book film for adults that combined extreme violence with humor and technology. Maslin appreciated that the film takes place on a relatively small scale with a "big imagination" and a "powerful sense of purpose". Michael Wilmington of the "Los Angeles Times" found it surprisingly clever, unlike other "bone headed action films", offering both humor and cynicism. Ebert concurred, saying that unlike predictable fare of the thriller genre, "RoboCop" offered something different; and Pat Graham of the "Chicago Reader" labelled it "creepy" but stylish. David Sterritt of "The Christian Science Monitor" praised Verhoeven's skillful direction and "razor-sharp" social satire. "Time Out"s review said Verhoeven's blend of comic book and snuff film was fast-paced, violent, and funny. Wilmington found the direction exhilarating, and Kempley said that Verhoeven had delivered a smart, darkly comic, and savage film, which in other hands might simply have been a fast-paced action film. In contrast, Dave Kehr of the "Chicago Tribune" wrote it was over-directed and lacking in tension or momentum. He concluded that Verhoeven's European filmmaking style was different but lacked any rhythm.