Five other music video were produced to promote the album's singles. While the video for "Black Cat" was taken from live footage of Jackson's concerts, those for "Escapade" and "Alright" utilized a Broadway-influenced production. The video for "Alright" was an homage to choreographer Michael Kidd, who was asked to participate in the project and also featured appearances by the flash dancing Nicholas Brothers, actress Cyd Charisse and bandleader Cab Calloway. An extended version of the video also features rapper Heavy D. The somber video for "Come Back To Me" was filmed near the Eiffel Tower in Paris, France. Similarly, "Love Will Never Do (Without You)" was a notable departure from the typically elaborate choreography associated with Jackson's other videos, focusing on her as an individual rather than as a part of a dancing troupe. Featuring appearances by Antonio Sabàto, Jr. and Djimon Hounsou, the sandy beach setting exemplifies director Herb Ritts "signature style through use of graceful movements, bold contrasts, and wide-open spaces." The music video is also regarded as the origin of what would later become Jackson's sexually overt persona, freely displaying her legs, torso and cleavage, as well as touching her own bare skin and Sabàto, Jr's in a sensual manner. In "Present Tense: Rock & Roll and Culture" (1992), Anthony DeCurtis states that "he video celebrates hedonism and voyeurism; there are languorous displays of Jackson's body in ripped jeans and brief top, and of several muscular male bodies, black and white, with bare arms, and chests." She received the MTV Video Vanguard Award, regarded as MTV's highest honor for artists whose videography has significantly impacted pop culture.