This enabled Adam to make his name with his innovative, semi-futuristic sets for further James Bond films, such as "Goldfinger" (1964), "Thunderball" (1965), "You Only Live Twice" (1967), and "Diamonds Are Forever" (1971). The supertanker set for "The Spy Who Loved Me" (1977) was constructed in the largest sound stage in the world, at the time. It was lit by Stanley Kubrick in secret. His last Bond film was "Moonraker" (1979). Writing for "The Guardian" in 2005, journalist Johnny Dee claimed: "His sets for the seven Bond films he worked on [...] are as iconic as the movies themselves and set the benchmark for every blockbuster".