With Rusiñol and with sculptor Enric Clarasó he exhibited at Sala Parés in 1890; his work from this period, such as "Plen Air" and the "Bal du Moulin de la Galette" lies somewhere between an academic style and that of the French impressionists. The style that would become known as "modernisme" had not yet fully come together, but the key people were beginning to know one another, and successful Catalan artists were increasingly coming to identify themselves with Barcelona as much as with Paris.