Images dated to the Unified Silla period are relatively more plentiful than their counterparts from the Three Kingdoms period. There are several dated images which serve as important markers that show the evolution of Korean sculpture during this era. The first set of important dated images are a group of Buddhist stele excavated from former Baekje territory with dated inscriptions. One of the most important examples, shown below, is a stele dated to 673, thirteen years after the defeat of the Baekje Kingdom. This image has an important inscription which states that the statue was carved by artisans from the former Baekje Kingdom and funded by former Baekje aristocrats. This image, and the others from group, suggest that Baekje nobility were incorporated into the Silla political system so that they could help their new overlords govern subjugated territory. The stele, reminiscent of a single mandorla triad, has a close analogue to the famous Sakyamuni Triad in the Horyu-ji cast by a Korean sculptor in 623. Not only does the stele provide a clue that suggests that the Sakyamuni Triad may have been based on styles from Baekje specifically, this suggests also that Silla art incorporated the styles and practices of their conquered subjects in subsequent art.