In 1889 Camillo Sitte published "Der Städtebau nach seinem künstlerischen Grundsätzen" (translated as "City Planning According to Artistic Principles") which was not exactly a criticism of architectural form but an aesthetic criticism (inspired by medieval and Baroque town planning) of 19th-century urbanism. Mainly a theoretical work, it had an immediate impact on architecture, as the two disciplines of architecture and planning intertwined. Demand for it was so high that five editions appeared in German between 1889 and 1922 and a French translation came out in 1902. (No English edition came out until 1945.) For Sitte, the most important issue was not the architectural shape or form of a building but the quality of the urban spaces that buildings collectively enclose, the whole being more than the sum of its parts. The Modern Movement rejected these thoughts and Le Corbusier energetically dismissed the work. Nevertheless, Sitte's work was revisited by post-modern architects and theorists from the 1970s, especially following its republication in 1986 by Rizzoli, in an edition edited by Collins and Collins (now published by Dover). The book is often cited anachronistically today as a vehicle for the criticism of the Modern Movement.