The next two examples, both Korean national treasures and both made of almost pure gold, were probably royal commissions. The two were excavated from a stone pagoda and an accompanying relic contains dates describing the dates of interment for both statues. The first image, a standing Buddha which could have been made as late as 692, the date of its purported interment, shows that the style of the preceding Three Kingdoms period, especially in the modeling of the robe, persisted several decades after unification. The second image, dated to 706 is an exquisite and rare example of a seated Buddha from Korea during this time period and the contrast in style with its counterpart is quite striking. The seated Buddha incorporates the latest styles from Tang China and is a beautiful example of the so-called International Style practiced throughout East Asia. Some small discrepancies between the height described by inscription and the actual height of the seated Buddha, along with the rough nature of the standing Buddha may suggest the attributed dates are not entirely accurate.