A single-mandorla triad, Hōryū-ji Dedicated Treasure no. 143 now in the possession of the Tokyo National Museum is a particularly fine example of Baekje sculpture in Japan from the 6th or 7th century. The Korean origins of the statue are based on the round and warm faces typical of Baekje style, the absence of an air of solemnity and austerity typical of the Tori style, the casting technique which used nails instead of spacers, and the intaglio effect on the bronze the artisan used to make the eyebrows, a typical Korean technique. The Dainichibo standing Buddha, Sekiyamajinja Bodhisattva, Hōryū-ji Treasure no. 165 may all be from Korea as well. Other possible examples of Baekje sculpture in Japan are the hidden image at Zenkoji (image), the Kudara Kannon (literally Baekje Avalokiteshvara) at Hōryū-ji, and the Yumedono Kannon.