The first secretary of the Club was Thomas Warren (later Warren-Horne after an inheritance) who published an annual collection of catches and glees from 1762 to 1793, generally known as the Warren Collection. Some are anonymous, which accords with the Club's submission rules, though in most cases Warren has supplied a composer. Gladstone writes (p. 41) that "The worst of the literature set to music was either destroyed or suppressed...Catches were still written but not to objectionable words." Nevertheless, catches had from early times exploited the gaps revealed by rests to reveal hidden meanings from other lines, usually with amusing intent. In the first volume of the Collection is an epitaph by Giardini (p. 29) which exploits the division of syllables "in a count-ry churchyard" in this way, so perhaps members reading the lyrics, and not the music, did not find them objectionable. This seems to have set the tone for a revival of this style of catch since there are many more in this vein.