However, though Ponge attempted to evoke the feeling of the object he was describing by any possible means, he simultaneously believed that good poems were "the most structured, the most uninvolved, the ‘coldest’ possible". To him, the employment of the objeu was rote enough that the evocation of emotion could still be "cold" and "uninvolved." It comes as no surprise that Ponge admired the art of such artists as Cézanne, Braque, and Picasso – Post-Impressionists and Cubists whose mission was to capture the feeling and significance in addition to the form of their subjects – for Ponge shared their goal.