The park, on which work began in 1856, represents a classic example of a mixed, artificial implantation of ligneous forest-trees and bushes and it succeeds in blending the charm of a typically Northern environment and a Mediterranean context. In contrast to the baroque garden, the English one – on which Miramare is modelled – introduces a new relationship with nature, resulting from a different sensibility towards the material world. This is why, when strolling along the paths in the park, you can breathe in an atmosphere that is tightly bound up with the life of its owner and his romantic relationship with nature, which was typical of his epoch.