In April 2014, Joe Reid of "The Atlantic" revisited "Go" on the 15th anniversary of its release. Reid noted that at the time it came out, it was seen as a "knock-off" of other 1990s films. "The split narrative style, complete with character title cards separating the film into thirds, put "Go" at the top of the list when it came to late '90s Tarantino influenced cinema. And then there was director Doug Liman, red hot off of the cult success of "Swingers", trading neo swing culture for X and raves. (Both films would give a healthy chunk of attention to Vegas, though.) The thing about "Go" that sets it apart, however, is that it's COMPLETELY FANTASTIC. Energetic and quotable and stylish and neither overly enamored with nor overly dismissive of the culture it's inhabiting."