A parody of Gioacchino Rossini's 1816 opera of the same name, "The Barber of Seville" is noted for its uses of speed, timing, and music synchronization. During the shaving of the second client, several shots are presented in rapid succession, some lasting only one-fourth of a second. Woody's demeanor and attitude are designed to match the music, during the famous "Figaro" portion of the tune, Woody splits into three, then four, then five instances of himself, in less than two seconds of screen time. Culhane later called "The Barber of Seville" one of my most satisfying achievements as a director.