Several well-known artists had illustrated fable collections and their designs were recycled for various purposes. Among these may be mentioned Wenceslaus Hollar's print for the 1666 Ogilby edition of Aesop's fables, in which a dog occupies the manger and barks at a single ox being driven into a wooden barn. Shortly afterwards, Francis Barlow pictured the dog snarling on a pile of hay in a brick-built barn, while the dog does so in a more open farmyard structure in Samuel Howitt's "A New Work of Animals" (1810). Hollar's design of the ox turning its head to look round at the dog with the barn's brick entrance behind was clearly an influence on later illustrators, including those for the various editions of Samuel Croxall's fable collection and for Thomas Bewick's of 1818.