In his review for "New York", David Edelstein wrote, "As the plotting gets knottier, technique gets more fluid—the editing jazzier, the colors more luscious, the whip-pans more whizbang. It's all anchored by Clooney, looking impudent, roguish, almost laughably handsome." Manohla Dargis, in her review for "The New York Times", wrote, "Playing inside the box and out, [Soderbergh has learned to go against the grain while also going with the flow. In "Ocean's Thirteen" he proves that in spades by using color like Kandinsky and hanging a funny mustache on Mr. Clooney's luscious mug, having become a genius of the system he so often resists."