Productions in the small theater sometimes involved a few orchestral instruments, but often the singers were accompanied only by a piano in the pit. The intimate setting resulted in a different operatic experience. In some cases, acting could be less exaggerated than in a larger house. Though the stage was small, scenery was typically fully realized and often quite striking visually. Because the singers were so close to the audience, it was easier to discern the individual parts in group scenes, such as quartets. Many productions benefitted from Amato's humor, and audiences were often amused at the opening of operas when two small chandeliers were hoisted up to the ceiling, mimicking the raising of the grand chandeliers at the Metropolitan Opera house.