After the fire in 1910, Warrick Fuller built a studio in the back of her house, something which her husband strongly opposed. Between domestic duties, she found herself inspired by her religion and began to sculpt traditional biblical scenes. She retained her interest in such works even though she left the church after she and her family were discriminated against by neighbors and parishioners. Warrick believed making art was her divine calling so her being cast out didn't discourage her reignited motivation to create.