The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in America to feature a black actor playing Othello with an otherwise all-white cast (there had been all-black productions of the play before). It ran for 296 performances, almost twice as long as any other Shakespeare play ever produced on Broadway. Although it was never filmed, it was the first lengthy performance of a Shakespeare play released on records, first on a multi-record 78 RPM set and then on a 3-LP one. Robeson had first played the role in London in 1930 in a cast that included Peggy Ashcroft as Desdemona and Ralph Richardson as Roderigo, and would return to it in 1959 at Stratford-upon-Avon with co-stars Mary Ure, Sam Wanamaker and Vanessa Redgrave. The critics had mixed reactions to the "flashy" 1959 production which included mid-western accents and rock-and roll drumbeats but gave Robeson primarily good reviews. W. A. Darlington of "The Daily Telegraph" ranked Robeson's Othello as the best he had ever seen while the "Daily Express", which had for years before published consistently scathing articles about Robeson for his leftist views, praised his "strong and stately" performance (though in turn suggested it was a "triumph of presence not acting").