The 19th century brought a resurgence of enthusiasm for Poussin. One of his greatest admirers was Ingres, who studied in Rome and became Director of the French Academy there. Ingres wrote, "Only great painters of history can paint a beautiful landscape. He (Poussin) was the first, and only, to capture the nature of Italy. By the character and taste of his compositions, he proved that such nature belonged to him; so much so that when facing a beautiful site, one says, and says correctly, that it is "Poussinesque". Another 19th-century admirer of Poussin was Ingres' great rival, Eugène Delacroix; he wrote in 1853: "The life of Poussin is reflected in his works; it is in perfect harmony with the beauty and nobility of his inventions...Poussin was one of the greatest innovators found in the history of painting. He arrived in the middle of the school of mannerism, where the craft was preferred to the intellectual role of art. He broke with all of that falseness".