Similarly, Isherwood's friend Jean Ross—upon whom the character of Sally Bowles was based—was ambivalent about the film. She felt the depiction of 1930s Berlin "was quite, quite different" from reality. Nevertheless, she conceded that the depiction of their social circle of British expatriates as pleasure-seeking libertines was accurate: "We were all utterly against the bourgeois standards of our parents' generation. That's what took us to [Weimar-era] Berlin. The climate was freer there." Such ambivalence towards "Cabaret" (1972) was not unique among Isherwood's circle.