In a mixed review, Slant Magazine's Sal Cinquemani wrote that "Kelly's songwriting skills leave much to be desired; for every hook-driven 'You Knock Me Out' there's a 'Showdown,' an asinine, interlude-filled insult to songwriters everywhere". "Q" wrote that "as ever, album's songs veer between the nigglingly infectious and cliched slush." "Chicago Tribune" writer Greg Kot viewed that "the subtext for this one makes it sound like musical spin control, a public-relations manifesto as much as an R&B album. [...] There are a few moments when the disconnect between Kelly's lyrics and his sordid legal troubles becomes disturbing, no more so than when he refers to himself as the 'pied piper of R&B' in 'Step in the Name of Love,' a reference to the fairy-tale figure who enticed a village full of children away from their parents". Dan Leroy of Yahoo! Music's felt that "Kelly’s hot-blooded horniness is an integral part of his persona; he can hardly back away from the risque R&B that’s made him what he is, despite the underage sex scandal that dogs him". On Kelly's performance, Leroy concluded by writing: