With the increased availability and affordability of flatbed color scanners in the 1990s, photoartists could now purchase a scanner rather than rent this equipment and the technician necessary to operate it, as Darryl Curran did in the early 1990s. Renting studio time at Nash Editions, Curran captured "scannograms" of objects from 1993-97. Harold Feinstein's "One Hundred Shell" and "One Hundred Flower" series contained scanned images side by side with traditional large format photography. Joseph Scheer scanned moths in "Night Visions: The Secret Designs of Moths".