The tenth anniversary of "The Devil and God Are Raging Inside Me" spawned several discussions regarding the album's legacy on Brand New, on the genres of post-hardcore, indie rock and emo, and on music as a whole. In a retrospective review, Ian Cohen of Pitchfork said that "by leaving his words and intentions up to interpretation, Lacey unwittingly shifted from a minor celebrity to a generational voice", giving the album an 8.5 out of 10 and comparing it to other critically acclaimed indie rock records of the 2000s such as "Kid A" and "The Moon & Antarctica". Nina Corcoran of Consequence of Sound credited Brand New for "end the need to feel ashamed for connecting to emo", noting that the album's influence "altered the path of emo and alternative rock bands at large, blurred genre lines and bolded something beyond the band." In an article titled "The Immortality of Brand New's 'The Devil and God Are Raging Inside Me'", Vice staff writer Ryan Bassil declared "by cutting to the core of the darkest elements of the human experience, never answering any questions, but presenting the feeling within them, it is a record that has the ability to grow with the listener, gaining more and more significance as life goes on." Matt Tolander of Medium stated that the album is "one of the most gripping and spiritually honest recordings ever put to tape, more appropriately compared to "The Joshua Tree" or "Slow Train Coming" than "Tell All Your Friends" or "Bleed American"."