As confiscations began to pile up in massive quantities, the items filled the Louvre, and forced Reich officials to use the Jeu de Paume, a small museum, for additional space, and for proper viewing of the collection. The grand stockpile of art was ready for Hitler to choose from: the Führer had first choice for his own collection; second were objects that would complete collections of the Reichsmarschall; third was intended for whatever was useful to support Nazi ideology; a fourth category was created for German museums. Everything was supposed to be appraised and paid for, with proceeds being directed to French war-orphans.