The second wave of Chicana/o film, according to Ramírez Berg, developed out of portraying anger against oppression faced in society, highlighting immigration issues, and re-centering the Chicana/o experience, yet channeling this in more accessible forms which were not as outright separatist as the first wave of films. Docudramas like Esperanza Vasquez's "" (1977), Jesús Salvador Treviño's "Raíces de Sangre" (1977), and Robert M. Young's "¡Alambrista!" (1977) served as transitional works which would inspire full-length narrative films. Early narrative films of the second wave include Valdez's "Zoot Suit" (1981), Young's "The Ballad of Gregorio Cortez" (1982), Gregory Nava's, "My Family/Mi familia" (1995) and "Selena" (1997), and Josefina López's "Real Women Have Curves", originally a play which premiered in 1990 and was later released as a film in 2002.