"Ethiopia" (also known as "Ethiopia Awakening")"," for "America's Making Exhibition" in 1921. This event was meant to highlight immigrants' contributions to US artistic society and culture. This sculpture was featured in the exhibition's "colored section," and it symbolized a new black identity that was emerging through the Harlem Renaissance. It represented the pride of African Americans in African and black heritage and identity. "Ethiopia", drawn from Egyptian sculptural concepts, is an academic sculpture of an African woman emerging from a mummy's wrappings, like a chrysalis from a cocoon, represented her statement on black consciousness globally. Fuller made multiple versions of "Ethiopia", including a small maquette with the figure's left hand projecting from its body (now lost) and two full-size bronze casts, one with the left hand projecting and a second made incorrectly, with the left hand flush to the figure's side.