The race of the title role is often seen as Shakespeare's way of isolating the character, culturally as well as visually, from the Venetian nobles and officers, and the isolation may seem more genuine when a black actor takes the role. But questions of race may not boil down to a simple decision of casting a single role. In 1979, Keith Fowler’s production of "Othello" mixed the races throughout the company. Produced by the American Revels Company at the Empire Theater (renamed the November Theater in 2011) in Richmond, Virginia, this production starred African American actor Clayton Corbin in the title role, with Henry K. Bal, a Hawaiian actor of mixed ethnicity, playing Iago. Othello’s army was composed of both black and white mercenaries. Iago’s wife, Emilia was played by the popular black actress Marie Goodman Hunter. The 2016 production at the New York Theatre Workshop, directed by Sam Gold, also effectively used a mixed-race cast, starring English actors David Oyelowo as Othello and Daniel Craig as Iago. Desdemona was played by American actress Rachel Brosnahan, Cassio was played by Finn Wittrock, and Emilia was played by Marsha Stephanie Blake.