Sonically this album is uniformly consistent. There are no significant changes in the character of Pryor’s voice, the level of the volume, or the general sounds of the audience. On several different tracks there are problems with noises and distortion from the microphone which are all acoustically similar to each other. All of this suggests that the master tapes for this album were recorded during one set of performances with the same recording set up, the same engineer, and the same troublesome microphone. It is not, like some of Pryor’s unauthorized albums on Laff Records, made up of sonically inconsistent tracks obviously recorded at different performances and different points during his career.