In "Mandragola" there is the classic old husband, youthful wife, competent charlatan and foraging assistant. But Machiavelli also uses "Commedia Erudita" (learned comedy) to complicate his script by referencing ancient, virtuous, pedagogical texts. The characters are named from Greek etymologies and the storyline's action is resolved in a day's time without much change of scenery. The deception of infidelity in "Mandragola" paired with the play's vague conclusion allow for independent contemplation, which unifies the audience. The styling techniques and accumulated knowledge permit Machiavelli's characters to be multiple personalities throughout history, tying back directly to The Prince and relating to current day.