He continued designing sleeves and set up DKB (Design KB) in 1984, where he was joined by Peter Curzon and Martin Jenkins. Continuing as a graphic designer for sleeves, he worked with ABC, Scritti Politti, Pink Floyd, Roxy Music, and Fine Young Cannibals. Breeden's logo work with ABC would display nuances of usage as the group reinvented itself from album to album. His various concepts for Scritti Politti would range from disarrayed wildflowers to chocolate bars and boxes to the many visual ways to reference Aretha Franklin, all suggesting elements of modern love at a period when Scritti was strongly establishing a transition to urban romance from a more DIY aesthetic that had previously distinguished their sound. The band was all Caucasian and on one cover of an early soul-inspired single a white chocolate bar is featured. Other noteworthy pieces include his work on the covers of Duran Duran's "Seven and the Ragged Tiger" album (along with Malcolm Garrett), The Mission's "Carved in Sand" album and related singles, and The Cult's 1987 "Electric" album (along with Storm Thorgerson) and its first two singles ("Love Removal Machine" and "Lil' Devil").