"De un País en Llamas" represented a big leap from its predecessor: it revolved around a punk attitude but, at the same time, it saw the band finally leaving behind their amateur times. Their record company provided a decent budget for the recording sessions, which allowed a state-of-the-art production and, with it, technical innovations and music effects new to the Spanish musical scene back then handled by producers Duncan Bridgeman and he who was to become their longtime musical companion and, in Santiago Auserón's words, some sort of a fourth band member in the dark: Jo Dworniak, both members of the band I-Level.