In the 1960s, the Chicano Movement brought "attention and commitment to local struggles with an analysis and understanding of international struggles." Chicano youth organized with Black, Latin American, and Filipino activists to form the Third World Liberation Front (TWLF), which fought for the creation of a Third World college. During the Third World Liberation Front strikes of 1968, Chicano artists created posters to express solidarity. Chicano poster artist Rupert García referred to the place of artists in the movement: "I was critical of the police, of capitalist exploitation. I did posters of Che, of Zapata, of other Third World leaders. As artists, we climbed down from the ivory tower." Learning from Cuban poster makers of the post-revolutionary period, Chicano artists "incorporated international struggles for freedom and self-determination, such as those of Angola, Chile, and South Africa," while also promoting the struggles of Indigenous people and other civil rights movements through Black-brown unity. Chicanas organized with women of color activists to create the Third World Women's Alliance (1968-1980), representing "visions of liberation in third world solidarity that inspired political projects among racially and economically marginalized communities" against U.S. capitalism and imperialism.