Director Michael Lange felt the episode offered him excellent scope to try new techniques, noting that the series producers "encourage cinematic stuff". He felt a highlight of this approach was in shooting the episode's climactic stand-off, explaining that "instead of shooting at a normal eye level as the Salamander Man takes the gun, I tilt up, and now I'm shooting up his nose almost, and it was kind of like very disorienting. The show's got a certain ennui that appeals to me, the film noir-y movies of the '40s look, an undercurrent of tension and anxiety 'cause of all the weird things going on".