The early colonial era description of Ajanta caves was largely orientalist and critical, inconsistent with the Victorian values and stereotyping. According to William Dalrymple, the themes and arts in the Ajanta caves were puzzling to the 19th-century Orientalists. Lacking the Asian cultural heritage and framework that sees "nothing odd in the juxtaposition of monk and dancing girl", and with no knowledge of Jataka Tales or equivalent Indian fables, they could not comprehend it. They projected their own views and assumptions, calling it something that lacks reason and rationale, something that is meaningless crude representation of royalty and foreigners with mysticism and sensuousness. The 19th-century views and interpretations of the Ajanta Caves were conditioned by ideas and assumptions in the colonial mind, saw what they wanted to see.