The new Whitney Museum of American Art in New York City by Renzo Piano (2015) took a very different approach from the sculptural museums of Frank Gehry. The Whitney has an industrial-looking facade, and blends into the neighborhood. Michael Kimmelman, the architecture critic of "The New York Times" called the building a "mishmash of styles" but noted its similarity to Piano's Centre Pompidou in Paris, in the way that it mixed with the public spaces around it. "Unlike so much big-name architecture," Kimmelman wrote, "it's not some weirdly shaped trophy building into which all the practical stuff of a working museum must be fitted."