John Playford retired in 1684, and his place was taken initially by Henry Playford working with Richard Carr, but they were overtaken by new technology. Hitherto there had been little change in music printing since the mid sixteenth century; all of the publications discussed so far have a basic similarity in their printed appearance. Thomas Cross regularised an engraving system, and the commercial advantages were seen by John Walsh from the beginnings of his business in 1695. From there Walsh dominated music publishing through the first half of the 18th century. Further, the new method was cheaper and quicker, so publications diversified and increased in number. Though Walsh preferred the sort of anthology published in the previous century, it gradually became more common to see single-composer collections. Those anthologies that appeared usually also included glees, printed in score as compared with the separate parts which prevailed for example in 1667.