Steve 'Flash' Juon of "RapReviews" praised the album for containing great production and tracks that are potential singles but found the artist on said album lacking in identity, concluding with, "When you try to come up with positive comparisons to other artists, you realize just how derivative Flo Rida is. He's a little bit Twista, a little bit Trick Daddy, and a whole lot Nelly. None of those things are negative, but the fact he can't distinguish himself from any of them isn't a positive. I'd like to see Flo Rida convince me why he's special with his next album - until then he's just another MC with a well produced album who came out of a cookie cutter hitmaking mold." Joseph Barracato of "Entertainment Weekly" also praised the production for having "ferocious beats" and "infectious hooks," and gave credit to Flo Rida for delivering female anatomy metaphors in a creative way. "Billboard" writer Jeff Vrabel said that, "Flo Rida's flow is an engaging/ringy-dingy/he-sounds-like-Nelly thing. But his hooks can be rock-solid ("Ack Like You Know") and his interest in gleaming synthesizerism (opener "American Superstar" comes into "Tubular Bells" territory, really) helps set him off from the legions of rappers clawing over each other to break out of the South."