In February 1990, another musical version was produced at the Barbican Theatre in London by the Royal Shakespeare Company. Titled "A Clockwork Orange: 2004", it received mostly negative reviews, with John Peter of "The Sunday Times" of London calling it "only an intellectual "Rocky Horror Show"", and John Gross of "The Sunday Telegraph" calling it "a clockwork lemon". Even Burgess himself, who wrote the script based on his novel, was disappointed. According to "The Evening Standard", he called the score, written by Bono and The Edge of the rock group U2, "neo-wallpaper." Burgess had originally worked alongside the director of the production, Ron Daniels, and envisioned a musical score that was entirely classical. Unhappy with the decision to abandon that score, he heavily criticised the band's experimental mix of hip hop, liturgical and gothic music. Lise Hand of "The Irish Independent" reported The Edge as saying that Burgess's original conception was "a score written by a novelist rather than a songwriter". Calling it "meaningless glitz", Jane Edwardes of "20/20 Magazine" said that watching this production was "like being invited to an expensive French Restaurant – and being served with a Big Mac."