The Church of Our Lady of Spilice was named after smaller semi-caves that were on the site where it was built. Construction began on the land donated by Frano de Pelegrinis at the very beginning of the 16th century. According to archive documentation, the church was still unfinished in 1521, and the builders had increased its dimensions during construction, evidenced in various styles over time: Gothic, Renaissance and baroque. Its oldest part, in the central area, was built in the first half of the 16th century and shows the transition from Gothic to Renaissance style. The main door has fluted doorjambs upon which two semi-capitals support the transom. Above the door is a simple, well-defined semicircular lunette adorned with pinions. The rounded window of the façade is of the Renaissance period, whilst an attenuate distaff with three bells is the highest in Dalmatia. The church's naves are entered through two baroque doors over which are double-winged pediments and above them rounded windows. The church's interior is divided by broad semicircular arches on masonry pillars into three naves. With this, the unity of the space was achieved, illuminated by the long, narrow windows of the Gothic exterior, of which some were transferred from the old walls which dated back to the 16th century. The posterior part of the church was also enlarged with a baroque shrine, the chapel of St. Vicko and a sacristy. The altar polyptych was created by the famous Venetian painter Girolamo da Santacroce.