Betye Saar's 1972 artwork "The Liberation of Aunt Jemima  "was inspired by a knick knack she found of Aunt Jemima although it seems like a painting, it is a three dimensional mixed media assemblage 11 3/4" x 8" x 3/4". The journal "Blacks in Higher Education" states that "her painting offered a detailed history of the Black experience in America". Saar shows Aunt Jemima exaggerated in every way by stereotypes. She wears a large exaggerated colored dress, along with a bright checkered head piece. Her skin is depicted as really Black, her eyes are large bulging out of her head. Her lips are large and highlighted with red color. She draws out the stereotype of being Black. Holding a broom in one hand showing they were only good for cleaning. The woman also stands on cotton representing slavery. "The Woman's Art Journal" states: "African-American artists as diverse as Betye Saar reclaim and explore their identity. ‘Not good enough’ and ‘But good enough to serve’." While the piece shows the Aunt Jemima holding a cleaning tool in her right hand, it also shows her holding a rifle in her left. This allows Saar to establish a visual connection between Aunt Jemima and the concept of resistance. By doing so, Aunt Jemima is depicted as being a powerful figure who commands the attention and respect of the viewers.