The interiors of the Tudor style building have evolved considerably along with the style, often becoming truer to the replicated era than were the first examples of the revival style, where the style "rarely went far indoors". At Ascott House, Devey's great masterpiece constructed throughout the last twenty years of the 19th century, the interior was remodeled just thirty years later. The Tudor Revival style was considered passe and was replaced by the fashionable Curzon Street Baroque sweeping away the inglenook fireplaces and heavy oak panelling. the large airy rooms are in fact more redolent of the 18th century than the 16th. Cragside is slightly more true to its theme, although the rooms are very large, some contain Tudor style panelling, and the dining room contains are monumental inglenook, but this is more in the style of Italian renaissance meets Camelot than Tudor. While in the cottages at Mentmore the interiors are no different from those of any lower middle-class Victorian small household. An example of a Tudor Revival house where the exterior and interior were treated with equal care is Old Place, Lindfield, West Sussex. The property, comprising an original house of c.1590, was developed by the stained glass designer Charles Eamer Kempe from the 1870s. The architect George Frederick Bodley described the rooms as "a series of pictures" and an article in "Country Life" asking whether "anything could be more English in character than Old Place", was written when much of the house was barely 10 years old.