In 1988 the new owner, Turner Entertainment, made yet another negative, this one more faithful to the color but hagridden with damage, splices, and missing footage. The Jack Warner nitrate print resides at UCLA, who also hold a French workprint in the PHI collection. The workprint, uncovered by a Los Angeles collector in the early 2000s, has indifferent, pallid plus-green color, French subtitles, an English track, with some reels mute. In 2019 the Film Foundation sponsored a digital 4K restoration by the UCLA Film & Television Archive with funding from the George Lucas Family Foundation. The Warner print, with superior color but still exhibiting pickups at reel ends culled from different prints, was the primary resource. Made from different matrixes, the French workprint was less pleasing but yielded shots and ends of reels that were tattered, broken or missing in the main print, along with some lost lines of audio. Other missing audio needed to be picked up from other Warner movies, including a line of Glenda Farrell's that was pulled in from "Life Begins" (1932). Following Rennahan's directives in his oral histories as to how he lit for two-color and what palette he aimed to achieve, the new restoration revealed subtle degrees of color that were latent in the nitrate print but obscured by cross-contamination of the color dyes.