Since the Chicano Movement, "Chicano" has been reclaimed by Mexican-Americans to denote an identity that is in opposition to Anglo-American culture while being neither fully "American" or "Mexican." Chicano culture embodies the "in-between" nature of cultural hybridity. Central aspects of Chicano culture include lowriding, hip hop, rock, graffiti art, theater, muralism, visual art, literature, poetry, and more. Notable subscultures include the chola/o, pachuca, pachuco, and pinta/o subcultures. Chicano culture has had international influence in the form of lowrider car clubs in Brazil and England, music and youth culture in Japan, Māori youth enhancing lowrider bicycles and taking on cholo style, and intellectuals in France "embracing the deterritorializing qualities of Chicano subjectivity." Former president of the Modern Language Association Mary Louise Pratt stated that Chicano cultural practices constitute a space "of ongoing critical and inventive interaction with the dominant culture, as contact zones across which significations move in many directions."