"Modernista" theatre was also important, as it smashed the insubstantial regional plays that were popular in 19th-century Catalonia. There were two main schools of "Modernista" theatre: social theatre, which intended to change society and denounce injustice—the worker stories of Ignasi Iglésias, for example "Els Vells" ("The old ones"); the Ibsen-inspired works of Joan Puig i Ferreter, most notably "Aigües Encantades" ("Enchanted Waters"); Rusiñol's antimilitaristic play "L'Hèroe"—and symbolist theatre, which emphasised the distance between artists and the bourgeoisie—for example, Rusiñol's "Cigales i Formigues" ("Cicadas and Ants") or "El Jardí Abandonat" ("The Abandoned Garden").