Suppressed memories of his tragic childhood required an outlet only art could fully provide. Communist country where he lived for two decades would not tolerate it, while political freedoms in the West fully supported his free artistic expressions. Next to his scientific and technical profession Tibor Spitz became simultaneously an active artist as well. The unusually creative artistic environment in both Kingston and nearby Woodstock, New York gradually turned him into a professional artist. As his interest in art continued growing, besides painting he has been also sculpting, making ceramics, wood carvings and wood burnings. When he discovered that impressionists have not fully exhausted all their artistic possibilities, his painting techniques gradually gravitated toward pointillism and neo-impressionism. Besides initial hounding faces and figurative scenes associated with Holocaust, Judaism and Jewish mystical teachings Kabbalah, he also added fishing scenes, musicians, horses, still-life and landscapes. College courses as well as directions from his mentor Meyer Lieberman were great help in developing his artistic skills.