Wolfgang attracted some criticism for what was seen as his autocratic sway over the Festival, much of which comes from within the Wagner family itself. Wieland's daughters, Daphne and Nike Wagner, have accused their uncle of ill-treating their branch of the family, saying that he drove them and their mother out of Wahnfried, the family home, following their father's death and destroyed the scenery, models and correspondence with artists relating to their father's work. Wagner writer Barry Millington notes two rather inconsistent threads of criticism about Wolfgang's role in managing the presentation of the family's connection with the Nazis. Daphne accuses him of blackening her father's name by releasing information on Wieland's connection with the Bayreuth satellite of the Flossenbürg concentration camp, while Wolfgang's own son, Gottfried, accuses him of having tried to suppress all information about the Wagner grandchildren's connection with the Nazis. Moreover, Christian Kracht described "the likes of Wolfgang Wagner" as "bourgeois & enemy to Christoph Schlingensief."