Grymes notes that after the war, Dohnányi "was investigated and cleared several times by the U.S. Military Government" – as a precondition to his postwar move to Florida. He comments that Dohnányi was "repeatedly defended by prominent Jewish musicians who had worked closely with him in Hungary, including violist Egon Kenton , pianist Edward Kilenyi, musicologist Bence Szabolcsi, and composer Leó Weiner. The latter wrote at least two testimonials pointing out that the majority of Dohnányi's students had been Jewish and that Dohnányi had consistently programmed Weiner's own compositions, even during the Nazi regime."