Peel's avant-garde fashions, featuring bold accents and high-contrast geometric patterns, emphasise her youthful, contemporary personality. For the 1965 season, some of her most memorable outfits were designed by John Bates, including graphic black-and-white Op art mini-coats and accessories, and a silver ensemble comprising a bra bodice, low-slung trousers and jacket. She represents the modern England of the Sixties – just as Steed, with his vintage style and mannerisms, personifies Edwardian-era nostalgia. According to Macnee in his book "The Avengers and Me", Rigg disliked wearing leather and insisted on a new line of fabric athletic wear for the fifth series. Alun Hughes, who had designed clothing for Rigg's personal wardrobe, was suggested by the actress to design Emma Peel's "softer" new wardrobe. Pierre Cardin was brought in to design a new wardrobe for Macnee. In the US, "TV Guide" ran a four-page photo spread on Rigg's new "Emmapeeler" outfits (10–16 June 1967). Eight tight-fitting jumpsuits, in a variety of bright colours, were created using the stretch fabric crimplene.