Easily the most celebrated of Pfitzner's prose works is his pamphlet "Futuristengefahr" ("Danger of Futurists"), written in response to Ferruccio Busoni's "Sketch for a New Aesthetic of Music". "Busoni," Pfitzner complained, "places all his hopes for Western music in the future and understands the present and past as a faltering beginning, as the preparation. But what if it were otherwise? What if we find ourselves presently at a high point, or even that we have already passed beyond it?" Pfitzner had a similar debate with the critic Paul Bekker.