The "Audrey Hepburn look”, associated since the 1950s with the Anglo-Belgian film actress, owed itself principally to the intrinsic "chic" of Hepburn herself (a factor identified by Edith Head ) and the designs of French couturier Hubert de Givenchy. However, although never strictly eponymous, Hepburn's hairstyles - especially those in the films "Sabrina" (1954) (short with a fringe, or "bang", across the forehead) and "Breakfast at Tiffany's" (1961) (pulled back and gently piled up around the crown) have been widely copied. The social historian Dominic Sandbrook wrote of "black-jersied gamines with Audrey Hepburn hairdos" presiding over British coffee bars in the mid-1950s.