Another response was to improve existing castles, bringing their often chaotic historic features into line with a more integrated architectural aesthetic in a style often termed Gothic Revivalism. There were numerous attempts to restore or rebuild castles so as to produce a consistently Gothic style, informed by genuine medieval details, a movement in which the architect Anthony Salvin was particularly prominent – as illustrated by his reworking of Alnwick and much of Windsor Castle. A similar trend can be seen at Rothesay where William Burges renovated the older castle to produce a more "authentic" design, heavily influenced by the work of the French architect Eugène Viollet-le-Duc. North of the border this resulted in the distinctive style of Scots Baronial Style architecture, which took French and traditional medieval Scottish features and reinvented them in a baroque style. The style also proved popular in Ireland with George Jones' Oliver Castle in the 1850s, for example, forming a good example of the fashion. As with Gothic Revivalism, Scots Baronial architects frequently "improved" existing castles: Floors Castle was transformed in 1838 by William Playfair who added grand turrets and cupolas. In a similar way the 16th-century tower house of Lauriston Castle was turned into the Victorian ideal of a "rambling medieval house". The style spread south and the famous architect Edward Blore added a Scots Baronial touch to his work at Windsor.