With increasing prosperity more music was printed and, though plates were initially more expensive to engrave, it was their re-use in new anthologies which kept costs down. Even so, catches seem less popular in the early eighteenth century, as other forms of music became more popular. Less significant figures such as Richard Brown and John Church helped to bridge the gap into the new century, but it was Maurice Greene who dominated this period, despite the presence of opera composers such as Handel and Bononcini. Greene became Master of the King's music when Eccles died (1735), and he changed the way in which catch music was presented. Hitherto it had been written in a continuous line, but Greene had it printed in score. Moreover, he published only his own catches, a practice followed by Hayes and others.