The last major alteration, in 1896, focused mainly on the interior decoration. The original pine benches were replaced with oak, and the pews arranged so that they had a single center aisle rather than just the two on the sides. All the new furnishing boasted carved wooden elements such as trefoil piercings that enhanced the Gothic feel of the church. They were complemented by the stenciled walls, polychrome tile floor and hanging brass lanterns. While this primarily reflects the ascendancy of Aestheticism in popular design at the time, the lingering Ecclesiological influence shows in the center aisle, which puts the nave and chancel along a single axis.