Gesture has frequently been taken up by researchers in the field of dance studies and performance studies in ways that emphasize the ways they are culturally and contextually inflected. Performance scholar Carrie Noland describes gestures as "learned techniques of the body" and stresses the way gestures are embodied corporeal forms of cultural communication. But rather than just residing within one cultural context, she describes how gestures migrate across bodies and locations to create new cultural meanings and associations. She also posits how they might function as a form of "resistance to homogenization" because they are so dependent on the specification of the bodies that perform them.