Goya's superb but violent aquatints often look as though they are illustrating some unwritten work of fiction, but their meaning must be elucidated from their titles, often containing several meanings, and the brief comments recorded by him about many of them. His prints show from early on the macabre world that appears only in hints in the paintings until the last years. They were nearly all published in several series, of which the most famous are: "Caprichos" (1799), "Los desastres de la guerra" ("The Disasters of War" from after 1810, but unpublished for fifty years after). Rather too many further editions were published after his death, when his delicate aquatint tone had been worn down, or reworked.