In the next section, which concentrates on Belarmino's life in the streets, we see the ex-boxer walking along his home street and through Lisbon's downtown. He approaches a young woman to her obvious displeasure. Later, Belarmino sits on an esplanade, drinking coffee and whistling, partly at women passers-by and partly to himself. We again see Belarmino training, this time outside on the track of Sporting Clube de Portugal’s old Alvalade stadium. This sequence is juxtaposed with a return to the boxer walking through the streets of the Baixa. He passes by one of the old cinemas of that area, which has posters for westerns and horror films pasted on its doors. The camera accompanies Belarmino through the midst of a great number of people who seem to be milling around aimlessly. As Belarmino moves through the streets, we hear not atmospheric noise but the sounds of a screening in a cinema auditorium. At one point there is a tilt-up of the façade of the Cinema Eden, which shows us Belarmino's view of a poster announcing the film "A Miúda da Bica" showing its lead, Fernando Farinha. There comes another sequence showing Belarmino seated at a table in a café, but this time in its interior. He is working as a photo-colourist. A bolero plays on the soundtrack.