Critic Bryan Senn says that "though there's much to scoff at in this gender-bending cheapie, director Cuhna and cinematographer Meredith Nicholson at least "try" to invest the proceedings with some visual interest, utilizing shadows, depth of field, and even change of focus within a shot to bring a character into sharp relief at a dramatic moment". Those attempts do not sound entirely successful, though. Hardy writes that Nicholson's "shadowy lighting, however, can't fully disguise the few cramped studio sets and banal exteriors ... and so the picture possesses a cheap, claustrophobic feel".