Adams' contributions to his ensemble were best heard on "Paradise Space Shuttle"'s title track. After a brief introduction, he enters the arrangement playing a disjointed and primal melody. He then plays a more traditional bebop figure before supplementing it with a strident motif. He continues to utilize several different textures throughout the song, such as multiphonics, blues riffs and phrased melodic devices. The result of all this is a performance that includes a multitude of saxophone history into four and a half minutes.