Weyl also discusses claims of Fokker's outright plagiarism or taking sole credit for the work of his staff, first designer Martin Kreuzer and later Reinhold Platz. For example, contemporary German documents for the E.V/D.VIII refer to Fokker as 'the designer' but Weyl and other authors now suggest that Platz was the real design genius behind the Dr.I, D.VII and D.VIII. There may be some truth in this as Platz recalled to Weyl that he attended high level meetings alongside Fokker but was never introduced or referred-to as the designer and often never even spoke. Yet when Fokker fled Germany it was Platz who immediately took over the German works on Fokker's behalf. Fokker later moved Platz to the Netherlands, as head designer, when the post-war German operation collapsed which indicates Platz really did play a greater design role than Fokker admits. Weyl uncharitably suggests that Platz's role at the Fokker D.VIII crisis meetings was to take the blame if anything was wrong and not receive credit. How much of this interpretation is based on the fact that Platz was still alive to tell his side of the story in 1965, and Fokker was not, is unclear.