A second woodcut was executed by Hans Burgkmair in Augsburg around the same time as Dürer's in Nuremberg. Burgkmair corresponded with merchants in Lisbon and Nuremberg, but it is not clear whether he had access to a letter or sketch as Dürer did, perhaps even Dürer's sources, or saw the animal himself in Portugal. His image is truer to life, omitting Dürer's more fanciful additions and including the shackles and chain used to restrain the rhinoceros; however, Dürer's woodcut is more powerful and eclipsed Burgkmair's in popularity. Only one impression (example) of Burgkmair's image has survived, whereas Dürer's print survives in many impressions. Dürer produced a first edition of his woodcut in 1515, in the first state, which is distinguished by only five lines of text in the heading. Many further printings followed after Dürer's death in 1528, including two in the 1540s, and two more in the late 16th century. Later printings have six lines of descriptive text.