As the film goes on, the various film crews start to grow irritated at what they perceive is an incompetent and sexist (or perhaps even misogynistic) director in Greaves. Torn between whether or not this entire situation is a plot by Greaves or not, the crews find themselves divided against him, at one point even plotting a revolt against their director. All of their doubts, insecurities, complaints, etc. are captured on film, and, when the project is complete, they turn all of their footage over to Greaves (including the incriminating evidence). Greaves, in turn incorporates their footage into his final product.