The "a performance did take place" ("做咗") generations of performers known, per Yuen, as "feel too good about themselves" (Chinese: 自我感覺過份良好), would not bother to even study the script meticulously, scripts generally agreed to have all needed information from Tang, before going on stage in roles been legendary since 1950s. Instead of preparing for the task ahead by being fluent in a classic novel, they, the bottle blonde (靠黐二代), just ask for story time to attain connotations. Once upon a time, performers were illiterate and had no access to novels or other publications so readily available today. Why would contemporary performers bother? Story time is just another coat of garlic paint on top of layers of such garlic body-paint for a decade or so already. That is not bold (大膽) but plain hubris (斗膽) for someone who had been told-off getting involved in Loong's productions from the beginning other than as investor and to provide supports in areas like promotion and stage production techniques, no matter how accommodating Loong has been with the poor choices made in many other aspects. Were there any hostage situation, such individual is also another dark soul in Cantonese opera community with nothing but a gravy train in mind. It is also obvious not the way to heed the 2012 advice properly.