One of her best known poems from the book is the estate poem "On the Situation of Highbury". This poem demonstrates her familiarity with the genre, although her poem is unusual in leaving the estate's "dweller" anonymous. She seems to have made her sonnet in September 1665, when Highbury left rent to another holder and went into Austen's ownership. However sitting tight for the domain to leave lease had been stand out snag to her responsibility for bequest. There had been a different development in Parliament prior that year that would, if effective, have made the home occupied to her. Therefore, while Austen seems to have been positioned to receive the estate in September, she still relates to it as a somewhat uncertain prospect. Strictly speaking, there is neither a host nor a guest in Austen's country-house poem until the very end. Hesitant in her ownership of Highbury, the ambitious widow marshals the traditional topoi of the country-house genre so that her desire for elite status and her assertion of an authoritative voice—both complicated by her awareness of her gender as a potential liability in advancing her socioeconomic desires given her widowed state—become intertwined and mutually reinforcing. Austen the poet reinforces the value of the estate, which is soon to augment her status, by inscribing it within the country-house tradition alongside other celebrated, monumentalized sites; the worthiness of the estate, which will reflect upon Austen as owner, legitimates the authority and propriety of her verse.