Demand for "shin-hanga" never regained its momentum postwar. Nevertheless a small number of artists continued in the tradition. Artists such as Shinsui Itō (1898–1972) and (1907–1980) continued to utilize the collaborative system during the 1960s and 1970s. In the last decades of the 20th century publishers instead concentrated on making reproductions of early 20th century "shin-hanga" meanwhile "sōsaku-hanga" enjoyed immense popularity and prestige in the international art scene. The early 21st century has seen somewhat of a resurgence in "shin-hanga" popularity notably in market demand for earlier masters such as Kawase Hasui (1883–1957) and Hiroshi Yoshida (1876–1950), and for new artists continuing the "shin-hanga" aesthetic such as Paul Binnie (1967–).