It had taken a decade and half, from 1961 to 1976, for the production cost of the average Hollywood feature to double from $2 million to $4 million—actually a decline if adjusted for inflation. In just four years it more than doubled again, hitting $8.5 million in 1980 (a constant-dollar increase of about 25 percent). Even as the U.S. inflation rate eased, the average expense of moviemaking would continue to soar. With the majors now routinely saturation booking in over a thousand theaters, it was becoming increasingly difficult for smaller outfits to secure the exhibition commitments needed to turn a profit. Revival houses were now the almost-exclusive preserve of the double feature. One of the first leading casualties of the new economic regime was venerable B studio Allied Artists, which declared bankruptcy in April 1979. In the late 1970s, American International Pictures (AIP) had moved into the production of relatively expensive comedies and genre films like the very successful "Amityville Horror" and the disastrous, $20 million "Meteor" in 1979. That same year, the studio was sold off to Filmways, a company with a history in TV production, and was dissolved as a moviemaking concern by the end of 1980. Capitalizing on the popularity of "Hercules", in 1960 Roger Corman had made "Atlas" for a total of $75,000. In 1982, Universal released a movie in the same tradition: fantasy plus muscles. The lead role was to be played by an Austrian-born actor with a great reputation as a bodybuilder but entirely unproven as a major film star. Adjusting for inflation, the cost of "Atlas" was about $400,000 in 1982 dollars. Production cost on "Conan the Barbarian" was an estimated $20 million. "Hercules" had opened in 600 theaters, an astonishing figure at the time. "Conan" opened in 1,395, making it one of more than twenty movies that year to open at over 900 theaters.