Tibet's lyrical subject matter reflects a consistent preoccupation with all aspects of apocalypse. He has long been a student of Christian eschatology. At a precocious age, he developed a strong interest in Aleister Crowley and the Ordo Templi Orientis. He borrowed the term "93 Current", the current of Thelema or Agape, from Crowley. His initial recording as Current 93, LAShTAL, was, according to Tibet, "the invocation of "Malkunofath" on the Nightside of Eden, the reverse of the Tree of Life". He has long proclaimed a virtual anathema to Crowleyism (despite a strong appreciation for Crowley as an individual) and instead has embraced at various intervals, Tibetan Buddhism and esoteric Christianity. His projects continue to focus on the multifaceted aspects of apocalypse, mainly death, loss and destruction. Progressively, his works are tempered by Christian mysticism and an increasingly strong faith in the end of the world.