In 1994, Witt made a comeback to the competitive-skating scene, coached again by Jutta Müller. She was expected to be in a fierce three-person fight for only two spots on the German Olympic team with both young rising star Tanja Szewczenko and veteran Marina Kielmann, who was almost the same age as Witt. She finished second at the German Championships behind Szewczenko, but above Kielmann. Witt's first international competition for the reunified country of Germany, following eleven years competing for East Germany, was the 1994 European Championships, where she finished eighth, again behind Szewczenko who was fifth, but again ahead of Kielmann who was ninth. She and Szewczenko thus gained the two available spots ahead of Kielmann for the 1994 Winter Olympics in Lillehammer, Norway, where she finished seventh. Particularly pleasing to Witt was her clean and very confident short program, where with some of the contenders with more a difficult jump combination (Lu Chen, Josee Chouinard, Yuka Sato, Tonya Harding) faltering, left her 6th, and an inclusion into the final flight of the long program which few gave her any chance of pre-Games. In a dramatic buildup, she would also draw last to skate, and get to close the show in her final Olympic skate, after the medalists had already been determined. Her free program to the music ""Sag mir wo die Blumen sind"" (an arrangement of the Pete Seeger folksong "Where Have All the Flowers Gone") included a peace message for the people of Sarajevo, the site of her first Olympic victory. While she had some technical problems, completing only three of her planned five triples, she delivered perhaps the most emotional and moving performance of the whole evening. She received the Golden Camera for her Olympic comeback.