In 1996 he produced "Ampersand" the first of a five-part series by the same name. These featured extended texts on the social significance of typography not possible in the small A7 format of "Qwerty". This was then followed by "Rentfont" (1997) featuring an experimental typeface Futures, made entirely from logotypes. In 1998 Banham produced "Convoy", a comment on the commodification of graphic design. "Assembly" (1999) was an exploration of the visual memory of a child in relation to corporate identity. This involved the individual interviewing over 600 schoolchildren. "Grand" (2001) investigated the relationship between typefaces and socio-economic environments by noting and analysing every instance of typography across a 1000 metre area of the Melbourne central business district.