The Mandarin-language "Gēnǚ hóng mǔdān" (, "Singsong Girl Red Peony"), starring Butterfly Wu, premiered as China's first feature talkie in 1930. By February of that year, production was apparently completed on a sound version of "The Devil's Playground", arguably qualifying it as the first Australian talking motion picture; however, the May press screening of Commonwealth Film Contest prizewinner "Fellers" is the first verifiable public exhibition of an Australian talkie. In September 1930, a song performed by Indian star Sulochana, excerpted from the silent feature "Madhuri" (1928), was released as a synchronized-sound short, the country's first. The following year, Ardeshir Irani directed the first Indian talking feature, the Hindi-Urdu "Alam Ara", and produced "Kalidas", primarily in Tamil with some Telugu. Nineteen-thirty-one also saw the first Bengali-language film, "Jamai Sasthi", and the first movie fully spoken in Telugu, "Bhakta Prahlada". In 1932, "Ayodhyecha Raja" became the first movie in which Marathi was spoken to be released (though "Sant Tukaram" was the first to go through the official censorship process); the first Gujarati-language film, "Narsimha Mehta", and all-Tamil talkie, "Kalava", debuted as well. The next year, Ardeshir Irani produced the first Persian-language talkie, "Dukhtar-e-loor". Also in 1933, the first Cantonese-language films were produced in Hong Kong—"Sha zai dongfang" ("The Idiot's Wedding Night") and "Liang xing" ("Conscience"); within two years, the local film industry had fully converted to sound. Korea, where "pyonsa" (or "byun-sa") held a role and status similar to that of the Japanese benshi, in 1935 became the last country with a significant film industry to produce its first talking picture: "Chunhyangjeon" (/) is based on the seventeenth-century pansori folktale "Chunhyangga", of which as many as fifteen film versions have been made through 2009.