Another period of Spanish Renaissance sculpture, the Baroque, encompassed the last years of the 16th century and extended into the 17th century until reaching its final flowering the 18th, developing a truly Spanish school and style, of sculpture, more realistic, intimate and independently creative than that of the previous one which was tied to European trends, especially those of the Netherlands and Italy. There were two Schools of special flair and talent: the Seville School, to which Juan Martínez Montañés belonged (called the Sevillian Fidias), whose most celebrated works are the Crucifix in the Cathedral of Seville, another in Vergara, and a Saint John; and the Granada School, to which Alonso Cano belonged, to whom an Immaculate Conception and a Virgin of Rosary, are attributed.