American guitar and organ manufacturers of the 1960s embraced the resistive opto-isolator as a convenient and cheap tremolo modulator. Fender's early tremolo effects used two vacuum tubes; after 1964 one of these tubes was replaced by an optocoupler made of a LDR and a neon lamp. To date, Vactrols activated by pressing the stompbox pedal are ubiquitous in the music industry. Shortages of genuine PerkinElmer Vactrols forced the DIY guitar community to "roll their own" resistive opto-isolators. Guitarists to date prefer opto-isolated effects because their superior separation of audio and control grounds results in "inherently high quality of the sound". However, the distortion introduced by a photoresistor at line level signal is higher than that of a professional electrically-coupled voltage-controlled amplifier. Performance is further compromised by slow fluctuations of resistance owing to light history, a memory effect inherent in cadmium compounds. Such fluctuations take hours to settle and can be only partially offset with feedback in the control circuit.