The reconstruction of Buddhist temples burned in the civil wars required sculptors. The new sculptures were mostly conservatively carved from wood and gilt or polychromed. They mostly lack artistic power. However, some Buddhist monk sculptors produced unpainted, roughly hewn images of wood. Enkū (1632–1695) and Mokujiki (1718–1810) are representative. They traveled through Japan and produced enormous works for missionary and ceremonial purposes. Their archaic and spiritual styles were reevaluated in the 20th century. The art of carving masks for Noh also continued to produce better works in the 17th century.