Controlled by his fear of Hell, Patiño went to Fr. Gíl, an Augustinian parish curate of the Tondo convent. Though he is willed to tell anything about the Katipunan, Patiño confessed that a lithographic stone was hidden in the press room of the "Diario de Manila", which was used by the society for printing receipts. He also said that aside from the lithographic stone, there were also documents of membership (that uses member's blood for signing) hidden, together with a picture of Dr. José Rizal and several daggers that was made for the "Katipunero"-employees of the newspaper.