Another theory has been published in 2007 by Hans Westgeest. He has argued that the real theme of the work consists of only nine notes: G–E–A–F–B–F–F–A–G. The rhythm of this theme (in time, with a crotchet rest on the first beat of each bar) is based on the rhythm of Edward Elgar's own name ("Edward Elgar": short-short-long-long, then reversed long-long-short-short and a final note). Elgar meaningfully composed this short "Elgar theme" as a countermelody to the beginning of the hidden "principal Theme" of the piece, i.e. the theme of the slow movement of Beethoven's "Pathétique" sonata, a melody which indeed is "larger" and "well-known".