Despite the actors' reservations, "King John" was a success and led to a number of similarly costumed Shakespeare productions by Kemble and Planché ("Henry IV, Part I", "As You Like It", "Othello", "Cymbeline", "Julius Caesar"). The designs and renderings of "King John", "Henry IV", "As You Like It", "Othello", "Hamlet" and "Merchant of Venice" were published, though there is no evidence that "Hamlet" and "Merchant of Venice" were ever produced with Planché's historically accurate costume designs. Planché also wrote a number of plays or adaptations which were staged with historically accurate costumes ("Cortez", "The Woman Never Vext", "The Merchant's Wedding", "Charles XII", "The Partisans", "The Brigand Chief", and "Hofer"). After 1830, although he still used period costume, he no longer claimed historical accuracy for his work in plays. His work in "King John" had brought about a "revolution in nineteenth-century stage practice", which lasted for almost a century.