His other prominent films include "Days of Love" (1954) with Marina Vlady; "La Notte" (1961) with Jeanne Moreau; "Too Bad She's Bad" (1954), "Lucky to Be a Woman" (1956), "Yesterday, Today and Tomorrow" (1963), "Marriage Italian Style" (1964), "Sunflower" (1970), "The Priest's Wife" (1971), "A Special Day" (1977) and Robert Altman's "Prêt-à-Porter" (1994) – all co-starring Sophia Loren; Luchino Visconti's "White Nights" (1957); Pietro Germi's "Divorce Italian Style" (1961); "Family Diary" (1962) with Jacques Perrin; "A Very Private Affair" (1962) with Brigitte Bardot; Mario Monicelli's "Casanova 70" (1965); "Diamonds for Breakfast" (1968) with Rita Tushingham; "The Pizza Triangle" (1970) with Monica Vitti; "Massacre in Rome" (1973) with Richard Burton; "The Sunday Woman" (1975) with Jacqueline Bisset; "Stay As You Are" (1978) with Nastassja Kinski; Fellini's "City of Women" (1980) and "Ginger and Fred" (1986); Marco Bellocchio's "Henry IV" (1984); "Macaroni" (1985) with Jack Lemmon; Nikita Mikhalkov's "Dark Eyes" (1987) with Marthe Keller; Giuseppe Tornatore's "Everybody's Fine" (1990); "Used People" (1992) with Shirley MacLaine; and Agnès Varda's "One Hundred and One Nights" (1995).