Guy Debord's best known works are his theoretical books, "The Society of the Spectacle" and "Comments on the Society of the Spectacle". In addition to these he wrote a number of autobiographical books including "Mémoires", "Panégyrique", "Cette Mauvaise Réputation...", and "Considérations sur l'assassinat de Gérard Lebovici". He was also the author of numerous short pieces, sometimes anonymous, for the journals "Potlatch", "Les Lèvres Nues", "Les Chats Sont Verts", and "Internationale Situationniste". The "Society of the spectacle" was written in an "interesting prose", unlike most writings in that time or of that nature. For Debord, the Spectacle is viewed as false representations in our real lives. The Spectacle is a materialized worldview. The spectacle 'subjects human beings to itself'.