Most of the writings from the 1960s to the 1980s were political in nature and are coloured by the ethnopolitical aims of the writers. Even though the number of publications has increased in the last and present decade, the Saraiki intellectuals themselves admit that there is not much readership, except perhaps for the works of some renowned contemporary poets, especially of the revolutionary poet Shakir Shujaabadi. Although writings in all the regional dialects are suffering from lack of readership for similar reasons, in the case of Saraiki there are two additional reasons. Firstly, most of the writers bring in colloquial phraseology (which varies from one variety to the other) in their writings and secondly, many writers, in their zeal to prove the antiquity of Saraiki and to promote its Indo-Aryan feature, tend to use more Sanskrit words instead of the more common Arabic-Persian words in order to distinguish it from Punjabi and Urdu, thus blocking the understanding of their general readers.