"Constructions of Subjectivity in Franz Schubert's Music" first appeared as a paper delivered at the American Musicological Society in 1990 and then in a revised version as a symposium presentation during the 1992 Schubertiade Festival in New York City. At the time McClary was influenced by Maynard Solomon's claim in his 1989 paper "Franz Schubert and the Peacocks of Benvenuto Cellini" that Schubert was homosexual. McClary's paper explored the relevance of Solomon's research to what she termed the uninhibited, "hedonistic" luxuriance of Schubert's ""Unfinished" Symphony." The symposium paper elicited in some mild controversy. Following evidence that Solomon's conclusions may have been flawed and largely based on his own psychoanalytic reading of a dream narrative Schubert set down in 1822, McClary revised the paper again. Its definitive version was printed in the 1994 edition of the book "Queering the Pitch: The New Gay and Lesbian Musicology" edited by Philip Brett, Elizabeth Wood, Gary Thomas.