The mod revival was largely set in motion by the Jam and their fans. The band had adopted a stark mod look and mixed the energy of punk with the sound of 1960s mod bands. Their debut album "In the City" (1977), mixed R&B standards with originals modelled on the Who's early singles. They confirmed their status as the leading mod revival band with their third album "All Mod Cons" (1978), on which Paul Weller's song-writing drew heavily on the British-focused narratives of the Kinks. The revival was also spurred on by small concerts at venues such as the Cambridge Hotel, Edmonton, Hop Poles Hotel and Howard Hall both in Enfield, the Wellington, Waterloo Road, London, and the Bridge House in Canning Town. In 1979, the film "Quadrophenia", which romanticised the original 1960s mod subculture, widened the impact and popularity of the mod revival across the UK. The original mod revival fanzine, "Maximum Speed" started in 1979 and spawned other home-produced fanzines from then until the mid-to-late 1980s.