The Jones-produced sessions commenced on 10 April 1969 at EMI's Studio 3, with that day being dedicated to going through the 1968 tapes again to see what could be improved upon. The first track to be worked on was "Swan Lee", which received vocal overdubs and a new guitar track, and several ideas for "Clowns and Jugglers" were considered; Barrett and Jones both felt that the results were superior to the previous versions. The following day, in about five hours, Barrett recorded vocal and guitar tracks for four recently recorded songs, starting with "Opel", and two old ones. Barrett and his new producer were in agreement that "Opel" was among the best of the new recordings at this time; only two complete takes of the song were taped, though, after multiple false starts. The next song attempted was "Love You", the first take of which featured a faster tempo than the officially released take 2. After "Love You", they recorded "It's No Good Trying", which was similarly completed in just a few takes. Barrett was in "great form, and very happy", Jones recalled, and "very together". During the lunch break that day, they talked about improving some of the other songs from the Jenner sessions, particularly "Golden Hair" and "Late Night", the last of which was just a backing track at this point. After returning to the studio, they worked on "Terrapin", with Barrett requiring just a single take, and added slide guitar and vocals to "Late Night".