Valentine views in the nineteenth century aimed at the national middle and upper class tourist market, with the production of both drawing room albums containing selections of photographs arranged geographically and individual landscape prints. They competed with Francis Frith and George Washington Wilson, who were producing pictures of similar quality. Landscapes were available in a choice of sizes - cabinet, imperial and card. Stereoscopic and magic lantern slides views were also produced. Valentines called themselves 'photographic publishers' and reproduced a great variety of photographic goods as well as the postcards for which they are best known. Subjects concentrated on tourist sights in Scotland, then to England in 1882 and on to fashionable resorts abroad, including Norway, Jamaica, Tangiers, Morocco, Madeira and New Zealand before 1900.