The "2nd theme" begins in D major again (it does not need to be in the primary key like one would ordinarily expect in the recap because the second theme is not in the dominant or relative major). However, it does occur in the tonic major (F major) beginning in bar 93. The move to a D-major chord in measure 107 corresponds to the similar passage in bar 49, but here the D-major chord functions as a V/ii, which initiates a circle-of-fifths progression (D–G–C–F), arriving on F in bar 112.