His House VI, designed for clients Richard and Suzanne Frank in the mid-1970s, confounds expectations of structure and function. Suzanne Frank was initially sympathetic and patient with Eisenman's theories and demands. But after years of fixes to the badly specified and misbegotten House VI (which had first broken the Franks' budget then consumed their life savings), Suzanne Frank was prompted to strike back with "Peter Eisenman's House VI: The Client's Response," in which she admitted both the problems of the building, as much as its virtues.