The film opens in pre-War Germany, depicting the young protagonist’s experience of the rampant anti-Semitism that would soon grow into the Holocaust. In the first scene, young David is harassed by a group of German schoolchildren who beat him and taunt him with the words “Jew pig.” Later, a communal celebration of Purim — the Jewish holiday that commemorates the saving of the Jews of ancient Persia from extermination — foreshadows the impending war. David’s father, the congregation rabbi, delivers a sermon that describes the attempted annihilation of the Purim story, a grim portent of what is to come. But the scene is a case of dramatic irony: Rabbi Singer is not aware of, or does not want to acknowledge, the relevance of his own words to the situation in early Nazi Germany. When, in the middle of the celebration, a group of Germans march by the synagogue chanting “Jews get out, Jews get out,” he insists that they are in fact only calling out to the city’s youth, that their chant is actually: “Youth come out, youth come out.”