He returned to this idea the following year with his masterpiece, "Impatience", which is close to futurism. When it premiered, Charles Dekeukeleire stated that the gaze of the spectators must adapt, to let itself slip along with the film to feel the fragments of various lengths. The desire for physical contact with the machine is at the base of this film. In this drama with four characters (the Mountain, the abstract Motorbike, the Woman and the Blocks), the mechanical body, that of the Motorbike is strongly associated with the female body, first clothed and then naked with leather. Dekeukeleire exchanges parts between the two characters, resulting in a suggestive motorbike-woman/woman-motorbike. These two characters, the Motorbike and the Woman, then enter into interaction with the abstracted Mountain and Blocks, as if the director intended analogies between humanity, the animal world, the vegetable world and the mechanical world.