Vavilova is characterized as unquestionably manly, a 1988 film review done by James Lardner calling her "an inconveniently pregnant Bolshevik a tough cookie". She is first introduced to viewers as a hardened military commissar, having just sentenced a soldier to death for going AWOL to visit his wife. She is respected by her commanding officer, which is made evident when Vavilova states that her deceased lover "was a good communist" to which her boss replies "you are all good communists". However once Vavilova relieves herself of her riding breeches and Mauser handgun, and is settled into the house of the Magazanniks, she falls out of favor with her once gracious coworkers. Once she embraces civilian life and the caveats that come with it, she seemingly loses her masculine qualities as her gun is replaced with her baby, and her leather pants are traded for civilian clothes made for her by the Magazanniks. Towards the end of the film the frontline of the conflict begins to approach the town of Berdichev, and the Red Army begins retreating, Vavilova is left behind with rationed food. The Magazanniks worry that with the coming shift of power there would bring another pogrom committed by the White Army, and Vavilova begins once again to abandon her motherly persona to relay the communist dream that all men will work in peace and harmony. The conflict inherent to the film being that while the revolution rages in the background, the true conflict is that between Vavilova’s treasured child and her patriotism and devotion to her job. In the end of the film Vavilova flees the home of the Magazanniks to attempt to rejoin her cavalry regiment at the front lines.