While van Maldere's chamber music shows late-baroque characteristics and Corelli's influence, his violinsonatas and symphonies testify to the formation of the early classical "Viennese" symphony. Most of the symphonies are in three parts, and contain elements as thematic contrast or modulating development. The second movement sometimes is a binary Lied form, the final occasionally a rondo form. A number of works have the "classical" four movements (RomM 51 in C, and 120 in F; the Sonata a 3, RomM 20 in D).