Villancico composers, who typically held positions as "maestro de capilla" (chapel master) at the major cathedrals in Spain and the New World, wrote in many different renaissance and baroque styles, including homophony, imitative polyphony, and polychoral settings. Among the most outstanding New World composers of villancicos are José de Loaiza y Agurto, Manuel de Sumaya, and Ignacio Jerúsalem in New Spain; Manuel José de Quirós and Rafael Antonio Castellanos, in Guatemala; José Cascante, in Colombia; and Juan de Araujo and Tomás de Torrejón y Velasco, in Peru.