Nowadays this is untrue in as much as it is no longer just the domain of men. African women - notably the Busi Mhlongo, and in more recent times Dr. Buselaphi Gxowa, Osukasambe, Imithente, Izingane Zoma and Lungi Ngcobo, daughter of the late Shiyani Ngcobo - are also making Maskandi music. The style music is largely popular and mostly consumed in the Kwa-Zulu Natal province, given its rich Zulu heritage and significance to the Zulu tribe. Maskandi happens to be the second top selling genre in South Africa, after Gospel music. Although Maskandi music can be heard in more urban cities such as Johannesburg and Cape Town, it is important to note that it is largely played by migrants who come to the big cities to seek a better quality of life and better employment opportunities. Maskandi typically fails to connect with a wider audience and this is largely due to a lack of overall understanding of the genre, which subsequently leads to a lack of interest from listeners. These perceptions are beginning to change quite rapidly, as the world observes more people following African oriented trends.