The itinerary begins with art from the Low Countries in the 16th century, in which religious fervour is mixed with detailed depiction of everyday life, as can be seen in the superb collection of panels and triptychs commissioned for private use. In Catalonia during the early Renaissance period, the Gothic forms are found alongside other, new stylistic solutions, as exemplified, for instance, in St Candidus, by Ayne Bru or St Blaise, by Pere Fernández, works imbued with the humanist feeling and influenced by the modern composition theories that were then emerging in Italy. In the Altarpiece of St Eligius of the Silversmiths, Pere Nunyes clearly shows the influence of this new language, as does the sculptor Damià Forment in his interpretation of the Apostles for the Dormition of the Virgin. Towards the end of the 16th century, Spanish painting produced many works of outstanding beauty, such as El Greco's "The Bearing of the Cross" and St Peter and St Paul, enriched by modern use of colour, the fruit of the lessons the artist had learned in Venice. In this age, the Ecce Homo, Luis de Morales, a contemporary of El Greco, Jacopo Tintoretto or The Bassano, masterfully conveyed the devotional spirit of the Counter-Reformation.