While sharing an apartment with Pop, Bowie became interested in the German music scene, including acts such as Tangerine Dream, Kraftwerk, Cluster, Harmonia and Neu!. Before moving to the apartment on Hauptstraße, Pop and Bowie stayed with Edgar Froese of Tangerine Dream and his family at their home in Schöneberg. Froese also helped Bowie with his recovery and introduced him to the Berlin underground scene. Bowie named Froese's solo album "Epsilon in Malaysian Pale" a big influence and a soundtrack to his life in Berlin. During the months of his recovery, he had also become interested in Brian Eno's minimalist album "Discreet Music" (1975). He met Eno in 1976 and soon after began collaborations with Eno and producer Tony Visconti. In 1976, Bowie cowrote and produced Pop's solo album debut, "The Idiot" (1977). While considered a Pop solo album, "The Idiot" is often referred to as the unofficial beginning of Bowie's Berlin period, though "Low" was recorded almost concurrently. Bowie later admitted to "co-opting" the sound on "The Idiot":