Howard's descriptions of the later Picts portray them as very small in height, squat and muscular, adept at silent movement, and most of all brutish and uncivilized, quite unlike the Picts of Kull's day. They painted themselves with woad, much like the historical Picts, and lived in very large caverns, some natural and some artificially expanded. They had a custom of burning enemy prisoners alive, a ceremony usually presided over by their druid-like 'wizards' or priests, whom Howard portrayed as having a twisted philosophy and mindset produced by many years of hatred, in direct opposition to the Pictish warrior-king Bran Mak Morn, who attempted to restore the Picts to their honourable place in the world and drive out the Roman invaders.