In the post-Art Strike years, he had for the first time publicly occupied himself with hermeticism and the occult. The Neoist Alliance, his third one-person-movement after The Generation Positive and Praxis, served simultaneously as a tactical reappropriation of the Neoism label for self-promotional purposes, and as a corporate identity for pamphlets that satirically advocated a combination of artistic avant-garde, the occult, and politics into an "avant-bard". Meanwhile, Home continued to be courted by the London art world, and in the mid-nineties in particular he was championed by the young and very fashionable artist-curator Matthew Higgs (who at that time was also playing a significant role in propelling future Turner Prize winners Jeremy Deller and Martin Creed into the public eye).