Baganda music is based on an approximately equidistant pentatonic scale. Therefore, the octave (mwànjo, plural myanjo) is divided into five intervals of approximately 240 cents (2.4 semitones). There is some variation in the interval length between instruments, and it even might vary in one (tunable) instrument during a performance. This means that in an emic description, the scale can be called an equipentatonic scale while on an etic level of description, there might be different variations of implementing that conceptual scale.