In 1916, the Handschiegl Color Process was invented for Cecil B. DeMille's film "Joan the Woman" (1917). Another early example of the Handschiegl process can be found in "Phantom of the Opera" (1925), in which Lon Chaney's character can be seen wearing a bright-red cape while the rest of the scene remained monochrome. The scene was toned sepia, and then the cape was painted red, either by stencil or by matrix. Then, a sulfur solution was applied to everything but the dyed parts, turning the sepia into blue tone. The process was named after its inventor, Max Handschiegl. This effect, as well as a missing color sequence, were recreated in 1996 for a Photoplay Productions restoration by computer colorization (see below).