The Byrds returned to the recording studio with Melcher sporadically between October 1970 and early March 1971, in order to complete the follow-up to "(Untitled)", which would be released in June 1971 as "Byrdmaniax". Unfortunately, the grueling pace of the band's touring schedule at the time meant that they were not fully prepared for the sessions and much of the material they recorded was under-developed. Following completion of the album recording sessions, the Byrds once again headed out on tour, leaving Melcher and engineer Chris Hinshaw to finish mixing the album in their absence. Controversially, Melcher and Hinshaw elected to bring in arranger Paul Polena to assist in the overdubbing of strings, horns, and a gospel choir onto many of the songs, allegedly without the band's consent. Drummer Gene Parsons recalled in a 1997 interview that when the band heard Melcher's additions they campaigned to have the album remixed and the orchestration removed, but Columbia Records refused, citing budget restrictions, and so the record was duly pressed up and released.