He was next hired along with to co-write a star vehicle for turbo-folk star Dragana Mirković that eventually became 1994's widely panned romantic musical comedy "". Produced by influential Serbian show business manager whose clients included local top-selling young starlets of the folk music genre, the high-budget film was envisioned as twenty-five-year-old Dragana Mirković's cinematic platform meant to showcase her in a different light musically (more dance-pop less commercial folk) and thus increase her nationwide fame, much like Đokić had managed to do for Lepa Brena several years earlier with her "Hajde da se volimo" film that grew into a hugely successful two-sequel money-generating franchise. Following the same pattern, Đokić again threw funds at prominent individuals from the local cinematography. Attracted by his money, numerous Serbian film and music industry people (including Dragojević, Branka Katić, Nebojša Bakočević, Rambo Amadeus, etc.) normally completely disassociated from and even ideologically opposed to the commercial folk music milieu flocked to do the film. Still, "Slatko od snova" was a box-office flop, only managing to become a camp guilty pleasure in the years since for its over-the-top excess.