The sixth track, and third single from "Like a Prayer", is "Cherish". Built around the themes of love and relationship, with William Shakespeare's "Romeo and Juliet" being one of the major inspirations, the song includes a line from "Cherish" by the 1960s band the Association. The lyrics of "Cherish" make it a simple love song, where Madonna talks about devotion and having her lover by her side, whom she would never leave. Following "Cherish" is "Dear Jessie"; according to Rikky Rooksby, the song sounds more like a children's lullaby than a pop song. The lyrics encourage the little girl Jessie to use her imagination. It summons up a psychedelic landscape, where pink elephants roam with dancing moons and mermaids. It references fairy-tale characters and creates an image of children playing with each other. The nexus of the album's eighth song, "Oh Father", talks about the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Author J. Randy Taraborrelli held that "Till Death Do Us Part", "Promise To Try" and "Oh Father" were songs where Madonna tried to "purge herself of certain personal demons". The lyrics of "Keep It Together" talk about the realization of how important Madonna's family has been as a form of stability in her life. The final songs on "Like a Prayer" are "Spanish Eyes" and "Act of Contrition". "Spanish Eyes" is said to have "confronted the still-taboo issue of AIDS". Carol Benson and Allen Metz, authors of "The Madonna Companion: Two Decades of Commentary", described the song as "a cross between Ben E. King's "Spanish Harlem" and something by Billy Joel". The final song, "Act of Contrition", features Madonna reciting the Catholic prayer Act of Contrition, then, the vocals deteriorate into a monologue in which Madonna grows obstreperous over being denied a restaurant reservation.