Much of their work on "Saturday Night Live" further explored music. Their office — described by Taccone as "the nastiest dorm room you've ever been in" — doubled as a recording studio and edit bay. Multiple artists in the ensuing years would record their vocals for the Lonely Island songs on a $500 microphone in the office (which was not equipped with sound-proofing). The songs were recorded without professional audio engineers and each video, likewise, was edited by Taccone, Schaffer, and Samberg.