This departure from the strictures of "locality" reaches a fulfillment in the final poem that Stevens wrote for "Harmonium", "The Comedian as the Letter C", in which the poet voyages away from his local soil into a sea of poetic possibilities that, he supposes, will occasion his artistic growth. However, Crispin is left there at an impasse, frustrated in his hope to find roots in some locale or other. One reading of "Tea at the Palaz of Hoon" is that it anticipates the direction that Stevens would take in the thirties, towards a pure poetry that would be independent of locale.