David Wiegand of the "San Francisco Chronicle" commented: "The script is adequate, although screenwriter Nash has created one distasteful character after another, and there's barely a ripple of relieving humor in the entire film ... The material might have worked better if the filmmakers had adopted a satirical tone, or even if they'd gone the whole "American Pie" route. Instead, the film grinds on with only a few bright moments. The big problem, though, isn't the script but rather the direction and, specifically, the plodding pace of the film. That's surprising, given that first-time director Jon Poll has a background in film editing. It may have something to do with knowing pretty much what will happen from one moment to the next, but you keep wanting Poll and his cast to get on with things, or at least, energize the film some way or another. The tone is often just turgid ... Yet, for all its problems, the film is often sincere, often earnest ... You'll find yourself rooting for the filmmakers in spite of yourself, and, more to the point, in spite of the mistakes they've made."