This ancient motif of a legendary figure travelling to the end of Earth is also found in the Epic of Gilgamesh, which can be dated to c. 2000 BC, making it one of the earliest known works of literary writing. In the epic poem, in tablet nine, Gilgamesh sets out on a quest for the Water of Life to seek immortality. Gilgamesh travels far to the east, to the mountain passes at the ends of the earth where he grapples and slays monstrous mountain lions, bears and others. Eventually he comes to the twin peaks of Mount Mashu at the end of the earth, from where the sun rises from the other world, the gate of which is guarded by two terrible scorpion-beings. They allow him to proceed through the gate after Gilgamesh convinces them to let him pass, stating his divinity and desperation, and he travels through the dark tunnel where the sun travels every night. Just before the sun is about to catch up with him, and with the North Wind and ice lashing him, he reaches the end. The world at the end of the tunnel is a bright wonderland full of trees with leaves of jewels. The 17th chapter of the apocryphal Book of Enoch describes a journey to the far west where the fire of the west receives every setting of the sun and a river of fire empties into the great western sea. Chapters 72–80 describe the risings and settings of the sun through 12 portals of heaven in the east and west. The myth of a flat Earth surrounded by an Ocean into which the sun sets is also found in the Iliad, the famous epic poem written by Homer and dated to c. 900 BC. The story of creation in the Hebrew Bible, in Genesis 1:10, (dated c. 900–550 BC) is also considered by scholars to be describing a flat Earth surrounded by a sea.