Since 1966, Lippard has published 20 books—including one novel—on feminism, art, politics and place. She has received numerous awards and accolades from literary critics and art associations. A 2012 exhibition on her seminal book, "Six Years: The Dematerialization of the Art Object" at the Brooklyn Museum, titled ""Six Years": Lucy R. Lippard and the Emergence of Conceptual Art"", cites Lippard's scholarship as its point of entry into a discussion about conceptual art during its era of emergence, demonstrating her crucial role in the contemporary understanding of this period of art production and criticism. Her research on the move toward Dematerialization in art making has formed a cornerstone of contemporary art scholarship and discourse. Lucy Lippard was a member of the populist political artist group known as the Art Workers Coalition, or AWC. Her involvement in the AWC as well as a trip she took to Argentina—such trips bolstered the political motivations of many feminists of the time—influenced a change in the focus of her criticism, from formalist subjects to more feministic ones. Lucy Lippard is also believed to be a co-founder of West-East Bag, an international women artist network which was founded in 1971, in the early beginnings of the feminist art movement in the United States. Their newsletter W.E.B. mentioned tactics used agains museums to protest the lack of female representation in museum collections and exhibitions. In 1973 the network West-East Bag was dissolved.