Other projects in Paris suffered a similar fate. With the exception of Chantelou, Bernini failed to forge significant friendships at the French court. His frequent negative comments on various aspects of French culture, especially its art and architecture, did not go down well, particularly in juxtaposition to his praise for the art and architecture of Italy (especially Rome); he said that a painting by Guido Reni was worth more than all of Paris. The sole work remaining from his time in Paris is the "Bust of Louis XIV" although he also contributed a great deal to the execution of the Christ Child Playing with a Nail marble relief (now in the Louvre) by his son Paolo as a gift to the Queen of France. Back in Rome, Bernini created a monumental equestrian statue of Louis XIV; when it finally reached Paris (in 1685, five years after the artist's death), the French king found it extremely repugnant and wanted it destroyed; it was instead re-carved into a representation of the ancient Roman hero Marcus Curtius.