In the book the reader can trace the development of Barrett's style from his early purely figurative work of the 1930s through the abstracting of his figures during the 1950s and 1960s and finally a return to the realistic portraiture in his last years. In looking at the body of work, poetic and sculptural, that is presented in the book it is clear that the themes that Barrett was interested in, spirituality,mythology, eroticism and a love of music, were ones that he was drawn to early in his life and never abandoned.