A few medieval notebooks survive, most famously that of Villard de Honnecourt (13th century) showing how artists and craftsmen recorded designs they saw for future use. With the arrival of the print, ornament prints became an important part of the output of printmakers, especially in Germany, and played a vital role in the rapid diffusion of new Renaissance styles to makers of all sorts of object. As well as revived classical ornament, both architectural and the grotesque style derived from Roman interior decoration, these included new styles such as the moresque, a European adaptation of the Islamic arabesque (a distinction not always clear at the time).