In 1993 Home officially resurfaced, having meanwhile gained an influence and reputation in American counter-culture comparable to writers like Hakim Bey and Kathy Acker. Aside from reassessments of his earlier engagement with Neoism, the Situationists, punk, and the plagiarism and Art Strike campaigns, and, as his source of income, the continued parodistic pulp-novel writing, Home's style had undergone some significant changes. While his late 1980s pamphleteering could be viewed as an, albeit subtly humorous, project to collect and fuse radical energies from aesthetically uncompromising extreme left-wing fringes of art and politics, Home reinvented himself in the 1990s as a cynical satirist and jester.