Porter also wrote for Hollywood in the mid-1930s. His scores include those for the Metro-Goldwyn-Mayer films "Born to Dance" (1936), with James Stewart, featuring "You'd Be So Easy to Love" and "I've Got You Under My Skin", and "Rosalie" (1937), featuring "In the Still of the Night". He wrote the score of the short film "Paree, Paree", in 1935, using some of the songs from "Fifty Million Frenchmen". Porter also composed the cowboy song "Don't Fence Me In" for "Adios, Argentina", an unproduced movie, in 1934, but it did not become a hit until Roy Rogers sang it in the 1944 film "Hollywood Canteen". Bing Crosby, The Andrews Sisters, and other artists also popularized it in the 1940s. The Porters moved to Hollywood in December 1935, but Porter's wife did not like the movie environment, and Porter's closeted homosexual acts, formerly very discreet, became less so; she retreated to their Paris house. When his film assignment on "Rosalie" was finished in 1937, Porter hastened to Paris to make peace with Linda, but she remained cool. After a walking tour of Europe with his friends, Porter returned to New York in October 1937 without her. They were soon reunited by an accident Porter suffered.