The second movement richly represented in the Museu Nacional modern art collection is Noucentisme, which embodies the quest for the essential spirit of the Mediterranean. The movement is represented by the classical compositions of Joaquín Torres García and Joaquim Sunyer, vaguely influenced by Cézanne, and the sculptural nudes of Josep Clarà and Enric Casanovas. Completing this review of Noucentisme are the sculptures by Manolo Hugué and the paintings by Xavier Nogués, notably popular in tone. In around 1920, a new generation of artists emerged, one faced by the dilemma of either continuing in the figurative tradition or making the leap to the avant-garde. Some of these, such as the painters Josep de Togores and Francesc Domingo, produced work with a style of its own within the context of international realism, a movement that gained many followers between the wars. Others, such as Torres-García himself, Rafael Barradas and Salvador Dalí, found in the Galeries Dalmau the ideal gallery at which to show their more innovative works.