The 17th century begins with the frescoes in the Herrera Chapel by Annibale Carracci and collaborators, who decorated the Church of San Giacomo degli Spagnuoli in Rome, and continues with works by other Italian artists such as the Neapolitans Massimo Stanzione and Andrea Vaccaro. However, standing out above all these are the masterpieces from the masters of the Spanish Golden Age, such as the Martyrdom of Saint Bartholomew by José de Ribera, known as Lo Spagnoletto, St Paul, by Diego Velázquez, and the Immaculate Conception and several still lifes by Francisco de Zurbarán. Returning to Catalonia, in his image of St Cajetan, the sculptor Andreu Sala reveals himself to be a worthy follower of the Italian genius Bernini.