The "Woman World Wide" tour, promoting the release of the "Woman" studio album, marked another evolution of the live show to include more intricate stage lighting, employing minimal video effects and moving lighting fixtures, while remaining true to the refusal to rely on video or lighting effects as the primary focus of performance. The "Woman World Wide" tour would be the first tour not using "Valentine" as the center of the stage. However, the signature cross motif was incorporated into the lighting suite.