His legacy at the American Museum has proved more enduring. Biographer Ronald Rainger has described Osborn as "a first-rate science administrator and a third-rate scientist." Indeed, Osborn's greatest contributions to science ultimately lay in his efforts to popularize it through visual means. At his urging, staff members at the American Museum of Natural History invested new energy in display, and the museum became one of the pre-eminent sites for exhibition in the early twentieth century as a result. The murals, habitat dioramas, and dinosaur mounts executed during his tenure at the museum attracted millions of visitors, and inspired other museums to imitate his innovations. But his decision to invest heavily in exhibition also alienated certain members of the scientific community and angered curators hoping to spend more time on their own research. Additionally, his efforts to imbue the museum's exhibits and educational programs with his own racist and eugenist beliefs disturbed many of his contemporaries and have marred his legacy.