Atkins, like Levene and Lydon, was a control freak, but Levene had the disadvantage of having repeatedly fired Atkins over apparent trifles, and of being incapacitated on heroin much of the time—so when conflict arose again, Levene was the one to go. An aborted fourth album recorded in 1982 was later released by Levene as "Commercial Zone", which included contributions from bass player Pete Jones. Lydon and Atkins claim that Levene stole the master tapes. Atkins stayed on through a live album (one of the first digital live albums ever recorded), "Live in Tokyo" (1983) – in which PiL consisted of him, Lydon, and a band of session musicians—and left in 1985, following the release of "This Is What You Want... This Is What You Get" (1984). This album consists of re-recorded versions of five songs from "Commercial Zone" (several of which feature a horn section) and three new tracks (four songs from "Commercial Zone" were not re-recorded for the new album). PiL was moving towards a more commercial pop music and dance music direction, and while many new fans found PiL, little of their original audience (or sound) remained.