In 1991, Hollywood acting coach Roy London chose her to star in his directorial debut "Diary of a Hitman", in which she plays a young mother determined to protect her child from hit man Forest Whitaker. According to Fenn, the turning point in her career was when she met London in 1990. She credits him with instilling confidence and newfound enthusiasm. She learned from her beloved teacher "to find the roles that you're passionate about, that speak to you on some level and which will help you grow on some level," which has then become her line of conduct. "A lot of the sentiment that acting should be about an art form rather than mass entertainment and celebrity is at the core of Fenn's attitude to the business," wrote Jessica Sully in Australian magazine "Movie". "I try to keep myself centered," Fenn said. "I don't go to parties and all that. I don't think being seen or being in the right place is going to make me a better actress. I care about my work and try to do what's right in my heart." As Mike Bygrave wrote in "Sky Magazine": "One of the keys to understanding Fenn is that when she talks about the characters she plays she's really talking about herself." Fenn was eager to play varied parts that could eclipse her sex-symbol image. "People who think they know me would be surprised that my whole life doesn't revolve around sex," she said. After "Twin Peaks", Fenn demanded a no-nudity clause in her contracts. She turned to independent films, choosing varied and unusual roles: