Also dating to this early period are the so-called "Damned Soul" and "Blessed Soul" of circa 1619, two small marble busts which may have been influenced by a set of prints by Pieter de Jode I or Karel van Mallery, but which were in fact unambiguously cataloged in the inventory of their first documented owner, Fernando de Botinete y Acevedo, as depicting a nymph and a satyr, a commonly paired duo in ancient sculpture (they were not commissioned by nor ever belonged to either Scipione Borghese or, as most scholarship erroneously claims, the Spanish cleric, Pedro Foix Montoya). By the time he was twenty-two, Bernini was considered talented enough to have been given a commission for a papal portrait, the "Bust of Pope Paul V", now in the J. Paul Getty Museum.