"The Artist’s Despair", or the "Conspiracy of the Untalented" of 1994 tells the story of an exhibition. The text informs the viewer that the three paintings, which are part of the work, are chosen for an exhibition. The night after the opening the artist returns and damages the artworks. An influential art critic then convinces the gallerists to add some props and call it an installation, which they do. Kabakov's text offers the criticism from a fictional artist, who denounces the series of events as a conspiracy. The final imaginary statement is from an art historian who accepts “the naturalness of this process.” The story is meant to be ironic, and maybe even critical, of the way in which the art world can work at times. Through the voice of the art historian everything from the creation to destruction and subsequent rebirth of the artwork is justified. The message is left ambiguous, just as the very title allows the viewer to be the final judge of, and contributor to, the artwork.