In the 19th century, Augustus Welby Northmore Pugin campaigned for the re-introduction of rood screens into Catholic church architecture. His screens survive in Macclesfield and Cheadle, Staffordshire, although others have been removed. In Anglican churches, under the influence of the Cambridge Camden Society, many medieval screens were restored; though until the 20th century, generally without roods or with only a plain cross rather than a crucifix. A nearly complete restoration can be seen at Eye, Suffolk, where the rood screen dates from 1480. Its missing rood loft was reconstructed by Sir Ninian Comper in 1925, complete with a Rood and figures of saints and angels, and gives a good impression of how a full rood group might have appeared in a mediaeval English church - except that the former tympanum has not been replaced. Indeed, because tympanums, repainted with the Royal Arms, were erroneously considered post-medieval, they were almost all removed in the course of 19th-century restorations. For parish churches, the 19th-century Tractarians tended however to prefer an arrangement whereby the chancel was distinguished from the nave only by steps and a low-gated screen wall or septum (as at All Saints, Margaret Street), so as not to obscure the congregation's view of the altar. This arrangement was adopted for almost all new Anglican parish churches of the period.