The song's signature is a keyboard mantra that continually swells and swirls, driven by bass-heavy beats and wah-wah pedal guitars played by Simply Red guitarist Kenji Suzuki. Its floating, ambient stylings established a sound years before "The Politics of Dancing" by Paul Van Dyk or William Orbit's work with Madonna and All Saints. Orbit produced a remix of the track for the single release. Seal's vocals are deeply melodic and soulful, at times with a characteristic rasp, while at others soaring high above the backing track. In an interview with Q, Seal told: