That is due to the presence of two opposite styles in the '50s of this variant of the "coladeira", that correspond to the preference of certain composers: the “Ti Goy style” has a slower tempo ("moderato"), a simpler melodic line, the traditional 3 chords series, the use of rhymes and a more sarcastic thematic; the “Tony Marques style” has a quicker tempo ("allegro"), a melody well adapted to the rhythmics, a richer chord progression with passing chords, and a more varied thematic.