Rocco's work would come to the attention of Charlton Publications, a house that specialized in printing lyrics of popular music along with photos of the stars. Founded in 1931, Charlton produced a series of popular music magazines, which provided beat-happy boppers of all ethnicities with information on R&B musicians, songwriters, and disc jockeys. ... In spite of its reputation for mass-producing pulp fiction and comic books, Charlton Publications, writes Miriam Linna, "has long gone unlauded for pioneering true racial integration in mass market magazines at a time when other teen periodicals remained safely segregated." Rocco was no Pat Boone, exploiting and whitewashing black creativity. Instead, he and his camera were telling the untold story of the evolution of black music beyond the borders of a black audience.