By mid-1892, Satie had composed the first pieces in a compositional system of his own making ('), provided incidental music to a chivalric esoteric play (two '), had his first hoax published (announcing the premiere of "", an anti-Wagnerian opera he probably never composed), and broken from Péladan, starting that autumn with the "Uspud" project, a "Christian Ballet", in collaboration with Contamine de Latour. While the comrades from both the Chat Noir and Miguel Utrillo's Auberge du Clou sympathised, a promotional brochure was produced for the project, which reads as a pamphlet for a new esoteric sect.