In January, 1910, Stieglitz abandoned his policy of reproducing only photographic images, and in issue 29 he included four caricatures by Mexican artist Marius de Zayas. From this 'point on "Camera Work" would include both reproductions of and articles on modern painting, drawing and aesthetics, and it marked a significant change in both the role and the nature of the magazine. This change was brought about by a similar transformation at Stieglitz's New York gallery, which had been known as the Little Galleries of the Photo-Secession until 1908. That year he changed the name of the gallery to "291", and he began showing avant-garde modern artists such as Auguste Rodin and Henri Matisse along with photographers. The positive responses he received at the gallery encouraged Stieglitz to broaden the scope of "Camera Work" as well, although he decided against any name change for the journal.