Even after Copland started using 12-tone techniques, he did not stick to them exclusively but went back and forth between tonal and non-tonal compositions. Other late works include: "Dance Panels" (1959, ballet music), "Something Wild" (1961, his last film score, much of which would be later incorporated into his "Music for a Great City"), "Connotations" (1962, for the new Lincoln Center Philharmonic hall), "Emblems" (1964, for wind band), "Night Thoughts" (1972, for the Van Cliburn International Piano Competition), and "Proclamation" (1982, his last work, started in 1973).