Visual art has provided Reynolds with inspiration for several works, such as the "Symphony Stages of Life" (1991–92), which drew from self-portraits by Rembrandt and Picasso, and "Visions" (1991), a string quartet that responded to Bruegel. A later project involving visual art was "The Image Machine" (2005), which arose from rather elaborate interdisciplinary collaboration called 22, headed by Thanassis Rikakis, then at Arizona State University. This large-scale work involved motion capture of a dancer, to be used as a control element: