The madrigal slowly replaced the frottola in the transitional decade of the 1520s. The early madrigals were published in "Musica di messer Bernardo Pisano sopra le canzone del Petrarcha" (1520), by Bernardo Pisano (1490–1548), while no one composition is named "madrigal", some of the settings are Petrarchan in versification and word-painting, which became compositional characteristics of the later madrigal. The "Madrigali de diversi musici: libro primo de la Serena" (1530), by Philippe Verdelot (1480–1540), included music by Sebastiano Festa (1490–1524) and Costanzo Festa (1485–1545), Maistre Jhan (1485–1538) and Verdelot, himself.