Throughout 1980, Dylan was still focused on religious-oriented music in what was dubbed his 'Born Again' period that was marked by prolific songwriting. It continued through the summer, when Dylan began work on his follow-up album to "Saved". "Property of Jesus", "Yonder Comes Sin", and new arrangements of older material like "Ain't Gonna Go to Hell (For Anybody)" were composed during this time, as were "Caribbean Wind" and "The Groom's Still Waiting at the Altar", which "contrast his troubled sexual relations with the demands of a higher calling", according to Dylan biographer Clinton Heylin.