The Rose appears to have differed from other theatres of the era in its ability to stage large scenes on two levels. It is thought that all Elizabethan theatres had a limited capability to stage scenes "aloft," on an upper level at the back of the stage – as with Juliet at her window in "Romeo and Juliet," II.ii. A minority of Elizabethan plays, however, call for larger assemblies of actors on the higher second level – as with the Roman Senators looking down upon Titus in the opening scene of "Titus Andronicus." An unusual concentration of plays with the latter sort of staging requirement can be associated with the Rose, indicating that the Rose had an enhanced capacity for this particularity of stagecraft.