The critic Jeffrey Kastner has noted that his works locate ‘startling beauty in their counterintuitive material juxtapositions.’ However, for Jackson beauty is frequently partnered by desolation. His work explores a concept that he terms ‘the Horriful’, the belief that everything one does has the potential to bring both beauty and horror. In one such work, titled "Little Bouquet in Clay Jar" (2018), the artist incorporates an aerial view of the Trinity test site, explaining that 'the job of the apocalypse or the reckoning is the job of a god or deity, but in the 20th century, it became a human possibility.'