In March 2010, The Arden Shakespeare published "Double Falsehood", with a "Note on this Edition" stating that the edition "makes its own cautious case for Shakespeare's participation in the genesis of the play," followed with speculations regarding how such a case might, in an imagined future, either be "substantiated beyond all doubt" or "altogether disproved". Arden editor, Brean Hammond, in the introduction, states that recent analysis based on linguistics and style "lends support" to the idea that Shakespeare and Fletcher's hand can be detected in the 18th Century edition. Hammond then expresses the hope that his edition "reinforces the accumulating consensus that the lost play has a continuing presence in its eighteenth-century great-grandchild." Author and critic Kate Maltby cautions against promoting "Double Falsehood" with exaggerated statements. She points out that nowhere does the Arden editor of "Double Falsehood" make the "grandiose claim" found on advertisements for a production of the play that invite people to come and 'Discover a Lost Shakespeare'. She points out that if a young person sees a production of "Double Falsehood", and is told it is by Shakespeare, they may come away with the "lifelong conviction that 'Shakespeare' is pallid and dull."