Pollack states that Copland was gay and that the composer came to an early acceptance and understanding of his sexuality. Like many at that time, Copland guarded his privacy, especially in regard to his homosexuality. He provided few written details about his private life and even after the Stonewall riots of 1969, showed no inclination to "come out". However, he was one of the few composers of his stature to live openly and travel with his intimates. They tended to be talented, younger men involved in the arts, and the age-gap between them and the composer widened as he grew older. Most became enduring friends after a few years and, in Pollack's words, "remained a primary source of companionship". Among Copland's love affairs were ones with photographer Victor Kraft, artist Alvin Ross, pianist Paul Moor, dancer Erik Johns, composer John Brodbin Kennedy, and painter Prentiss Taylor.