Since her earlier career she had been known in coloratura soprano roles in the German and French repertoire, such as Olympia in "The Tales of Hoffmann", the title role in "Lakmé", Zerbinetta in "Ariadne auf Naxos" and the Queen of the Night in "The Magic Flute". After two vocal surgeries she turned her focus to heavier bel canto roles, such as Amina in "La sonnambula", Lucia in "Lucia di Lammermoor", Marie in "La fille du régiment", Violetta in "La traviata", and further explored Baroque music with her collaborations with Emmanuelle Haïm. Since retiring from opera stage, she has pursued a career in theatre and in concert, where she now performs, besides classical, genres such as jazz and chansons.