The other major work of Copland's first period is the "Short Symphony" (1933). In it, music critic and musicologist Michael Steinberg writes, the "jazz-influenced dislocations of meter that are so characteristic of Copland's music of the 1920s are more prevalent than ever". Compared to the "Symphonic Ode", the orchestration is much leaner and the composition itself more concentrated. In its combination and refinement of modernist and jazz elements, Steinberg calls the "Short Symphony" "a remarkable synthesis of the learned and the vernacular, and thus, in all its brevity work last just 15 minutes, a singularly 'complete' representation of its composer". However, Copland moved from this work toward more accessible works and folk sources.