The Theses heralded the beginning of a "mini cultural revolution" in Romania, launching a Neo-Stalinist offensive against cultural autonomy, reaffirming an ideological basis for literature that, in theory, the Party had hardly abandoned. Although presented in terms of "Socialist Humanism", the Theses in fact marked a return to the strict guidelines of Socialist Realism, and attacks on non-compliant intellectuals. Strict ideological conformity in the humanities and social sciences was demanded. Competence and aesthetics were to be replaced by ideology; professionals were to be replaced by agitators; and culture was once again to become an instrument for political-ideological propaganda and hardline measures. In a 1972 speech, Ceaușescu stated he wanted " a certain blending of party and state activities...in the long run we shall witness an ever closer blending of the activities of the party, state and other social bodies. In practice, a number of joint party-state organizations were founded such as the Council for Socialist Education and Culture, which had no precise counterpart in any of the other communist states of Eastern Europe, and the Romanian Communist Party was embedded into the daily life of the nation in a way that it never had been before. In 1974, the party programme of the Romanian Communist Party announced that structural changes in society were insufficient to create a full socialist consciousness in the people, and that a full socialist consciousness could only come about if the entire population was made aware of socialist values that guided society. The Communist Party was to be the agency that would so "enlighten" the population and in the words of the British historian Richard Crampton "...the party would merge state and society, the individual and the collective, and would promote 'the ever more organic participation of party members in the entire social life'".