The Azuchi-Momoyama period (late 16th century) brought a renaissance in "ikebana" as part of a cultural renaissance. Two "Ikenobō" masters named Senkō I and II, completed the "rikka" (立花) style (also meaning standing flowers, but with more complexity than "tatehana") and "Ikenobō" reached a high point of its early history. Paintings depicting the "rikka" of Senkō II, a famous master of "ikenobō", are preserved at the Manshuin Temple in Kyoto) the Yomei-bunko library of the Ninnaji Temple in Kyoto, the Tokyo National Museum and the library of "ikenobō" headquarters. The arranging of "rikka" as a style with severn main parts later developed into the modern standard nine part "rikka" ("shin", "soe", "uke", "mikoshi", "nagashi", "doe", "hikai", "maeoki", and "shoe-shin") was established at this time.