On the scaffold, Lorenzo sees Alicia, next to the British officer, scoffing at him. He also sees Goya sketching the scene at a distance. Inés is also in the crowd, and she calls to Lorenzo, showing him the baby she thinks is their daughter. Refusing to repent despite pleas from his former colleagues, Lorenzo is garroted. The film ends with a cart taking Lorenzo's body away, escorted by Inés still carrying the child, with Goya following behind and calling for her. She glances back with a smile, but continues to accompany Lorenzo's body.