»"On 'Lady Sleep', his third album, the criminally underrated Maximilian Hecker returns to his recurring fascination with affairs of the heart. Although simpler (ie, less electronic) than his last album, 'Rose', 'Lady Sleep' is just as evocative: opulent orchestral symphonies sway with a shimmering elegance, the neo-Baroque chamber pop hints at stunning torch songs for the 21st Century and Hecker’s softly spoken vocals are gently affecting. Less camp than Antony And The Johnsons, although just as grand, Berliner Hecker, in anyone’s language, deserves to be a star."«