By the 1970s, the setting for avant-garde jazz was shifting to New York City. Arrivals included Arthur Blythe, James Newton, and Mark Dresser, beginning the period of New York loft jazz. As the name may imply, musicians during this time would perform in private homes and other unconventional spaces. The status of free jazz became more complex, as many musicians sought to bring in different genres into their works. Free jazz no longer necessarily indicated the rejection of tonal melody, overarching harmonic structure, or metrical divide, as laid out by Coleman, Coltrane, and Taylor. Instead, the free jazz that developed in the 1960s became one of many influences, including pop music and world music.