His work has expanded into solo performances, collaborations, and into experimental theatre and opera. Solo performances include "Solar Anus" (1999), "Self-Obliteration" solos (2008-2011), a series of performances inspired by St. Sebastian (e.g. "Sebastian Suspended", 1999; "Sebastiane", 2014). His collaborative performances include the "Incorruptible Flesh" series, (1996-2013), commenced in collaboration with the late Chicago-based performance artist Lawrence Steger and continued in solo and collaborative installments. His most recent performances, such as "Incorruptible Flesh (Messianic Remains)" (2013) expand on aspects that define his earlier ensemble and collaborative work. "Joyce" (2002) is an experimental theatre work which uses projection and live performance to offer a portrait of the women who defined the artist's childhood. He and the artist Juliana Snapper developed "Judas Cradle" (2004-2005), an experimental opera. In 2010 he initiated a series of works investigating the rituals of spiritualism and Pentecostalism, "Gifts of the Spirit".