Despite this early success, Cambert and two other associates did not hesitate to swindle Perrin, who was imprisoned for debt and forced to concede his privilege on 13 March 1672 to the "surintendant" of the king's music Jean-Baptiste Lully. The institution was renamed the Académie Royale de Musique and came to be known in France simply as the Opéra. Within one month Lully had convinced the king to expand the privilege by restricting the French and Italian comedians to using two singers rather than six, and six instrumentalists, rather than twelve. Because of legal difficulties Lully could not use the Salle de la Bouteille, and a new theatre was built by Carlo Vigarani at the Bel-Air tennis court on the Rue de Vaugirard. Later, Lully and his successors bitterly negotiated the concession of the privilege, in whole or in part, from the entrepreneurs in the provinces: in 1684 Pierre Gautier bought the authorisation to open a music academy in Marseille, then the towns of Lyon, Rouen, Lille and Bordeaux followed suit in the following years. During Lully's tenure, the only works performed were his own. The first productions were the pastorale "Les fêtes de l'Amour et de Bacchus" (November 1672) and his first "tragedie lyrique" called "Cadmus et Hermione" (27 April 1673).