Shows continued to be produced in Bucharest under the Vilna Troupe name even after 1927. Following the breakup of Dramă şi Comedie, a play "The Flood" was put on at the Baraşeum theater, which was loosely the story of the Vilna troupe. In a March 1929 article for "Cuvântul" newspaper, Mihail Sebastian announced that the company was returning to Bucharest. In early 1930, company actors also staged Peretz's "A Night in the Old Marketplace", later described by Crohmălniceanu as one of the "memorable dates in the history of European Yiddish theater", alongside 1925's "Der zinger fun zayn troyer". The production, directed by Sternberg, was the subject of a "literary trial" in the intellectual community: Sternberg's radical modernist approach was scrutinized by the more reserved authors Camil Petrescu and Barbu Lăzăreanu, but their accusations were denied merit by a pro-avant-garde group comprising Maxy, Sandu Tudor and Ilarie Voronca. References to the troupe and its role were also present in Maxy's overview of modernist performances in Romania, published by "unu" magazine in February 1931.