Although the A-weighting curve, in widespread use for noise measurement, is said to have been based on the 40-phon Fletcher-Munson curve, research in the 1960s demonstrated that determinations of equal-loudness made using pure tones are not directly relevant to our perception of noise. This is because the cochlea in our inner ear analyses sounds in terms of spectral content, each 'hair-cell' responding to a narrow band of frequencies known as a critical band. The high-frequency bands are wider in absolute terms than the low frequency bands, and therefore 'collect' proportionately more power from a noise source. However, when more than one critical band is stimulated, the outputs of the various bands are summed by the brain to produce an impression of loudness. For these reasons equal-loudness curves derived using noise bands show an upwards tilt above 1 kHz and a downward tilt below 1 kHz when compared to the curves derived using pure tones.