The band took a considerably more conservative, stripped down approach with "Pop"'s follow-up, "All That You Can't Leave Behind" (2000), along with the Elevation Tour that supported it; "All That You Can't Leave Behind" features a "more traditional U2 sound." The few songs from "Pop" that were performed on the Elevation Tour ("Discothèque", "Gone", "Please", "Staring at the Sun", and "Wake Up Dead Man") were often presented in relatively bare-bones versions. On the Vertigo Tour, songs from "Pop" were even more rarely played; "Discothèque" was played twice at the beginning of the third leg, while other "Pop" songs appeared merely as snippets. No "Pop" songs appeared on the band's U2 360° Tour, though the chorus and guitar riff of "Discotheque" did appear as a regular snippet during the "dance" remix of the song "I'll Go Crazy If I Don't Go Crazy Tonight" late in the tour. U2 did not play a single song from the album on their Innocence + Experience Tour in 2015, although "Mofo" was sampled twice in the earliest tour dates. "Pop" was the only U2 album that U2 did not play a single song from for the full duration of their tour. "Pop" was viewed as U2's "most neglected album" with the band "effectively the record by purging its material from setlists." Although he reiterated his belief that the album was rushed, the Edge still viewed "Pop" as a "great record," and said, "I was very proud of it by the end of the tour. We finally figured it out by the time we made . It was an amazing show that I'm really proud of." In the same interview, Edge also states, "We started out trying to make a dance-culture record and then realized at the end there are things we can do that no EDM producer or artist can do, so let’s try and have it both ways. In that case, we probably went too far in the other direction. We probably needed to allow a bit more of the electronica to survive."