Except for long tours, she lived in New York City until her move to the Lillian Booth Actors Home in Englewood, New Jersey. 1943 till 1945, Malina worked for Valeska Gert at the "Beggar Bar". There she observed many of Gert's performances which influenced her later artistic approach. Interested in acting from an early age, she began attending the New School for Social Research in 1945 to study theatre under Erwin Piscator. Malina was greatly influenced by Piscator's philosophy of theatre which was similar to Bertolt Brecht's principles of "epic theatre" but went further in departing from traditional narrative forms. Piscator saw theatre as a form of political communication or agitprop ("Theatre interests me only when it is a matter of interest to society."); Malina, unlike Piscator, was committed to nonviolence and anarchism.