The long 1854 poem "The Angel in the House" by Coventry Patmore (1823–1896) exemplified the idealized Victorian woman who is angelically pure and devoted to her family and home. The poem was not a pure invention but reflected the emerging legal economic social, cultural, religious and moral values of the Victorian middle-class. Legally women had limited rights to their bodies, the family property, or their children. The recognized identities were those of daughter, wife, mother, and widow. Rapid growth and prosperity meant that fewer women had to find paid employment, and even when the husband owned a shop or small business, the wife's participation was less necessary. Meanwhile, the home sphere grew dramatically in size; women spent the money and decided on the furniture, clothing, food, schooling, and outward appearance the family would make. Patmore's model was widely copied – by Charles Dickens, for example. Literary critics of the time suggested that superior feminine qualities of delicacy, sensitivity, sympathy, and sharp observation gave women novelists a superior insight into stories about home family and love. This made their work highly attractive to the middle-class women who bought the novels and the serialized versions that appeared in many magazines. However, a few early feminists called for aspirations beyond the home. By the end of the century, the "New Woman" was riding a bicycle, wearing bloomers, signing petitions, supporting worldwide mission activities, and talking about the vote.