In an article for the leftist magazine "Lupta", Victor Eftimiu also expressed his opinion that the cultural renaissance heralded by the Troupe could enforce cultural patriotism and nationalism among Romanian Jews, and thus make "Jewishness" prove itself more worthy than "the braggadocios" of other nationalist discourses. Writing in the Warsaw Yiddish-language "Literarishe Bleter" during the run of "Der zinger fun zayn troyer", Joseph Buloff was amazed at the positive reception that Yiddish theater received among the gentiles of Bucharest. Buloff noted that the Romanian actor Tanţi Cutava was equally comfortable acting in French and Yiddish as in his native Romanian, that he often heard ethnic Romanians singing songs from the Yiddish theater over a glass of wine, and that Romanian writers and artists invited Yiddish actors to their get-togethers, all of which apparently formed a stark contrast to Warsaw at that time. Following the November 1924 establishment of an "Amicii teatrului evreiesc" ("Friends of the Jewish Theatre") association designed to help the troupe recover from its financial slump, several such clubs were set up by Jews and non-Jews in various Romanian localities.