In 1931 Murray published a sequel, "The God of the Witches", which tries to gather evidence in support of her witch-cult theory. In Chapter 1 "The Horned God". Murray claims that various depictions of humans with horns from European and Indian sources, ranging from the paleolithic French cave painting of "The Sorcerer" to the Indic Pashupati to the modern English Dorset Ooser, are evidence for an unbroken, Europe-wide tradition of worship of a singular Horned God. Murray derived this model of a horned god cult from James Frazer and Jules Michelet.