Hårleman formed large parts of the palace's interior in a newer style, more to the taste of that time, the Rococo. At Hårleman's initiative, the color of the facade was changed from the earlier brick red to light yellow (see Coloration below). When the building was reassumed in 1727, there was anew a need for qualified workers. The second group of French artists and craftsmen arrived in Stockholm in the summer of 1732, as a result of Hårleman's negotiations in Paris the previous winter. The group consisted of six persons: two Masters, Antoine Bellette and Michel Le Lievre and four journeymen. Other noted sculptors and craftsmen during the second phase of the construction were Charles Guillaume Cousin, Jacques-Philippe Bouchardon, Pierre Hubert L'Archevêque, Johan Tobias Sergel and Adrien Masreliez. Giovanni Battista Tiepolo turned down Tessin's offer of a commission.