Emigre was often criticized for rejecting Modernist design rules. Massimo Vignelli, a prominent designer and voice in the graphic design field, was highly critical of the foundry. Vignelli famously called Emigre a “typographic garbage factory,” insinuating that they were either a threat to the dominant graphic design ideals or insignificant as an “aberration of culture” in a typography panel discussion reported on in a 1991 issue of Print Magazine. This sparked an intense debate in the industry for much of the 1990s. To Vignelli's later collaboration with Emigre to directly promote the release of Licko’s Filosofia typeface by designing the poster to announce the release, Licko responded: “Massimo’s willingness to collaborate on our announcement reflects Emigre’s ability to bridge different approaches.”