His method, however, of imaginative reconstruction was by no means suited to English ways of thinking. In spite of his protests against abstraction, hypothesis and synthesis, his allegory of the statue is in the highest degree abstract, hypothetical and synthetic. James Mill, who stood more by the study of concrete realities, put Condillac into the hands of his youthful son with the warning that here was an example of what to avoid in the method of psychology. A modern historian has compared Condillac with Scottish Enlightenment philosopher and pre-evolutionary thinker Lord Monboddo, who had a similar fascination with abstraction and ideas. In France Condillac's doctrine, so congenial to the tone of 18th century philosophism, reigned in the schools for over fifty years, challenged only by a few who, like Maine de Biran, saw that it gave no sufficient account of volitional experience. Early in the 19th century, the romantic awakening of Germany had spread to France, and sensationism was displaced by the eclectic spiritualism of Victor Cousin.