This leaves three types of poetry performance: poems written specifically for performance on the Jerome Rothenberg model and poems like those of David Antin that are composed during performance. Both these types would generally be considered to constitute performance poetry. Another type based on the Beat method of reading their print poems is poetry with music. The bands with performance poets make spoken vocals an exercise in not singing, but the texts are not categorized as songs. While Ginsberg sang his Blake songs with a harmonium, the original practitioner of this third and most popular type of performance poetry is Hedwig Gorski, who coined the term performance poetry to describe her work with music. She is sometimes called a neo-beat, but considers herself an American "futurist". Unlike the Beats, Ginsberg and Kerouac, her poems were written for performance with music that was specifically composed for the poems. Her spoken vocals have come as close to singing as possible without really singing. That is the key to Gorski's performance poetry: the marriage of poetry to music written specifically to fit poems written for vocal performance. The other type of performance poetry Gorski practiced is without music and tied to conceptual art, but that was at appearances in smaller venues that could not accommodate her band. Unlike Antin and Cormin, Gorski never improvised text but wrote poetry only for performance while eschewing printed poetry.