With the Nazi seizure of power in 1933, the opera was under control of the Reich Ministry of Public Enlightenment and Propaganda. Minister Joseph Goebbels had the name changed back to "Deutsches Opernhaus", competing with the Berlin State Opera in Mitte controlled by his rival, the Prussian minister-president Hermann Göring. In 1935, the building was remodeled by Paul Baumgarten and the seating reduced from 2,300 to 2,098 places. Carl Ebert, the pre-World War II general manager, chose to emigrate from Germany rather than endorse the Nazi view of music, and went on to co-found the Glyndebourne Festival Opera in England. He was replaced by Max von Schillings, who acceded to demands that he enact works of "unalloyed German character". Several artists, like the conductor Fritz Stiedry and the singer Alexander Kipnis, followed Ebert into emigration. The opera house was destroyed by a Royal Air Force air raid on 23 November 1943. Performances continued at the Admiralspalast in Mitte until 1945. Ebert returned to serve as general manager after the war.