He began "Interviewing the Audience" in 2008, a revival of one of Spalding Gray's performance pieces which he had seen while in college. As the title suggests, audience members are brought onto stage and interviewed, their personal stories and insights extracted in long-form conversations meant to create a sense of communal intimacy but challenge the convention of theater and story. Helm's approach differed from Gray's in that Helm's conversations were entirely extemporaneous, without any prepared questions, and the audience members were drawn at random. Helm tended to find and illuminate themes and connections within the interviews, thereby creating a through-line for each performance as it happened.