Salome bearing John's head on a platter equally became a subject for the Power of Women group: a Northern Renaissance fashion for images of glamorous but dangerous women (Delilah, Judith and others). It was often painted by Lucas Cranach the Elder and engraved by the Little Masters. When the head is brought to the table by Salome, Herod may be shown as startled, if not disgusted, but Herodias is usually not. These images remained popular into the Baroque, with Carlo Dolci painting at least three versions. John preaching, in a landscape setting, was a popular subject in Dutch art from Pieter Brueghel the Elder and his successors. The isolated motif of the severed head, often on its platter, was a frequent image, often in sculpture, from the late Middle Ages onwards, known as "Ioannes in disco" (Latin for "John on a plate").