His album "Fuente y Caudal" ("Fountain and Flow") has been cited by many to have changed the world of flamenco guitar beyond traditional flamenco culture. Along with Enrique Morente and Camarón de la Isla, de Lucía was the first artist to break away from traditional flamenco and form what is now known as "nuevo flamenco". As a composer, de Lucía was the first Spanish artist to mix jazz with Andalusian music in a more or less systematic way. This includes, but is not limited to, his collaborations with Di Meola, McLaughlin, and Pedro Iturralde.