In November 1941 Adorno followed Horkheimer to what Thomas Mann called "German California", setting up house in a Pacific Palisades neighborhood of German émigrés that included Bertolt Brecht and Schoenberg. Adorno arrived with a draft of his "Philosophy of New Music", a dialectical critique of twelve-tone music that Adorno felt, while writing it, was a departure from the theory of art he had spent the previous decades elaborating. Horkheimer's reaction to the manuscript was wholly positive: "If I have ever in the whole of my life felt enthusiasm about anything, then I did on this occasion," he wrote after reading the manuscript. The two set about completing their joint work, which transformed from a book on dialectical logic to a rewriting of the history of rationality and the Enlightenment. First published in a small mimeographed edition in May 1944 as "Philosophical Fragments", the text waited another three years before achieving book form when it was published with its definitive title, "Dialectic of Enlightenment", by the Amsterdam publisher Querido Verlag. This "reflection on the destructive aspect of progress" proceeded through the chapters that treated rationality as both the liberation from and further domination of nature, interpretations of both Homer's "Odyssey" and the Marquis de Sade, as well as analyses of the culture industry and antisemitism.