Some contemporary historicist composers, similar to the 18th-century literary figures Thomas Chatterton, James MacPherson (the Ossian poems), and Horace Walpole ("The Castle of Otranto"), have written under a pseudepigraphic ascription, attributing their work to other composers, either real or imaginary. These include Winfried Michel, author of the "Haydn Forgeries" (; ) and Roman Turovsky-Savchuk, whose original lute and viola da gamba compositions in the baroque style were sufficiently convincing to be mistaken for works by composers of the 17th or 18th century (; ), and led to accusations of "trivializing musicology" . Other historicist neobaroque composers include Elam Rotem, Federico Maria Sardelli, Joseph Dillon Ford, and Grant Colburn.