At the "Allegro moderato" in measure 114, the music changes as the second half of the movement begins in Scherzo style. Though all musicologists talk about this next section as a Scherzo, Abraham and Preston Stedman also analyse it as a continuation of the development. This has created yet another point at which musicologists have disagreed on the structural analysis. The new melodic theme that pervades the first half of the Scherzo is developed out of the second theme material of the A-group yet based on material from the first theme. These sixteenth-notes act as the pick-ups to this new theme. The key returns to E major at measure 158 (rehearsal letter B) while the Scherzo continues to develop the same material.