The instrumental break is played by Harrison on a Rickenbacker 12-string guitar, with Martin doubling on a piano, recorded to tape at half-speed and then sped up to normal. Recording this solo was the most time-consuming aspect of the session. A take that appeared on a bootleg in the 1980s reveals Harrison making multiple errors in his playing. In the description of "Rolling Stone"s editors: "But by the time the session ended at 10 that night, he had sculpted one of his most memorable solos – an upward run played twice and capped with a circular flourish, with the church-bell chime of his guitar echoed on piano by Martin."