In April 1994, the label arranged her to fly to London and meet with producer Tom Bailey. They recorded the songs "I Want You", "Fly" and "Just Like Honey", which was later re-recorded by Keith Fernley of Bailey's group Babble with a different set of lyrics and became the song "Father's Field". Lords used lyrics she had previously written in New Zealand based on her personal journals she kept since she was a child. After finishing her recording with Bailey, Lords wanted something with a harder edge to add another dimension to her album. She was introduced to producer Ben Watkins of the electronic group Juno Reactor and decided to incorporate more rave sound. Mainly inspired by the music she would hear at warehouse parties during her stay in London, Lords teamed up with American singer Wonder with whom she created the lyrics to the song "Control". Lords later commented on the inspiration behind the album's sound: "It was in England that I fell in love with techno music. I was working in the UK doing some modelling a couple of years ago, and I was sharing a flat with some other girls in South London. We were really broke, and the cheapest place to go and have a good night out were raves - you could get in for about three bucks. So I went to a lot of raves and clubs, and I fell in love with the music - it was something that wasn't happening in the States at the time." Lords recorded three more songs with Watkins; "Good-N-Evil", "Outlaw Lover" and "Fallen Angel".