From the very start of his playwright career, Rodrigues' was to be labeled by conservative critics as a "pervert" for his nearly obsessive exploration of sexual taboos (adultery, homosexuality, incest) in his plays, novels and columns. However, as various critics have remarked, Rodrigues' theater and narrative fiction themselves partake of a deeply felt conservative streak shared by other Modernist Brazilian writers (Raul Pompéia, Octavio de Faria, Lúcio Cardoso, among others) a moral anguish before modern society and the menaces offered by it to traditional religiosity and morals: the flaunting of traditional sexual taboos, specially, being felt as sharply increasing an awareness of moral guilt for living in a society felt as increasingly amoral, During the 1960s, Rodrigues was to write that giving room for the young to offer opinion was to turn society upside down, and that Betty Friedan should be locked in a mental institution.