Harvey told "Mojo" magazine, "I don't think 'tender' is a word that could be applied to anything I've written before, but that's how I feel about this album and I'm really pleased about it. Some of the songs are very gentle, very loving; with others I had a lot of fun in the words I used and the way I sang them." She explained to "Time Out" magazine how she "wanted to get back to the earthy, rootsy, more dirty side of things" following the popular success of her last album, 2000's "Stories from the City, Stories from the Sea". She said, "I wanted this record to be simple, I wanted it to be ugly in some places, I wanted it to have a swagger to it... but also a real honesty and intimacy. I wanted a warmness and closeness and I wanted to make a welcoming record." To "Spin" magazine she said that, in contrast to the extreme darkness of some of her earlier LPs, "I find an enormous amount of openness and hope on this record... "The Desperate Kingdom of Love" or "You Come Through" I find incredibly optimistic and tender." Harvey also explained to "Tracks" magazine that, "I was looking for distressed, debased sounds. So all of the guitars are either tuned so low that it's hard to detect what notes they're playing or they're baritone guitars or they're played through the shittiest amps I could find."