The fundamental structure of the play is very much in keeping with that of Japanese traditional drama forms as a whole. The philosophy of "jo-ha-kyū" is employed throughout, as actions, scenes, acts, and the play as a whole begin slow ("jo"), then get faster ("ha"), and end quickly ("kyu"). Also, "Yoshitsune" follows the traditional five-act structure and the themes traditionally associated with particular acts. Act One begins calmly and auspiciously, including scenes at the Imperial Palace. Act Two features combat. Act Three is something of a "sewamono" insertion into the "jidaimono" tale, turning away from the affairs of warriors and politics to focus on the lives of commoners. Act Four is a "michiyuki" journey, metaphorically associated with a journey through hell. Act Five wraps up the plot quickly and returns to themes of auspiciousness.