The African music influences in French hip hop also extend to the use of African instruments such as the Kora, balafon, and ngoni. Many of the drums played in Africa and the Caribbean music such as "derbuka from North Africa, djembe from Senegal, gwo ka drums from Guadeloupe, bèlè drums from Martinique and Dominica, zouk, bouyon music, etc.). The mixture of the diverse traditional African, Caribbean, and other instrumentals is what produced the French hip-hop and made it distinct. It does not necessarily represent the French inside France, but rather the minority within France that has its own origins and African connection. The majority of the most influential rappers are from African and Caribbean origins like MC Solaar, Passi, Lady Laistee, Hamed Daye and many more. The youth of French immigrants in the community are not separated by radical conditions as in the United States, and they are not politically organized as in the United Kingdom. The suburbs are not real ghettos and the youth is not ethnically separated, they are all going to school with more equal chances and are therefore more integrated into society. Rap in French flow spontaneously and is much more explicit than English rap. MC Solaar rapidly emerged probably because of his very open and positive attitude, his strong literary talents and humour, becoming a spokesperson of his whole generation.