Stanley had a terrific instinct, like a choreographer, which, of course, he had been. But even in an ordinary dramatic sequence he'd use the body to punctuate what was happening — standing, relaxing, everything, it was all choreographed. If you look at the picture, we were always moving, because Stanley just wanted to keep the ball in the air the entire time, and he used every camera trick you could think of. He also loved filming Sophia's decolletage and her rear end.