Music for worship, according to the U.S. Conference of Catholic Bishops, is to be judged by three sets of criteria – pastoral, liturgical, and musical, with the place of honor accorded to Gregorian chant and the organ. On this basis it has been argued that the adoption of the more popular musical styles is alien to the Roman Rite, and weakens the distinctiveness of Catholic worship. Others complain that certain songs in this genre put the singer in the position of God, singing His part in the first person. Suzanne Toolan's "I Am the Bread of Life", was composed in this manner. However there many examples of this first-person usage in the chants used at Latin Mass, as found in the Roman Gradual. And due to "inclusive language" becoming an issue by the 1980s, this was one of many songs that were edited in newer hymnals. Dan Schutte's "Here I Am, Lord" (based on a Scripture text) was composed with the intent that the cantor would sing God's part, but over time people in the pews began to sing both parts. This style contrasts with the traditional form where the congregation sings to God.