Around 1968, Sonbert stopped using music, and began reediting his old and new images into a longer silent film that intercut many different kinds of footage taken in many different locales. "'Footage from 1967-1970' is the latest title Warren Sonbert has given his ever-growing, ever-changing film," reported Jonas Mekas in his "Movie Journal" in "The Village Voice" in 1970. "At earlier screenings it has been known as 'The Bad and the Beautiful' and 'Tonight and Every Night.' ... By now the short film of 20 minutes has grown to 80 minutes. What it is a Canto on People and Places. It is the first canto film I know ..."