In the wake of the Tiananmen massacre of 1989 and with the intensification of market reforms, literature and culture turned increasingly commercial and escapist. Wang Shuo (王朔), the so-called "hooligan" (痞子) writer, is the most obvious manifestation of this commercial shift, though his fiction is not without serious intent. Some writers, such as Yan Lianke 閻連科, continue to take seriously the role of literature in exposing social problems; his novel "Dreams of Ding Village" (丁莊夢) deals with the plight of HIV-AIDS victims. As in the May Fourth Movement, women writers came to the fore. Many of them, such as Chen Ran (陳然), Wei Hui (衛慧), Wang Anyi (王安憶), and Hong Ying (虹影), explore female subjectivity in a radically changing society. Neo-realism is another important current in post-Tiananmen fiction, for instance in the writings of Liu Heng (劉恆), Chi Li (池莉), Fang Fang (方方), He Dun (何頓), and Zhu Wen (朱文)