She conceived and/or adapted numerous vehicles for the stage from various dramatic and non-dramatic sources, including the "miracle play" "Jesus Christ, Lawd Today"; "Owen's Song"; "The Unfinished Song"; "Rashomon"; "Torture of Mothers"; "Jump at the Sun"; "Re/Membering Aunt Jemima: A Menstrual Show" and "Every Step I Take". She conceived and directed "Eel Catching in Setauket: A Living Portrait of a Community", an oral history, creative performance project which documented the lives of the African-American Christian Avenue community in Setauket, Long Island. She performed in her one-woman shows, "Saffron Persephone Brown", "The Flower-storm of a Brown Woman; Spreading Lies", and in "The Trojan Women: A Tale of Devastation for Two Voices."