For a time, starting with the "Sensational She-Hulk" series by John Byrne in 1989, She-Hulk was portrayed with a form of "cross-dimensional" or metafictional awareness to break the fourth wall. In some stories, she showed an awareness of being a comic book character, with visuals of her "tearing the page" or "walking through a page of advertisements" to reach an enemy's control center. She sometimes engaged in arguments with the writer (John Byrne), or appealed to the comic's editor, Renée Witterstaetter. "Sensational She-Hulk" #50 (Byrne's last issue) involved Renée locking a bound-and-gagged Byrne in a storage closet while she and Jen tried to find the book's new writer. This trend was briefly carried on during her tenure with the Heroes for Hire, when she "spoke" to the book's narrator and "fired" him for losing the plot. Other Marvel characters that have been written to directly "address" the audience include She-Hulk's friend Louise Mason, Uatu the Watcher (who narrates a majority of the issues of "What If" by speaking directly to the reader) and Deadpool. On occasion, this practice has also been used for Loki, Rick Jones, Wyatt Wingfoot, and Howard the Duck. The latest series has not acknowledged this primarily-humor-based quirk of She-Hulk's, save for a coda in (vol. 2) #3 (#100), in which Stu Cicero, a law firm "researcher" asks Jen if she can "really do stuff like that." She somewhat wistfully replies "No. I can't" – however, the panel is drawn at a somewhat ambiguous angle that suggests She-Hulk may be looking "out" of the comic at the reader. She-Hulk's most recent profile in the Official Handbook of the Marvel Universe continues to list this "ability" of hers, and confirms that she is simply downplaying it for the benefit of those around her.