The album was recorded entirely in night sessions running from 12 am to 6 am, due to a superstition on the part of the band members (fuelled by their having heard that Traffic and Spooky Tooth recorded at late hours) that there was some "magic" to recording at night. Hodgson later recalled "Invariably our engineer, Robin Black, would fall asleep on us in the middle of the sessions, which were pretty intense as it was, because we fought a lot with Richard Palmer." He was fond of the resulting album, however, and commented over a decade later that "It was very naïve, but it has a good mood to it."