On the experimental front, a number of new initiatives have grown around collaborative stage work using poetry and movement. "ShadoWork", for instance, aims to 'disrupt and enrich the conventional regimes of author, text and audience' by combining (simple) theatrical movement with the full range of voice and stage in ways designed to draw deeper attention to the text. Developments such as "ShadoWork" represent a 'counter-cultural' mode of performance poetry which shuns bald entertainment value, and others such as the "Tell Tales" initiative and Jonzi D's "Lyrikal Fearta" (which he calls choreo-poetry) go even further, extending spoken word to short prose productions and fusing performance poetry with dance.