What followed was a process of integrating extreme positions – of gradually developing a musical language that spoke both to Edwards himself and, through him, to those prepared to listen. In the 1980s, the response to his music began to gain momentum, divided between the enthusiasm of those who perceived it as fresh direction – "a statement of independence from the impetus of cultural globalism" – and those who saw it as "a betrayal of Modernist idealism". Edwards largely stayed aloof from these so-called "style wars", seeking his own instinctual voice in the midst of controversy.