According to Martin Woesler trends in contemporary Chinese literature include: 'cult literature' with Guo Jingming (郭敬明), 悲傷逆流成河 "Cry me a sad river", vagabond literature with Xu Zechen (徐則臣), 跑步穿過中關村 "Running Through Beijing", Liu Zhenyun (劉震雲), 我叫劉躍 "The pickpockets", underground literature Mian Mian (棉棉), 聲名狼藉 "Panda Sex", 'longing for something' literature, divided in historicizing literature with Yu Dan 于丹, 《論語》心得 "Confucius in your heart", Yi Zhongtian (易中天) and in Tibetan literature with Alai, literature of the mega cities, women's literature with Bi Shumin (畢淑敏), 女兒拳 "Women’s boxing", 女心理師 "The female psychologist", master narratives by narrators like Mo Yan 莫言 with 生死疲勞 "Life and Death are Wearing me out". Oblique social criticism is also a popular form, for example Han Han's (韓寒) novel 他的國 "His land" (2009), which was written in a surreal style opposed to the uncritical mainstream, but ranked 1st in 2009 Chinese bestseller list. Another example is Yan Ge's novel 我們家 "Family of Joy" (2013), which was written in Sichuanese and won the Chinese Media Group New Talent Award in 2013.