All studio films shot in 35 mm from 1932 to 1952 were shot in the Academy ratio. However, following the widescreen "revolution" of 1953, it quickly became an obsolete production format. Within several months, all major studios started matting their non-anamorphic films in the projector to wider ratios such as 1.6, 1.75, and 1.85, the last of which is still considered a standard ratio along with anamorphic (2.39). 1.375:1 is not totally obsolete, nonetheless, and can still be found in select recent films such as Wes Anderson's "The Grand Budapest Hotel", Paul Schrader's "First Reformed", Michel Hazanavicius's "The Artist", Andrea Arnold's "Fish Tank", Kelly Reichardt's "Meek's Cutoff" and Carlos Reygadas' "Post Tenebras Lux", as well on prints of Phil Lord and Christopher Miller's "The Lego Movie" intended for 1.78:1 exhibition (a 2.39:1 version was also made).