Pope John XXIII's 1962 edition of the Roman Missal began a period of aesthetic preference for a reduced number of illustrations in black and white instead of the many brightly coloured pictures previously included. The first post-Vatican II editions, both in the original Latin and in translation, continued that tendency. The first Latin edition (1970) had in all 12 black-and-white woodcut illustrations by Gian Luigi Uboldi. The 1974 English translation adopted by the United States episcopal conference appear in several printings. "Our Sunday Visitor" printed it with further illustrations by Uboldi, while the printing by "Catholic Book Publishing" had woodcuts in colour. The German editions of 1975 and 1984 had no illustrations, thus emphasizing the clarity and beauty of the typography. The French editions of 1974 and 1978 were also without illustrations, while the Italian editions of 1973 and 1983 contained both reproductions of miniatures in an 11th-century manuscript and stylized figures whose appropriateness is doubted by the author of a study on the subject, who also makes a similar observation about the illustrations in the Spanish editions of 1978 and 1988. The minimalist presentation in these editions contrasts strongly with the opulence of United States editions of the period between 2005 and 2011 with their many full-colour reproductions of paintings and other works of art.