Hepokoski takes an altogether different approach to the recapitulation. First, he structurally considers the Scherzo and recapitulation through the conclusion of the movement to all be part of the fourth and final rotation that he calls "Rotation 4, bars 106–586 ('Scherzo'; 'recapitulatory space')". When defining the location of the recapitulation within this rotation, he is unable to give specific measure numbers because it enters in a staggered manner. He shows how "the four defining 'recapitulatory' features, however – theme, tempo, Scherzo character, and 'tonic colour' – are set into place not simultaneously but one after another." The return of the "theme" happens at measure 106 with the A-group materials heard in the brass with woodwind sixteenth-notes above. What he means by "tempo" and "Scherzo character" is the "accelerando" into the "Allegro moderato" section. Finally, he shows how "tonic colour" returns in measure 158 (letter B), putting into place all elements of the recapitulation. With the entry of the Trio section, the recapitulation is put on hold until the Scherzo returns.