Jolley began writing early in her twenties, but was not recognised until much later. She had many rejections by publishers, 39 in one year alone. Delys Bird suggests that it was the post-modern features of her writing – "motifs repeated within and between novels and short stories, self-reflexivity and open-endedness" – that made it hard for them to be published at that time. She suggests that her eventual success owes a little to "the 1980s awareness of 'women's writing'", which had been catapulted to the mainstream after the success of other Australian female writers such as Helen Garner and Germaine Greer.