An enduring image from popular music is presented in the hit song "Son of a Preacher Man," a ballad of young love remembered, places the minister's son as a "sweet-talkin' son of a preacher man", who is possibly more sensitive to women and thus able to emotionally reach the girl who claims that, "The only one who could ever reach me/Was the son of a preacher man/The only boy who could ever teach me/Was the son of a preacher man." Versions of the recording from major stars like Dusty Springfield and Aretha Franklin kept this image, drawn from a southern US setting, visible internationally. The "preacher's daughter" is also a pervasive negative stereotype ascribed to female children that has a particular set of connotations, often sexual, rebellious, or dark in nature. The stereotype is typically suggestive of a dual life: one lived as the expected descendant of piety and the other lived wild, outside of the morals of religion, cloaked in secrecy. Songs such as "Preacher's Daughter" by American R&B singer-songwriter Anthony Hamilton exhibit this role: "She had a habit that she couldn't really stop, needed money so she had to hit the block, nobody knew it so she steady had to play a role, went to church, but surely tearin' up her soul... she was a Preacher's Daughter."