In the 1870s, there was a revival of interest in French forms, led by Andrew Lang, Austin Dobson, Edmund Gosse, W. E. Henley, John Payne, and others. The earliest sestina of this period is Algernon Charles Swinburne's "Sestina". It is in iambic pentameter rhyming ABABAB in the first stanza; each stanza begins by repeating the previous end-words 6 then 1, but the following 4 lines repeat the remaining end-words "ad lib"; the envoi is (1) 4 / (2) 3 / (5) 6. In the same volume ("Poems and Ballads, Second Series", 1878) Swinburne introduces a "double sestina" ("The Complaint of Lisa") that is unlike Sidney's: it comprises 12 stanzas of 12 iambic pentameter lines each, the first stanza rhyming ABCABDCEFEDF. Similar to his "Sestina", each stanza first repeats end-words 12 then 1 of the previous stanza; the rest are "ad lib". The envoi is (12) 10 / (8) 9 / (7) 4 / (3) 6 / (2) 1 / (11) 5.