The late Qing also saw a "revolution in poetry" (詩界革命), which promoted experimentation with new forms and the incorporation of new registers of language. However, the poetry scene was still dominated by the adherents to the Tongguang School (named after the Tongzhi and Guangxu reigns of the Qing), whose leaders—Chen Yan (陳衍), Chen Sanli (陳三立), Zheng Xiaoxu (鄭孝胥), and Shen Zengzhi (沈曾植)—promoted a Song style in the manner of Huang Tingjian. These poets would become the objects of scorn by New Culturalists like Hu Shih, who saw their work as overly allusive, artificial, and divorced from contemporary reality.