Ciudad Juárez, Mexico was a center of velvet painting in the 1970s. A displaced Georgia farmboy, Doyle Harden, was the pioneer who created an enormous factory, where velvets were turned out by the thousands by artists sitting in studios. One artist would paint one piece of the picture, then slide the velvet along to the next artist, who would add something else. Velvet paintings mass-produced by hand in this manner fueled the boom in velvet paintings in the 1970s in the United States. Edgar Leeteg has been called "the father of American black velvet kitsch".