Forms of tone mapping long precede digital photography. The manipulation of film and development process to render high contrast scenes, especially those shot in bright sunlight, on printing paper with a relatively low dynamic range, is effectively a form of tone mapping, although it is not usually called that. Local adjustment of tonality in film processing is primarily done via dodging and burning, and is particularly advocated by and associated with Ansel Adams, as described in his book "The Print;" see also his Zone System.