The Hata were also claimed as ancestors by Zeami Motokiyo, the premiere Noh playwright in history, who attributed the origins of Noh to Hata no Kawakatsu. According to Zeami's writings, Kōkatsu, the ancestor of both the Kanze and Komparu Noh lineages, introduced ritual dances to Japan in the sixth century; this form would later evolve into Okina and then into Noh. A more important influence upon the formation and the character of Noh is the Chinese Nuo rite. While sanyue (sangaku) and daqu influenced the development of Noh in terms of dramatic structure and presentation, the Nuo rite played a significant role in formulating Noh's religious and ritualistic character and features.