During colonial centuries two trends were clear, which common source was formed by religious topics: culta, highly influenced by metropolitan 17th-century painting counted in the Santa Fe school with outstanding individuals, for instance Baltasar de Figueroa, the head of a painters dynasty, who created and maintained the school where Gregorio Vázquez de Arce y Ceballos (1638–1711), was formed, perhaps the most outstanding person of the time; and popular, formed by more ingenuous painters free from influences of the time, who did not belong to any school. They interpreted biblical scenes, the life of saints and Christ and the Virgin life episodes in carved wood or painted but in a more free style.