Michael O'Sullivan of "The Washington Post" said, "Although Travolta gets top billing, Kudrow is the film's true manic engine, and her ability to carry off perky amorality propels the preposterous plot forward through numerous twists and setbacks . . . Her co-star, looking bloated and inert, appears to have settled into the role of the fall guy rather than even attempt to be an active participant. Ephron doesn't look as if she has her heart in the job either. Yes, the film is dark (literally as well as figuratively, since certain scenes are almost murky), but the director doesn't seem to want to acknowledge that the material is as cantankerous as it is. Time and time again, she keeps pulling back from the abyss just when Resnick's story lets us know that it's ready to abandon all social decency and hurl itself over the edge."