However, Abbey deliberately highlights many of the paradoxes and comments on them in his final chapter, particularly in regard to his conception of the desert landscape itself. He introduces the desert as "the flaming globe, blazing on the pinnacles and minarets and balanced rocks" and describes his initial reaction to his newfound environment and its challenges. For Abbey, the desert is a symbol of strength, and he is "comforted by solidity and resistance" of his natural surroundings. However, he also sees the desert as "a-tonal, cruel, clear, inhuman, neither romantic nor classical, motionless and emotionless, at one and the same time – another paradox – both agonized and deeply still."