The sonata, mainly the "Marche funèbre", played an influence in a variety of both classical and non-classical compositions written after it. The development of the first movement contains a complex network of leitmotifs that Richard Wagner would similarly bring to fruition in his work "Der Ring des Nibelungen" (popularly known as the "Ring Cycle"). The second movement of Erik Satie's "Embryons desséchés", entitled "of an Edriophthalma", uses a variation on the "Marche funèbre"'s second theme. Satie labels it "Citation de la célèbre mazurka de SCHUBERT" ("quotation from the celebrated mazurka of Schubert"), but no such piece exists. In addition, the "Marche funèbre" is sampled in a number of jazz compositions, including Duke Ellington's "Black and Tan Fantasy", and the Canadian electronic dance music musician deadmau5 used the theme from the "Marche funèbre" in his song "Ghosts 'n' Stuff". Professional wrestler The Undertaker quotes the opening of the March in his entrance theme, as part of his macabre gimmick. This sonata also influenced Sergei Rachmaninoff in his Piano Sonata No. 2 (Op. 36), also in B minor. While explaining to his friends why he decided on a new 1931 version, Rachmaninoff said: "I look at my early works and see how much there is that is superfluous. Even in this sonata so many voices are moving simultaneously, and it is too long. Chopin's Sonata lasts nineteen minutes, and all has been said".