She continued her association with the group until the final issue of the "Some Imagist Poets" anthology in 1917. She and Aldington did most of the editorial work on the 1915 anthology. Her work also appeared in Aldington's "Imagist Anthology 1930." All of her poetry up to the end of the 1930s was written in an Imagist mode, utilising spare use of language, and a classical, austere purity. This style of writing was not without its critics. In a special Imagist issue of "The Egoist" magazine in May 1915, the poet and critic Harold Monro called H.D.'s early work "petty poetry", denoting "either poverty of imagination or needlessly excessive restraint".