Bush Theatre artistic director Dominic Dromgoole wrote in 2000 that the play “took the expectations of a normal evening in the theatre, rolled them around a little, jollied them along, tickled their tummy, and then savagely, fucked them up the arse… Performed right at the beginning of 1990, this was one of the first plays to signal a new direction for new writing. No politics, no naturalism, no journalism, no issues. In its place, character, imagination, wit, sexuality, skin and the soul.”