From the concept of writing, Bennis grants an importance to his own composition of rhythm. It is a question of creating a dynamic lyric that places the body and the senses in the center of the poem. The forms of his poems and the perspectives which opened his poetic method give evidence of that. Bennis writes in this connection: "The construction of the poem, worked by the infinity of the subjectivity, by the stranger and the impure, undergoes unpredictable transformations. And so the poetic word, written in the margin of literature, does not stop destabilizing the syntax, diverting the image, decomposing the metrics and deforming the order, making itself clean and pure. The road of the poem is the one of the impure where visible and invisible conjugate. This passage of the seed of drunkenness becomes a reality in the poem. And here is the impure to wear, from now on, the sign of the pure, the beautiful and the stranger."