"All the men that think they can be me." What would it be like if one day everyone you encountered said that they were you. Would you let them assume your identification, knowing that ultimately they can only be themselves. These questions are what Carroll provokes us with in "All the men that think they can be me." In this artist's book whose title says it all, Carroll takes the issue of the normative in relation to aesthetics and identification in photography from the universal to the particular—where all meanings exist subjectively. Onestar Press, 2004.