"Flying Padre" was followed by "The Seafarers" (1953), Kubrick's first color film, which was shot for the Seafarers International Union in June 1953. It depicted the logistics of a democratic union and focused more on the amenities of seafaring other than the act. For the cafeteria scene in the film, Kubrick chose a dolly shot to establish the life of the seafarer's community; this kind of shot would later become a signature technique. The sequence of Paul Hall, secretary-treasurer of the SIU Atlantic and gulf district, speaking to members of the union echoes scenes from Eisenstein's "Strike" (1925) and "" (1928). "Day of the Fight", "Flying Padre" and "The Seafarers" constitute Kubrick's only surviving documentary works; some historians believe he made others.