The "Marche funèbre" alone has remained one of Chopin's most popular compositions and has become an archetypal evocation of death. It has been widely arranged for other instrumentations, most notably for orchestra. The first known orchestral arrangement of the movement was made by Napoléon Henri Reber and was played at the graveside during Chopin's own burial on 30 October 1849 at Père Lachaise Cemetery in Paris. The English conductor Henry Wood made two orchestrations of the "Marche funèbre", the first of which was played at The Proms on four occasions between 1895 and 1904. For the First Night of the 1907 Proms on 17 August 1907, Wood conducted a new version he had written on learning of the death two days earlier of the renowned violinist Joseph Joachim. In 1933, Sir Edward Elgar transcribed the "Marche funèbre" for full orchestra; its first performance was at his own memorial concert the next year. It was also transcribed for large orchestra by the conductor Leopold Stokowski; this version was recorded for the first time by Matthias Bamert.