After abandoning the soundtrack album, Bowie went on tour in support of "Station to Station", commencing 2 February 1976 and completing on 18 May 1976. Kraftwerk's "Radioactivity" was employed as an overture to the shows, accompanying footage from Luis Buñuel's and Salvador Dalí's surrealist film "Un Chien Andalou". The staging featured Bowie, dressed in the Duke's habitual black waistcoat and trousers, a pack of Gitanes placed ostentatiously in his pocket, moving stiffly among "curtains of white light", an effect that spawned the nickname 'the White Light Tour'. In 1989 Bowie reflected, "I wanted to go back to a kind of Expressionist German-film look ... and the lighting of, say, Fritz Lang or Pabst. A black-and-white movies look, but with an intensity that was sort of aggressive. I think for me, personally, theatrically, that was the most successful tour I've ever done." The Isolar Tour was the source of one of the artist's best-known bootlegs, culled from an FM radio broadcast of his 23 March 1976 concert at Nassau Coliseum. A live album was officially released years later.