Burney's early career was strongly affected by her relations with her father and the critical attentions of a family friend, Samuel Crisp. Both encouraged her writing, but used their influence in a critical fashion, dissuading her from publishing or performing her dramatic comedies, as they saw the genre as inappropriate for a lady. Many feminist critics have since seen her as an author whose natural talent for satire was somewhat stifled by such social pressures on female authors. Burney persisted despite the setbacks. When her comedies were poorly received, she returned to novel writing, and later tried her hand at tragedy. She supported both herself and her family on the proceeds of her later novels, "Camilla" and "The Wanderer".