Film adaptations of a number of existentialist novels capture the bleak sense of emptiness espoused by Sartre and Camus. This theme of emptiness has also been used in modern screenplays. Mark Romanek's 1985 film "Static" tells the surreal story of a struggling inventor and crucifix factory worker named Ernie who feels spiritually empty because he is saddened by his parents' death in an accident. Screenwriter Michael Tolkin's 1994 film "The New Age" examines "cultural hipness and spiritual emptiness", creating a "dark, ambitious, unsettling" film that depicts a fashionable LA couple who "are miserable in the midst of their sterile plenty", and whose souls are stunted by their lives of empty sex, consumption, and distractions. The 1999 film "American Beauty" examines the spiritual emptiness of life in the US suburbs. In Wes Anderson's 2007 film "The Darjeeling Limited", three brothers who "... suffer from spiritual emptiness" and then "self-medicate themselves through sex, social withdrawal, and drugs."The 2008 film "The Informers" is a Hollywood drama film written by Bret Easton Ellis and Nicholas Jarecki and directed by Gregor Jordan. The film is based on Ellis' 1994 collection of short stories of the same name. The film, which is set amidst the decadence of the early 1980s, depicts an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, alcohol, and drugs.