Miklós Kis, a Transylvanian Protestant pastor and schoolmaster, became deeply interested in printing after being sent to Amsterdam to help print a Hungarian Protestant translation of the Bible. This was a period of considerable prosperity for the Netherlands and a time when its styles of printing were very influential across Europe, making it a centre for the creation of new typefaces. He developed a second career as a punchcutter, an engraver of the punches used as a master for stamping matrices for casting metal type, selling his work to printers in the Netherlands and abroad. The style he worked in was based on French serif typefaces of the previous century, but with boosted x-height and higher stroke contrast, creating a higher-contrast, sharper effect. It was later called the "Dutch taste" ("goût hollandois"), a term originating from the writings of Pierre Simon Fournier in the next century. Kis is considered to have been one of the most talented engravers active during this period, and perhaps uniquely wrote about his work in later life, allowing greater insight into his work than other earlier engravers. Kis also cut typefaces for other languages including Greek and Hebrew typefaces.