The band attributed the sonic textures of "Three Snakes" to the nuances of recording in a house. "It's a totally different vibe doing it in a house, much more conducive to being creative," Rich Robinson commented in 1996. Other members of the band credited the more communal atmosphere of Chateau de la Crowe with making the album a success. "We lived and breathed together all day long," remembers then-bassist Johnny Colt. "It was a caravan of people; people upstairs watching crazy art films, people cutting tracks and eating food. There were dogs running everywhere. And (producer) Jack (Joseph Puig) was pulling his hair out over the whole thing of course."