In 1946, he became an apprentice photographer for "Look" and later a full-time staff photographer. G. Warren Schloat, Jr., another new photographer for the magazine at the time, recalled that he thought Kubrick lacked the personality to make it as a director in Hollywood, remarking, "Stanley was a quiet fellow. He didn't say much. He was thin, skinny, and kind of poor—like we all were." Kubrick quickly became known for his story-telling in photographs. His first, published on April 16, 1946, was entitled "A Short Story from a Movie Balcony" and staged a fracas between a man and a woman, during which the man is slapped in the face, caught genuinely by surprise. In another assignment, 18 pictures were taken of various people waiting in a dental office. It has been said retrospectively that this project demonstrated an early interest of Kubrick in capturing individuals and their feelings in mundane environments. In 1948, he was sent to Portugal to document a travel piece, and covered the Ringling Bros. and Barnum & Bailey Circus in Sarasota, Florida. Kubrick, a boxing enthusiast, eventually began photographing boxing matches for the magazine. His earliest, "Prizefighter", was published on January 18, 1949, and captured a boxing match and the events leading up to it, featuring Walter Cartier. On April 2, 1949, he published a photo essay, named "Chicago-City of Extremes" in "Look", which displayed his talent early on for creating atmosphere with imagery, including a photograph taken above a congested Chicago street at night. The following year, on July 18, 1950, the magazine published his photo essay, "Working Debutante – Betsy von Furstenberg", which featured a Pablo Picasso portrait of Angel F. de Soto in the background. Kubrick was also assigned to photograph numerous jazz musicians, from Frank Sinatra and Erroll Garner to George Lewis, Eddie Condon, Phil Napoleon, Papa Celestin, Alphonse Picou, Muggsy Spanier, Sharkey Bonano, and others.