Schmidt also engaged in speculation regarding the belief systems of the groups that created Göbekli Tepe, based on comparisons with other shrines and settlements. He presumed shamanic practices and suggested that the T-shaped pillars represent human forms, perhaps ancestors, whereas he saw a fully articulated belief in deities as not developing until later, in Mesopotamia, that was associated with extensive temples and palaces. This corresponds well with an ancient Sumerian belief that agriculture, animal husbandry, and weaving were brought to humans from the sacred mountain Ekur, which was inhabited by Annuna deities, very ancient deities without individual names. Schmidt identified this story as a primeval oriental myth that preserves a partial memory of the emerging Neolithic. It is apparent that the animal and other images give no indication of organized violence, i.e. there are no depictions of hunting raids or wounded animals, and the pillar carvings generally ignore game on which the society depended, such as deer, in favour of formidable creatures such as lions, snakes, spiders, and scorpions. Expanding on Schmidt's interpretation that round enclosures could represent sanctuaries, Gheorghiu's semiotic interpretation reads the Göbekli Tepe iconography as a cosmogonic map that would have related the local community to the surrounding landscape and the cosmos.