The film's images were stored on a 1GB image card that was capable of holding approximately 100 frames of animation. Eight roving camera teams—each team including a lighting cameraman, an assistant, a lighting electrician and a set dresser to deal with any art department issues—worked with the animators to set up shots. Each camera team had a "lighting station" workstation—comprising an Apple G4 computer and a monitor to assist in checking lighting and framing—to view TIFF file versions of the camera's images. Once a shot was approved, the computer was removed and the animators were left to shoot the scene using their still camera and "grabber" computer/camera system to check their work. The film's story department head Jeffrey Lynch explained that the scenes were developed initially from storyboards created by a team, saying: "We shot as close to a 1:1 film ratio take per shot as we could because there was no time for reshoots. We did most of our experimentation in the storyboard process—as many ways as needed—to get the scene how we wanted it. There was no coverage, as there would be for a live-action film."