Silat in Brunei shares characteristics common in the Malay world, but it has also developed specific techniques and practices of its own. Silat as a performing art is traditionally accompanied by an orchestra called "gulintangan" or "gulingtangan" (literally: ‘rolling hands’), often composed of a drum ("gandang labik") and eight gongs, including a thin gong ("canang tiga") and a thick gong ("tawak-tawak"). There are several styles being practiced in Brunei, and some are influenced by a range of elements from Malaysia, Indonesia and the Philippines. The most widespread is Gerak 4 1, created by H. Ibrahim, and consisting of the four styles learnt from his masters: Panca Sunda, Silat Cahaya, Silat Kuntau and Silat Cakak Asli. Some of the other styles include Kembang Goyang, Kuntau Iban, Lintau Pelangi (originally from Belait), Pampang Mayat, Pancasukma, Perisai Putih (originally from the East Javanese school Setia Hati), Persatuan Perkasa, Persatuan Basikap, Selendang Merah (‘the red scarf’), Silat Sendi, Tambong, Teipi Campaka Puteh, Gayong Kicih or Kiceh, Gayong Tiga or Permainan Tiga (which includes Gayong, Cimande and Fattani), and Cengkaman Harimau Ghaib.