The music of the ballet consists of throughcomposed segments featuring the plot developments and rounded numbers—dances—as points of stagnation within the dramatic action. The framework of all musical events lies on several prominent leit-motives developed through the symphonic texture. The two main leit-motives are extracted from the thematic fabric of Mokranjac's "Rukovet" no. 10 ("Song-Wreath" no. 10): the songs “Biljana, whitening the linen” (“Biljana platno beleše”) and “Let me go” (“Pušči me”). Along with these two leit-motivical citations, the ballet music also features a theme from the widely known song “Biljana,” as well as the transcription of a folk tune notated by V. Đorđević (“I’m drinking wine and rakia” (“Pijem vino i rakiju”)) which does not serve as a leit-motive, but rather appears only as a theme of the closing bachelor's kolo. The main leit-motives symbolize Biljana's character and love of the two youths. Other prominent motives, although of a more sporadic role, depict Biljana's father and the sword. The citations represent the ballet's primary thematic material that ensures coherency of its musical content. The motives are treated in a symphonic manner whereas the symphonic development serves the dramatics of the plot: the motivical transformation is tightly connected with the plot and the shifts demonstrate characters’ psychological ordeals and characterize dramatic tensions.