There was a late flowering during the reign of King Dinis I (1261–1325), a very learned man, whose output is the largest preserved (137 texts). The main genres practiced were the male-voiced "cantiga d'amor", the female-voiced "cantiga d'amigo" (though all the poets were male) and the poetry of insult, called "cantigas d'escarnio e maldizer" (songs of scorn and insult). This 13th-century Court poetry, which deals mainly with love and personal insult (often wrongly called satire), by no means derives entirely from Provençal models and conventions (as is often said). Most scholars and critics favor the "cantigas d'amigo", which probably were "rooted in local folksong" (Henry Roseman Lang, 1894), and in any event are the largest surviving body of female-voiced love lyric that has survived from ancient or medieval Europe. The total corpus of medieval Galician-Portuguese lyric, excluding the "Cantigas de Santa Maria", consists of around 1,685 texts. In addition to the large manuscripts named above, we also have a few songs with music in the "Vindel Parchment", which contains melodies for six "cantigas d'amigo" of Martin Codax, and the "Pergaminho Sharrer", a fragment of a folio with seven "cantigas d'amor" of King Dinis. In both these manuscripts the poems are the same we find in the larger codices and moreover in the same order.