In "Spider-Man 2" (2004), the filmmakers manipulated the cameras to make the audience feel as if they are swinging together with Spider-Man through New York City. Using motion capture camera radar, the cameraman moves simultaneously with the displayed animation. This makes the audience experience Spider-Man's perspective and heightens the sense of reality. In "" (2018), the Titan sequence scenes were created using virtual cinematography. To make the scene more realistic, the producers decided to shoot the entire scene again with a different camera so that it would travel according to the movement of the Titan. The filmmakers produced what is known as a synthetic lens flare, making the flare very akin to originally produced footage. When the classic animated film "The" "Lion King" was remade in 2019, the producers used virtual cinematography to make a realistic animation. In the final battle scene between Scar and Simba, the cameraman again moves the camera according to the movements of the characters. The goal of this technology is to further immerse the audience in the scene.