After the death of Aylon's husband in 1961, she began to develop an idea of reformed Judaism which rejected the patriarchal notions in the Five Books of Moses. In the 1990s, Aylon began work on "The G-d Project", a nine-part project that spanned two decades. The first work in the project, "The Liberation of G-d", contains the five books of Moses, in English and Hebrew, which sit on velvet-covered stands. Each page is covered in translucent parchment. The sound of turning parchment pages was recorded and played in a loop while the work was on exhibition. Aylon placed the 54 sections of the Torah on glass shelves along a wall, adjacent to the five books of Moses, and used a pink highlighter to mark phrases that, according to her, convey patriarchal attitudes. She also targeted words or phrases that conveyed a sense of vengeance, deception, cruelty, and misogyny that had been falsely attributed to God. The work was first exhibited in "Too Jewish? Challenging Traditional Identities" at the Armand Hammer Museum of Art in March 1996. During the exhibition, Aylon formally invited area rabbis to visit and discuss her work.