As with its catalog of Broadway cast recordings, Nonesuch has assembled an equally selective roster of movie soundtracks, chief among them the scores of Philip Glass. His first Nonesuch recording, the soundtrack to Paul Schrader’s "" in 1984, began a decades-long relationship with the label that would include several stand-out soundtracks, like those of Godfrey Reggio’s wordless films "Powaqqatsi" and "Koyaanisqatsi", the Errol Morris documentary "The Thin Blue Line", Martin Scorsese’s 1997 film "Kundun", and "The Hours", based on the book by Michael Cunningham. "Mishima" was also the first Nonesuch album from now longtime Nonesuch artists Kronos Quartet. Kronos went on to collaborate with British composer Clint Mansell on his scores for the Darren Aronofsky films "Requiem for a Dream" (2000), "The Fountain" (2006), and "Noah" (2014); the Requiem soundtrack included the piece "Lux Aeterna," which subsequently became a popular track for use in movie trailers and commercials. Nonesuch has also recorded the film work of Radiohead guitarist Jonny Greenwood, including writer-director Paul Thomas Anderson’s Oscar-nominated "There Will Be Blood" (2007) and "The Master" (2012). Among other Nonesuch movie soundtrack offerings are Jon Brion’s score for Anderson’s 2002 film "Punch-Drunk Love", Stephin Merritt’s songs for "Pieces of April" (2003), Thomas Newman’s score for the HBO mini-series "Angels in America" (2007), and Carter Burwell’s score for the Coen brothers’ "True Grit" (2010). The relationship with the Coens has continued with the 2013 release of the soundtrack to "Inside Llewyn Davis", produced by T Bone Burnett and the Coen brothers.