The parts resembled pamphlets and contained the text of several chapters between outer pages of steel-plate engravings and advertising. Woodcut engravings, which could be set along with normal moveable type, appeared within the text. The same engraved illustration appeared on the canary-yellow cover of each monthly part; this colour became Thackeray's signature, as a light blue-green was Dickens's, allowing passers-by to notice a new Thackeray number in a bookstall from a distance. "Vanity Fair" was the first work that Thackeray published under his own name and was extremely well received at the time. After the conclusion of its serial publication, it was printed as a bound volume by Bradbury & Evans in 1848 and was quickly picked up by other London printers as well. As a collected work, the novels bore the subtitle "A Novel without a Hero". By the end of 1859, royalties on "Vanity Fair" had only given Thackeray about £2000, a third of his take from "The Virginians", but was responsible for his still more lucrative lecture tours in Britain and the United States.