Antheil assiduously promoted the work, and even engineered his supposed "disappearance" while on a visit to Africa, so as to get media attention for a preview concert. The official Paris première in June 1926 was sponsored by an American patroness who at the end of the concert was tossed in a blanket by three baronesses and a duke. The work enraged some of the concert-goers, whose objections were drowned out by the cacophonous music, while others vocally supported the work, and the concert ended with a riot in the streets.