studios from December 19, 1934, to March 9, 1935. During the production, deHavilland picked up film acting techniques from the film's co-director William Dieterle and camera techniques from cinematographer Hal Mohr, who was impressed with her questions about his work. By the end of filming, she had learned the effect of lighting and camera angles on how she appeared on screen and how to find her best lighting. Following premieres in New York City and Beverly Hills, the film was released on October 30, 1935. Despite the publicity campaign, the film generated little enthusiasm with audiences. While the critical response was mixed, deHavilland's performance was praised by "The San Francisco Examiner" critic. In his review in the "Brooklyn Daily Eagle", Winston Burdett wrote that she "acts graciously and does greater justice to Shakespeare's language than anyone else in the cast". Two minor comedies followed, "Alibi Ike" with Joe E. Brown and "The Irish in Us" (both 1935) with James Cagney. In both films, she played the sweet and charming love interesta role into which she would later become typecast. After the experience of being a Reinhardt player, deHavilland felt disappointed being assigned these routine heroine roles. In March, deHavilland and her mother moved into an apartment at the Chateau des Fleurs at 6626 Franklin Avenue in Hollywood.