His "total cinema" films were predominantly produced by Das kleine Fernsehspiel ("The Little Television Play"), a small experimental department of the German public-service station. The company supported some of Schroeter's most controversial projects including: "The Bomber Pilot" (70), "Salome" (71), "Macbeth" (71), and "Goldflocken" (76). "" marked the director's shift toward more plot-driven films, commenting: "it is much more radical to play with the content than with the aesthetics of the image. The era of independence is over. Our society has not fulfilled the promises hoped for around '68-'70". The film won many prizes domestically and internationally and was his first commercial release.