The "indoor", chamber pieces, deal with what is called in decision field theory "violations of stochastic dominance" or a clear denial of the independence between alternatives. “Maquina Latina”, for instance, is based on nesting (Matryoshka-doll style) musician-generated metronomic inaccuracies due to performative stress. “Teleprompter” is based on, as Sandoval call it “forced isolated-musicians synchronization”, “AntiLegos”, on strictly planned discursive contradictions. And "The Mexican National Anthem as I Recall it From my Childhood" on childhood memories, patriotism, and detuning-entities, as identity. In most of the pieces the raw “mother-cell” composition materials where video-generated by the performers, reading open scores.