A less noteworthy staged interpretation was created by actor/director Cradeaux Alexander at the Kraine Theatre in his 2000 reworking which removed the old man completely from the proceedings, divided the woman's speech between three actresses and an actor leaving the audience to stand in as the beleaguered Joe. Among other things, the audience isn't Joe and doesn't share his history. Without him present to convey his guilt they are merely eavesdroppers. The performance also incorporated seventies disco music and male nudity. In interview, Alexander had this to say: