During this period, Iago was assigned to the Italian sometimes-second-tenor, sometimes-baritone Giovanola at the Théâtre Italien in Paris on 26 July 1823 with Giuditta Pasta as Desdemona. The Spanish baritone (later pedagogue) Manuel García, Jr. sang the role on his family's trip to the New York in 1826. The Italian baritone Ferdinando Lauretti sang it at Verona in 1827 and a review of this performance was dispatched to London's "The Harmonicon", which mentions his "character of Iago, a part for a bass which was greatly improved by Rossini, during his engagement at your Italian opera." Domenico Cosselli sang the role at Turin's in 1828, as did the Italian "primo basso" Federico Crespi (1833), Antonio Tamburini (from 1834), Luciano Fornasari (in 1844), Giovanni Belletti (in 1849), Joseph Tagliafico in 1850, Giorgio Ronconi (from 1851), Francesco Graziani (from 1869), and Antonio Cotogni (in 1869). French baritone Paul Barroilhet appeared in 1844 in Paris, where he interpolated the aria "" (transposed from C to B-flat) from Rossini's "La donna del lago". His successor, Jean-Baptiste Faure, sang the role in 1871.