The original plan for the stage backdrop/scenery was to simply use a giant video projector, but when the lighting designer, Yves Aucoin, pointed out that this would create unacceptable shadows when dancers ran in front of it, Angelil went back to Phil Anschutz, whose AEG Live was underwriting the production, and persuaded him to contribute an extra $10 million for the construction of the largest indoor LED screen in North America. The LED Screen was produced by Mitsubishi Diamond Vision LED Screens. This was a HDTV LED Screen Installation with an 8mm Display "Dot Pitch". The screen consisted of many separate LED panels put together. The stage backdrop/video content design of the show is done by Dirk Decloedt.