Shooting of the puppets are carried out with a Mark II camera in 16:9 format and in 4K resolution, suitable for a large screen. Light filters were used to avoid the puppets having a rough background. Acceleration of stop motion puppets is an art that the studio perfected by working with the different dolls. They carefully perfected speed and center of gravity such as the fall of a leaf in its own wavering velocity, or the speed of a doll that moves only millimeters in each frame in order to avoid ragged movements. Cameraman Igor Skidan-Bosin, together with other technicians, invented an innovative suspended moving camera system that can drive right inside the scenery. The system is powered by a computer. Using special sliders, the camera can capture dynamic movements such as a revolution around dancing puppets.