The Royal Philharmonic Society of London formally commissioned the concerto in 1909. Elgar, despite himself being a violinist, called upon W. H. "Billy" Reed, leader of the London Symphony Orchestra, for technical advice while writing the concerto. Reed helped him with bowings, passage-work and fingerings, playing passages over and over again until Elgar was satisfied with them. Kreisler also made suggestions, some for making the solo part more brilliant and some for making it more playable. Before the premiere, Reed, with Elgar playing the orchestral part on the piano, played through the work at a private party.