Anatsui was invited to the Venice Biennale in 2006 and again in 2007 where he was commissioned to make two hanging metal tapestries. During the 2007 edition, he exhibited his works at the Palazzo Fortuny which consisted of newly built walls for him to display three metal hangings entitled "Dusasa". Each artwork demonstrated different textures and colors including golds, reds, and blacks. The way the bottle tops draped throughout the hangings created a sense of gentleness that made it stand apart from the other works in the gallery. The art curator of the Biennale, Robert Storr, mentions that the artist's series "reaches back into a whole series of things in the postwar period-it has a kind of exaltation I have not seen before". During this Venetian showing, Anatsui wanted to create a new experience for his viewers conceptually. He believes that "human life is not something which is cut and dried. It is something that is constantly in a state of change." At this point, he began to refer his metalworks as hangings instead of "cloths".