In 1985 Alice followed up the success of the "I treni di Tozeur" single with a full-length tribute album entitled "Gioielli rubati – Alice canta Battiato" ("Stolen Jewels – Alice Sings Battiato"), including nine of the composer's best-known songs. Angelo Carrara's production of the album, recorded in Milan and mixed at The Power Station Studios in New York City, accentuated Battiato's influences from classical masters such as Johann Sebastian Bach, Mozart and Johannes Brahms by juxtaposing modern sequencer-programmed synthesizers and drum machines against a classically arranged string section, just like in the case of "I treni di Tozeur" courtesy of the opera house La Scala in Milan. The album's opening track "Prospettiva Nevski", minutely detailing a cold winter's day at Saint Petersburg's "Nevsky Prospekt" in the early twentieth century, became Alice's best-selling solo single in Continental Europe and Scandinavia since her breakthrough with "Per Elisa" and was followed by "Summer on a Solitary Beach", "Il Re del Mondo" ("The King of the World") and "Luna indiana" ("Indian Moon", loosely based on Beethoven's "Moonlight Sonata") and introduced Battiato's music to a wider European audience. In Italy the "Gioielli rubati" album won Alice the award Premio Tenco for Best Interpretation the following year.