Italian and French influences increased after the war for independence at the beginning of the 19th century, though the academic style persisted until the first decades of the 20th century. Attempts at renovation took place during the second half of the 19th century and beginning of the 20th, when the European tendencies penetrated into the country, reflected in numerous important buildings of Buenos Aires, such as the Santa Felicitam Church, by Ernesto Bunge; the Central Post Office and Palace of Justice, by Norbert Maillart; and the National Congress and the Colón Opera House, by Vittorio Meano.