The musical scene in France had altered considerably during Gounod's absence. After the death of Berlioz in 1869, Gounod had been generally regarded as France's leading composer. He returned to a France in which, though still well respected, he was no longer in the vanguard of French music. A rising generation, including members of the new Société Nationale de Musique such as Bizet, Emmanuel Chabrier, Gabriel Fauré and Jules Massenet, was establishing itself. He was not embittered, and was well disposed to younger composers, even when he did not enjoy their works. Of the later generation he was most impressed by Camille Saint-Saëns, seventeen years his junior, whom he is said to have dubbed "the French Beethoven".