These trends intensified in Baroque art, when every ruler wanted to have statues made of themself, and Catholic churches filled with crowds of statues of saints, although after the Protestant Reformation religious sculpture largely disappeared from Protestant churches, with some exceptions in large Lutheran German churches. In England, churches instead were filled with increasing elaborate tomb monuments, for which the ultimate models were continental extravagances such as the Papal tombs in Rome, those of the Doges of Venice, or the French royal family.