The opera was not successful at its first appearance and had no more than six performances. Both Maillard, who played Iphise, and Larrivée, who played Teucer, were regarded as inadequate, the latter having to be replaced by Moreau after the second performance; the opera as a whole was deeply involved in the growing hostility towards Queen Marie Antoinette's predilection for foreigners, Sacchini being her favourite: she herself had introduced the musician to the king in 1783, when he had been celebrated at court along with another Italian composer Piccinni, when they had both been granted substantial pensions on account of their recently staged operas, "Didon" and "Chimène".