James exhibits a knack for popular expression that Peirce seldom sought, and here his analysis of correspondence by way of a simple thought experiment cuts right to the quick of the first major question to ask about it, namely: To what extent is the notion of correspondence involved in truth covered by the ideas of analogues, copies, or iconic images of the thing represented? The answer is that the iconic aspect of correspondence can be taken literally only in regard to sensory experiences of the more precisely eidetic sort. When it comes to the kind of correspondence that might be said to exist between a symbol, a word like "works", and its object, the springs and catches of the clock on the wall, then the pragmatist recognizes that a more than nominal account of the matter still has a lot more explaining to do.