In Scotland, Edwin Morgan, Ian Hamilton Finlay and Tom Leonard emerged as key individual poets during this time, each interested in, among other forms, sound and visual poetry. The viability of a wider, deeper experimental infrastructure in poetry was helped by the gallery, performance space and bookshop at the Third Eye Centre in Glasgow (later renamed the Centre for Contemporary Arts). Magazines such as "Scottish International", "Chapman", and Duncan Glen's magazine "Akros" maintained links with the modernist legacy of the inter-war and post-war years while publishing contemporary poets; often, however, by mixing the avant-garde with aesthetically conservative texts.