It's almost as if, as broadcasters, we are glorying his death. The context a show is presented in will have a huge impact on how it is received and it's always been our policy to swim against the tide and resist the policy to conform. It seems ironic—and depressing—to me that after deliberately avoiding the "obvious" approach in my script we are now facing a very "obvious" approach to the scheduling. If Victor dies at Christmas it's going to look like a naked push for ratings. The opposite is true: I want Victor's departure to be significant, but stripped of sensationalism.