“Whitelaw emphasized over and again in her workshops … the difference between playing ‘character roles’ and acting the Beckett roles she played with ‘no colour.’ Whitelaw explained how she concentrated her attention on timing, rhythm, and the musicality of texts, as well as creating an active metaphor for a role so that she could play the role with ‘no colour.’ She also explained how she delivered her lines as a form of ‘Chinese water torture’ so that each phrase of the text was delivered as a drop of water literally dripped into Joe's head.”