Later, Naomi Lebowitz explained them this way: The edifying discourses are, according to Johannes Climacus, "humoristically revoked" (CUP, 244, Swenson, Lowrie 1968) for unlike sermons, they are not ordained by authority. They start where the reader finds himself, in immanent ethical possibilities and aesthetic repetitions, and are themselves vulnerable to the lure of poetic sirens. They force the dialectical movements of the making and unmaking of the self before God to undergo lyrical imitations of meditation while the clefts, rifts, abysses, are everywhere to be seen.