As Misson points out, the seating was divided by class, and tickets were priced accordingly. Box seats, used by the nobility and wealthy gentry, cost 5 shillings; the benches in the pit where some gentry sat, but also critics and scholars, cost 3 shillings; tradesmen and professionals occupied the first gallery with seats costing 2 shillings, while servants and other "ordinary people", as Misson refers to them, occupied the 1 shilling seats of the upper gallery. Seats were not numbered and were offered on a "first come, first served" basis, leading many members of the gentry to send servants to reserve seats well ahead of performances. The stage was wide and deep with a raked floor from the footlights to the backdrop. The angle of the rake rose one inch for every of horizontal stage. The stage floor included grooves for wings and flats in addition to trap doors in the floor. The proscenium arch covered the stage equipment above the stage that included a pair of girondels – large wheels holding many candles used to counteract the light from the footlights. Towards the latter part of the 18th century, doors were placed on either side of the stage, and a series of small spikes traced the edge of the stage apron to prevent audiences from climbing onto the stage. At the very back of the stage, a wide door opened to reveal Drury Lane.