The community doesn't like drum sets and guitars and actual live music. They're used to lip-synching, and dudes in dresses, and Madonna, and Cher, and techno beats. Those are the things that kept me from coming out earlier. I felt like I had nothing in common with the gay community, and I still don't feel like I have a lot in common with the community. I'm hoping that changes, but the majority of their icons are press-friendly little Mickey Mouse-doll figureheads that you're more likely to see on a show redecorating somebody's house than onstage at a blues festival... When I came out of the closet as a gay white male from an upper-middle-class suburban home, I came out as not just gay, but as a white guy, and as a guy who likes punk, and as a guy who didn't come from total poverty, and all those things that we associate with being 'blues' things. And when I did that, I wanted to sing about that. I wanted to write songs about what my life was like, and I wanted to use terminology that was modern.