An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house (now a hotel in Lancashire) in September sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning—Richmond"", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), The Towing Path, Kilgaren Castle, The Three Sisters, Battersea Reach – Out of Whistler's Window, "Penton Hook", "Grim Spain" and "Evening Fishing, Longparish" are also notable examples of his work. Sunset in Ireland is Haden's acknowledged pastoral masterpiece. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years also Haden began to practise mezzotint engraving, with a measure of the same success that he had already achieved in pure etching and in drypoint. His mezzotints include "An Early Riser", a stag seen through the morning mists, "Grayling Fishing" and "A Salmon Pool on the Spey". He also created paintings and charcoal drawings of trees and park-like country.