Following the theatrical release of "The Lion King" (1994), Roger Allers was called into Thomas Schumacher's office to discuss his next project. Inside his office, Schumacher explained that Disney Feature Animation was interested in exploring ancient cultures for prospective film projects. He held three pictures representative of Inca, Aztec, and Mayan cultures. Allers chose the Inca culture as he became intrigued with the visual possibilities of the Inca creation myth. Allers would base his story on Anthony Hope's adventure novel "The Prisoner of Zenda".