Representations of post feminism can be found in pop culture. Postfeminism has been seen in media as a form of feminism that accepts popular culture instead of rejecting it, as was typical with second wave feminists. Many popular shows from the 90s and early 2000s are considered to be postfeminist works because they tend to focus on women who are empowered by popular cultural representations of other women. Because of this, postfeminists claimed that such media was more accessible and inclusive than past representations of women in the media; however, some feminists believe that postfeminist works focus too much on white, middle-class women. Such shows and movies include "The Devil Wears Prada, , The Princess Diaries," and "Buffy the Vampire Slayer." Another example is "Sex and the City". Carrie Bradshaw from "Sex and the City" is an example of a character living a post feminist life. While her character attempts to live a sexually liberated lifestyle, Bradshaw is stuck endlessly pursuing the love and validation of a man. The balance between Bradshaw's independent life as a successful columnist and desire to find a husband exemplifies the tension of post feminism. Many of these works also involve women monitoring their appearance as a form of self-management, be it in the form of dieting, exercise, or—most popularly—makeover scenes. Postfeminist literature—also known as chicklit—has been criticized by feminists for similar themes and notions. However, the genre is also praised for being confident, witty, and complicated, bringing in feminist themes, revolving around women, and reinventing standards of fiction. Examples can also be found in "Pretty Little Liars". The novels explore the complexity of girlhood in a society that assumes gender equality, which is in line with postfeminism. The constant surveillance and self policing of the series' protagonists depicts the performance of heterosexuality, hyperfemininity, and critical gaze forced upon girls. The materialism and performance from the girls in "Pretty Little Liars" critiques the notion that society has full gender equality, and thus offers a critique of postfeminism.