The use of "fabels" does not predetermine the style of production nor does it necessarily require an epic dramaturgy or aesthetic (the elimination of suspense and mystery, defamiliarization effects, etc.), despite having originated in Brechtian practice. The creation of "Fabels" is an attempt to achieve clarity for the "producers" (actors, director, designers) rather than the "audience" (which would characterize an epic production). One may create psychological (in a Stanislavskian approach) or metaphysical (in an Artaudian approach) "fabels" as well as the social ones that Brecht explored.