Many modern stereo recordings favour the slower approach of Menuhin and Elgar. Menuhin himself in his stereo remake in 1965 was slightly quicker (just under 48 minutes) than he had been in 1932, but Pinchas Zukerman in his two studio versions took a little over 50 minutes in his first recording and a little under 49 in his second. Both of Nigel Kennedy's recordings play for nearly 54 minutes. Itzhak Perlman's is slightly faster, at just over 47 minutes; and Dong-Suk Kang's takes under 45 minutes. The slowest version recorded is with Ida Haendel and Sir Adrian Boult conducting the London Philharmonic Orchestra, at well over 55 minutes. A recording released in 2006 used a text based on Elgar's manuscript score rather than the published version. Reviewing the CD in June 2006 the "Gramophone" critic Edward Greenfield observed, "... the differences are very small ... I have to confess that had I not been told, I might have appreciated only two of them."