As Weber's reference here to 'scenic writing' suggests, a director or other company member may produce multiple "fabels" during the course of a production, each detailing and clarifying a different aspect of the process: a dramatic analysis; an interpretive proposal; an initial springboard position from which to initiate a process of exploration and experiment in rehearsals; a description of individual production aspects (the lighting "fabel", the sound "Fabel", the visual or scenic design "fabel", etc.); an account of progress made at different stages of the rehearsal process; individual actor performance and character behaviour "fabels". Virtually any aspect of the theatrical process of production may be explored through the use of a specific "fabel".