The premiere "was an unqualified success with the audience and with many of the critics as well although they were somewhat qualified in their judgment. Of the final quintet, however, New York Times critic Howard Taubman said it is '...a full-blown set-piece that packs an emotional charge and that would be a credit to any composer anywhere today.' ". Other reports substantiate this and it won Barber the Pulitzer Prize. The original production was shown at the Salzburg Festival in the same year, which was the first performance in Europe. In Europe, however, it met with a chillier reception.