The production of the Passion, done outside of Rome, represents a corrupted society who is interested in superficial beauty and yet possesses a corrupted core. This is demonstrated with the extras' lack of interest with the film itself, preferring instead to dance to ya-ya twist music , lying around during break time and tormenting Stracci. This is also demonstrated in the elaborate poses the director has set up, evoking the great Italian Renaissance, particularly of Pontormo and Fiorentino and yet are far from respected.