They lived at Nymphenburg Palace in Munich and had seven children. In May 1727, at the birth of the heir, Maximilian III Joseph, Maria Amalia was given her own residence, the Fürstenried Palace as a puerperal gift; and in 1734, Charles Albert named the Amalienburg in the Nymphenburg Palace Park after her. Similar to her mother, she was forced to accept the infidelity of her spouse: her husband also had six illegitimate children. However, their relationship is described as a moderately happy one, as they had similar personalities and interests. Like Charles Albert, she enjoyed court life, pomp and parties, and together they made the Bavarian court a cultural center. Maria Amalia was interested in politics, had a passion for hunting, and managed to engage also in her interest for travels with the argument that pilgrimages would make it easier for her to give birth to sons. She protected churches and convents and had a close relationship with her sister-in-law Maria Anna, who was a member of the Poor Clares in Munich. She liked the opera and her apartments at the royal Munich residence is regarded as a notable example of the Rococo.