'["The Chemistry of Music" & "The Brunch Museum" are two of the] three projects that Brecht called “meta-creations”. The first, from 1968, is a slide-based lecture under the title "The Chemistry of Music", which offers a critique of the lecture format as the predominating method of teaching. The second, "The San Antonio Installation", is based on extracts from a popular series of French detective novels by the author San Antonio. The excerpts consist in an eccentric collection of articles (many of them found in French flea markets) which materialise details of the narrations and which present a kind of antidote against passive experience – in this case, the mechanical absorption of cheap literature. The third project is "The Brunch Museum", an ingenious “exhibited object” of the life and work of W. E. Brunch, an imaginary figure of “great historical importance” invented by Brecht and the artist Stephan Kukowski (now Stephan Shakespeare). As in the case of the lecture model and novel, this project challenges institutionalised forms of representation and dissemination of information.'