Korda left Vienna and travelled to Germany. He had frequent problems with money, and often had to receive support from friends and business associates, but in Berlin he raised funding for the melodrama "The Unknown Tomorrow" (1923). With backing from Germany's biggest film company, UFA, Korda returned to Vienna to make "Everybody's Woman" (1924). While he was there he began work on his next film, the historical "Tragedy in the House of Habsburg" (1924), which portrayed the Mayerling Incident. It earned back around half of its production costs. He followed this with "Dancing Mad" (1925), another melodrama.