In 1952, Pathé Records moved its operation from Shanghai to Hong Kong. Stars from Shanghai continued to record songs in Hong Kong, and Shanghai-style music remained popular in Hong Kong until the mid-1960s. Although the music is a continuation of the shidaiqu style of Shanghai, many of its songwriters did not move to Hong Kong, and many of the musicians employed in the Hong Kong music industry were Filipinos, Mandarin pop music in Hong Kong began to move away from its Shanghai roots. Also partly as a consequence of having fewer good songwriters, some songs of this period were adaptation of English-language songs, as well as songs from other regions such as the Indonesian song "Bengawan Solo" (as "梭羅河之戀") and the Latin-American song "Historia de un Amor" (as "He is not in my heart", "我的心裡沒有他"). As the style evolved, the sound of popular songs from the Hong Kong era therefore became distinct from Shanghai's. Among the recording artists of note to emerge in this period were Tsui Ping, Tsin Ting, Grace Chang (葛蘭), Fong Tsin Ying (方靜音) and Liu Yun (劉韻), some of whom were also actresses. While some actresses continued to sing in their films, some of the best known songs were dubbed by other singers, for example "Unforgettable Love" ("不了情") in the film of the same name starring Lin Dai was sung by Koo Mei (顧媚).