Literary developments during the Hoysala period had a marked influence on Kannada literature in the centuries to follow. These developments popularised folk metres which shifted the emphasis towards "desi" (native or folk) forms of literature. With the waning of Jain literary output, competition between the Veerashaiva and Vaishnava writers came to the fore. The Veerashaiva writer Chamarasa (author of "Prabhulingalile", 1425) and his Vaishnava competitor Kumaravyasa ("Karnata Bharata Kathamanjari", 1450) popularised the "shatpadi" metric tradition initiated by Hoysala poet Raghavanka, in the court of Vijayanagara King Deva Raya II. Lakshmisa, the 16th–17th century writer of epic poems, continued the tradition in the "Jaimini Bharata", a work that has remained popular even in the modern period. The "tripadi" metre, one of the oldest in the Kannada language (Kappe Arabhatta inscription of 700), which was used by Akka Mahadevi ("Yoganna trividhi", 1160), was popularised in the 16th century by the mendicant poet Sarvajna. Even Jain writers, who had dominated courtly literature throughout the classical period with their Sanskritic "champu" style, began to use native metres. Among them, Ratnakaravarni is famous for successfully integrating an element of worldly pleasure into asceticism and for treating the topic of eroticism with discretion in a religious epic written in the native "sangatya" metre (a metre initiated by Hoysala poet Sisumayana), his "magnum opus", the "Bharatadesa Vaibhava" (c. 1557).