At the time, Weber complained of both the control exerted by consolidated studios, as well as the ever more strenuous censorship of the Hays Code: "I have received many offers, but in each case I'm hampered with too many conditions. ... The producers select the stories, select the cast, tell you how much you can pay for a picture and how long you can have to make it in. All this could be borne. But when they tell you that they also will cut your picture, that is too much."