A number of younger poets, many of whom who first found an outlet in "Poetry Review" under Mottram, began to emerge around the end of the 1970s. In London, Bill Griffiths, Ulli Freer, cris cheek, Lawrence Upton, Robert Gavin Hampson, Robert Sheppard, and Ken Edwards were among those who were to the fore. These, and others, met regularly at Gilbert Adair's Subvoicive reading series, which also regularly featured poets from North America, as well as visiting poets such as Caroline Bergvall, Paul Buck, Andrew Duncan, D. S. Marriott, Maggie O'Sullivan and Denise Riley. Edwards ran "Reality Studios", a magazine that grew out of Alembic (UK poetry magazine), the magazine he had co-edited through the 1970s with Peter Barry and Robert Hampson. Through Reality Studios, he helped introduce the L=A=N=G=U=A=G=E poets to a British readership. He also ran Reality Street Editions with Cambridge-based Wendy Mulford, which continued to be a major publisher of contemporary poetry until 2018 and an important bridge between US and UK poetries. The London-based Angel Exhaust magazine brought many of the younger poets together - in particular, Adrian Clarke, Robert Sheppard and Andrew Duncan. In the Midlands, Tony Baker's "Figs" magazine focused more on the Objectivist and Bunting-inspired poetry of the Northumbrian school while introducing a number of new poets.