Although the Connells were frequently dismissed as R.E.M. imitators due to the Athens, Georgia band's overwhelming popularity relative to that of its contemporaries, there were significant differences between the two bands. First of all, the Connells' influences occurred at the same time that R.E.M.'s influences occurred. Connell and Huntley both played twelve-string Rickenbackers, as opposed to the six-string models favored by R.E.M.'s Buck; this gave the Connells an even janglier sound. Whereas Buck's guitar style featured heavy use of arpeggios, Connell's style was primarily based on strummed open chords in the keys of G and D, with a strong Celtic feel to songs such as "Scotty's Lament" and "'74–'75". Likewise, Connell's lyrics were clearer and more direct than the stream-of-consciousness lyrics of Michael Stipe. The melancholy lyrics of early songs such as "Darker Days" drew comparisons to The Smiths, and an early feature on the band in the "Raleigh's Spectator Magazine" music weekly dubbed them "Raleigh's local depressants".