A number of publishing outlets for this new experimental poetry also began to spring up, including Turnbull's Migrant Press, Raworth's Matrix Press and Goliard Press, Horovitz's "New Departures", Stuart Montgomery's Fulcrum Press, Tim Longville's "Grosseteste Review", Galloping Dog Press and its "Poetry Information" magazine, Pig Press, Andrew Crozier and Peter Riley's "The English Intelligencer", Crozier's Ferry Press, and Cobbing's Writers Forum. In addition to the poets of the revival, many of these presses and magazines also published "avant-garde" American and European poetry. The first anthology to present a wide-ranging selection of the new movement was Horovitz's "" (1969). A better sample of the work of the first and second generations of the Revival is provided by the sections edited by Eric Mottram and Ken Edwards in "The New British Poetry" (1988). Robert Sheppard also provides a useful account of some of this activity in his chapter on 'The British Poetry Revival' in his book, "The Poetry of Saying" (Liverpool University Press, 2005)' while Juha Virtanen addresses an important aspect of the British Poetry Revival in his monograph, "Poetry and Performance During the British Poetry Revival 1960-1980" (Palgrave Macmillan, 2017).