She has penned several columns in "The New York Times". These include columns which discuss returning to ingenue roles later in life, her experience as a headliner performer on a themed cruise, gender politics, her time with composer Michel Legrand, the recent trend of home-taping for auditions, and the process of digitally rehearsing and producing a full musical production of "Meet Me in St. Louis " during the COVID-19 pandemic. She also wrote an expanded article on her experiences with Legrand, which was published in the French magazine "".