After this film, however, Korda became pigeonholed as a director of female stars and exotic foreign locations. He was generally given similar assignments for the remainder of his first period in Hollywood. His next few films were disappointments as his career lost its momentum: "Yellow Lily" (1928), "Night Watch" (1928) both with Dove, and "Love and the Devil" (1929) with Maria Korda (who now spelled her name with a K). The latter two, though still Silent films, had sound effects and music added to their soundtracks during Hollywood's transition to fully synchronized Sound films.