In Russia, the war was covered by anonymous satirical graphic luboks for sale in markets, recording the war for the domestic audience. Around 300 were made before their creation was banned by the Russian government. Their Japanese equivalents were woodblock prints. These had been common during the Sino-Japanese war a decade earlier and celebrations of the new conflict tended to repeat the same imagery and situations. But by this time in Japan postcards had become the most common form of communication and they soon replaced prints as a medium for topographical imagery and war reportage. In some ways, however, they were still dependent on the print for their pictorial conventions, not least in issuing the cards in series that assembled into a composite scene or design, either as diptychs, triptychs or even more ambitious formats. However, captioning swiftly moved from the calligraphic side inscription to a printed title below, and not just in Japanese but in English and other European languages. There was a lively sense that these images served not only as mementoes but also as propaganda statements.