Michael Phillips of the "Chicago Tribune" said the film "pushes its R rating pretty hard, though as with most Smith characters this side of Silent Bob, there's a lot more raunch in the talk — the sheer, voluminous, often hilarious verbosity — than in the action." A. O. Scott says Smith "has been tinkering with the dirty-mind/soft-heart combination for quite some time, forming a link of sorts between the humanist sexual anarchy of John Waters and the smutty Victorianism of Judd Apatow." According to Scott: