Submitting it to Count Prata, director of the opera, he was told that his piece "was composed with due regard for the rules of Aristotle and Horace, but not according to those laid down for the Italian drama." "In France", continued the count, "you can try to please the public, but here in Italy it is the actors and actresses whom you must consult, as well as the composer of the music and the stage decorators. Everything must be done according to a certain form which I will explain to you."