Although from a family that was closely tied to the British Raj, Sher-Gil herself was a Congress sympathiser. She was attracted to the poor, distressed and the deprived and her paintings of Indian villagers and women are a meditative reflection of their condition. She was also attracted by Gandhi's philosophy and lifestyle. Nehru was charmed by her beauty and talent and when he went to Gorakhpur in October 1940, he visited her at Saraya. Her paintings were at one stage even considered for use in the Congress propaganda for village reconstruction. However, despite being friends with Nehru, Sher-Gil never drew his portrait, supposedly because the artist thought he was "too good looking." Nehru attended her exhibition held in New Delhi in February 1937. Sher-Gil exchanged letters with Nehru for a time, but those letters were burned by her parents when she was away getting married in Budapest.