These kinds of rhythms are used, for example, by Béla Bartók, who was influenced by similar rhythms in Bulgarian folk music. The third movement of Bartók's String Quartet No. 5, a scherzo marked "alla bulgarese" features a " rhythm (4+2+3)". Stravinsky's "Octet" for Wind Instruments "ends with a jazzy 3+3+2 = 8 swung coda". Additive patterns also occur in some music of Philip Glass, and other minimalists, most noticeably the "one-two-one-two-three" chorus parts in "Einstein on the Beach". They may also occur in passing in pieces which are on the whole in conventional meters. In jazz, Dave Brubeck's song "Blue Rondo à la Turk" features bars of nine quavers grouped into patterns of at the start. George Harrison's song "Here Comes the Sun" on the Beatles' album "Abbey Road" features a rhythm "which switches between , and on the bridge". "The special effect of running even eighth notes accented as if triplets against the grain of the underlying backbeat is carried to a point more reminiscent of Stravinsky than of the Beatles".