Together with her musician husband, Sanjukta has left behind a rich repertoire of Odissi dance, both modern as well as classical, ranging from traditional numbers based on the Jayadeva's Gita Govinda to the padabalies of Surdas, Chaupais from the Ramacharitamanasa of Tulasidas and the songs of Vidyapati and Rabindranath Tagore, with piece-de-resistance being, the innovative "Yugma-Dwanda": a sort of Jugalbandi between the dancer and the musician in Raga Bageshri, composed by Pandit Raghunath Panigrahi and the sublime, "Moksha Mangalam" which in time had become her personal signature, which she used to end her performances, on an ethereal note.