The 19th century saw the rise of the Rimé movement (non-sectarian, unbiased) which sought to push back against the politically dominant Gelug school's criticisms of the Sakya, Kagyu, Nyingma and Bon philosophical views, and develop a more eclectic or universal system of textual study. Jamyang Khyentse Wangpo (1820-1892) and Jamgön Kongtrül (1813-1899) were the founders of Rimé. The Rimé movement came to prominence at a point in Tibetan history when the religious climate had become partisan. The aim of the movement was "a push towards a middle ground where the various views and styles of the different traditions were appreciated for their individual contributions rather than being refuted, marginalized, or banned." Philosophically, Jamgön Kongtrül defended Shentong as being compatible with Madhyamaka while another Rimé scholar Jamgon Ju Mipham Gyatso (1846–1912) criticized Tsongkhapa from a Nyingma perspective. Mipham argued that the view of the middle way is Unity (zung 'jug), meaning that from the ultimate perspective the duality of sentient beings and Buddhas is also dissolved. Mipham also affirmed the view of "rangtong" (self emptiness). The later Nyingma scholar Botrul (1894–1959) classified the major Tibetan Madhyamaka positions as shentong (other emptiness), Nyingma rangtong (self emptiness) and Gelug bdentong (emptiness of true existence). The main difference between them is their "object of negation"; shengtong states that inauthentic experience is empty, rangtong negates any conceptual reference and bdentong negates any true existence.