"Jubilate Agno" reflects an abandonment of traditional poetic structures in order to explore complex religious thought. His "Let" verses join creation together as he seemingly writes his own version of Biblical poetry. Smart, in "Jubilate Agno", plays on words and the meaning behind words in order to participate with the divine that exists within language. Although the original manuscript divided the "Let" and "For" verses onto opposing sides of the manuscript, Karina Williams claims that "Dr W. H. Bond then discovered that some of the LET and FOR folios were numbered and dated concurrently, and that these chronologically parallel texts were further connected by verbal links." This justified her combining the two sides to follow each other. Using this as a model, Guest claims that the "For" verses explore religion with a "personal tone" and the "Let" are "unambiguous" and deal with public matters. Jeanne Walker goes further than Guest and claims that the "Let " and "For" sections are united with the Hebrew tradition and "iterate both present and future simultaneously, that is, they redeem time."