As an outgrowth of this, additional concepts of entropy (in humanistic as well as thermodynamic terms), ageing, death, and failure in physical systems have expanded this interest in works such as "Knotted Tongues" (2012), "Of Time and Disillusionment" (2016), and "In Ictu Occuli" (2017). The incorporation of aspects of computer-assisted composition and limited randomised procedures has ultimately widened organisational approaches and made freer, as well as made more abstract, the ultimate musical work. This fascination with entropy, mutation and existentialism coexists with a notable interest in formal design based on the influence of 'pathways' (labyrinths and mazes) and the paradoxical notion of clarity through density.