In March 2008, Bogdanovich said that there was over a year's worth of work left to be done, and a month later, he filmed the opening of the Los Angeles vault where Oja Kodar had kept the workprint material cut by Welles, along with other positive film materials. However, the full original negative remained sealed in a warehouse in France. Throughout the rest of 2008, some work was done on the Los Angeles material. In June 2008, the Showtime Network set up an editing suite in Los Angeles, to begin preliminary logging in work on all of the material. Bogdanovich personally directed the work, Tim King was the Showtime Executive in charge of post-production, Sasha Welles (a nephew of Oja Kodar) worked on the production as an Assistant Editor, and internships were advertised for people to work on cataloguing the film materials.