Unfortunately, here we must sadly restrain myself from going into each and every symbolic implication of the "Cantilena". The qualities of the symbolism of the heart ("calb", v. 3), the well ("bir", v. 4), the steps ("…tiragin" and "tirag", vv. 4 and 5 respectively), the water ("bachar", v. 6), the house ("miramm{a}…", vv. 7{11}, 10{14} and 11{15}), the foundations ("sisen", v. 7{11}), the rock ("gebel", vv. 8{12} and 9{13}), the land ("miken", vv. 12{16} and 13{17}; "…rad…" and "ard", vv. 14{18} and 15{19}), and the colours ("bayda", white; "seude", black; "hamyra", red, v. 15{19}), are all proportional to other qualities in humans themselves, who are also part of a coherent, interconnected reality.