In the second half of the 1960s, the Shaws inaugurated a new generation of more intense, less fantastical "wuxia" films with glossier production values, acrobatic moves and stronger violence. The trend was inspired by the popularity of imported samurai movies from Japan (Chute and Lim, 2003, 8), as well as by the loss of movie audiences to television. This marked the crucial turn of the industry from a female-centric genre system to an action movie orientation (see also the Hong Kong action cinema article). Key trendsetters included Xu Zenghong's "Temple of the Red Lotus" (1965), King Hu's "Come Drink with Me" (1966) and "Dragon Inn" (1967, made in Taiwan; a.k.a. "Dragon Gate Inn"), and Chang Cheh's "Tiger Boy" (1966), "The One-Armed Swordsman" (1967) and "Golden Swallow" (1968).