Darger and his work have been an inspiration for several music artists. The Vivian Girls are an all-girl indie/punk trio from Brooklyn; "Henry Darger" is a song by Natalie Merchant on her album "Motherland", "Vivian Girls" is song by the band Wussy on their album "Left for Dead". "The Vivian Girls Are Visited in the Night by Saint Dargarius and His Squadron of Benevolent Butterflies" is a song by Sufjan Stevens on his album "", "The Story of the Vivian Girls" is a song by Comet Gain on their 2005 album "City Fallen Leaves", and "Segue: In the Realms of the Unreal" is song by the band ...And You Will Know Us by the Trail of Dead on their album "So Divided", "The Vivian Girls" is a 1979 song by Snakefinger (Philip Lithman Roth) also recorded by the Monks of Doom on their album "The Cosmodemonic Telegraph Company", "Vivian Girls" is a song by the band Fucked Up on their album "Hidden World", and "Lost Girls" (about Darger's work) is a song by Tilly and the Wall on their album "Bottoms of Barrels". On their 1994 album "Triple Mania II", San Diego's industrial noise performance outfit Crash Worship reworked several Darger images and screen printed them on a copper foil foldout discfolio; as well as the insert and disc. In 2011, Majical Cloudz released "Childhood's End", a haunting song influenced by Darger's later life. New York jazz pianist Sam Harris's 2014 album "Interludes" includes a song entitled "The Hermit Darger". The song "April 8th" by indie rock band Neutral Milk Hotel, from their debut studio album "On Avery Island", has also been suggested to be heavily inspired by Darger's life, especially on his later years of extreme social reclusion; April 8 was the date on which Elsie Paroubek went missing, and the song appears to imagine a fictional meeting between Paroubek and Darger.