Holly's contract with Decca prohibited him from re-recording any of the songs recorded in the 1956 Nashville sessions for five years, even if Decca never released them. To evade this restriction, the producer Norman Petty credited the Crickets as the artist on his re-recording of "That'll Be the Day" for Brunswick Records. Brunswick was a subsidiary of Decca. Once the cat was out of the bag, Decca re-signed Holly to another of its subsidiaries, Coral Records, so he ended up with two recording contracts. Recordings with the Crickets were to be issued by Brunswick, and the recordings under Holly's name were to be on Coral, although The Crickets played on several of them.