The B-sides and outtakes collection, "Like Cats and Dogs", came out the following year, revealing a quieter, more contemplative side of the band, spanning the previous five years. This carried over into "Adam and Eve" in 1997, wherein the band scaled back the sonic force of their sound from its "Happy Days" levels, with clean playing on some songs that featured extensive use of keyboards and acoustic guitars. Alternately, songs like "Satellite" and "Here Comes the Fat Controller" were lush and orchestral in scope.