Documentary films imitating "Mondo Cane" in the 1960s often included the term "mondo" in their titles, even if they were in English; examples include "Mondo Bizarro", "Mondo Daytona", "Mondo Mod", "Mondo Infame" and "Mondo Hollywood". Films outside the genre followed suit: "Mondo Trasho", "Mondo Weirdo: A Trip to Paranoia Paradise", "Mondo Keyhole" and "Mondo Brutale" (a German release of Wes Craven's "The Last House on the Left") title themselves "mondo", although none are mondo documentaries. Later in the decade, this naming convention began to fall out of favour and fewer mondo films identified themselves as such in their titles.