"Hello Cleveland!", a complex instrumental, was titled after a line from "This Is Spinal Tap". Virgo used the title ironically; taken from a stereotypical "rock and roll" context, it was then placed on a song that "wasn't very rock and roll". It is also the most musically esoteric song on the album; a paper in music journal "Echo" by Sara Nicholson, presented at the sixty-seventh annual meeting of the American Musicological Society, pinpoints a number of uncredited classical recordings sampled at certain points in the song. Primarily these are works by the three principal composers of the Second Viennese School, Arnold Schoenberg, Anton Webern, and Alban Berg; Virgo cites the school as among his musical influences. (Also see the Samples section.) The paper also analyzes the overall structure of the song: it opens with a guitar arpeggio followed by a solo piano composition (noted as being "strikingly similar to Erik Satie's "Gnossienne#1 in f""), along with a 5/4 drum loop. About one minute into the song, the bulk of the samples are introduced by a one-second sample from the fifth movement of Luciano Berio's "Sinfonia", which is repeated intermittently throughout this section. The beat stops in the last minute of the song, which returns to the piano motif, fading out.