Such was the magnificence of Trinity Church that, in his chapter on Phillips Brooks' chancel in "Ralph Adams Cram: An Architect's Four Quests," Douglass Shand-Tucci calls it "an American Hagia Sophia", a reflection of Brooks' architectural and liturgical tastes, disclosed in his travel writings, where in Germany for instance he referred to "thrilling music" and "thrilling incense" in respect to a liturgy he attended there in the Roman Catholic cathedral. Holy Week in Rome also greatly moved him, especially the papal high mass on Easter. Although he despaired of Anglo-Catholic ritualism, he championed many aspects of the liturgical movement including congregational singing at the liturgy. At the Eucharist, for instance, he would preach, not from the pulpit, but from the chancel steps, and although he liked to preach in a black academic gown he never failed to appear in a commodious white surplice and priest's stole when he officiated at the office or Eucharist.