In 1993 Frilot and Karim Ainouz were the co-directors, and introduced many changes, including the name MIX, the production of a catalog (instead of handing our program notes), a new venue (The Kitchen instead of Anthology Film Archives) and a commitment to multicultural presentations and installation work. A stunning program that year was called The 1000 Dreams of Desire, curated by Jim Lyons. It was a special show featuring Teri Rice's "The Kindling Point" and "Les Affaires", at the Ann Street Bookstore in Lower Manhattan, where the peep booths were reprogrammed with experimental video, and 16mm film was projected in a separate room. MIX returned to Anthology in 1994, and combined with DCTV's Lookout Lesbian & Gay Video Festival because DCTV's building was under renovation. Ainouz scaled back his involvement, and Frilot became the definitive voice of MIX, making the organization a home for emerging filmmakers and makers of color. This was signaled by 1994's opening feature, Brincando El Charco, and even more powerfully when 1995's opening and closing events were films by makers of color These films, Vintage: Families of Value by Thomas Allen Harris, and Frilot's own documentary Black Nations/Queer Nations, brought new audiences to MIX. They started satellite festivals such as MIX Brasil (1993) and MIX Mexico (1996).