Towards the end of the 20th century, girls' school stories had in many respects become seen as a cliché, with standard character types such as the oddball but courageous new girl and the practical but fair headmistress, and recurring scenes such as a midnight feast, pranks, heroic rescues and concert at the end of term. Many parodies of these types of stories have been produced. However, when Brazil first wrote schoolgirl tales she was not simply repeating established norms in fiction for young women, and her approach (together with other girls' writers of this period) was innovative and actually establishing new ideas about girls' lives, which were simplified and turned into stock motifs by later writers.