In 1992, Cope released another double album. "Jehovahkill", on Island Records. Musically, the album reflected his interest in Krautrock (though in a more electro-acoustic based form) and his teenage fascination for Detroit hard rock. (A deluxe edition, with a disc of extra material, was released fourteen years later in 2006). Lyrically, the album was fiercely anti-Christian, with such songs as "Poet is Priest", "Julian H. Cope", and the single "Fear Loves This Place" espousing Cope's Paganesque perspective and being highly critical of the established Church. The content (and lack of sales) proved to be too much for Island Records. Despite the album reaching the UK Top 20, the label dropped Cope in the same week that his three shows sold out at London's 1,800 capacity Town & Country Club. The music press mounted an outcry at Island's decision, with the "New Musical Express" (NME) featuring him on their front cover under the headline "Endangered Species" while "Select" magazine started a campaign to have Cope re-signed. Engaged in a tour of the Highlands and Islands of Scotland, Cope refused to comment.