The most comprehensive and revolutionary use of new technology to plan movie sequences came from Francis Ford Coppola, who in making his 1982 musical feature "One From the Heart", developed the process he called “electronic cinema”. Through electronic cinema Coppola sought to provide the filmmaker with on-set composing tools that would function as an extension of his thought processes. For the first time, an animatic would be the basis for an entire feature film. The process began with actors performing a dramatic "radio-style" voice recording of the entire script. Storyboard artists then drew more than 1800 individual storyboard frames. These drawings were then recorded onto analog videodisks and edited according to the voice recordings. Once production began, video taken from the video tap of the 35 mm camera(s) shooting the actual movie was used to gradually replace storyboarded stills to give the director a more complete vision of the film's progress.