The immediate and enduring success of "Cold Comfort Farm" dominated the rest of Gibbons's career. Neville thought that after so singular a success at the start of her career, the rest was something of an anticlimax, despite her considerable industry and undoubted skills. The 1985 edition of "The Oxford Companion to English Literature" defines Gibbons solely in terms of "Cold Comfort Farm"; it mentions none of her other works—while providing her "bêtes noires" Morgan and Mary Webb with full entries. To Gibbons, "Cold Comfort Farm" became "That Book" or "You-Know-What", its title never mentioned. Despite her growing irritation and expressed distaste for it, the book continued to be lauded by successive generations of critics, Boston described it as "one of those rare books of comic genius that imprints itself on the brain and can never afterwards be eradicated". A more negative view of the book has been expressed by the literary critic Mary Beard, who considers it "a rather controlling victory of modern order, cleanliness, contraception and medicine over these messy, different, rural types ... I found myself screaming for the rights of these poor country folk NOT to fall into the hands of people like Flora".