While some of her modernist-inspired products were designed with the intention of streamlining daily routines, others, such as Zittel’s “Escape Vehicles” (1996), appeal to fantasies of isolating oneself from the outside world. In 1998 Zittel developed her “Rules of Raugh” (pronounced raw) along with a new series of living environments and furniture. Compared to earlier goals of simplification and efficiency, the Raugh works, while also multipurpose in nature, embrace an unfinished and low-maintenance aesthetic. “Raugh is a witty and wise addition to Zittel’s investigation of the interplay between modernist esthetics, efficiency, and social determinism.”