While these are more or less original interpretations of the theme, French fabulist Antoine Houdar de la Motte harks back to the light hearted approach of the Greek Anthology in "The Miser and Minos", first published in his fables of 1719. Descending to the Classical underworld at his death, the miser is brought before the judge of the dead and is given the extreme punishment of returning to earth to witness how his wealth is now being spent. The Scottish poet Allan Ramsay adapted this into dialect two years later, and Charles Denis provided a version in standard English in his "Select Fables" (1754), reversing the title to "Minos and the Miser".