The general critical reception was warmly enthusiastic. Felix Aprahamian in "The Sunday Times" called the performance "a curiously moving spiritual and musical experience". Eric Roseberry, writing in "Tempo" magazine, found the music "simple and memorably tuneful throughout ... the writing for strings, recorders and percussion is a miracle of inspiration". Andrew Porter in "Opera" magazine also found the music touched "by high inspiration"; the evening was "an unforgettable experience ... extraordinarily beautiful, vivid and charming, and often deeply moving". The design and production, Porter reported, were "brilliant", while Mackerras commanded his disparate forces masterfully. Several critics remarked favourably on the sound of the handbells. "The Times"s critic noted the effectiveness of Britten's setting of the mystery play: "It is Britten's triumph that in this musically slender piece he has brought to new life the mentality of another century by wholly modern means. These means included a miscellaneous orchestra such as he alone could conceive and handle".