Beyond entrance themes, Johnston composed music for the majority of WWE's pay-per-views and television productions, including show themes, music videos, vignettes, commercials, and tributes. He likened his work to that of scoring a live action movie, "A standard scenario is we get a call from our executive producer: 'We've got a new guy coming', or 'He's breaking out of a tag team and he needs music'. It's like scoring for a movie: is he a good guy or a bad guy? Is he light and svelte and quick-moving, which dictates a fast tempo, or is he a big plodding kind of a guy, in which case you need a big, heavy, the-wrath-of-God-is-coming-upon-us sound?".