Nevertheless, Nicholson concludes that the song "collapses", becoming an "aggregation of elements", which is applied to both groups of listeners: "amateur" listeners hear a collection of sounds with no particular significance, while "connoisseur" listeners are unable to construct a "narrative" out of the sounds as there are "too many elements". This effect, however, is tied back to Virgo's description of his musical influences, to suggest that it is exactly the "kaleidoscopic" effect of Phil Spector's Wall of Sound technique. Virgo, in his statements, in fact says that even though it "isn't music that tends to rear its head in a lot of popular music", the Klangfarbenmelodie (tone-colour-melody) approach to melody pioneered by the Second Viennese School was comparable to a style of popular music production "where there are so many things going on at once but the overall sound doesn't seem complicated" — which Virgo credits Phil Spector for originating; Nicholson makes the reasonable connection that this is referring to the Wall of Sound.