Sinha's speciality lay in making his images speak with use of symbolism. For instance, in "Jatugriho" (based on a short story by Subodh Ghosh), the estranged couple meet by chance in the waiting room of a railway station after years of separation. As the past becomes alive again, they deliberate whether to reunite but decide against it. As they leave by separate trains, heading in opposite directions, the shot cuts to the waiter in the kitchen hanging up their tea cups in two separate hooks, far away from each other but looking very much a pair. A remarkable closing shot that summed up the tragedy of marital discord.