Author Peter Lavezzoli recognises "Harrison's dry humor" in "the honky-tonk, piano-driven" "Drilling a Home". The song is subject to dramatic changing of pitch, from the key of G up to B, through the tape being sped up. In the film, only the portion up to the sound of a rainstorm is used. The ragtime feel of the track is accentuated by an arrangement that includes tack piano, horns and banjo, with the last two sounds created through Ashton's use of different settings on the Mellotron. Author Ian Inglis writes of the effectiveness of "Drilling a Home": "its jangle piano instantly recreates the mood of a crowded saloon in a frontier town, or a Laurel and Hardy or Keystone Cops pursuit." The track segues into "Guru Vandana", another Bombay-recorded piece "Greasy Legs" consists of harmonium and Mellotron, including parts played on the latter instrument's flute, organ and cello settings.