Yet another genre was the Allegory of Avarice, of which one of the earliest examples is Albrecht Dürer's painting of a naked old woman with a sack of coins (1507). This makes the point that age comes to all and confiscates all consolations. A woman is chosen as subject because the Latin "avaritia" is of the feminine gender. Low Countries artists who took up the allegorical theme added the variation of making the woman examine a coin by the light of a candle or lantern, as in the paintings by Gerrit van Honthorst and Mathias Stomer. In his own allegorical treatment, Paulus Moreelse made the link with the dance of death genre by introducing a young boy slyly fingering the coins while keeping a wary eye on the woman to see if she has noticed. These Dutch variations were mostly painted during the 1620s, when Rembrandt too borrowed the imagery, but his candlelit examiner of a coin is male and the piece is variously titled "The Money Changer" or "The Rich Fool", in reference to the parable already mentioned. Jan Steen, on the other hand, makes his subject very obviously a miser who hugs a small sack of coins and holds one up for intent inspection.