Brooks wrote that his only ambition was "to be a parish priest and, though not much of one, would as a college president be still less". Under his inspiration, architect Henry Hobson Richardson, muralist John LaFarge, and stained glass artists William Morris and Edward Burne-Jones created an architectural masterpiece in Trinity Church, Boston, among the notable features of which was the first freestanding liturgical altar in the United States in an overall chancel design that attracted attention for its Liturgical Movement influence even in British architectural magazines. Behind the free standing altar there was another revival from the early church chancel, a great synthranon for priests which surrounded the apse. Because Massachusetts had two bishops then the bishops chairs were placed within the altar rail to either side of the holy table. There were no choir stalls to distract from the central altar, which was hardly recognized as an altar in a period when most altars were backed up on to elaborate carved screens. Until 1888, there was also no pulpit. Brooks preferred to preach his legendary sermons from a modest lectern near the rector's stall on the south side of the chancel. There was also an eagle lectern on a balustraded ambo in the center at the chancel steps.