In 1963, while at the Tamarind Lithography Workshop in Los Angeles with her husband for a lecture of his, Albers was invited to experiment with print media. She grew immediately fond of the technique, and thereafter gave up most of her time to lithography and screen printing. She was invited back as a fellow to Tamarind in 1964. Here she created the six print portfolio titled, "Line Involvements". Albers wrote an article for Britannica in 1963, and then expanded on it for her second book, "On Weaving", published in 1965. The book was a powerful voice of the midcentury textile design movement in the United States. Her design work and writings on design helped establish Design History as a serious area of academic study.