The Concentus musico-instrumentalis is a cycle of seven partitas scored for woodwind, brass, and string instruments. This cycle, published in 1701, was to Joseph, King of Rome. Its cosmopolitan admixture of French, Italian, and German movements and its festive characteristics can be found in Fux's keyboard suites, which are heavily ornamented and treble-dominated. Most Italian operas of that period were concentrated on the solo aria. Whereas, Fux's operas employ an ensemble of solo singers and the large arias often use a concertizing solo instrument. Fux's emphasis on contrapuntal structures was conservative and represented the older manner of treating musical texture.