The two Indian pieces "Love Scene" and "Crying" form another medley, with the first track featuring Khan's call-and-response sarod parts. Overdubbing was unprecedented in Indian music until this time, and Khan later said he was "thrilled" with the effect on "Love Scene", where the sarods " to each other like two lovers in a romantic mood". The piece resulted from Barham's suggestion that Khan play Mauj-Khamaj, a raga created by his grandfather, Allauddin Khan. Described by Madinger and Easter as "aptly titled", "Crying" contains the mournful tones of a tar shehnai. "On the Bed" opens with a piano riff from Harrison, which, in Leng's description, is complemented by "spacey steel guitar, and a fugue of flugelhorn countermelodies, added by Barham". The song includes backing from the Remo Four, and Big Jim Sullivan on bass. Harrison overdubbed the sitar-like steel guitar part.