During the 1960s, in contrast to the state-sponsored Partisan films, Yugoslav movies of the Black Wave movement started depicting contemporary individuals from the margins of society. Run-down kafane would feature prominently in such stories. Socially relevant films like "I Even Met Happy Gypsies", "When Father Was Away on Business", "Život je lep", "Do You Remember Dolly Bell?", "Specijalno vaspitanje", "Kuduz", etc. all had memorable, dramatic scenes that take place in dilapidated rural or suburban kafana. Soon, a distinct cinematic stereotype appeared.