Although Boston suggested that Gibbons's rating in the academic English Literature world ought to be high, her literary status is indeterminate. She did not promote herself, and was indifferent to the attractions of public life: "I'm not shy", she told Oliver, "I'm just unsociable". Truss records that Gibbons had "overtly rejected the literary world ... she didn't move in literary circles, or even visit literary squares, or love in literary triangles". Truss posits further reasons why Gibbons did not become a literary canon. Because she was a woman who wrote amusingly, she was classified as "middlebrow"; furthermore, she was published by Longmans, a non-literary publisher. Her lampooning of the literary establishment in the spoof dedication of "Cold Comfort Farm" to one "Anthony Pookworthy" did not amuse that establishment, who were further offended by the book's mockery of the writing of such canonical figures as Lawrence and Hardy—hence Virginia Woolf's reaction to the "Prix Étranger" award. Her belief in what she called "the gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism.