Quentin Tarantino makes extensive use of the flashback and flashforward in many of his films. In "Reservoir Dogs" (1992), for example, scenes of the story present are intercut with various flashbacks to give each character's backstory and motivation additional context. In "Pulp Fiction" (1994), which uses a highly nonlinear narrative, traditional flashback is also used in the sequence titled "The Gold Watch". Other films, such as his two-part "Kill Bill" (Part I 2003, Part II 2004), also feature a narrative that bounces between present time and flashbacks.