"Design with Nature" had its roots in much earlier landscape architecture philosophies. It was sharply critical of the French Baroque style of garden design, which McHarg saw as a subjugation of nature, and full of praise for the English picturesque style of garden design. McHarg's focus, however, was only partially on the visual and sensual qualities which had dominated the English picturesque movement. Instead, he saw the earlier tradition as a precursor of his philosophy, which was rooted less in aristocratic estate design or even garden design and more broadly in an ecological sensibility that accepted the interwoven worlds of the human and the natural, and sought to more fully and intelligently design human environments in concert with the conditions of setting, climate and environment. Always a polemicist, McHarg set his thinking in radical opposition to what he argued was the arrogant and destructive heritage of urban-industrial modernity, a style he described as "Dominate and Destroy."