Malcolm L. Johnson in his review for the "Hartford Courant" of the 1992 Off-Broadway production wrote: " "The Baltimore Waltz" sounds like one of those cutesy, self-indulgent, even tasteless new plays that can make theater-going a dreaded experience. Yet despite all those things—no, in large part because of them—Vogel's uproarious, searching and finally devastating creation adds up to the very best of theater. Even to say that this is the theater's most deeply felt and richly expressed response to the AIDS plague is to diminish its powers."