In the late 1960s and into the 1970s, Hasan-Jalal's origins became a part of a larger debate revolving around the history of Artsakh between Armenian and Azerbaijani scholars. In addition to the position held almost solely by Azerbaijani historians that much of Artsakh at the time was under heavy Caucasian Albanian influence, they also contend that the population and monuments were not Armenian but Caucasian Albanian in origin (this argument has also been employed against Armenian monuments in the region of Nakhichevan). Among the foremost revisionists who expounded these views were Ziya Bunyadov and Farida Mamedova. Mamedova herself asserted that Hasan-Jalal, based upon her interpretation of an inscription carved into the Gandzasar Monastery by the prince, was Caucasian Albanian. Armenian historians as well as experts of the region such as Hewsen, reject her conclusions, along with the notion held in Azerbaijan, that the Armenians "stole" Caucasian Albania's culture.