Comparable to the Hoetger-buildings, the “Cheese Cover” became an attraction of the artists’ village. During his lifetime the house was already known as a museum for an outsider. In the late 1920s, while Bruno Taut was working on the "Hufeisensiedlung" Britz in Berlin, he repeatedly visited the Worpswedian garden planner Leberecht Migge. As Migge lived right next to Koenemann, Taut must have seen an imitation of his draft, but it is not known exactly how he felt about the plagiarism committed by Koenemann. The latter, however, still presented himself as the ingenious creator of this type of architecture.