When the studio presented a work-in-progress, Stanislavski was encouraged; when performed in a fully equipped theatre in Moscow, however, it was regarded as a failure and the studio folded. Meyerhold drew an important lesson: "one must first educate a new actor and only then put new tasks before him", he wrote, adding that "Stanislavski, too, came to such a conclusion." Reflecting in 1908 on the Theatre-Studio's demise, Stanislavski wrote that "our theatre found its future among its ruins." Nemirovich disapproved of what he described as the malign influence of Meyerhold on Stanislavski's work at this time.