In 1995, Beenie Man collaborated with Dennis Brown and Triston Palma to release "Three Against War" and Mad Cobra and Lieutenant Stitchie on "Mad Cobra Meets Lt. Stitchie & Beenie Man". He also collaborated with Lady Saw on "Healing", Sanchez on "Refugee", and Michael Prophet on "Gun 'n' Bass", further establishing his reputation. He took another step up the ladder in 1996, releasing the seminal "Maestro", produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late 1990s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.