In his 1973 book "The Disney Films", film historian and critic Leonard Maltin argued that the crows "are undeniably black, but they are black characters, not black stereotypes. There is no denigrating dialogue, or Uncle Tomism in the scene, and if offense is to be taken in hearing blacks call each other 'brother', then the viewer is merely sensitive to accuracy." Animation historian John Canemaker felt that the crows were amongst the very few characters in the film that sympathize and are empathetic with Dumbo's plight since being a marginalized ethnic group themselves, they can relate to Dumbo as a fellow outcast. He further added the crows "are the most intelligent, the happiest, the freest spirited characters in the whole film." In 1980, film critic Michael Wilmington referred to the crows as "father figures", self-assured individuals who are "obvious parodies of proletarian blacks", but comments, "The crows are the snappiest, liveliest, most together characters in the film. They are tough and generous. They bow down to no one. And, of course, it is they who teach Dumbo to fly."