After receiving her breast cancer diagnosis, Sprinkle made a collage of her breast tissue scans in order to provoke questions about whether a body that has been subject to surgical procedures and illness can be a sexual one. Sprinkle continued to engage in this medical commentary by juxtaposing medical scans with erotic images and using an electrocardiogram to record the waves of an orgasm. In her performance "Public Cervix Announcement," Sprinkle inserted a speculum into her vaginal canal to display her cervix to the audience. The previous acted as satirical-commentary on the private and invasive nature of gynecological procedures. Sprinkle's use of the erotic and explicit imagery can be said to be feminist as it presents the vulva and internal female anatomy as worthy of being the subject of art and encourages individuals to explore their sexuality. The celebration of erotic imagery that is seen in Sprinkle's work can be compared to other feminist artists or art which use genital iconography to invoke questions about sexuality and anatomy such as Frida Kahlo, Georgia O'Keeffe and The Dinner Party by Judy Chicago.