She shows up, dressed to kill with her father. He clearly had his own reasons for bringing his daughter to this place but when the goons start making moves on her, he turns defensive and starts throwing moralizing lecture, and for this he gets shot by one of the goons. Shamoon (Shafqat Cheema) sporting his usual bizarre "get up" with flowing pony tail becomes obsessed by Saima's voluptuousness, Shamoon imprisons Saima. However, in keeping with the film's utterly warped manner, Saima chooses to stab herself to death rather than to compromise her "izzat" (honour). Shamoon has her stitched up in the nick of time, yet she remains merely a captive pet for her tormentor, waiting for the first opportunity to flee. Saima is rescued from Shamoon's clutches one night by Moosa and whisked away to freedom, but just when she is beginning to take a fancy to her rescuer, it's revealed that all he intended to do was use her as part of a transaction or agreement. Saima is stunned when Moosa gives her over to another set of captors. Saima begs him not to do this, but he continues to walk away, stone faced and impassive. As Moosa is about to mount onto his horse and ride off into the distance, Saima comes up with an idea; she takes to covering her head with a scarf (in dramatic slow-motion) and starts reciting the words (with added echo effect) of the Quran in a last-ditch effort to get through to the stubborn Moosa. When Saima reaches a crescendo with the retort of "Kya tum Moosa nahin ho" (Are you not Moosa?) her words finally seem to hit the right spot and suddenly Moosa assumes the role that his father the saintly priest had always dreamed of.