The story became very popular in the Renaissance. The most common scene shown was Actaeon surprising Diana, but his transformation and his death were also sometimes shown. Titian painted the first two scenes in two of his greatest late "poesies" for Philip II of Spain, in "Diana and Actaeon" and "The Death of Actaeon". The latter actually shows the transformation still in progress; like many depictions the head is shown transformed, but most of the body remains human. Less often Actaeon is fully transformed when caught by his dogs. The story was popular on Italian Renaissance maiolica.