While identified with the modernist movements in art and literature, Stein's political affiliations were a mix of reactionary and progressive ideas. She was outspoken in her hostility to some liberal reforms of progressive politics. To Stein, the industrial revolution had acted as a negative societal force, disrupting stability, degrading values, and subsequently affecting cultural decline. Stein idealized the 18th century as the golden age of civilization, epitomized in America as the era of its founding fathers and what was in France, the glory of its pre-revolutionary Ancien Régime. At the same time, she was pro-immigrant, pro-democratic, and anti-patriarchal. Her last major work was the libretto of the feminist opera "The Mother of Us All" (1947) about the socially progressive suffragette movement and another work from this time, "Brewsie and Willie" (1946), expressed strong support for American G.I.s.