Without introduction, its opening episode is extended with enormous confidence and proceeds directly into the "Trio" section. The "Trio" starts quietly in a similar way to the introduction of his First Symphony: just a moving bass line and a tune, also in the same key (A). The tune is re-stated strongly, as we expect, then developed. The re-statement of the opening employs the same instruments of the orchestra, but is this time started as soft as possible for just four bars before a quick "crescendo" restores its spirit to as it was in the beginning. There is more development before a big return of the "Trio" theme, in the home key of C, and a triumphant ending which might bring to mind the conclusion of Grieg's "In the Hall of the Mountain King".