Literary critic Jean-Marie Apostolidès of Stanford University believed that "The Broken Ear" established a "tintinian" anthropology that would remain throughout the rest of the series. As part of this, Apostolidès argued, Hergé distances himself from western values and looks at his own society as an outsider, accomplishing what Roger Caillois called "sociological revolution". He felt that the comic was "more contrived" and "more superficial" than the previous "Adventures", and that here Tintin loses his position as "the sole point of identification" for the reader, with the other characters becoming more identifiable. Opining that there was a constant theme of twos throughout the story (i.e. the real and the fake fetish, Alonso and Ramón), he thought that the character of Ridgewell was "a kind of Tintin, grown old among the natives, solitary and ill humored", noting that Ridgewell's position among the Arumbayas was akin to Tintin's position among the Ba Baorom in "Congo". Apostolidès also argued that in the comic, Alcazar was a religious figure, who attained a "sacred" quality through the spilling of blood in his revolt against General Tapioca's government. As part of this, he argued that the threats of assassination would make him a martyr, or a "holy king".