The cartoons are painted in a glue distemper medium on many sheets of paper glued together (as can be seen in the full-size illustrations); they are now mounted on a canvas backing. They are all slightly over 3 m (3 yd) tall, and from 3 to 5 m (3 to 5 yd) wide; the figures are therefore over-lifesize. Although some colours have faded, they are in general in very good condition. The tapestries are mirror-images of the cartoons, as they were worked from behind; Raphael's consciousness of this in his designs appears to be intermittent. Raphael's workshop would have assisted in their completion; they were finished with great care, and actually show a much more subtle range of colouring than was capable of being reproduced in a tapestry. Some small preparatory drawings also survive: one for "The Conversion of the Proconsul" is also in the Royal Collection, and the Getty Museum in Malibu has a figure study of "St Paul Rending His Garments". There would have been other drawings for all the subjects, which have been lost; it was from these that the first prints were made.