With Eric Gill's move to Ditchling, the artistic community there gave rise to other sculptors in the Lewes district such as his nephew John Skelton and Joseph Cribb. Skelton's studio in Streat has continued as an educational and artist's workshop since his death in 1999. Eric Gill and Jacob Epstein conceived "a great scheme for doing some colossal figures together" around 1910 for a modern Stonehenge on 6 acres of land at Asheham House, Beddingham, south-east of Lewes. William Rothenstein agreed to buy the lease but the scheme failed.