Numerous other exhibitions at both private and public venues followed, the more recent ones taking place in 2011, at the Museo del Grabado Español Contemporáneo in Marbella, Spain and the Goya Museum in Castres, France. Reviewing one such exhibition, J.M. Martí Font, Paris bureau chief for "El Pais", quoted the prominent art scholar and author Maria Lluïsa Borràs, who wrote that Condé "revels in recovery for modernity subjects fitting of Cervantes or Quevedo, scenes and characters that evoke the aesthetics of the late Middle Ages even though they find themselves on the fringes of both time and history. In his compositions, increasingly more complex and meticulous, the absurd and the enigmatic gradually come together, Goya’s black irony, Bosch’s phantasmagorias, Brueghel’s repulsion and fluidity, and Dürer’s virtuoso drawing." A similar sentiment was expressed by art critic Fernando Huici who remarked in 1983 that "the world that inhabits Condé's creations, the world of his intimate fascinations, always maintains a Brueghelian flavor."