At the tail end came John Williams' "A Postscript to the New Bath Guide by Anthony Pasquin" (1790). The genre had obviously exhausted itself and was diffracted here into a gallimaufry of letters encompassing all classes of society, interspersed by imitations of other literary styles. Meanwhile the fashionable destination for society was changing, as the new fad of sea-bathing replaced the hot springs at Bath. Now abreast of the times, the pseudonymous Anthony Pasquin found success at last by bringing Anstey’s title up to date with "The new Brighton guide, or companion for young ladies and gentlemen to all the watering-places in Great Britain: with notes, historical, moral, and personal" (1796). It immediately became a best-seller, but in succeeding editions the main emphasis was redirected to satire of the Prince Regent, who had favoured Brighton as a resort. With that came an alteration of the poem's title to "The New Brighton Guide; Involving a Complete, Authentic, and Honourable Solution of the Recent Mysteries of Carlton House" that promised "Momentous Alterations and Additions". The work consisted of a series of epistles - moral, sentimental, serious and didactic - between the Royal Pavilion and the Regent’s associated London residences.