Suspensions may be further described with two numbers: (1) the interval between the suspended note and the bass note and (2) the interval between the resolution and the bass note. The most common suspensions are 4-3 suspension, 7-6 suspension, or 9-8 suspension. Note that except for the 9-8 suspensions, the numbers are typically referred to using the simple intervals, so for instance, if the intervals are actually an 11th and a 10th (the first example below), you would typically call it a "4-3 suspension". If the bass note is suspended, then the interval is calculated between the bass and the part that is most dissonant with it, often resulting in a 2-3 suspension.