"Cupid and Psyche" is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and paintings by the Pre-Raphaelite Edward Burne-Jones (in the 1870s–90s). Burne-Jones also executed a series of 47 drawings intended as illustrations for Morris's poem. "Cupid and Psyche" was the subject of the only cycle of prints created by the German Symbolist Max Klinger (1857–1920) to illustrate a specific story.