In 2013 "Dance Magazine" printed the opinions of three directors. Ronald Alexander of Steps on Broadway and The Harlem School of the Arts said the characters in some of the dances were "borderline caricatures, if not downright demeaning". He also said some productions had made changes to improve this. In the Arabian dance, for example, it was not necessary to portray a woman as a "seductress", showing too much skin. Alexander tried a more positive portrayal of the Chinese, but this was replaced by the more traditional version, despite positive reception. Stoner Winslett of the Richmond Ballet said "The Nutcracker" was not racist and that her productions had a "diverse cast". Donald Byrd of Spectrum Dance Theater saw the ballet as Eurocentric and not racist. Chloe Angyal, in Feministing, referred to "unbelievably offensive racial and ethnic stereotypes". Some people who have performed in productions of the ballet do not see a problem because they are continuing what is viewed as "a tradition". George Balanchine admitted "Coffee", described in a "New York Times" article as a "sultry belly dance", was intended for the fathers, not the children.