The short Greg Lake folk-style acoustic guitar section that follows in the middle of the original recording, where Lake briefly switches from playing electric bass guitar, with Palmer playing water-like percussion sounds, then a rhythmic hoedown-like strummed guitar chord section, with hand-clapping on 2 and 4, followed by plucked guitar arpeggios, gives an idea of what the original style of song may have sounded like, before Emerson's arrangement of the majority of the piece. Then another piano interlude leads into a modal jazz band improvisation, followed by the "head out" and coda.