All the metrical psalms were in common meter (CM) with 13 having an alternative in another metre. A few were in long meter (LM) or short meter (SM), and the rest had other metrical patterns. This meant that, within the limits of good taste, almost any psalm could be sung to any psalm tune. Musical editions of the psalter were published with the pages sliced horizontally, the tunes in the top half and the texts in the bottom, allowing the two parts of the volume to be opened independently. The music section was arranged alphabetically by the traditional names of the melodies. Psalm 23, "The Lord's my shepherd", would typically be sung to tune 144 "Wiltshire" (tune "Crimond", written in 1872, becoming overwhelmingly popular from the 1930s), but could theoretically be sung to almost any other, the only restriction being the conventions of familiarity. At the end of some 19th-century music editions of the psalter, however, in whole rather than split pages, there were several special settings for particular psalms or sections of psalms, like Psalm 24:7-10, "Ye gates lift up your heads", to the tune "St. George's Edinburgh", a rousing piece traditionally sung after Communion.