Beginning in the late 1960s, independent filmmakers produced revisionist and hallucinogenic films, later retroactively identified as the separate but related subgenre of "Acid Westerns", that radically turn the usual trappings of the Western genre inside out to critique both capitalism and the counterculture. Monte Hellman's "The Shooting" and "Ride in the Whirlwind" (1966), Alejandro Jodorowsky's "El Topo" (1970), Robert Downey Sr.'s "Greaser's Palace" (1972), Alex Cox's "Walker" (1987), and Jim Jarmusch's "Dead Man" (1995) fall into this category. Films made during the early 1970s are particularly noted for their hyper-realistic photography and production design. Notable examples using sepia tinting and muddy rustic settings are "Little Big Man" (1970), "McCabe and Mrs. Miller" (1971) and "The Culpepper Cattle Co." (1972).