In 1951, Leigh and Laurence Olivier performed two plays about Cleopatra, William Shakespeare's "Antony and Cleopatra" and George Bernard Shaw's "Caesar and Cleopatra", alternating the play each night and winning good reviews. They took the productions to New York, where they performed a season at the Ziegfeld Theatre into 1952. The reviews there were also mostly positive, but film critic Kenneth Tynan angered them when he suggested that Leigh's was a mediocre talent that forced Olivier to compromise his own. Tynan's diatribe almost precipitated another collapse; Leigh, terrified of failure and intent on achieving greatness, dwelt on his comments and ignored the positive reviews of other critics.