In the Baroque suite the gavotte is played after (or sometimes before) the sarabande. Like most dance movements of the Baroque period it is typically in binary form but this may be extended by a second melody in the same metre, often one called the "musette", having a pedal drone to imitate the French bagpipes, played after the first to create a grand ternary form; A–(A)–B–A. There is a "Gavotte en Rondeau" ("Gavotte in rondo form") in J.S. Bach's Partita No. 3 in E Major for solo violin, BWV 1006.