Beginning in 2000, the British market arrested its long decline. However, there is no sign of any great growth in circulation for the few remaining titles, and no sign of any new launches from mainstream publishers into the comics arena. An ever-increasing number of small press and fanzine titles are being produced, such as "Solar Wind" or "FutureQuake", aided by the cheapness and increasingly professional appearance of desktop publishing programs. It is from this scene that the UK's new talents now tend to emerge (e.g. Al Ewing, Henry Flint or Simon Spurrier).