The aim of the project was to attempt to explore the usefulness of Antonin Artaud theories of performance in specific relation to postmodern theatrical and televisual forms. The production originally attempted to interweave and juxtapose Antonin Artaud's theories of performance with Eastern concepts of ritual and performance codification within and against modern popularist performative models. However, three weeks into the devising process it was evident amongst the performers that it was very difficult to practically realise Antonin Artaud's theories of the actor. So after three weeks of experimenting with Artaudian acting styles, Antonin Artaud's theories were largely abandoned. However, some aspects of Artauds theories remained such as the use of stylised physical gestures, which were employed as a physical language system.