He was also revisiting a lot of the mid-1990s drum and bass that had so inspired his early releases. He describes the set-up for "Go Plastic" as follows: "It was the next stage in the "liquid effects processing" idea. "To me it was all about trying to make it sound totally liquid and psychedelic, like liquid LSD. Not evil though, "evil" music just sounds daft and theatrical to me. I've always had a Frankenstein-thing going on, ever since I was kid when I was playing around with electronics. I love the idea of the set-up having such a complex level of internal activity that it begins to resemble a living being." "My Red Hot Car" is his most well known piece. That and "Boneville Occident" were two of the earliest pieces from these sessions. The piece "Tommib" was so named after Tom recalls that: "Aphex was helping me edit a track for Vic Acid and he named the project 'Tommib' and I always remembered that for some reason." Tom claims that "My Fucking Sound" was written specifically with Chris Cunningham in mind: "We had talked a lot in that period about working together, loads of ideas were flying around. That track was intended for Chris to use, and that project was called "Spectral Musicians." Tom recalls that "Aphex [Twin rang up when I was finishing off the track. He asked what I was up to and I said something like "I've got 31 bars left to write on this track I'm doing." He just started laughing and said he never thought of music like that. I suppose it does sound a bit strange and clinical."