By the end of World War II, the Italian "neorealist" movement had begun to take shape. Neorealist films typically dealt with the working class (in contrast to the "Telefoni Bianchi"), and were shot on location. Many neorealist films, but not all, utilized non-professional actors. Though the term "neorealism" was used for the first time to describe Luchino Visconti’s 1943 film, "Ossessione", there were several important precursors to the movement, most notably Camerini's "What Scoundrels Men Are!" (1932), which was the first Italian film shot entirely on location, and Blasetti's 1942 film, "Four Steps in the Clouds".