In the late 1970s, interest in the original arrangement was revived. On February 14, 1973, it received its first performance since the Jazz Age: Conductor Kenneth Kiesler secured the requisite permissions and led with work with pianist Paul Verrette on his University of New Hampshire campus. Reconstructions of it have been recorded by Michael Tilson Thomas and the Columbia Jazz Band in 1976, and by Maurice Peress with Ivan Davis on piano as part of a 60th-anniversary reconstruction of the entire 1924 concert. André Watts (1976), Marco Fumo (1974), and Sara Davis Buechner (2005) released recordings of the work for solo piano as did Eric Himy (2004) in a version that featured the untruncated original short score. Meanwhile, such two-piano teams as José Iturbi and Amparo Iturbi as well as Katia and Marielle Labèque also recorded the piece. Michel Camilo recorded the piece in 2006, winning a Latin Grammy Award.