Millet's "The Gleaners" was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled "The Gleaners" at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793." Having recently come out of the French Revolution of 1848, these prosperous classes saw the painting as glorifying the lower-class worker. To them, it was a reminder that French society was built upon the labor of the working masses, and landowners linked this working class with the growing movement of Socialism. The depiction of the working class in "The Gleaners" made the upper classes feel uneasy about their status. The masses of workers greatly outnumbered the members of the upper class. This disparity in numbers meant that if the lower class were to revolt, the upper class would be overturned. With the French Revolution still fresh in the minds of the upper classes, this painting was not perceived well.