Some critics felt the electronic elements were unoriginal. In the "New York Times", Howard Hampton dismissed Radiohead as a "rock composite" and wrote that "Kid A" "recycles Pink Floyd's dark-side-of-the-moon solipsism to Me-Decade perfection". Beaumont said Radiohead were "simply ploughing furrows dug by DJ Shadow and Brian Eno before them"; the "Irish Times" felt the ambient elements were inferior to Eno's 1978 album "Music For Airports" and its "scary" elements inferior to Scott Walker's 1995 album "Tilt". "Select" wrote: "What do they want for sounding like the Aphex Twin circa 1993, a medal?"