In the second half of the 18th century, the down to earth realism of Dutch painting was a "Whig taste" in England, and in France associated with Enlightenment rationalism and aspirations for political reform. In the 19th century, with a near-universal respect for realism, and the final decline of the hierarchy of genres, contemporary painters began to borrow from genre painters both their realism and their use of objects for narrative purposes, and paint similar subjects themselves, with all the genres the Dutch had pioneered appearing on far larger canvases (still lifes excepted).