Literary critics have followed Bennett in dividing his novels into groups. The literary scholar Kurt Koenigsberger proposes three categories. In the first are the long narratives – "freestanding, monumental artefacts" – "Anna of the Five Towns", "The Old Wives' Tale", "Clayhanger" (1910), and "Riceyman Steps", which "have been held in high critical regard since their publication". Koenigsberger writes that the "Fantasias" such as "The Grand Babylon Hotel" (1902), "Teresa of Watling Street" (1904), and "The City of Pleasure" (1907), have "mostly passed from public attention along with the 'modern' conditions they exploit". His third group includes "Idyllic Diversions" or "Stories of Adventure", including "Helen with the High Hand" (1910), "The Card" (1911), and "The Regent" (1913), which "have sustained some enduring critical and popular interest, not least for their amusing treatment of cosmopolitanism and provinciality".