Born in Indianapolis in 1899, Ruth Page undertook professional studies with Jan Zalewski, Adolph Bolm, Enrico Cecchetti, Harald Kreutzberg and Mary Wigman. She made her professional debut on Broadway in 1917, then with Anna Pavlova’s Company on its tour of South America in 1918, and at Chicago's Auditorium Theater in John Alden Carpenter’s "The Birthday of the Infanta" in 1919. She danced ceaselessly for the next forty years, with Adolph Bolm’s Ballet Intime, on Broadway in Irving Berlin’s "Music Box Revue", with the Chicago Allied Arts, Sergei Diaghilev’s Ballets Russes, the Metropolitan, Ravinia, and Chicago Operas, the Ballet Russe de Monte Carlo, Les Ballets Americains, choreographed for all but one of those companies, choreographed the 1947 Broadway show "Music in My Heart", and served as director/choreographer for the various manifestations of her own Chicago-based companies well into the 1970s. Among hundreds of dance works to her credit are landmark Americana ballets, dances with words and music, and her innovative opera-into-ballets.