Commentators often point to landscape, land and place as one of most crucial groups of motif in Ivan Sen’s films. His distinctive portrayal of skies, roads and low horizons are Sen’s way of addressing issues of location, dislocation and relocation in their relation to identity. According to Jane Mills, "as a descendant of the Gamilaroi people of northern New South Wales who were historically dislocated from their own land and forcibly relocated, Sen’s films are undoubtedly intercultural, diasporic, and postcolonial and, as such, qualify as accented and intercultural cinema."