With the death of Akbar, his son Jahangir (1605–1627) took the throne. He preferred each painter work on a single piece rather than the collaboration fostered during Akbar's time. This period marks the emergence of distinct individual styles, notably Bishan Das, Manohar Das, Abu al-Hasan, Govardhan, and Daulat. Jahangir himself had the capability to identify the work of each individual artist, even if the work was unnamed. The "Razmnama" (Persian translation of the Hindu epic "Mahabharata") and an illustrated memoir of Jahangir, named "Tuzuk-i Jahangiri", were created under his rule. Jahangir was succeeded by Shah Jahan (1628–1658), whose most notable architectural contribution is the Taj Mahal. Paintings under his rule were more formal, featuring court scenes, in contrast to the personal styles from his predecessor's time. Aurangzeb (1658–1707), who held increasingly orthodox Sunni beliefs, forcibly took the throne from his father Shah Jahan. With a ban of music and painting in 1680, his reign saw the decline of Mughal patronage of the arts.