In Lady Loadstone's household, conditions are upside down (at least in the playwright's system of values). Lady Loadstone commands her little domestic world without male rule — in the words of one critic, it is a "feminocentric environment." Yet she cannot manage her household against her obstreperous servants. The governess, Mistress Polish, the midwife, Mother Chair, and the nurse, Mistress Keep (representing the "smock-secrets" of women), are a set of females out of control — a theme that Jonson visits again and again in his works, as in the Ladies Collegiate in "Epicene" and the chorus of she-critics in "The Staple of News."