The third movie was "Bhakta Pralhaad", which famously had a large amount of trick photography. Through his mastery of the lens, several optical effects were created. The special effects were appreciated by Indian as well as foreign technicians. He was a pioneer in many respects. He introduced many firsts in the film industry. Many talented artists such as Mehboob Khan (Mehboob Studio), Kardar, Bhalaji Pendharkar, Vishram Bedekar, R. S. Chowdhary, C. Ramchandra, Jayashree, Ratnamaalaa (Dada Kondke's "Aaye") and "Alam Ara" heroine Zubeida were first introduced by him. He made several movies later: "Thaksen Rajputra", "Chhatrapati Sambhaji", "Krishnashishtai", "Savitri", "Raja Gopichand", "Narad Naradi", "Bhagva Zenda", "Mazi Ladki", "Navardev", etc. He made 17 movies: three Hindi, eight Marathi and six Hindi+Marathi. A documentary film, "Akshar-Olakh", was produced for the "Saksharata Prasar Mandal". This film was produced more a social commitment than for entertainment or business. The last movie of Saraswati Cinetone was "Aawaj", released on 22 May 1942, starring Maya Banerji, Swarnalata and Waasti.