While anthropologists like Margaret Mead and Ruth Benedict are representatives of the history of feminist anthropology, female anthropologists of color and varying ethnicities also play a role in the theoretical concepts of the field. Hortense Powdermaker, for example, a contemporary of Mead's who studied with British anthropological pioneer Bronislaw Malinowski conducted political research projects in a number of then a-typical settings: reproduction and women in Melanesia (Powdermaker 1933), race in the American South (Powdermaker 1939), gender and production in Hollywood (1950), and class-gender-race intersectionality in the African Copper Belt (Powdermaker 1962). Similarly, Zora Neale Hurston, a student of Franz Boas, the father of American anthropology, experimented with narrative forms beyond the objective ethnography that characterized the proto/pseudo-scientific writings of the time. Other African American women made similar moves at the junctions of ethnography and creativity, namely Katherine Dunham and Pearl Primus, both of whom studied dance in the 1940s. Also important to the later spread of Feminist anthropology within other subfields beyond cultural anthropology was physical anthropologist Caroline Bond Day and archeologist Mary Leakey.