In an article focused on the role of high heels in the text, Lilijana Burcar argues that Cisneros offers a "critical dissection" of the role that such attributes of femininity play in constructing young women's self-image. It is argued that high heels do not only constrain women's feet but also constrain their role in society. Esperanza and her friends are given high heels to wear as part of an unofficial rite of initiation into their community, and society. We see this in the vignette entitled "The Family of Little Feet," which tells of a mother who introduces her daughters to high heels, leaving the girls with an initial glee, as if they were Cinderella. Yet this is also described as a horrifying experience for one of the girls, for she feels like she is no longer herself, that her foot is no longer her foot, as the shoe almost dissociates the woman from her body. And yet, as Burcar observes, "presented with a lesson on what it means to be a grown-up woman in American contemporary patriarchal society, the girls decide to cast away their high-heeled shoes."