Neveu made few commercial recordings, but all of them remain in the catalogue. She recorded the Brahms and Sibelius Concertos, Ravel's Tzigane, Chausson's Poeme, the Debussy Sonata (with her brother) and a handful of shorter pieces. There are also two recordings of her Beethoven Concerto (with Rosbaud and Otterloo conducting) and two other recordings of her Brahms (with Dorati and Schmidt-Isserstedt) from non-commercial sources. Most highly praised, and most revelatory, was her Sibelius (with the Philharmonia Orchestra and Walter Susskind). Of it, the composer wrote, 'I particularly wish to speak of my feeling of profound gratitude when I think of the inspired and extremely sensitive performance of my Violin Concerto which Ginette Neveu rendered unforgettable.' She loved the Concerto, but, as she said, 'Ils ne le connaissent en France, et ils ne veulent pas le connaitre!' (They don't know it in France, and they don't want to know it!). Perhaps she was thinking of that difficult concerto when she wrote, 'As far as I am concerned, the truly technical problems which are the most disconcerting and the most fruitful are those posed by composers who have a strong personality and pursue the essence of their musical idea to its logical conclusion without wasting too much sympathy on the performer.'