In a 2010 essay for "Salon", Richard Cohen described "It's a Wonderful Life" as "the most terrifying Hollywood film ever made". In the "Pottersville" sequence, he wrote, George Bailey is not seeing the world that would exist had he never been born, but rather "the world as it does exist, in his time and also in our own". Nine years earlier, another "Salon" writer, Gary Kamiya, had expressed the opposing view that "Pottersville "rocks!"", adding: "The gauzy, Currier-and-Ives veil Capra drapes over Bedford Falls has prevented viewers from grasping what a tiresome and, frankly, toxic environment it is ... We all live in Pottersville now."