A similar commemorative group painting tradition, the Regents group portrait, was true for other Dutch guilds and institutions as well, such as orphanages, hospitals, and hofjes. In the case of the "schutterijen", such a painting was known in Dutch as a schuttersstuk (pl. "schuttersstukken"). After the "schutters" agreed how they wanted to be depicted together in paint, for such paintings each member usually paid and posed separately so that each individual portrait within the group was as accurate as possible, and the artist's fee could be paid. Most group portraits of militia guards were commissioned in Haarlem and Amsterdam, and were much more flamboyant and relaxed or even boisterous than other types of portraits, as well as much larger. Rembrandt's famous "The Militia Company of Captain Frans Banning Cocq", better known as "The Night Watch" (1642), was an ambitious and not entirely successful attempt to show a group in action, setting out for a patrol or parade and also innovative in avoiding the typical very wide format of such works. The reason for this was probably that banquets for guilds had been banned in Amsterdam since 1522.