Two important fresco painters were active in Padua in the late 14th century, Altichiero and Giusto de' Menabuoi. Giusto's masterpiece, the decoration of the Padua Baptistery, follows the theme of humanity's Creation, Downfall, and Salvation, also having a rare Apocalypse cycle in the small chancel. While the whole work is exceptional for its breadth, quality and intact state, the treatment of human emotion is conservative by comparison with that of Altichiero's "Crucifixion" at the Basilica of Sant'Antonio, also in Padua. Giusto's work relies on formalised gestures, where Altichiero relates the incidents surrounding Christ's death with great human drama and intensity.