The Columbus Dispatch said of the set up: "The arena had a retro look — configured like a giant nightclub, with long, tiered, lighted runways extending well out into the hall and surrounding a full symphony orchestra. A small table with a vase of flowers was placed front and center, and after Streisand came onstage — lifted via a small elevator smack into the middle of a spotlight — she worked this part of the stage, closest to her adoring audience."