Steven W. May writes that the Earl of Oxford was Elizabeth's "first truly prestigious courtier poet ... precedent did at least confer genuine respectability upon the later efforts of such poets as Sidney, Greville, and Raleigh." He describes de Vere as a "competent, fairly experimental poet working in the established modes of mid-century lyric verse" and his poetry as "examples of the standard varieties of mid-Elizabethan amorous lyric". May says that Oxford's youthful love lyrics, which have been described as experimental and innovative, "create a dramatic break with everything known to have been written at the Elizabethan court up to that time" by virtue of being lighter in tone and metre and more imaginative and free from the moralizing tone of the courtier poetry of the "drab" age, which tended to be occasional and instructive. and describes one poem, in which the author cries out against "this loss of my good name", as a "defiant lyric without precedent in English Renaissance verse".