Non‐classical music he listened in that time were for example Steve Roach’s dark ambient record The Magnificent Void (1996). As well as Squarepusher’s mix of jazz, D&B and acid (IDM) on Hard Normal Daddy (1997). And the at that time freshly emerging glitch genre initiated by the Raster-Noton label (formed in 1990 by Alva Noto, Frank Bretschneider and Olaf Benders (byetone)). Also capturing Corona's attention were the ambient noise of Deathprod (active from 1994). And the Icelandic post‐rock band Sigur Rós (active since 1997).