The first composition in Eustache Du Caurroy's "Meslanges de la musique", published in 1610, a year after the composer's death, is "Le long des eaux, ou se bagne", a six-part setting of Gilles Durant de la Bergerie's paraphrase of Psalm 137. Salamone Rossi (1570–1630) set the psalm in Hebrew (עַל נַהֲרוֹת בָּבֶל, "Al naharot Bavel") for four parts. Matthew Locke's "Super flumina Babylonis" motet is an extended setting of the first nine verses of the psalm. The psalm's first two verses were used for a musical setting in a round by English composer Philip Hayes. William Billings adapted the text to describe the British occupation of Boston in his anthem "Lamentation over Boston".