For Linda Ben-Zvi, “Beckett does not merely reproduce the modernist critique of and anxiety over technology and the reproduction of art; he attaches 'no truth value' to his critique of technology and the reproduction of the gaze. Instead, he creates a dialogue that awakens and revitalises the uncritical perception of his audience... The work not only is predicated on the form but invariably becomes a critique of its form." Having written a play titled "Play" and a song called "Song", it comes as no surprise that Beckett would entitle his first foray into cinema as "Film". The title supports Ben-Zvi's interpretation in that it is a film about cinematic technology: how the movie camera and photographic images are used in "Film" are essential to understanding it. When he writes, “No truth value attaches to above, regarded as of merely structural and dramatic convenience”, Beckett takes the emphasis away from Berkeley's maxim thus stressing the dramatic structure of the work. The viewers are being asked to consider the work structurally and dramatically rather than emotionally or philosophically.