The conventional theatre in London also continued the Jacobean trend of moving to smaller, more intimate, but also more expensive venues, performing in front of a much narrower social range. The only new London theatre in the reign seems to have been the Salisbury Court Theatre, open from 1629 until the closing of the theatres in 1642. Sir Henry Herbert as (in theory) deputy Master of the Revels, was a dominant figure, in the 1630s often causing trouble for the two leading companies, the King's Men, whose patronage Charles had inherited from his father, and Queen Henrietta's Men, formed in 1625, partly from earlier companies under the patronage of Charles' mother and sister. The theatres were closed for a long time because of plague in 1638–39, although after the Long Parliament officially closed them for good in 1642, private performances continued, and at some periods public ones.