"Assumption of the Virgin", 1516–1518, also features diagonal lines (shaped by the cherubs located around the Virgin), which carries the triumphant message of the painting upward into the upper levels of the Church of Frari in Venice on whose altar it stands. This work was the first to have visual suggestion of movement; all of Titian's works have a new dynamism in the movements of people compared to the static elements of other High Renaissance painters. The "Assumption of the Virgin" also features, like all of his paintings, glowing, deep, rich colours due to Titian's applying layer after layer of paint, sometimes of different colours.