The peculiar artistic form of the court masque was still being written and performed. A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, often Inigo Jones, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Often those acting, who did not speak or sing, were courtiers. In a strong contrast to Jacobean and Elizabethan theatre, seen by a very wide public, these were private performances in houses or palaces for a small court audience.