Since the mid-1970s, with Mel Brooks' Young Frankenstein, and into the 1980s, monster movies like Larry Cohen's "Q, the Winged Serpent" (1982), Tom Holland's Fright Night (1985), George Romero's Creepshow and Ron Underwood's "Tremors" (1989) used comedy as a scaring device. Just before the technological revolution that made possible to create digital special effects thanks to CGI, the last generation of SFX artists impressed us all with the quality and realism of their creations: Rick Baker, Stan Winston and Rob Bottin are among the most remarkable names in the industry.