The headdress is a variant of the truncated or bee-hive hennin, then fashionable at the Burgundian court. A very similar style, with no tail, is seen on the older of two girls in the donor panels of "Presentation of Christ" by the Master of the Prado Adoration of the Magi, a pupil of Rogier van der Weyden. The black band under the chin is rarely found in other images from the period, and has been interpreted as a style borrowed from the male chaperon hat, which always has a long tailing tail or "cornette", sometimes worn wrapped under the chin in this way.