Earlier depictions of bliauts appear to be cut in one piece, such as an example at Angers Cathedral, which is cinched at the natural waistline. The statue at Angers also shows visible lacing at the sides. Later examples of statuary such as the jambs of the Cathedral of Chartres west façade portals show the full accomplishment of the bliaut on female saints and patrons, such as the "Lady With Embroidered Hem," appearing on the left, beside the left portal. These later bliauts, usually shown on statues carved between the 1130s and 1160s, are termed the "bliaut girone", and unlike their predecessors, were cut in two pieces. The bliaut girone consisted of a fitted bodice ("cors") and skirt ("girone"), which was pleated into a low waistband and fell down in vertical folds. It was often paired with a girdle, or "ceinture", which was wrapped around the stomach, emphasising the womb.