During the summer of 1959, Red Grooms along with others (Yvonne Andersen, Bill Barrell, Sylvia Small and Dominic Falcone) staged the non-narrative "play" "Walking Man", which began with construction sounds, such as sawing. Grooms recalls, "The curtains were opened by me, playing a fireman wearing a simple costume of white pants and T-shirt with a poncholike cloak and a Smokey Stoverish fireman's helmet. Bill, the 'star' in a tall hat and black overcoat, walked back and forth across the stage with great wooden gestures. Yvonne sat on the floor by a suspended fire engine. She was a blind woman with tin-foil covered glasses and cup. Sylvia played a radio and pulled on hanging junk. For the finale, I hid behind a false door and shouted pop code words. Then the cast did a wild run around and it ended". Dubbing his 148 Delancey Street studio The Delancey Street Museum, Grooms staged three more happenings there, "A Garden", "The Burning Building" and "The Magic Trainride" (originally titled "Fireman's Dream"). No wonder Kaprow called Grooms "a Charlie Chaplin forever dreaming about fire". On the opening night of "The Burning Building", Bob Thompson solicited an audience member for a light, since none of the cast had one, and this gesture of spontaneous theater recurred in eight subsequent performances.