In the Napoleonic era, France added Romanticism to its style and began to portray individual soldiers with more character. Battle paintings were increasingly produced for large public buildings, and grew larger than ever before. Baron Gros painted mostly glorifications of Napoleon and his victories, but his 1808 painting of the "Battle of Eylau" does not neglect the suffering of the dead and wounded on the frozen battlefield. In contrast, Goya's large paintings "The Second of May 1808" and "The Third of May 1808", perhaps consciously conceived as a riposte to Gros, and his related series of 82 etchings, "The Disasters of War" (Spanish: "Los Desastres de la Guerra"), emphasized the brutality of the French forces during the Peninsular War in Spain. British depictions of the Napoleonic Wars continued the late 18th century patterns, often on a larger scale, with the death of Admiral Horatio Nelson quickly producing large works by Arthur William Devis ("The Death of Nelson, 21 October 1805") and West ("The Death of Nelson"). J. M. W. Turner was among the artists who produced scenes of Nelson's victories, with "The Battle of Trafalgar". The British Institution ran competitions for sketches of art commemorating British victories, the winning entries being then commissioned.