A romantic image of the Celt as a noble savage was cultivated by the early William Butler Yeats, Lady Gregory, Lady Charlotte Guest, Lady Llanover, James Macpherson, Chateaubriand, Théodore Hersart de la Villemarqué and the many others influenced by them. This image coloured not only the English perception of their neighbours on the so-called "Celtic fringe" (compare the stage Irishman), but also Irish nationalism and its analogues in the other Celtic-speaking countries. Among the enduring products of this resurgence of interest in a romantic, pre-industrial, brooding, mystical Celticity are Gorseddau, the revival of the Cornish language, and the revival of the Gaelic games.