In this period the uniform print, concentrating on a detailed depiction of the uniform of one or more standing figures, typically hand-coloured, also became very popular across Europe. Like other prints these were typically published in book form, but also sold individually. In Britain the 87 prints of "The Loyal Volunteers of London" (1797–98) by Thomas Rowlandson, published by Rudolph Ackermann, mark the start of the classic period. Though Rowlandson usually satirized his subjects to some degree, here the soldiers were "represented as they, and particularly their colonels who paid for their uniforms, preferred to see themselves", which remained the usual depiction in such prints. A by Carle Vernet of the splendid uniforms of "La Grande Armée de 1812" showed most foot-soldiers in pairs in camp, in a variety of relaxed poses that showed one from the front and the other from behind. A rare oil painting by a leading artist that treats soldiers in the spirit of the uniform print is "Soldiers of the 10th Light Dragoons" (the "Prince of Wales Own") painted in 1793 by George Stubbs for their Colonel in Chief, the future George IV of the United Kingdom. Other paintings of single soldiers were more dramatic, like Théodore Géricault's "The Charging Chasseur" (c. 1812).