In 1900, Fenollosa returned to the United States to write and lecture on Asia. His 1912 work in two volumes concentrates on art before 1800. He offers Hokusai's prints as a window of beauty after Japanese art had become too modern for his own taste: "Hokusai is a great designer, as Kipling and Whitman are great poets. He has been called the Dickens of Japan." Arthur Wesley Dow said of Fenollosa that "he was gifted with a brilliant mind of great analytical power, this with a rare appreciation gave him an insight into the nature of fine art such as few ever attain".