Romania's communist regime, set up in the late 1940s, originally revised Iorga's role in the historical narrative: a record 214 works of his were banned by communist censors, and remained banned until 1965. From 1948, the Nicolae Iorga Institute of History was merged into a communist institution headed by Petre Constantinescu-Iași, while Papacostea was assigned as head of the reorganized ISSEE. Beginning in the 1960s, the national communist authorities capitalized on Nicolae Iorga's image, suggesting that he was a forerunner of Nicolae Ceaușescu's official ideology. Iorga was promoted to the national communist pantheon as an "anti-fascist" and "progressive" intellectual, and references to his lifelong anti-communism were omitted. The ban on his works was selectively lifted, and some of his main books were again in print between 1968 and 1989, along with volumes of his correspondence. In 1988, Iorga was the subject of "Drumeț în calea lupilor", a Romanian film directed by Constantin Vaeni. It depicted an imaginary encounter and clash between the historian (Valentin Teodosiu) and a character based on Horia Sima (Dragoș Pâslaru). However, the Bonaparte Highway villa, bequeathed by Iorga to the state, was demolished during the "Ceaușima" campaign of 1986.