Pliny indicates that in the 1st century AD, the painting "Marsyas religatus" ("Marsyas Bound"), by Zeuxis of Heraclea, could be viewed at the Temple of Concordia in Rome. The goddess Concordia, like the Greek Harmonia, was a personification of both musical harmony as it was understood in antiquity, and of social order, as expressed by Cicero's phrase "concordia ordinum". The apparent incongruity of exhibiting the tortured silen in a temple devoted to harmony has been interpreted in modern scholarship as a warning against criticizing authority.