Burnett and Rutherford were invited to the Columbia's next Atlanta sessions in April and November 1927. The ten numbers included Dicks' autobiographical "Song Of The Orphan Boy", which was not issued, a record with two sides of dance tunes without a vocal (enlivened by Dick's "monkey business" in the form of kazoo and jew's harp imitations), and a version of Hesitation Blues backed by Dick's adaptation of the well-known "Danville Girl". Another blues, "All Night Long" was backed by the ballad "Wilie Moore", which was reissued on the influential 1952 Harry Smith Anthology of American Folk Music, thus introducing Burnett and Rutherford to the new market of the American folk music revival.