Whilst in Sonios, Corona also engaged in other musical co‐operations like Elohim (1994‐1995), an experimental multimedia group, and Arvoles (1995‐1997), an acoustic‐ambient crossover project including a female vocalist. Then Corona got to compose for modern dance ensembles in Ensenada, an experience that led him to develop a taste for modern academic music, from the dodecaphonism and minimalism of the early 20th century to the experimentalists and serialists of the mid 1900s. Also, he grew tired of pre‐1900 classical music having listened to it for all his teens and adolescence. Upon hearing Xenakis’ Oresteia, plus later Pleiades and Metastasis, as well as Ligeti’s Lux Aeterna his perception of music altered immediately and drastically.