Two other Italians wrote rather different works that centre on the animal within the human. One was Niccolò Machiavelli in his unfinished long poem, "L'asino d'oro" ("The Golden Ass", 1516). The author meets a beautiful herdswoman surrounded by Circe's herd of beasts. After spending a night of love with him, she explains the characteristics of the animals in her charge: the lions are the brave, the bears are the violent, the wolves are those forever dissatisfied, and so on (Canto 6). In Canto 7 he is introduced to those who experience frustration: a cat that has allowed its prey to escape; an agitated dragon; a fox constantly on the look-out for traps; a dog that bays the moon; Aesop's lion in love that allowed himself to be deprived of his teeth and claws. There are also emblematic satirical portraits of various Florentine personalities. In the eighth and last canto he has a conversation with a pig that, like the Gryllus of Plutarch, does not want to be changed back and condemns human greed, cruelty and conceit.