A little more than a year later, Stieglitz, sensing a growing number of photographers who held his same beliefs about the artistry of the medium, founded the Photo-Secession, the first organization in America to promote pictorialism and fine art photography. He invited White and 10 others to become "charter members", although Stieglitz himself strictly controlled what the group did. Immediately Stieglitz began planning how to best advance the work of his new organization, and within a short while he organized an exhibition of the groups' photographs, including several by White, at the National Arts Club. Soon thereafter Stieglitz created another new magazine he called "Camera Work" to further display the work of the Photo-Secessionists. White had five of his photographs reproduced in the July 1903 issue and five more in January 1905. To be included in "Camera Work" and to be a member of the Photo-Secession meant that White was one of the inner circle of Stieglitz's friends at a time when Stieglitz was considered to be one of the top promoters of art photography in the world.