Rousseau's poem was also familiar to composers of other nationalities. Set for mezzo-soprano and full orchestra, it was given almost operatic treatment by the court composer Luigi Cherubini in 1789. Franz Seydelmann set it for soprano and full orchestra in Dresden in 1787 at the request of the Russian ambassador to the Saxon Court, Prince Alexander Belosselsky. Although he spoke highly of Seydelmann's work, it is now judged grandiloquent and banal. The later setting by the Austrian composer Sigismond von Neukomm for soprano and full orchestra (Op. 4 1810) is better regarded.