With these gaps in visual information Delacroix fills the voids with his own European interpretation, resulting in a subtler version of the fantasy female. With the exposed décolletage, loose unbounded clothing and languid poses, Delacroix's Algerian females are still situated in the European oriental dream. The addition of stereotypical Orientalist motifs, such as the "narghile pipe", charcoal burner, and the odalisques pose. Together they create a fictional image that parallels the European fantasy of the harem more than reality. The nineteenth century European viewer's connotations of the "narghile pipe" with smoking hashish or opium, as well as the connotations of the loose unbound clothing to sexual immorality, added to this Western fantasy.