Both Beckett and Schneider were novices, Keaton a seasoned veteran. That said, “Keaton's behaviour on the set was … steady and cooperative … He was indefatigable if not exactly loquacious. To all intents and purposes, we were shooting a silent film, and he was in his best form. He encouraged to give him vocal directions during the shot, sometimes starting over again without stopping the camera if he felt he hadn't done something well the first time. (Nor did he believe much in rehearsal, preferring the spontaneity of performance.) Often when [the crew was stumped over a technical problem with the camera, he came through with suggestions, inevitably prefacing his comments by explaining that he had solved such problems many times at the Keaton Studios back in 1927.”