As the Magnificat is part of the sung Vespers, many composers, beginning in the Renaissance, set the words to music, for example Claudio Monteverdi in his "Vespro della Beata Vergine" (1610). Henry Dumont, Marc-Antoine Charpentier, 10 settings (H.72, H.73, H.74, H.75, H.76, H.77, H.78, H.79, H.80, H.81), Vivaldi composed a setting of the Latin text for soloists, choir, and orchestra, as did Johann Sebastian Bach in his Magnificat (1723, rev. 1733). Other notable examples include C.P.E. Bach's Magnificat. Anton Bruckner composed a Magnificat for soloists, choir, orchestra, and organ. Rachmaninoff and, more recently, John Rutter also composed a setting, inserting additions into the text. Dieter Schnebel wrote a Magnificat in 1996/97 for small choir (schola), percussion and additional instruments ad libitum. Arvo Pärt composed a setting for choir a cappella. Kim André Arnesen's Magnificat for choir, strings, piano, and organ premiered in 2010. The Taizé Community have also composed an ostinato setting of the text.