With the Renaissance there began to be a reinterpretation of what it was that changed the men, if it was not simply magic. For Socrates, in Classical times, it had been gluttony overcoming their self-control. But for the influential emblematist Andrea Alciato, it was unchastity. In the second edition of his "Emblemata" (1546), therefore, Circe became the type of the prostitute. His Emblem 76 is titled "Cavendum a meretricibus"; its accompanying Latin verses mention Picus, Scylla and the companions of Ulysses, and concludes that 'Circe with her famous name indicates a whore and any who loves such a one loses his reason'. His English imitator Geoffrey Whitney used a variation of Alciato's illustration in his own "Choice of Emblemes" (1586) but gave it the new title of "Homines voluptatibus transformantur", men are transformed by their passions. This explains her appearance in the Nighttown section named after her in James Joyce's novel "Ulysses". Written in the form of a stage script, it makes of Circe the brothel madam, Bella Cohen. Bloom, the book's protagonist, fantasizes that she turns into a cruel man-tamer named Mr Bello who makes him get down on all fours and rides him like a horse.