One painting at least depicts an actress playing the part of Circe. This is Franz von Stuck's striking portrait of Tilla Durieux as Circe (1913). She played this part in a Viennese revival of Calderon's play in 1912 and there is a publicity still of her by Isidor Hirsch in which she is draped across a sofa and wearing an elaborate crown. Her enticing expression and the turn of her head there is almost exactly that of Van Stuck's enchantress as she holds out the poisoned bowl. It suggests the use of certain posed publicity photos in creating the same iconic effect as had paintings in the past. A nearly contemporary example was the 1907 photo of Mme Geneviève Vix as Circe in the light opera by Lucien Hillenacher at the Opéra-Comique in Paris. The posing of the actress and the cropping of the image so as to highlight her luxurious costume demonstrates its ambition to create an effect that goes beyond the merely theatrical. A later example is the still of Silvana Mangano in her part as Circe in the 1954 film "Ulysses", which is as cunningly posed for effect.