Two American poets also explored feminine psychology in poems ostensibly about the enchantress. Leigh Gordon Giltner's "Circe" was included in her collection "The Path of Dreams" (1900), the first stanza of which relates the usual story of men turned to swine by her spell. But then a second stanza presents a sensuous portrait of an unnamed woman, very much in the French vein; once more, it concludes, 'A Circe's spells transform men into swine'. This is no passive victim of male projections but a woman conscious of her sexual power. So too is Hilda Doolittle's "Circe", from her collection "Hymen" (1921). In her soliloquy she reviews the conquests with which she has grown bored, then mourns the one instance when she failed. In not naming Ulysses himself, Doolittle universalises an emotion with which all women might identify. At the end of the century, British poet Carol Ann Duffy wrote a monologue entitled "Circe" which pictures the goddess addressing an audience of 'nereids and nymphs'. In this outspoken episode in the war between the sexes, Circe describes the various ways in which all parts of a pig could and should be cooked.