We leave the deck and pass through one of the doors which admit us to the interior of the vessel, and, as if by magic, we at once lose feeling that we are on board a ship, and seem instead to be entering the hall of some great house on shore. Dignified and simple oak panelling covers the walls, enriched in a few places by a bit of elaborate carved work, reminiscent of the days when Grinling Gibbons collaborated with his great contemporary, Wren.