Franio the miller is successful in his appeal to the King: Philip and his courtiers call on Otrante in his castle, and while touring the place Philip forces the exposure of Florimel's presence. The miller's wife Gillian reveals that Florimel is actually Julio's long-lost daughter. Since Florimel is of noble birth, she is now a suitable wife for Otrante — and she assures him that her wantonness was a pretense, and that her virtue is still intact. (And Julio equips her with a dowry too.) The confusions between Antonio and Ismenia are straightened out, and Martino ends up with Aminta, resulting in three couples matched by the play's end.