Eugène Delacroix, who also painted many smaller combat scenes, finished his "The Massacre at Chios" in 1824, showing a then notorious attack on Greek civilians by Ottoman forces during the Greek War of Independence, who are shown in an entirely negative light. It had a more immediate impact on European art than Goya's "Tres de Mayo" ("The Third of May 1808") of a few years earlier, which was apparently not even on display in the Prado Museum until some years later. In contrast, Delacroix's "Liberty Leading the People" of 1830 showed fighting in a positive light, but not the "military" as it shows armed civilian revolutionaries of the July Revolution, advancing against the unseen uniformed forces of the government. Turkish atrocities were to remain a recurrent theme in 19th-century painting, especially in former Ottoman territories escaped from the declining empire (often pre-rape scenes treated rather salaciously), and general anti-military sentiments, previously mostly found in prints, were also to emerge regularly in large oil paintings.