Relationships between satyrs and nymphs of this period are often portrayed as consensual. This trend is exemplified by the 1623 painting "Satyr and Nymph" by Gerard van Honthorst, which depicts a satisfied satyr and nymph lasciviously fondling each other after engaging in obviously consensual sex. Both are smiling and the nymph is showing her teeth, a sign commonly used by painters of the era to signify that the woman in question is of loose morals. The satyr's tongue is visible as the nymph playfully tugs on his goat beard and he strokes her chin. Even during this period, however, depictions of satyrs uncovering sleeping nymphs are still common, indicating that their traditional associations with rape and sexual violence had not been forgotten.