Also in England, Austin Dobson engaged more seriously with Homer's account of the transformation of Odysseus' companions when, though "Head, face and members bristle into swine, / Still cursed with sense, their mind remains alone". Dobson's "" (1640) depicts the horror of being imprisoned in an animal body in this way with the human consciousness unchanged. There appears to be no relief, for only in the final line is it revealed that Odysseus has arrived to free them. But in Matthew Arnold's dramatic poem "The Strayed Reveller" (1849), in which Circe is one of the characters, the power of her potion is differently interpreted. The inner tendencies unlocked by it are not the choice between animal nature and reason but between two types of impersonality, between divine clarity and the poet's participatory and tragic vision of life. In the poem, Circe discovers a youth laid asleep in the portico of her temple by a draught of her ivy-wreathed bowl. On awaking from possession by the poetic frenzy it has induced, he craves for it to be continued.