During the 18th century painters began to portray individual actors in scenes from named plays. There was also a tradition of private performances, with a variety of illustrated works to help with stage properties and costumes. Among these was Thomas Jefferys' "A Collection of the Dresses of Different Nations, Antient and Modern" (1757–72) which included a copperplate engraving of a crowned Circe in loose dress, holding a goblet aloft in her right hand and a long wand in her left. Evidence of such performances during the following decades is provided by several portraits in character, of which one of the earliest was the pastel by Daniel Gardner (1750–1805) of "Miss Elliot as Circe". The artist had been a pupil of both George Romney and Joshua Reynolds, who themselves were soon to follow his example. On the 1778 engraving based on Gardner's portrait appear the lines from Milton's "Comus": "The daughter of the Sun, whose charmed cup / Whoever tasted, lost his upright shape / And downward fell into a grovelling swine", in compliment to the charm of this marriageable daughter of a country house. As in the Jefferys' plate, she wears a silver coronet over tumbled dark hair, with a wand in the right hand and a goblet in the left. In hindsight the frank eyes that look directly at the viewer and the rosebud mouth are too innocent for the role Miss Elliot is playing.