The anthropology of women, introduced through Peggy Golde's "Women in the Field" and Michelle Rosaldo and Louise Lamphere's edited volume "Woman, Culture, and Society", attempted to recuperate women as distinct cultural actors otherwise erased by male anthropologists' focus on men's lives as the universal character of a society. Male anthropologists, Golde argued specifically, rarely have access to women in tribes and societies because of the sexual threat they pose to these women. As such, they receive the stories of men about women in instances when women are not present at all. The male anthropologists' ignorance and the indigenous men's domination congeal to create instances where, according to Rosaldo and Lamphere, the asymmetry between women and men become universal. The second anthropology of women would arise out of American engagements with Friedrich Engels' The Origin of the Family, Private Property and the State, arguing that this universal asymmetry was not timeless, but a product of capitalist relations that came to dominate the global mode of production through colonialism. As both approaches grew more vocal in their critique of male ethnographers' descriptions as one-sided, an 'add women and mix' approach to ethnography became popular, whereby women were not necessarily described at detail, but mentioned as part of the wider culture.