From the French Press – "Hers was the most skillfully inflected Carmen with every nuance of the role and every syllable of her French set forth in a masterly manner. It was also the most beautifully sung performance of the role. From the dramatic standpoint, this was the ideal Carmen – ferocious, sultry, unpredictable; never banal, never vulgar." But with Klytemnestra, Resnik met her greatest challenge – "a dramatic conception that is unforgettable and a vocal prowess without limit." Surely among the happiest memories are three comic masterpieces – her Orlovsky in "Die Fledermaus", the Marquise in "La fille du régiment" (with Joan Sutherland and Luciano Pavarotti) and her Mistress Quickly in the Bernstein–Zeffirelli "Falstaff" of 1964.