This documentary on schlockmeister William Castle takes a few cheap shots at the naive '50s-'60s environment in which he did his most characteristic work--look at the funny, silly people with the ghost-glasses--but it's also affectionate and lively, with particularly bright commentary from John Waters, who was absolutely the target audience for such things at the time, and from Castle's daughter, who adored her dad and also is pretty perceptive about how he plied his craft
 with his own unique style of humor. The film is also a great example of how the '60's were a time when the film industry was still in its infancy, when it was a very creative and creative time. It's a perfect example, of the kind of film that can be made with a little bit of imagination and imagination, but with great care and attention to detail. I highly recommend this film to anyone who is looking for something to watch, or just a fun, funny film. If you're looking to see a good, original, unique film, then this is the perfect film for you. You'll be glad you did. And if you want to know more about the great work that William did, check out his other films, such as "The Man Who Knew Too Much" and "A Christmas Carol." I'm sure you'll find this one a lot of fun to look at. This is a must-see for anyone looking into the creative process of making a film.<br /><br />Title (Brazil): "Cambodia" ("Cameroon") ("Brazil") (English): Camboy ("Portuguese") "Brazil" (Spanish): Cabo ("Spanish")<br/><span style="color:
. The film is also a great example of how the '60's were a time when the film industry was still in its infancy, when it was a very different time.