A noted cinematic phenomenon of the late eighties and early nineties was the number of Oscars which went to actors playing characters who were either physically or mentally handicapped
 or who had been physically abused. The Oscar nominations were given to the best actor in the world, and the Academy Awards were awarded to those who could not be physically handicaps. In the case of "The Big Lebowski", the Oscar winners were the most famous of all time, but the other nominees were not. This film was a great example of how the Oscars were supposed to be about the human condition, not about Hollywood. It was an amazing film, with great performances by the actors, great cinematography, superb cinematographic techniques, amazing cinematics, incredible cinemas, terrific cinema-making, fantastic cinematic effects, wonderful cinematically-enhanced cinemacapes, magnificent cinemascapes and great acting. I loved it. But I also loved the fact that it was directed by a man who was not a Hollywood star. He was very much a director, a filmmaker, an actor, who loved to make films, to create great films. And he loved making great movies. So I think that this film is a perfect example. If you look at the film itself, you will see that the director was really a genius. His genius was in creating great cinema, in making amazing films and in producing great film-makers. That is why
. This was a great opportunity for the film to show the difference between the mentally disabled and the physically handicap. The film was nominated for an Academy Award for Best Picture, but it was not nominated in the same category as the Oscar for best picture. It was also nominated as an Oscar nominee for a Best Director. In the end, the Academy awarded the award to the actor who played the character of Dr. Jekyll and Mr. Hyde.