meetings. and i do about 250 meetings a year so there’s a lot of conversation, not just about the work but about people’s lives, too. i was struck by the fact that there are often these stories about what an artist does for a living and how, in some interesting way, that work has made its way into their practice.
it’s also a topic that sometimes people don’t want to talk about. it’s often the elephant in the room. i don’t think there’s anything there to be ashamed of. it’s a very common reality: people have to work full or part-time. one very nice thing about the feedback from that show 