rest again on beat 4, to also add extra groove to the note coming in on beat 4+. but then in our second bar, we totally change things up, by using the other type of rest on beat 3, which gives the note on beat 4 an extra punch. then that’s immediately followed by the other type of rest again at the beginning of our third bar, which brings back that extra groove on beat 1+.
if you’re already using the “funky trio of notes” in your bass line, as we are in the first three beats, then you can kick things up to a whole new level, by borrowing the 