The objects that interest Levinthal, as he points out in a statement at the Janet Borden Gallery, could as well be called white memorabilia, since they record, presumably, the fantasies of white people, including the fantasy of assuming a temporary black identity.
Levinthal is interested by white memorabilia, that is to say fantasies of white people.
Levinthal is interested by black memorabilia, that is to say fantasies of black people.