Zeuhl
Zeuhl (pronounced ['zœl]; meaning "Celestial") is a subgenre of progressive rock, established in 1969 by the French band Magma The term comes from Kobaïan, the fictional language created by Magma's Christian Vander and Klaus Blasquiz for Magma, in which Zeuhl Ẁortz means something like "heavenly music".

Characteristics
The musical roots of zeuhl go back to pioneers of the free jazz movement such as John Coltrane, on the other hand, folkloristic echoes and influences from Carl Orff's work can be found.
Zeuhl is determined by several characteristic elements. Especially important are dominant rhythm fractions, usually in the form of a pumping bass guitar and sometimes sluggish or flexibly playing drum kits. Slow repetitive structures that serve to build a hypnotic atmosphere are just as prominent as solo passages of high technical finesse. Vocals are often widely present and can consist of polyphonic choral movements, such as Carl Orff's Carmina Burana, or soloistically performed passages with shrill intonation. Zeuhl bands also often have solo guitarists or pianist that usually have a more than accompanying function, especially to emphasize the repetitive patterns.
Dominique Leone, writing for Pitchfork, says the style is: "about what you'd expect an alien rock opera to sound like: massed, chanted choral motifs, martial, repetitive percussion, sudden bursts of explosive improve and just as unexpected lapses into eerie, minimalist trance-rock." He has said that it means celestial and that "Zeuhl music means vibratory music" and that zeuhl is "L'esprit au travers de la matière" (The spirit through matter). That is Zeuhl. Zeuhl is also the sound which you can feel vibrating in your belly. Pronounce the word Zeuhl very slowly, and stress the letter z at the beginning, and you will feel your body vibrating."

Reception
Originally applied solely to the music of Magma, the term "zeuhl" was eventually used to describe the similar music produced by French bands beginning in the 1970s. In addition to Magma, bands who are associated with the term include: Happy Family, Kōenji Hyakkei, and Ruins from Japan, and French band Zao.

Some major representatives
French bands:

Art Zoyd
Dün
Eider Stellaire
Eskaton
Magma
Shub-Niggurath
Weidorje
ZaoJapanese bands:

Bondage Fruit
Daimonji
Happy Family
Kōenji Hyakkei
RuinsOther bands:
(partly only distantly stylistically related to the Zeuhl)

Guapo (United Kingdom)
Univers Zero (Belgium)
Present (Belgium)
Universal Totem Orchestra (Italy)
Corima (United States)

Literature
Holm-Hudson, Kevin (2003). "Apocalyptic Otherness: Black Music and Extraterrestrial Identity in the Music of Magma". Popular Music and Society. Abingdon: Routledge. 26 (4): 481–495. doi:10.1080/0300776032000144931. ISSN 0300-7766. S2CID 194078761. Retrieved 11 July 2023.

References
External links
Zeuhl - A Progressive Rock Sub-genre on Prog Archives
There is No Prog, Only Zeuhl: A Guide to One of Rock’s Most Imaginative Subgenres on Bandcamp.com
Peter Thelen (1 November 1995): The Zeuhl School — The Extended Family of Magma on Exposé Online